11,058 results
1961ref. 144217Universal City: Universal Pictures 1961. Vintage photograph of Robert Aldrich and Kirk Douglas on the set of the 1961 film. With manuscript annotations on the verso in green and brown ink and pencil. Based on the 1957 novel by Howard Rigsby under the pseudonym Vechel Howard about a cowboy who on the run from the law travels to visit an old lover in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. Set and shot on location in Mexico. 10 x 8 inches. Near Fine. Universal Pictures unknown
1961ref. 132742London: Unviersal International Pictures 1961. Five vintage full-color still photographs from the 1961 UK release of the 1961 US film. Based on Howard Rigsby's novel "Sundown at Crazy Horse" about a cowboy who on the lam from the law travels to visit an old flame in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. A story set and shot on location in Mexico. 8 x 10 inches. Faint creases overall else Near Fine. Unviersal International Pictures unknown
1961ref. 132742London: Unviersal International Pictures 1961. Five vintage full-color still photographs from the 1961 UK release of the 1961 US film. Based on Howard Rigsby's novel "Sundown at Crazy Horse" about a cowboy who on the lam from the law travels to visit an old flame in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. A story set and shot on location in Mexico. 8 x 10 inches. Faint creases overall else Near Fine. Unviersal International Pictures unknown books
1961ref. 144217Universal City: Universal Pictures 1961. Vintage photograph of Robert Aldrich and Kirk Douglas on the set of the 1961 film. With manuscript annotations on the verso in green and brown ink and pencil. Based on the 1957 novel by Howard Rigsby under the pseudonym Vechel Howard about a cowboy who on the run from the law travels to visit an old lover in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. Set and shot on location in Mexico. 10 x 8 inches. Near Fine. Universal Pictures unknown books
1960ref. 150186Universal City: Universal Pictures 1960. Vintage borderless reference photograph of actor Rock Hudson signing autographs on the set of the 1961 Western film here under the working title "The Day of the Gun." With a printed mimeo snipe affixed to the verso along with the stamp of still photographer Shirley Clarke not to be confused with the filmmaker of the same name. Based on the 1957 novel "Sundown at Crazy Horse" by Howard Rigsby under the pseudonym Vechel Howard. While on the run from the law a cowboy travels to visit an old lover in Mexico only to find her married to a drunk. Set in Texas and Mexico and shot on location in Mexico. 8 x 10 inches. Very Good plus with light creasing to the edges. Pitts 2237. Universal Pictures unknown books
1976ref. 142770Hollywood: Paramount Pictures 1976. Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard Histoires du cinema. Paramount Pictures unknown
1976ref. 172538N.p.: Cinema International 1976. Collection of fourteen vintage borderless reference photographs from the 1976 film. With mimeo snipes affixed to the versos and a Cinema International stamp on the versos. Based on the 1941 novel of the same name by F. Scott Fitzgerald. A studio executive during the golden age of Hollywood tries to prevent unionization on his movie sets and has an affair with an engaged actress. Nominated for one Academy Award. Set in Hollywood. Twelve photographs 8 x 10 inches two photographs trimmed 10 x 7 inches. About Near Fine. Godard Histoires du cinema. Weldon 1983. Cinema International unknown
1976ref. 161517N.p.: N.p. 1976. Vintage reference photograph of actor Robert De Niro director Elia Kazan and producer Sam Spiegel on the set of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein De Niro plays a movie producer who nearly works himself to death. Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown
1977ref. 154931N.p.: CIC 1977. Vintage British Quad poster for the UK release of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in and shot on location in Hollywood. 39.75 x 29.75 inches Folded as issued. Near Fine. Godard Histoires du cinema. CIC unknown
1988ref. 171028Paris: Sygma 1988. Vintage oversize borderless color reference photograph from the 1988 film showing Barbara Hershey with curly hair and heavily hennaed hands and arms. Mimeo snipe on the verso. Based on the controversial 1955 novel by Nikos Kazantazkis adapted by Paul Schrader. Departing from the Gospels' depiction of Jesus Christ the film explored the humanity of Jesus and the various temptations he encountered during his time on Earth incurring outrage upon release from some Christian groups. Nominated for an Academy Award for Best Director. Shot on location in Morocco. 8 x 12 inches. About Fine. Criterion Collection 70. Sygma unknown
1988ref. 171028Paris: Sygma 1988. Vintage oversize borderless color reference photograph from the 1988 film showing Barbara Hershey with curly hair and heavily hennaed hands and arms. Mimeo snipe on the verso. Based on the controversial 1955 novel by Nikos Kazantazkis adapted by Paul Schrader. Departing from the Gospels' depiction of Jesus Christ the film explored the humanity of Jesus and the various temptations he encountered during his time on Earth incurring outrage upon release from some Christian groups. Nominated for an Academy Award for Best Director. Shot on location in Morocco. 8 x 12 inches. About Fine. Criterion Collection 70. Sygma unknown books
1997ref. 171669Universal City: Universal Studios 1997. Two vintage studio still photographs from the 1997 film. Based on a 1950 letter from Neal Cassady to Jack Kerouac and told from Cassady's perspective about the writer's experiences before and after his longtime lover Joan's suicide attempt. One 8 x 10 inches the other 9.5 x 10 inches. Near Fine. Universal Studios unknown books
