11,058 results
1969ref. 162236N.p.: N.p. 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the verso. Not to be confused with the 1924 silent German film of the same name by Carl Boese. A tribe of Amazon women are able to pull down airplanes flying over their island using a mysterious magnetic force and put all the men on the planes to use as sex slaves. 8 x 10 inches. One photograph with a small diagonal crease to the top left corner else Near Fine. N.p. unknown
1969ref. 162236N.p.: N.p. 1969. Two vintage studio still photographs from the 1969 film. Provenance stamps on the verso. Not to be confused with the 1924 silent German film of the same name by Carl Boese. A tribe of Amazon women are able to pull down airplanes flying over their island using a mysterious magnetic force and put all the men on the planes to use as sex slaves. 8 x 10 inches. One photograph with a small diagonal crease to the top left corner else Near Fine. N.p. unknown books
1970ref. 147269N.p.: N.p. 1970. First draft screenplay for an unproduced film from British director Clive Donner circa early 1970s. Ribbon copy typescript on onionskin stock with two small annotations one on page 16 of the word "ice" written into the dialogue in manuscript marker and the page number "100" underlined in manuscript ink at the top margin of that page. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Based on the 1971 novel by Donald MacKenzie the third entry in his Henry Chalice Mystery series preceded by "Salute from a Dead Man" 1966 and "Death is a Friend" 1967. Jewel thief Paul Henderson has had a run of bad luck when he is offered a job on a big heist from a career criminal he's worked with before but when he arrives in Switzerland for the crime he faces a double cross and a kidnapping. Blue untitled wrappers with die-cut title window in the British style. Title page present noted as FIRST DRAFT with credits for screenwriter Clive Donner and novelist Donald Mackenzie misspelled. 143 leaves with last page of text numbered 142. Ribbon copy typescript on onionskin stock rectos only. Tall Pages 8.5 x 11.75 inches with standard size wrappers 8.5 x 11 inches. Pages Very Good plus title page trimed about 1 1/4" from bottom wrapper Very Good plus two closed tears at top of die-cut window bound internally with two flat metal brads. N.p. unknown
1970ref. 147269N.p.: N.p. 1970. First draft screenplay for an unproduced film from British director Clive Donner circa early 1970s. Ribbon copy typescript on onionskin stock with two small annotations one on page 16 of the word "ice" written into the dialogue in manuscript marker and the page number "100" underlined in manuscript ink at the top margin of that page. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Based on the 1971 novel by Donald MacKenzie the third entry in his Henry Chalice Mystery series preceded by "Salute from a Dead Man" 1966 and "Death is a Friend" 1967. Jewel thief Paul Henderson has had a run of bad luck when he is offered a job on a big heist from a career criminal he's worked with before but when he arrives in Switzerland for the crime he faces a double cross and a kidnapping. Blue untitled wrappers with die-cut title window in the British style. Title page present noted as FIRST DRAFT with credits for screenwriter Clive Donner and novelist Donald Mackenzie misspelled. 143 leaves with last page of text numbered 142. Ribbon copy typescript on onionskin stock rectos only. Tall Pages 8.5 x 11.75 inches with standard size wrappers 8.5 x 11 inches. Pages Very Good plus title page trimed about 1 1/4" from bottom wrapper Very Good plus two closed tears at top of die-cut window bound internally with two flat metal brads. N.p. unknown books
ref. 150822Culver City CA: Culver City Studios 1973. Third Revision Draft script for the 1973 film with the name "Jim Woods" in manuscript ink on top right of front wrapper and page two of screenplay likely uncredited Set Painter James T. Woods with copy numbers "76" on top left of front wrapper and "13" on top right of title page in manuscript marker and on back wrapper are numeric entries in manuscript ink. Following script is a one page "APPENDIX A -- TV PLATE -- LUNA'S PARTY" featuring dialogue between a mother and child regarding a holiday party. Woody Allen is a health food store owner who is cryogenically frozen in 1973 only to be revived 200 years later to help lead a rebellion against an inept totalitarian government. Winner of a Hugo Award for Best Dramatic Presentation. Shot on location in Colorado and California. Beige titled wrappers. Title page present dated March 1 1973 noted as REVISION #3 with credits for screenwriters Woody Allen and Marshall Brickman. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with yellow and blue revision pages throughout. Pages Very Good plus with silverfish damage to outer edge of last 15 pages wrapper Very Good plus with silverfish damage to outer edge of back wrapper bound with two gold brads. Culver City Studios unknown
