10,264 results
1988ref. 140791Los Angeles: Twentieth Century-Fox 1988. Second Revised Draft script for an unproduced film. After one too many liabilities Joe is demoted from sports writer to gossip columnist at a New York newspaper especially after the former columnist entered rehab and does not plan to leave. His befriends Samantha Worthington who gives him the goods on the dirt around the city as she struggles to find a rich husband after her rich father told her he is cutting her off financially. From hating each other to tormenting each other's lives to loving each other Samantha finds a wealthy Hungarian count to marry and breaks it off in the eleventh hour for Joe who she has loved this whole time. Set in New York City. Pink titled wrappers dated November 1 1988. Title page present dated November 1 1988 noted as Second Revised Draft with credits for screenwriter Kathy Cohen. 119 leaves with last page of text numbered 118. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1965ref. 146364New York: Challenger Productions 1965. Ribbon copy typescript of a Preliminary Treatment script for an unproduced film. The manuscript does not name the author however we can reasonably presume this is Robert Newman's known treatment for Isak Dinesen's "Seven Gothic Tales" under the title "The Gothic Tales" which we have offered once in the past with that copy having a stated credit for Newman and also 53 pages; and also "Challenger Productions" as stated on title page as well as documented in Boston University's Robert Newman Collection. Contains several proofreading annotations in manuscript ink throughout. Based on the 1934 collection of short stories "Seven Gothic Tales" by Danish author Karen Blixen working under her more commonly recognized pseudonym Isak Dinesen Newman's screenplay is a series of vignettes taking place in 19th century Europe told from the perspective of the author. Dinesen is also the author of the 1937 memoir "Out of Africa" which was made into Sydney Pollack's Academy Award winning 1985 film of the same name as well as the short story "Babette's Feast" from her 1958 collection "Anecdotes of Destiny" made into Gabriel Axel's Academy Award winning 1987 film of the same name. In the late 1960s Orson Welles had the intention of creating an anthology of films adapted from Dinesen's stories. Only one was completed Welles' 1968 "The Immortal Story" starring Jeanne Moreau based on the short story of the same name from the 1958 collection "Anecdotes of Destiny." In the early 1980s Welles attempted to film "The Dreamers" based on the short story of the same name from "Seven Gothic Tales" and "Echoes" from the 1957 collection "Last Tales" but only completed a few scenes and abandoned the project after a lack of financing. In 1982 Italian director Emidio Greco directed "Ehrengard" based upon Dinesen's novel of the same name but was not released until 2002 due to financial complications. Set in Europe. Blue untitled wrappers. Title page present dated JU 2 6195 presumably 1965 noted as Preliminary Treatment with credits for novelist Dinesen. 55 leaves with last page of text numbered 53. Ribbon copy typescript rectos only. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Challenger Productions unknown
1965ref. 146364New York: Challenger Productions 1965. Ribbon copy typescript of a Preliminary Treatment script for an unproduced film. The manuscript does not name the author however we can reasonably presume this is Robert Newman's known treatment for Isak Dinesen's "Seven Gothic Tales" under the title "The Gothic Tales" which we have offered once in the past with that copy having a stated credit for Newman and also 53 pages; and also "Challenger Productions" as stated on title page as well as documented in Boston University's Robert Newman Collection. Contains several proofreading annotations in manuscript ink throughout. Based on the 1934 collection of short stories "Seven Gothic Tales" by Danish author Karen Blixen working under her more commonly recognized pseudonym Isak Dinesen Newman's screenplay is a series of vignettes taking place in 19th century Europe told from the perspective of the author. Dinesen is also the author of the 1937 memoir "Out of Africa" which was made into Sydney Pollack's Academy Award winning 1985 film of the same name as well as the short story "Babette's Feast" from her 1958 collection "Anecdotes of Destiny" made into Gabriel Axel's Academy Award winning 1987 film of the same name. In the late 1960s Orson Welles had the intention of creating an anthology of films adapted from Dinesen's stories. Only one was completed Welles' 1968 "The Immortal Story" starring Jeanne Moreau based on the short story of the same name from the 1958 collection "Anecdotes of Destiny." In the early 1980s Welles attempted to film "The Dreamers" based on the short story of the same name from "Seven Gothic Tales" and "Echoes" from the 1957 collection "Last Tales" but only completed a few scenes and abandoned the project after a lack of financing. In 1982 Italian director Emidio Greco directed "Ehrengard" based upon Dinesen's novel of the same name but was not released until 2002 due to financial complications. Set in Europe. Blue untitled wrappers. Title page present dated JU 2 6195 presumably 1965 noted as Preliminary Treatment with credits for novelist Dinesen. 55 leaves with last page of text numbered 53. Ribbon copy typescript rectos only. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Challenger Productions unknown books
