11,046 results
1966ref. 136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near Fine. United Artists unknown
1966ref. 136089Beverly Hills CA: United Artists 1966. Five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. Walter Matthau won an Academy Award for his role in the film. 8 x 10 inches. Near Fine. United Artists unknown books
1954ref. 139626Glendale CA: Allied Artists 1954. Two vintage black-and-white reference studio still photographs from the 1954 film. Bill Elliott stars as Sam Nelson a California based federal agent hunting for his friend's murderers. Virginia Grey pictured in the stills makes a cameo as the wife of one of the fugitive killers. Shot on location in California. 8 x 10 inches. Very Good plus with light toning overall to one of the images and light creasing to the recto of both. Allied Artists unknown books
1915ref. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown
1915ref. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown books
1949ref. 161687Burbank CA: Warner Brothers 1949. Four vintage studio still photographs from the 1949 film. In approaching the film adaptation of Ayn Rand's 1943 work director King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 161625Burbank CA: Warner Brothers 1949. Five vintage promotional photographs four of which are in color from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." Each photo with the film's title logo at the bottom margin. One photo framed to look like a "book" to tie in with the popularity of the novel. In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 161624Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown
1949ref. 148507Burbank CA: Warner Brothers 1949. Three vintage photographs of Patricia Neal applying makeup on the set of the 1949 film. Adapted to the screen by Ayn Rand from her novel one of only three screenplays she wrote during her brief tenure in Hollywood. In approaching the film adaptation of Rand's iconoclastic work King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself adapt her own screenplay. Two photographs 7.5 x 9.25 inches. One photograph 7.75 x 9.5 inches. Near Fine with light edgewear. Warner Brothers unknown
1949ref. 161625Burbank CA: Warner Brothers 1949. Five vintage promotional photographs four of which are in color from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." Each photo with the film's title logo at the bottom margin. One photo framed to look like a "book" to tie in with the popularity of the novel. In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1949ref. 161687Burbank CA: Warner Brothers 1949. Four vintage studio still photographs from the 1949 film. In approaching the film adaptation of Ayn Rand's 1943 work director King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1949ref. 161624Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1949ref. 148507Burbank CA: Warner Brothers 1949. Three vintage photographs of Patricia Neal applying makeup on the set of the 1949 film. Adapted to the screen by Ayn Rand from her novel one of only three screenplays she wrote during her brief tenure in Hollywood. In approaching the film adaptation of Rand's iconoclastic work King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself adapt her own screenplay. Two photographs 7.5 x 9.25 inches. One photograph 7.75 x 9.5 inches. Near Fine with light edgewear. Warner Brothers unknown books
1921ref. 143526US: Metro Pictures Corporation 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. Based on the 1916 anti-war novel by Vincent Basco Ibanez about a French and German family on both sides of World War I. Along with "The Sheik" later the same year the film the catapulted Rudolph Valentino to stardom and helped create his "Great Lover" image. The film also launched the career of director Rex Ingram made screenwriter June Mathis one of the most powerful woman in Hollywood inspired a tango craze and was the first to gross over $1000000 at the box office. 10 x 8 inches. Very Good plus with a partial and faint studio stamp on the recto light soil and edgewear. National Film Registry. Metro Pictures Corporation unknown
1921ref. 143526US: Metro Pictures Corporation 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. Based on the 1916 anti-war novel by Vincent Basco Ibanez about a French and German family on both sides of World War I. Along with "The Sheik" later the same year the film the catapulted Rudolph Valentino to stardom and helped create his "Great Lover" image. The film also launched the career of director Rex Ingram made screenwriter June Mathis one of the most powerful woman in Hollywood inspired a tango craze and was the first to gross over $1000000 at the box office. 10 x 8 inches. Very Good plus with a partial and faint studio stamp on the recto light soil and edgewear. National Film Registry. Metro Pictures Corporation unknown books
