10,190 results
1964ref. 152272N.p.: Sigma III 1964. Eight vintage studio still photographs from the US release of the 1962 Italian film. Housed in its original brown paper envelope. Necrophiliac scientist Dr. Hichcock and his wife Cynthia are stalked by his first wife Margaretha who seeks vengeance for Hichcock's cruelties. The first horror film to receive the Italian VM18 "vietato ai minori di 18 anni" or no admittance under 18 rating which had been established only months prior to the film's release in April 1962. 10 x 8 inches. Very Good plus overall. Sigma III unknown
1964ref. 152272N.p.: Sigma III 1964. Eight vintage studio still photographs from the US release of the 1962 Italian film. Housed in its original brown paper envelope. Necrophiliac scientist Dr. Hichcock and his wife Cynthia are stalked by his first wife Margaretha who seeks vengeance for Hichcock's cruelties. The first horror film to receive the Italian VM18 "vietato ai minori di 18 anni" or no admittance under 18 rating which had been established only months prior to the film's release in April 1962. 10 x 8 inches. Very Good plus overall. Sigma III unknown books
1958ref. 150887N.p.: N.p. 1958. Vintage reference photograph of Alec Guiness and producer John Bryan on the set of the 1958 film. Based on the 1944 novel by Joyce Cary. Alec Guiness who also wrote the screenplay stars as the cantankerous and ill-mannered aging artist Gulley Jimson. Determined to not let anything come between himself and his artistic vision he proceeds to paint a mural in the home of the millionaires Sir William and Lady Beeder away for a six week holiday. Set in London. 10 x 7.75 inches. Faded evenly else Near Fine. Criterion Collection 154. N.p. unknown
1958ref. 150887N.p.: N.p. 1958. Vintage reference photograph of Alec Guiness and producer John Bryan on the set of the 1958 film. Based on the 1944 novel by Joyce Cary. Alec Guiness who also wrote the screenplay stars as the cantankerous and ill-mannered aging artist Gulley Jimson. Determined to not let anything come between himself and his artistic vision he proceeds to paint a mural in the home of the millionaires Sir William and Lady Beeder away for a six week holiday. Set in London. 10 x 7.75 inches. Faded evenly else Near Fine. Criterion Collection 154. N.p. unknown books
1965ref. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown
1965ref. 161827N.p.: Astro Films 1965. Vintage studio still photograph from the 1965 film. A stripper is a mule for her gangster boyfriend transporting heroin from Mexico across the border into the US. Shot on location in Dallas and Houston Texas and Mexico City Mexico. 8 x 10 inches. Very Good plus with a half inch closed tear to the lower right. Astro Films unknown books
1972ref. 139958England: Twentieth Century-Fox 1972. Original British quad poster for the 1972 American film "The Hot Rock" here under the British release title "How to Steal a Diamond." Printed in England by Lonsdale & Bartholomew. Distributor notation in manuscript ink on the verso. New Hollywood director Yates' adaptation of Westlake's 1970 novel "The Hot Rock." Dortmunder Redford and Kelp Segal are jewel thieves who plan to steal a diamond from a museum.over and over again. Shot on location in New York. Nominated for an Academy Award. 30 x 40 inches folded as issued. Very Good plus with a few pinholes faint stains to verso. Scarce. Lee p. 118. Twentieth Century-Fox unknown
1972ref. 156660N.p.: N.p. 1972. Vintage reference photograph of director Peter Yates and actor Robert Redford on the set of the 1972 film. Based on the 1970 novel by Donald Westlake about two jewel thieves who plan to steal a diamond from a museum.over and over again. A small gem of the New Hollywood cinema. Shot on location in New York. 10 x 8 inches. Near Fine. Lee p. 118. N.p. unknown
1972ref. 135458Los Angeles: Twentieth Century-Fox 1972. Five vintage black-and-white studio still photographs from 1972 film. Based on the 1970 novel by Donald Westlake. Featuring images of Robert Redford George Segal Ron Leibman and more. One of the most engaging and hilarious crime films of the early 1970s a cat-and-mouse heist film in which Redfield played the foil to Redford. A bright gathering of the New Hollywood Cinema's finest including Robert Redford director Peter Yates novelist Donald Westlake and screenwriter William Goldman. Winner of the Edgar Award for Best Picture. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1972ref. 139958England: Twentieth Century-Fox 1972. Original British quad poster for the 1972 American film "The Hot Rock" here under the British release title "How to Steal a Diamond." Printed in England by Lonsdale & Bartholomew. Distributor notation in manuscript ink on the verso. New Hollywood director Yates' adaptation of Westlake's 1970 novel "The Hot Rock." Dortmunder Redford and Kelp Segal are jewel thieves who plan to steal a diamond from a museum.over and over again. Shot on location in New York. Nominated for an Academy Award. 30 x 40 inches folded as issued. Very Good plus with a few pinholes faint stains to verso. Scarce. Lee p. 118. Twentieth Century-Fox unknown books
1972ref. 156660N.p.: N.p. 1972. Vintage reference photograph of director Peter Yates and actor Robert Redford on the set of the 1972 film. Based on the 1970 novel by Donald Westlake about two jewel thieves who plan to steal a diamond from a museum.over and over again. A small gem of the New Hollywood cinema. Shot on location in New York. 10 x 8 inches. Near Fine. Lee p. 118. N.p. unknown books
