11,160 results
1970ref. 136662Universal City CA: Universal Pictures 1970. Seven borderless black-and-white reference photographs from the set of the film shot in April 1960. Five of the six remarkable photographs show Wise both in the desert and in the midst of the elaborate sets designed to simulate the film's massive underground laboratory. With printed snipes on the verso of each photograph. 7.25 x 9.5 inches. Near Fine. Vogel Film as a Subversive Art. Universal Pictures unknown books
1960ref. 168181Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Vintage studio still photograph from the US release of the 1960 Italian film. Based on Bruce Marshall's 1953 novel "The Fair Bride." A Catholic clergyman resigns from priesthood because of the church's support for the Nationalist rebels in the Spanish Civil War. When Loyalists begin attacking churches and clerics the former priest tries to hide with the help of a cabaret singer and a war correspondent. Set in Spain shot on location in Viterbo Sicily and Rome Italy. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1960ref. 168226Beverly Hills CA: Metro-Goldwyn-Mayer MGM / Titanus-Spectator 1960. Vintage studio still photograph from the US release of the 1960 Italian film. Based on Bruce Marshall's 1953 novel "The Fair Bride." A Catholic clergyman resigns from priesthood because of the church's support for the Nationalist rebels in the Spanish Civil War. When Loyalists begin attacking churches and clerics the former priest tries to hide with the help of a cabaret singer and a war correspondent. Set in Spain shot on location in Viterbo Sicily and Rome Italy. 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] / Titanus-Spectator unknown books
1960ref. 149022Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Vintage one sheet poster for the 1960 Italian-American film. Based on the 1953 novel "The Fair Bride" by Bruce Marshall. Arturo Carrera Dirk Bogarde resigns from Catholic priesthood because of the church's support for the Nationalist rebels in the Spanish Civil War. When Loyalists begin attacking churches and clerics Arturo tries to hide with the help of a prostitute Soedad Ava Gardner and war correspondent Hawthorne Joseph Cotton. Set in 1936 Spain shot on location in Viterbo Sicily and Rome Italy. 27 x 41 inches. Folded as issued. Good only with some small chips along the bottom edge a chip in the middle of the title and two closed tears. See image. Metro-Goldwyn-Mayer [MGM] unknown books
1948ref. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown
1948ref. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown books
1960ref. 167583Los Angeles: American International Pictures AIP 1960. Vintage studio still photograph from the 1959 film showing astronauts on the surface of Mars. Annotation in manuscript ink on the verso. Members of the first crewed expedition to Mars discovers carnivorous amoeba enormous monsters and other horrors. The film's low budget and nine-day shooting schedule required the use of CineMagic a processing technique that merged animation with live-action footage. 10 x 8 inches. Very Good. American International Pictures [AIP] unknown books
1960ref. 151690Beverly Hills CA: United Artists 1960. Vintage reference photograph of director Billy Wilder chatting with actors Tony Curtis apparently visiting the set and Jack Lemmon on the set of the 1960 film. A mild-mannered office worker allows his boss use of his apartment for the boss' weekend dalliances in hopes of getting ahead on the corporate ladder only to finally meet the perfect woman a beautiful elevator operator. Madcap wonderment ensues. Nominated for ten Academy Awards winning five including Best Picture Best Director and Best Screenplay. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. United Artists unknown
1960ref. 151690Beverly Hills CA: United Artists 1960. Vintage reference photograph of director Billy Wilder chatting with actors Tony Curtis apparently visiting the set and Jack Lemmon on the set of the 1960 film. A mild-mannered office worker allows his boss use of his apartment for the boss' weekend dalliances in hopes of getting ahead on the corporate ladder only to finally meet the perfect woman a beautiful elevator operator. Madcap wonderment ensues. Nominated for ten Academy Awards winning five including Best Picture Best Director and Best Screenplay. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. United Artists unknown books
1964ref. 143345Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown
1964ref. 143345Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown books
1950ref. 169980N.p.: N.p. 1950. Treatment script for an unproduced film. Copy belonging to screenwriter Harold Jacob Smith with the maker annotation of "H.J. Smith" and a telephone number on the top left corner of the front wrapper. Script with four carbon typescript pages the final three pages and a second title page with the alternative title "The Last American" found preceding the title page matching the front wrapper. The title page with the title matching the front wrapper with a manuscript marker annotation striking second screenwriter Nathan E. Douglas. Nathan E. Douglas was the pseudonym of blacklisted screenwriter Nedrick Young with whom Smith co-wrote the Academy Award winning script for the 1958 film "The Defiant Ones" as well as the acclaimed 1960 film "Inherit the Wind." For generations Joshua Cable's family have lived on their farm in the Appalachia Mountains. After strip mining has left everyone but the coal companies destitute and all the farms poisoned with coal dust Cable desperately gathers the help of other impoverished men to steal equipment from the coal company and mine his farmland for coal in spite of having sold the mineral rights to his land to the coal company years ago. Tan titled wrappers. Two title pages present one with credits for screenwriter Harold Jacob Smith and one for screenwriters Harold Jacob Smith and Nathan E. Douglas with Douglas' name stuck. 