1957ref. 144612Paris: N.p. 1957. Two original single weight black-and-white press photographs from an anniversary showing of the 1937 French film circa 1957. Director Renoir is seen with actress Mylene Demongeot and an image of a neighboring Champs-Elysees drugstore. Renoir's film about soldiers during WWI is widely regarded as a masterpiece and one of Orson Welles' favorite films. 5 x 7 inches. Light curling else Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1955ref. 167094N.p.: N.p. 1955. Three borderless candid reference photographs from the 1955 French film one a close-up of actress Brigitte Bardot sitting alone the other two showing Bardot with director René Clair. French agency stamp on the versos. Clair's first color film based largely on his childhood experiences. A womanizing French lieutenant bets that he can seduce a woman in time for his company to being its summer maneuvers only to discover that his chosen target a Parisian divorcée is not like other girls. Photographs ranging in size from 10.25 x 7 inches to 10.25 x 6.5 inches. Very Good plus overall. N.p. unknown
1955ref. 144602Paris: Cinedis 1955. Archive of 867 original keybook still photographs from the 1955 French film pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed to the front wrapper. Nearly all photos numbered in manuscript ink inside a small white border on the recto and all numbered in mimeograph on the verso. One notebook full of photos crediting photographer Beauvarlet on the rectos. Director Rene's first color film based largely on his childhood experiences. Winner of two important French film awards the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Beauvarlet remains uncredited for the film perhaps overshadowed by the film's prolific cinematographer Robert Lefebvre. Beauvarlet stuck close to Bardot throughout her career snapping stills in "Her Bridal Night" 1956 "Naughty Girl" 1956 "La Parisienne" 1957 and "The Night Heaven Fell" 1958. His quick-draw style is amply captured here in candid images of the cast and crew a jovial celebrity signing and softer posed studio portraits. Armand Philipe is a lieutenant in the French cavalry just before WWI a notorious womanizer and gambler who bets that he can seduce a woman in time for his company to being its summer maneuvers. The woman is Marie-Louise Morgan a divorcee who runs a milliner's shop and who is also being courted by Victor Desailly. A subplot involving Armand's friend Felix Yves Robert and Lucie Bardot a photographer's daughter. Photos 3.5 x 4.5 inches. Very Good overall several with bruises from offsetting paste several are loose. Cinedis unknown
1957ref. 144612Paris: N.p. 1957. Two original single weight black-and-white press photographs from an anniversary showing of the 1937 French film circa 1957. Director Renoir is seen with actress Mylene Demongeot and an image of a neighboring Champs-Elysees drugstore. Renoir's film about soldiers during WWI is widely regarded as a masterpiece and one of Orson Welles' favorite films. 5 x 7 inches. Light curling else Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1955ref. 144602Paris: Cinedis 1955. Archive of 867 original keybook still photographs from the 1955 French film pasted on thick stock in three large quarto "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and a paper title label affixed to the front wrapper. Nearly all photos numbered in manuscript ink inside a small white border on the recto and all numbered in mimeograph on the verso. One notebook full of photos crediting photographer Beauvarlet on the rectos. Director Rene's first color film based largely on his childhood experiences. Winner of two important French film awards the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Beauvarlet remains uncredited for the film perhaps overshadowed by the film's prolific cinematographer Robert Lefebvre. Beauvarlet stuck close to Bardot throughout her career snapping stills in "Her Bridal Night" 1956 "Naughty Girl" 1956 "La Parisienne" 1957 and "The Night Heaven Fell" 1958. His quick-draw style is amply captured here in candid images of the cast and crew a jovial celebrity signing and softer posed studio portraits. Armand Philipe is a lieutenant in the French cavalry just before WWI a notorious womanizer and gambler who bets that he can seduce a woman in time for his company to being its summer maneuvers. The woman is Marie-Louise Morgan a divorcee who runs a milliner's shop and who is also being courted by Victor Desailly. A subplot involving Armand's friend Felix Yves Robert and Lucie Bardot a photographer's daughter. Photos 3.5 x 4.5 inches. Very Good overall several with bruises from offsetting paste several are loose. Cinedis unknown books