1983ref. 155349Los Angeles: Woodfall America 1983. Draft script for the 1984 film. Based on John Irving's 1981 novel a dark comedy following the eccentric and disaster-prone Berry family who weather hardships and incest with humor and grace. Set in Vienna and New Hampshire and shot on location in Montreal Canada. Maroon untitled wrappers. Title page present dated 3/10/83 with credits for novelist John Irving and director Tony Richardson. 126 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus with rust marks from a paper clip affecting pages 19-21 wrapper Very Good plus bound internally with a silver prong. Woodfall America unknown
1983ref. 155349Los Angeles: Woodfall America 1983. Draft script for the 1984 film. Based on John Irving's 1981 novel a dark comedy following the eccentric and disaster-prone Berry family who weather hardships and incest with humor and grace. Set in Vienna and New Hampshire and shot on location in Montreal Canada. Maroon untitled wrappers. Title page present dated 3/10/83 with credits for novelist John Irving and director Tony Richardson. 126 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus with rust marks from a paper clip affecting pages 19-21 wrapper Very Good plus bound internally with a silver prong. Woodfall America unknown books
2002ref. 156807Los Angeles: Miramax 2002. For Your Consideration script for the 2002 film. Based on Michael Cunningham's 1999 Pulitzer Prize-winning novel about three women of different generations whose lives are connected by Virginia Woolf's 1925 novel "Mrs. Dalloway." Nominated for nine Academy Awards winning one for Best Actress for Nicole Kidman. Shot on location in Fort Lauderdale and Hollywood Florida and New York in the US and in London and Longborough in England. White titled wrappers undated with credits for screenwriter David Hare and novelist Michael Cunningham. 97 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. In a custom red cloth slipcase. Miramax unknown books
1970ref. 141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in. In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. Set in San Francisco. Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown
1974ref. 167632Los Angeles: Twentieth Century-Fox 1974. Vintage studio still photograph from the 1974 film showing actress Janee Mitchell asleep with a snake ready to attack at the lower right. Four estranged cousins three Black one white convene at a mansion in the Atlanta outskirts to attend the reading of their late great-grandmother's will unaware that her voodoo powers from beyond the grave will involve them in a murderous re-birthing ritual. Set and shot on location in Atlanta Georgia. 10 x 8 inches. Light dampstaining on the top edge of the verso else Near Fine. Thrower Nightmare USA. Twentieth Century-Fox unknown
1973ref. 162732Los Angeles: Chocolate Chip / Pinto 1973. Final Draft script for the 1974 Blaxploitation film. Single annotation in manuscript pencil on the front wrapper noting copy No. 04. Four estranged cousins three Black one white convene at a mansion called Skull Mountain to attend the reading of their late great-grandmother's will unaware that her voodoo powers from beyond the grave will involve them in a murderous re-birthing ritual. Set and shot on location in Atlanta Georgia. Red pictorial titled wrappers noted as Final Draft on the front wrapper dated 3-28-73 with credits for director Ron Honthaner and screenwriter Mildred Pares. Title page present dated 4-23-73 noted as Final Draft with credit for Pares. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Thrower Nightmare USA. Chocolate Chip / Pinto unknown
1959ref. 167557Glendale CA: Allied Artists 1959. Vintage publicity portrait photograph of Carolyn Craig from the 1959 film. Printed mimeo snipe affixed to the verso. An eccentric millionaire offers a substantial reward to anyone able to spend the entire night in the titular house on Haunted Hill. Basis for the 1999 remake starring Geoffrey Rush and Taye Diggs. Set and shot on location in Los Angeles. Exterior shots of the house were filmed at Los Angeles' Ennis Brown House originally designed by Frank Lloyd Wright and built in 1924. 8 x 10 inches. Very Good plus with a diagonal crease affecting the bottom left corner. Allied Artists unknown
1959ref. 167557Glendale CA: Allied Artists 1959. Vintage publicity portrait photograph of Carolyn Craig from the 1959 film. Printed mimeo snipe affixed to the verso. An eccentric millionaire offers a substantial reward to anyone able to spend the entire night in the titular house on Haunted Hill. Basis for the 1999 remake starring Geoffrey Rush and Taye Diggs. Set and shot on location in Los Angeles. Exterior shots of the house were filmed at Los Angeles' Ennis Brown House originally designed by Frank Lloyd Wright and built in 1924. 8 x 10 inches. Very Good plus with a diagonal crease affecting the bottom left corner. Allied Artists unknown books
1970ref. 141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in. In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. Set in San Francisco. Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown books