37 leaves with last page of text numbered 33. Mimeograph duplication with four pages carbon typescript rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1950ref. 169980N.p.: N.p. 1950. Treatment script for an unproduced film. Copy belonging to screenwriter Harold Jacob Smith with the maker annotation of "H.J. Smith" and a telephone number on the top left corner of the front wrapper. Script with four carbon typescript pages the final three pages and a second title page with the alternative title "The Last American" found preceding the title page matching the front wrapper. The title page with the title matching the front wrapper with a manuscript marker annotation striking second screenwriter Nathan E. Douglas. Nathan E. Douglas was the pseudonym of blacklisted screenwriter Nedrick Young with whom Smith co-wrote the Academy Award winning script for the 1958 film "The Defiant Ones" as well as the acclaimed 1960 film "Inherit the Wind." For generations Joshua Cable's family have lived on their farm in the Appalachia Mountains. After strip mining has left everyone but the coal companies destitute and all the farms poisoned with coal dust Cable desperately gathers the help of other impoverished men to steal equipment from the coal company and mine his farmland for coal in spite of having sold the mineral rights to his land to the coal company years ago. Tan titled wrappers. Two title pages present one with credits for screenwriter Harold Jacob Smith and one for screenwriters Harold Jacob Smith and Nathan E. Douglas with Douglas' name stuck. 37 leaves with last page of text numbered 33. Mimeograph duplication with four pages carbon typescript rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown books
1969ref. 140811Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film about a man who becomes suspicious that his new wife is really a high priced escort. Set and shot on location in Italy. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1969ref. 140811Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1969. Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film about a man who becomes suspicious that his new wife is really a high priced escort. Set and shot on location in Italy. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1974ref. 168194N.p.: Astral Films 1974. Five vintage studio still color photographs from the 1974 film. Based on Mordecai Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 10 x 8 inches. Near Fine to Fine. Astral Films unknown
1974ref. 157978N.p.: Astral Films 1974. Vintage reference photograph from the 1974 film showing author Mordecai Richler on the set. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 8 x 10 inches. Very Good plus. Astral Films unknown
1974ref. 168194N.p.: Astral Films 1974. Five vintage studio still color photographs from the 1974 film. Based on Mordecai Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 10 x 8 inches. Near Fine to Fine. Astral Films unknown books
1974ref. 157978N.p.: Astral Films 1974. Vintage reference photograph from the 1974 film showing author Mordecai Richler on the set. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 8 x 10 inches. Very Good plus. Astral Films unknown books
1974ref. 127463Los Angeles: Paramount Pictures 1974. Vintage insert poster for the 1974 film. Based on Mordechai Richler's 1959 novel about a young working-class Jewish man who embarks on a series of get-rich-quick schemes in an attempt to buy the land around a lake. Set and shot on location in Montreal. 14 x 36 inches. Near Fine. Paramount Pictures unknown books
1965ref. 161475Hollywood: Arts Films International 1965. Vintage studio still photograph from the 1965 release of the 1962 film. Provenance stamp on the verso. A diver finds unexpected help in finding sunken treasure by a bevy of beautiful mermaids. Originally released in 1962 as "Mermaids of Tiburon" the film was re-released with newly shot nude footage by director John Lamb in 1965 as "The Aqua Sex." Shot on location in Mexico and Channel Islands California. 8 x 10 inches. Very Good plus with faint creasing and light edgewear. Arts Films International unknown books
1969ref. 158639N.p.: N.p. 1969. Vintage reference photograph from the 1969 film showing actors Deborah Kerr and Kirk Douglas. From the archive of film historian and author Joel Finler. Adapted by director Elia Kazan from his own 1967 novel about an advertising executive on the verge of a nervous breakdown balancing the demands of his unhappy wife younger mistress and dying father. Set and shot on location in Los Angeles and New York. 10 x 8 inches. Near Fine. N.p. unknown
1969ref. 145742Burbank CA: Warner Brothers / Seven Arts 1969. Vintage double weight matte photograph of Elia Kazan on the location at 34th Street and Fifth Avenue in New York for shooting of the 1969 film. With manuscript annotations and mimeo snipe on the verso. Adapted by Kazan from his own 1967 novel about a suicidal advertising executive on the verge of a nervous breakdown dealing with his unhappy wife younger mistress and dying father. 10 x 8 inches. Near Fine. Warner Brothers / Seven Arts unknown
1969ref. 143372Burbank CA: Warner Brothers / Seven Arts 1969. Vintage photograph on director Elia Kazan conferring with a lounging Kirk Douglas holding a prop baby doll and Faye Dunaway during an outdoor shoot on the set of the 1969 film. With manuscript annotations regarding layout on the verso. Adapted by Kazan from his own 1967 novel about a suicidal advertising executive on the verge of a nervous breakdown dealing with his unhappy wife younger mistress and dying father. 8 x 10 inches. Near Fine. Warner Brothers / Seven Arts unknown
1969ref. 150740Burbank CA: Warner Brothers / Seven Arts 1969. Eight vintage studio still photographs from the 1969 film. Adapted by director Elia Kazan from his own 1967 novel about an advertising executive on the verge of a nervous breakdown balancing the demands of his unhappy wife younger mistress and dying father. Set and shot on location in Los Angeles and New York. 10 x 8 inches. Near Fine. Warner Brothers / Seven Arts unknown books