1973ref. 143334Beverly Hills CA: United Artists 1973. Vintage photograph from the 1973 film. A health food store owner is cryogenically frozen in 1973 only to be revived 200 years later to help lead a rebellion against inept totalitarian government. 10 x 8 inches. Very Good plus with pinholes to the corners light soil and some shallow creasing. United Artists unknown
1973ref. 143334Beverly Hills CA: United Artists 1973. Vintage photograph from the 1973 film. A health food store owner is cryogenically frozen in 1973 only to be revived 200 years later to help lead a rebellion against inept totalitarian government. 10 x 8 inches. Very Good plus with pinholes to the corners light soil and some shallow creasing. United Artists unknown books
ref. 150822Culver City CA: Culver City Studios 1973. Third Revision Draft script for the 1973 film with the name "Jim Woods" in manuscript ink on top right of front wrapper and page two of screenplay likely uncredited Set Painter James T. Woods with copy numbers "76" on top left of front wrapper and "13" on top right of title page in manuscript marker and on back wrapper are numeric entries in manuscript ink. Following script is a one page "APPENDIX A -- TV PLATE -- LUNA'S PARTY" featuring dialogue between a mother and child regarding a holiday party. Woody Allen is a health food store owner who is cryogenically frozen in 1973 only to be revived 200 years later to help lead a rebellion against an inept totalitarian government. Winner of a Hugo Award for Best Dramatic Presentation. Shot on location in Colorado and California. Beige titled wrappers. Title page present dated March 1 1973 noted as REVISION #3 with credits for screenwriters Woody Allen and Marshall Brickman. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only with yellow and blue revision pages throughout. Pages Very Good plus with silverfish damage to outer edge of last 15 pages wrapper Very Good plus with silverfish damage to outer edge of back wrapper bound with two gold brads. Culver City Studios unknown books
1972ref. 141404N.p.: Palomar Pictures 1972. Four vintage reference photographs all featuring Michael Caine and two featuring Laurence Olivier from the 1972 film. A successful crime fiction writer invites his wife's lover to his mansion with a complex plan designed to humiliate him. Shot on location in England. 8 x 10 inches. Near Fine with manuscript graphite and blue ink annotations to the verso. Penzler 101. Palomar Pictures unknown
1972ref. 141404N.p.: Palomar Pictures 1972. Four vintage reference photographs all featuring Michael Caine and two featuring Laurence Olivier from the 1972 film. A successful crime fiction writer invites his wife's lover to his mansion with a complex plan designed to humiliate him. Shot on location in England. 8 x 10 inches. Near Fine with manuscript graphite and blue ink annotations to the verso. Penzler 101. Palomar Pictures unknown books
1937ref. 148100Burbank CA: Warner Brothers 1937. Two vintage studio still photographs from the 1937 film one in black-and-white and one a hand-tinted color print. One with the stamp of Consolidated Poster Service on the verso. Based on the 1934 novel following a veteran lineman who takes a young farmer on as a "grunt" or apprentice. Set in Ohio and Chicago. 10 x 8 inches. One Very Good plus one Very Good with a one inch open tear to the lower right corner and a small tear to the upper right corner. Warner Brothers unknown
1937ref. 148100Burbank CA: Warner Brothers 1937. Two vintage studio still photographs from the 1937 film one in black-and-white and one a hand-tinted color print. One with the stamp of Consolidated Poster Service on the verso. Based on the 1934 novel following a veteran lineman who takes a young farmer on as a "grunt" or apprentice. Set in Ohio and Chicago. 10 x 8 inches. One Very Good plus one Very Good with a one inch open tear to the lower right corner and a small tear to the upper right corner. Warner Brothers unknown books
1970ref. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1970ref. 141850N.p.: N.p. 1970. Draft script for an unproduced film. During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. Set in Boston. Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1972ref. 153098Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1972 film belonging to uncredited crew member J.T. Woods with their name in manuscript pencil on top of front wrapper and with annotations in manuscript marker of layout diagrams on recto and verso of front wrapper and with names and a phone number in manuscript ink on verso of back wrapper . A recently paroled carjacker is lured back into a world of crime when his dying best friend tells him about a hidden stash of embezzled money. The first screenplay from screenwriter W.D. Richter known in later years for "Big Trouble in Little China" and his adaptation of "Invasion of the Body Snatchers" and for directing the cult classic "The Adventures of Buckaroo Banzai." Shot on location in Pismo Beach California. Goldenrod titled wrappers rubber-stamped copy No. 39 dated July 12 1972 with credits for producer Jack Sher director Howard Zieff and screenwriter W.D. Richter. 