1955ref. 145022Paris: Cinedis 1955. Original single weight film still for the 1955 French film showing actress Michele Morgan sipping tea in long black gloves. Numerical notation stamped on the verso. Director René Clair's first color film based largely on his childhood experiences. Winner of two French film awards the Prix Louis-Delluc and the Prix Melies. Screened out-of-competition at the 1974 Cannes Film Festival. Still photographer Serge Beauvarlet remains uncredited for the film perhaps overshadowed by the film's prolific cinematographer Robert Lefebvre. In the years just before World War I a womanizing lieutenant bets that he can seduce a woman in time for his company to begin its summer maneuvers. The woman in question is a divorcée who runs a milliner's shop and is also being courted by another man. 9 x 7 inches with short white border. Very Good plus with light curling and brief wear to lower corners. Cinedis unknown books
1955ref. 167094N.p.: N.p. 1955. Three borderless candid reference photographs from the 1955 French film one a close-up of actress Brigitte Bardot sitting alone the other two showing Bardot with director René Clair. French agency stamp on the versos. Clair's first color film based largely on his childhood experiences. A womanizing French lieutenant bets that he can seduce a woman in time for his company to being its summer maneuvers only to discover that his chosen target a Parisian divorcée is not like other girls. Photographs ranging in size from 10.25 x 7 inches to 10.25 x 6.5 inches. Very Good plus overall. N.p. unknown books
1974ref. 139926Los Angeles: Twentieth Century-Fox 1974. First Draft script for an unproduced television movie. Based on John Steinbeck's 1939 novel of the same title and adapted from the screenplay by Nunnally Johnson for the 1940 film. During the Great Depression and dustbowl era a family of tenant farmers living and suffering in Oklahoma and forced to move west abandoning their home. They end up in California with many other "Okies" like them searching for a new future. Peter Knopf is a Emmy-nominated writer best known for his work on "Posse" 1975 "Peter and Paul" 1981 and "Not My Kid" 1985. Set in Oklahoma and California. Green titled wrappers noted as First Draft on the front wrapper dated April 12 1974. Title page present dated April 12 1974 noted as First Draft with credits for novelist Steinbeck screenwriter Knopf screenwriter Johnson and producer Stanley Hough. 131 leaves with last page of text numbered 127. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1974ref. 139926Los Angeles: Twentieth Century-Fox 1974. First Draft script for an unproduced television movie. Based on John Steinbeck's 1939 novel of the same title and adapted from the screenplay by Nunnally Johnson for the 1940 film. During the Great Depression and dustbowl era a family of tenant farmers living and suffering in Oklahoma and forced to move west abandoning their home. They end up in California with many other "Okies" like them searching for a new future. Peter Knopf is a Emmy-nominated writer best known for his work on "Posse" 1975 "Peter and Paul" 1981 and "Not My Kid" 1985. Set in Oklahoma and California. Green titled wrappers noted as First Draft on the front wrapper dated April 12 1974. Title page present dated April 12 1974 noted as First Draft with credits for novelist Steinbeck screenwriter Knopf screenwriter Johnson and producer Stanley Hough. 131 leaves with last page of text numbered 127. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1957ref. 140968Universal City CA: Universal Pictures 1957. First Draft script for the 1960 film. Copy belonging to associate producer James H. Ware with his name on the front wrapper and his annotations throughout in manuscript pencil and ink. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the 1956 play of the same name by Margaret Vyner who also wrote the screenplay Victor and Hillary live in castle and get so down on their luck that they begin having tourists visit their castle. Millionaire Charles Delacro soon visits and takes a great liking to the home as well as to Hillary and a love triangle quickly develops. Set in Hampshire England shot on location in Lacock and Surrey England. Green titled wrappers. Title page present dated August 4 1957 noted as First Draft Screenplay with credits for screenwriters Hugh and Margaret Williams. 144 leaves with last page of text numbered 141. Multilith duplication with revision pages throughout dated August 12 1959 . Pages Very Good plus wrapper Very Good plus bound with three silver brads. Olive Films 649. Universal Pictures unknown