1974ref. 167632Los Angeles: Twentieth Century-Fox 1974. Vintage studio still photograph from the 1974 film showing actress Janee Mitchell asleep with a snake ready to attack at the lower right. Four estranged cousins three Black one white convene at a mansion in the Atlanta outskirts to attend the reading of their late great-grandmother's will unaware that her voodoo powers from beyond the grave will involve them in a murderous re-birthing ritual. Set and shot on location in Atlanta Georgia. 10 x 8 inches. Light dampstaining on the top edge of the verso else Near Fine. Thrower Nightmare USA. Twentieth Century-Fox unknown books
1973ref. 162732Los Angeles: Chocolate Chip / Pinto 1973. Final Draft script for the 1974 Blaxploitation film. Single annotation in manuscript pencil on the front wrapper noting copy No. 04. Four estranged cousins three Black one white convene at a mansion called Skull Mountain to attend the reading of their late great-grandmother's will unaware that her voodoo powers from beyond the grave will involve them in a murderous re-birthing ritual. Set and shot on location in Atlanta Georgia. Red pictorial titled wrappers noted as Final Draft on the front wrapper dated 3-28-73 with credits for director Ron Honthaner and screenwriter Mildred Pares. Title page present dated 4-23-73 noted as Final Draft with credit for Pares. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Thrower Nightmare USA. Chocolate Chip / Pinto unknown books
1992ref. 163846N.p.: N.p. 1992. Draft script for the 1994 film copy belonging to Dan Mazur creative executive to Twentieth Century-Fox producer Lawrence Gordon for the film. The Coen brothers' paean to the films of Frank Capra Howard Hawks and Preston Sturges wherein Norville Barnes a decent but naive mailroom clerk is secretly chosen by ruthless members of the company's board to be the company's president after the founder's suicide in an attempt to depress the company's stocks and secretly gain control. The script was originally conceived shortly shortly after Joel Coen worked as assistant editor on Sam Raimi's 1981 film "The Evil Dead" and was reportedly completed by the Coen brothers and Sam Raimi in 1985. Production didn't begin however until 1991 following the success of the Coen brothers' 1991 film "Bartin Fink." Heralded for its visual effects and production design including a scale model of New York City the film was the Coen brothers' then-biggest budget to date. Originally released to mixed reviews the film has since been reappraised and is now considered a cult classic. Nominated for the Palme d'Or. Shot on location in Chicago Illinois and North Carolina. Untitled lavender wrappers. Title page present dated 1992 with credits for screenwriters Joel Coen Ethan Coen and Sam Raimi. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. N.p. unknown
1992ref. 163846N.p.: N.p. 1992. Draft script for the 1994 film copy belonging to Dan Mazur creative executive to Twentieth Century-Fox producer Lawrence Gordon for the film. The Coen brothers' paean to the films of Frank Capra Howard Hawks and Preston Sturges wherein Norville Barnes a decent but naive mailroom clerk is secretly chosen by ruthless members of the company's board to be the company's president after the founder's suicide in an attempt to depress the company's stocks and secretly gain control. The script was originally conceived shortly shortly after Joel Coen worked as assistant editor on Sam Raimi's 1981 film "The Evil Dead" and was reportedly completed by the Coen brothers and Sam Raimi in 1985. Production didn't begin however until 1991 following the success of the Coen brothers' 1991 film "Bartin Fink." Heralded for its visual effects and production design including a scale model of New York City the film was the Coen brothers' then-biggest budget to date. Originally released to mixed reviews the film has since been reappraised and is now considered a cult classic. Nominated for the Palme d'Or. Shot on location in Chicago Illinois and North Carolina. Untitled lavender wrappers. Title page present dated 1992 with credits for screenwriters Joel Coen Ethan Coen and Sam Raimi. 126 leaves with last page of text numbered 125. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. N.p. unknown books
ref. 145780Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1978. Draft script for the 1979 film. Illustrated front wrapper based on Saul Bass' poster design for the film. Copy belonging to uncredited crew member David Hitchcock with his name in manuscript ink on the front wrapper. Manuscript annotations throughout primarily indicating deleted scenes. Also included is a carbon typed letter signed by Otto Preminger dated 19th October 1979 to dubbing editor Peter Pennell terminating his employment at the conclusion of production. The final film directed by director Otto Preminger based on the 1978 novel by Graham Greene with screenplay written by Tom Stoppard about a low-level bureaucrat in the British Secret Service M16 who finds himself unknowingly used by the Soviets as he struggles with his love for his family and the ambiguity of his ethical responsibilities. Set and shot on location in UK and Kenya. White illustrated titled wrappers. Title page present dated 1978 with credits for screenwriter Tom Stoppard and novelist Graham Greene rubber stamped copy No. 146. 146 leaves with last page of text numbered 146. Xerographic duplication rectos only. Pages Fine wrapper Very Good plus bound internally with a silver prong binding. Metro-Goldwyn-Mayer [MGM] unknown