118 leaves with last page of text numbered 110. Mimeograph duplication rectos only with blue green and gray revision pages throughout dated variously between 6-21-72 and 7-12-72. Pages Near Fine wrapper Very Good with tape binding at spine chipping and splitting and some soiling on back wrapper bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1993ref. 151168Los Angeles: Paramount Pictures 1993. Vintage reference photograph of Sharon Stone and director Phillip Noyce on the set of the 1993 film. Based on the 1991 novel by Ira Levin and adapted by notorious screenwriter Joe Eszterhas then the highest paid screenwriter in Hollywood noted for his provocative screenplays such as "Flashdance" 1983 "Jagged Edge" 1985 "Basic Instinct" 1992 and "Showgirls" 1995. Successful book editor Carly Norris Stone moves into the elegant hi-tech "Sliver" apartment building unaware of it's history of unsolved grisly murders. Set in New York City shot on location in New York and Los Angeles. 10 x 8 inches. Near Fine. Grant US. Paramount Pictures unknown books
1978ref. 167893Beverly Hills CA: United Artists 1978. Collection of 13 vintage studio still photographs from the 1978 film. An aging newspaper reporter falls in love with his neighbor a beautiful but sickly ballerina. Anne Ditchburn who had no prior acting experience was chosen from a pool of 400 applicants for the part. A dancer and choreographer she choreographed some of her own routines in the film. 8 x 10 inches. Generally Very Good plus one Very Good. United Artists unknown books
1978ref. 140411N.p.: CIP 1978. Four vintage studio still photographs from the 1978 film. A beloved newspaper columnist falls for an ailing ballerina in John Avildsen's 1978 romantic film. Anne Ditchburn who had no prior acting experience was chosen from a pool of 400 applicants for the part. A dancer and choreographer she choreographed some of her own routines in the film. Shot on location in New York. 8 x 10 inches. Near Fine with a red manuscript notation to one image. CIP unknown books
1978ref. 140401N.p.: CIP 1978. Three vintage color studio still photographs from the 1978 film. A beloved newspaper columnist falls for an ailing ballerina in John Avildsen's 1978 romantic film. Anne Ditchburn who had no prior acting experience was chosen from a pool of 400 applicants for the part. A dancer and choreographer she choreographed some of her own routines in the film. Shot on location in New York. 8 x 10 inches. Fine. CIP unknown books
1967ref. 132399Hollywood: National Screen Service / Paramount Pictures 1967. Vintage full-color British front-of-house card from the 1967 UK film. A musical romp through northern England about two young women venturing out to find fame and fortune. 8 x 10 inches. About Near Fine. Ink notation on verso. National Screen Service / Paramount Pictures unknown books
1975ref. 127469Beverly Hills CA: United Artists 1975. Vintage one sheet poster for the 1975 film with the original PG rating blanked at the bottom left. Not to be confused with 2002 horror film directed by Parker Finn. The third and final film of Michael Ritchie's "American Dream Trilogy" following his 1969 film "Downhill Racer" and his 1972 film "The Candidate." A shrewd and brutal satire wherein used car dealer Big Bob Freelander Bruce Dern and frustrated housewife Brenda DiCarlo Barbara Feldon are in charge of putting on the Santa Rosa Jaycees Young American Miss beauty contest. A savage satire with a brilliant performance from Dern which though generally favorably reviewed upon release was a box-office bomb and has subsequently become a cult classic. Set in and shot on location in Santa Rosa California. 27 x 41 inches. Folded as issued. Very Good plus. United Artists unknown books
1975ref. 145079N.p.: Tamalpais Productions 1975. Vintage press photograph of actor Bruce Dern and director Michael Ritchie on the set of the 1975 film. Xerographically reproduced snipe on the verso. A biting satire on the American beauty pageant. Shot on location in Santa Rosa California. 10 x 8 inches. Near Fine. Tamalpais Productions unknown books
1975ref. 135469Beverly Hills CA: United Artists 1975. Three vintage black-and-white studio still photographs from the 1975 film "Smile" a biting satire on the American beauty pageant. 8 x 10 inches. Near Fine. United Artists unknown books
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown
1982ref. 167880Los Angeles: New Line Cinema 1982. Three vintage studio still photographs from the 1982 film. A teenage runaway travels from New Jersey to New York in order to become famous in the punk subculture only to discover the punk scene long since faded and relocated to Los Angeles. Susan Seidelman would go on to direct "Desperately Seeking Susan" with some considering "Smithereens" a stylistic precursor to that film. The first American independent film to be invited to compete for the Palme d'Or at Cannes. 10 x 8 inches. Lightly toned else Near Fine. New Line Cinema unknown books