1957ref. 140968Universal City CA: Universal Pictures 1957. First Draft script for the 1960 film. Copy belonging to associate producer James H. Ware with his name on the front wrapper and his annotations throughout in manuscript pencil and ink. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the 1956 play of the same name by Margaret Vyner who also wrote the screenplay Victor and Hillary live in castle and get so down on their luck that they begin having tourists visit their castle. Millionaire Charles Delacro soon visits and takes a great liking to the home as well as to Hillary and a love triangle quickly develops. Set in Hampshire England shot on location in Lacock and Surrey England. Green titled wrappers. Title page present dated August 4 1957 noted as First Draft Screenplay with credits for screenwriters Hugh and Margaret Williams. 144 leaves with last page of text numbered 141. Multilith duplication with revision pages throughout dated August 12 1959 . Pages Very Good plus wrapper Very Good plus bound with three silver brads. Olive Films 649. Universal Pictures unknown books
ref. 125645N.p.: Matrixbest Production Circa 190. Vintage pre-release promotional poster for the 1980 film featuring Sid Vicious from the film performing "My Way" noted on the bottom banner as "From the forthcoming film." Julien Temple's now-classic mockumentary about an unscrupulous manipulative music manager who takes advantage of a British punk rock band loosely based on the formation rise and fall of the Sex Pistols told from manager Malcolm McLaren's perspective. Set and shot on location in London. 17 x 25 inches. Light wear at the extremities overall Near Fine. Matrixbest Production unknown
1939ref. 140631Hollywood: Paramount Pictures 1939. Draft script for the 1939 film. A musical drama that follows the romantic and professional arc of two performers. Louise Hall abandons her humble beginnings to become a singer in New York City where she meets and falls in love with John Ramsey the star of Victor Herbert's operas. Ramsey takes her under his wing introducing her to New York's musical society. Their relationship is tested however when Louise's career begins to eclipse her husband's. Nominated for three Academy Awards including Best Cinematography. Shot on location in California. Titled white self wrappers dated July 11 1939 and July 14 1939. Title page present with credits for the entire cast. 147 leaves with last page of text numbered 146. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Two small chips to the top margin of the front wrapper. Paramount Pictures unknown
1940ref. 155137Clarksburg WV: Union Label 1940. Vintage flyer issued to promote showings of the 1940 film at the Ritz Theatre in Clarksburg West Virginia. The flyer notes: "Just in case you laugh off all your buttons- / along with your troubles- / take this along when you see / 'The Great Dictator'" and includes a safety pin with a chain ostensibly originally holding a spare button now missing. For his follow-up to his 1936 classic "Modern Times" Charlie Chaplin chose to do what only a handful of other films dared to do in 1940-make fun of Hitler. Though several of Chaplin's previous films had made use of music and sound effects and while Chaplin had sung briefly in "Modern Times" "The Great Dictator" marked the first time he spoke dialogue onscreen. 5 x 3 inches. Very Good with moderate soil overall and light rust around the safety pin. Criterion Collection 565. Union Label unknown
1940ref. 171507Beverly Hills CA: United Artists 1940. Two vintage programs from the premiere of Charlie Chaplin's classic satire held in New York on October 15 1940. Includes a large-format 14-page illustrated program and smaller bi-fold black-and-white program. Color program with illustrations by noted artist Al Hirschfeld. Affixed to the title page of the color program are two ticket stubs for an October 30 1940 showing of the film at the Astor Theatre. The premiere was held at both the Astor and the Capitol Theatres in New York to accommodate high patron turnout. For his follow-up to his 1936 classic "Modern Times" Chaplin chose to do what only a handful of other films dared to do in 1940-make fun of Hitler. Though several of Chaplin's previous films had made use of music and sound effects and while Chaplin had sung briefly in "Modern Times" "The Great Dictator" marked the first time he spoke dialogue onscreen. Large-format program 9 x 10 inches saddle-stapled. Smaller program 6.25 x 9.5 inches bi-fold. Both programs Very Good plus to Near Fine with some light foxing toning and soil to the extremities. Criterion Collection 565. United Artists unknown