1975ref. 163632Los Angeles: Twentieth Century-Fox 1975. Vintage studio still photograph of Richard Chamberlain from the 1974 film. Sequel to the 1973 film and covering the events of the second half of Alexandre Dumas' 1844 novel following the legendary swashbucklers as they defend Queen Anne and her servant from the wily Cardinal Richelieu and Milady de Winter. Set in France and shot on location in various locations throughout Spain and England. 8 x 10 inches Near Fine. Twentieth Century-Fox unknown books
1981ref. 139774Universal City CA: Universal Pictures 1981. Vintage studio still photograph from the 1981 film. Three wealthy couples living in New York take seasonal trips with one another. This marital drama and romantic comedy was met with box office success upon its release. Shot on location in various locations around the eastern United States. 10 x 8 inches. Fine. Universal Pictures unknown books
1963ref. 161738N.p.: Audubon Films 1963. Vintage studio still photograph from the US release of the 1963 French film. A wealthy American girl who enjoys painting nudes of her chic friends draws the affections of two French bohemians. 8 x 10 inches. Near Fine. Audubon Films unknown
1963ref. 161738N.p.: Audubon Films 1963. Vintage studio still photograph from the US release of the 1963 French film. A wealthy American girl who enjoys painting nudes of her chic friends draws the affections of two French bohemians. 8 x 10 inches. Near Fine. Audubon Films unknown books
1967ref. 139760N.p.: Motion Pictures International 1967. Four vintage black-and-white studio still photographs from the 1967 film. Based on D. H. Lawrence's 1922 novella of the same name. Mark Rydell's summer-of-love film was adapted from D.H. Lawrence's novella of the same name about a lesbian couple living on a rural farm whose existence is disrupted by the arrival of a seaman whose grandfather used to own the farm. One of only a handful of films to address the subject of lesbian life in the 1960s. Set in rural Canada shot on location in Ontario Canada. 10 x 8 inches. Very Good plus. Image FOX-58 is slightly creased with two pin holes to the top margin. Motion Pictures International unknown books
1977ref. 168484N.p.: N.p. 1977. Vintage reference photograph from the 1977 French film showing actors Françoise Fabian and Dayle Haddon. Provenance stamp and annotations in manuscript ink on the verso. Based on the life of famed French brothel keeper Madame Claude who ran a high-class escort service in the heart of Paris. 10 x 8 inches. Fine. N.p. unknown
1971ref. 169563Los Angeles: Twentieth Century-Fox 1971. Vintage reference photograph from the 1971 film showing actor Gene Hackman. Mimeo snipe affixed to the verso. William Friedkin made his name with this gritty adaptation of Robin Moore's nonfiction account of east coast drug trafficking. Perhaps the greatest of the many 1970s crime films that were shot on location in New York City with glorious period detail in nearly every frame. The screenplay was written by author Ernest Tidyman one year after the publication of his seminal Harlem-based crime novel "Shaft." Winner of five Academy Awards including Best Picture Best Director Best Screenplay and Best Actor for Gene Hackman along with three additional nominations. 10 x 8 inches. Very Good plus. National Film Registry. Grant US. Spicer US. Twentieth Century-Fox unknown
1972ref. 167514N.p.: N.p. 1972. Vintage color reference photograph from the 1972 French softcore film. A married American journalist is seduced by two stewardesses kicking off a series of unusual and occasionally political occurrences. 5 x 3.5 inches. Very Good plus. Bier 734. N.p. unknown
1972ref. 146899N.p.: Europrodis 1972. Six vintage borderless studio still photographs from the 1972 film with one of Jose Benazeraf being double weight with matte finish. "Hubert Toyot" stamp on the verso. Catherine Franck and Patricial Hermenier play sexually liberated air hostesses who seduce American journalist played by Rod Cameron and move on to their next conquest but he refuses to accept it and pursues them. 5 x 7 inches. Near Fine some curling one with small crease in upper right corner. Europrodis unknown
1981ref. 172055Beverly Hills CA: United Artists 1981. Vintage reference photograph from the 1981 film showing director Karel Reisz with author John Fowles on the set. Based on Fowles' 1969 novel about two actors who begin to find their real-life circumstances mirroring their characters' relationship. Shot on location in Dorset. 10 x 8 inches. Very Good or better moderately creased to the corners with light toning overall. Criterion Collection 768. United Artists unknown