1976ref. 172538N.p.: Cinema International 1976. Collection of fourteen vintage borderless reference photographs from the 1976 film. With mimeo snipes affixed to the versos and a Cinema International stamp on the versos. Based on the 1941 novel of the same name by F. Scott Fitzgerald. A studio executive during the golden age of Hollywood tries to prevent unionization on his movie sets and has an affair with an engaged actress. Nominated for one Academy Award. Set in Hollywood. Twelve photographs 8 x 10 inches two photographs trimmed 10 x 7 inches. About Near Fine. Godard Histoires du cinema. Weldon 1983. Cinema International unknown books
1976ref. 161517N.p.: N.p. 1976. Vintage reference photograph of actor Robert De Niro director Elia Kazan and producer Sam Spiegel on the set of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein De Niro plays a movie producer who nearly works himself to death. Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Godard Histoires du cinema. N.p. unknown books
1977ref. 154931N.p.: CIC 1977. Vintage British Quad poster for the UK release of the 1976 film. Based on the unfinished 1941 novel by F. Scott Fitzgerald. A tribute to early cinema wherein Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in and shot on location in Hollywood. 39.75 x 29.75 inches Folded as issued. Near Fine. Godard Histoires du cinema. CIC unknown books
1976ref. 142770Hollywood: Paramount Pictures 1976. Two vintage promotional photographs from the 1976 film. Rubber stamp to the verso of one photo. Based on the unfinished 1941 novel by F. Scott Fitzgerald. Effectively a tribute to early cinema in which Robert De Niro plays a movie producer who nearly works himself to death. Director Elia Kazan's final directorial effort and notably the only film with De Niro and Jack Nicholson in a joint screen appearance. Nominated for an Academy Award. Set in Hollywood and shot there on location. One photo 7.25 x 9.75 inches and one photo 8 x 9.75 inches. Near Fine. Godard Histoires du cinema. Paramount Pictures unknown books
1971ref. 141346Troy MI: Anchor Bay Entertainment 1971. Six vintage film still photographs from the 1971 film. Paper snipe affixed to the verso of three images. Based on the 1959 novel by J.B. Pick about the people of a small village previously safe from the fighting during the Thirty Years' War trying to peacefully co-exist with a band of occupying mercenaries. Often cited by Michael Caine as a favorite among his many roles. 8 x 10 inches. Near Fine manuscript graphite and ink annotations to the verso. Black manuscript notation to the recto of one image. Anchor Bay Entertainment unknown books
1980ref. 153826Los Angeles: Monarex 1980. Draft script for an unproduced film. Not to be confused with the 1970 film directed by Carol Reed. Years into the future World War III has decimated most of the planet leaving the final battle to take place in southeast Asia. Clear mylar front wrapper red rear wrapper. Title page present undated with credits for screenwriter Christopher French. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. Monarex unknown
1938ref. 139377Universal City CA: Universal Pictures 1938. Two vintage black-and-white keybook photographs from the 1938. Mimeo snipes affixed to the versos. Based on Latimer's Bill Crane and Doc Williams characters from his books "Headed for a Hearse" "The Lady in the Morgue" "Murder in the Madhouse" "The Dead Don't Care" and "Red Gardenias." The last of three Bill Crane films the first two being "The Westland Case" 1937 and "The Lady in the Morgue" 1938. Here Bill Crane Foster visits a country estate where the occupants have been receiving threatening letters from someone called "The Eye." 8 x 10 inches. Very Good plus waviness and faint tape residue on the rectos. Universal Pictures unknown books
1980ref. 153826Los Angeles: Monarex 1980. Draft script for an unproduced film. Not to be confused with the 1970 film directed by Carol Reed. Years into the future World War III has decimated most of the planet leaving the final battle to take place in southeast Asia. Clear mylar front wrapper red rear wrapper. Title page present undated with credits for screenwriter Christopher French. 92 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three silver brads. Monarex unknown books
1974ref. 135454Los Angeles: Twentieth Century-Fox 1974. Four vintage black-and-white studio still photographs from the 1974 film. Based on the 1970 novel by Maj Sjowall and Per Wahloo. A gritty crime drama in which a mass murderer kills a police detective and his partner is left to attempt to find the killer. Set in San Francisco. 8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1985ref. 149641Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film. Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. Shot on location in Paris. 10.25 x 7 inches. Fine. Gamma unknown
1985ref. 149641Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film. Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. Shot on location in Paris. 10.25 x 7 inches. Fine. Gamma unknown books
1930ref. 151436Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1930. Collection of eight vintage reference photographs from the 1930 comedy short film. Notable as the first short by the duo where Hardy says to Laurel "Well here's another nice mess you've gotten me into!" A parody of the 1927 silent film "The Cat and the Canary" with Stan and Ollie spending the night in a mansion of a deceased relative of Stan's only to be embroiled in suspected foul play. 10 x 8 inches. One photograph with a brief stray ink annotation to the recto else About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1930ref. 151436Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1930. Collection of eight vintage reference photographs from the 1930 comedy short film. Notable as the first short by the duo where Hardy says to Laurel "Well here's another nice mess you've gotten me into!" A parody of the 1927 silent film "The Cat and the Canary" with Stan and Ollie spending the night in a mansion of a deceased relative of Stan's only to be embroiled in suspected foul play. 10 x 8 inches. One photograph with a brief stray ink annotation to the recto else About Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