1978ref. 160490N.p.: N.p. 1978. Collection of vintage international promotional materials for the 1974 film. Included in the collection are: - 1974 Japanese Film Program handbill printed on recto and verso text in Japanese. An Israeli Orly Theater flyer for a week of screenings of the film in 1977 text in Hebrew. - French film festival card recto and verso for the film text in French. - Bi-fold promotion for a special preview screening of the film on March 19 1974 a week before the April 27 1974 premiere at the Lowes State I theater in New York with an enclosed ticket stub. Based on F. Scott Fitzgerald's classic 1925 novel. While the film received a mixed reception from critics it was nevertheless praised for its lavish costumes and decadent set design. Winner of two Academy Awards. Set in New York shot on location in New York Rhode Island and in England. Japanese Program 7 x 10 inches printed on recto and verso. Very Good plus. Israeli Orly Theater flyer 12.5 x 7.25 inches. Very Good plus with light creasing and edgewear. French Film Festival card 5 x 8 inches. Near Fine. Lowes State I Special Preview promotion 3.25 x 6.25 inches Bi-fold. Near Fine with a Near Fine ticket stub. N.p. unknown
1974ref. 142756Hollywood: Paramount Pictures 1974. Original Japanese program for the US film "The Great Gatsby." Full-color wrappers with black and white text and black and white and full-color photos throughout. Text in Japanese. The 1974 adaptation of Fitzgerald's classic 1925 novel has been praised for its lavish costumes and decadent set design. Coupled with an all star cast and a screenplay by Francis Ford Coppola Jack Clayton's film has cemented its place in cinema history. Winner of two Academy Awards. Set in New York shot on location in Rhode Island New York and England. 12 x 9 inches. Twelve pages saddle stapled. Near Fine. Paramount Pictures unknown
1974ref. 142784Hollywood: Paramount Pictures 1974. Six vintage promotional photographs from the 1974 film. Xerographically reproduced snipe tipped on to the verso of all but one photograph and with rubber stamp to the verso of three photos as well. The 1974 adaptation of Fitzgerald's classic 1925 novel has been praised for its lavish costumes and decadent set design. Coupled with an all star cast and a screenplay by Francis Ford Coppola Jack Clayton's film has cemented its place in cinema history. Winner of two Academy Awards. Shot on location in New York England and Rhode Island. 8 x 10 inches. All photos in Near Fine or better condition with snipe unattached from the verso of two photos. Paramount Pictures unknown
1953ref. 137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Multilith duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown
1969ref. 156231Los Angeles: Twentieth Century-Fox 1969. Final Draft script for the 1970 film. Laid in with the script is a production memo dated November 5 1969 paper-clipped to two blue revision pages that correspond to the revision pages bound into the script. Based on Howard Sackler's 1968 Pulitzer Prize Tony Award and New York Drama Critics' Circle Award-winning play a fictionalized account of the life of boxing champion Jack Johnson. James Earl Jones in his first starring role and Jane Alexander in her first film credit were both nominated for Oscars reprising their lead roles from the Broadway production. Shot on location in London Arizona and Barcelona. Blue titled wrappers noted as FINAL on the front wrapper noted as production No. 196 dated September 26 1969. Title page present dated September 26 1969 noted as FINAL with credits for screenwriter Howard Sackler. 152 leaves with last page of text numbered 151. Mimeograph duplication on eye-rest green stock rectos only with two blue revision pages dated 11/5/69. Pages Fine wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown
1940ref. 171677Los Angeles: Paramount Pictures 1940. Vintage reference photograph of director Preston Sturges smiling with Hungarian-American actor Steffi Duna on the set of the 1940 film. Mimeo snipe on the verso referring to the film by its working title "Down Went McGinty" along with the rubber stamp of Paramount photographer G.E. Richardson. Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenwriter. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero." 7.5 x 9.5 inches. Very Good plus lightly worn at the corners. Paramount Pictures unknown
1940ref. 148508Los Angeles: Paramount Pictures 1940. Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenplay. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero." 8 x 10 inches. Light edgewear and faint creasing else Near Fine. Paramount Pictures unknown
