11,058 results
1950ref. 160937Los Angeles: RKO 1950. Vintage mini-banner poster for the 1950 film noir. Claudette Colbert stars as a woman who is accused of bigamy by an intruder during her wedding ceremony to David McLean. The two then must travel to a small seaside village to investigate the claim where villagers claim to have remembered her previous nuptials. Shot on location in Santa Monica California. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby Master List. Silver and Ward US. Spicer US. RKO unknown books
1968ref. 148088Los Angeles: Twentieth Century-Fox 1968. Vintage studio still photograph of Anne Jackson from the 1968 film. Victoria Layton Jackson poses as a call girl for "The Movie Star" Walter Matthew to prove to her husband Patrick O'Neal the movie star's agent that she still has sex appeal and to rekindle their marriage. Set in and shot on location in New Canaan Connecticut and New York City. 8 x 10 inches. Near Fine with irregular margins. Twentieth Century-Fox unknown books
1965ref. 132061Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Eight vintage full-color still British front-of-house cards from the 1965 film. Something of an antecedent to Hal Ashby's "Being There" 1981 in which a bumbling idiot inherits a fortune and becomes a high-ranking government official 8 x 10 inches. Faint creases to most else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1965ref. 148068Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Vintage studio still photograph of Shirley Jones Honor Blackman and Lionel Jeffries from the 1965 film. Arthur Tate 's James Booth career takes an astounding leap from lowly constable to the ruler of a Banana Republic in South America thanks to his mother Amy Dalby and three women: dressmaker Violet Lawson Stella Stevens Lily the Baroness von Kukenberg Honor Blackman and movie producer Marigold Marado Shirley Jones. Featuring Lionel Jeffries in four separate roles. Set in and shot on location in England and Portugal. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
ref. 158051Hollywood: Frsco Productions 1976. Archive of three draft scripts for an unproduced film including One First Draft script one Second Draft Shooting script and one Third Draft Shooting script. Annotations in manuscript pencil on the title page of the First Draft and cast pages of the Second Draft Shooting script. A musical spoof of John Huston's classic 1941 film noir "The Maltese Falcon." Screenwriter Frank Saletri a criminal defense lawyer in Los Angeles worked as a part-time screenwriter and producer primarily of exploitation especially Blaxploitation films. Saletri's screenwriting work was largely unproduced with the exception of the 1973 film "Blackenstein" and the possible exception of "Black the Ripper" a questionably apocryphal film whose existence has been debated for decades among grindhouse fans. First Draft: Blue untitled wrappers. Title page present dated 1975 noted as First Draft in manuscript pencil annotation with credits for screenwriter Frank Ritenhyde Saletri. 144 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Second Draft Shooting script: Green untitled wrappers. Title page present dated 1976 noted as SHOOTING SCRIPT SECOND DRAFT with credits for screenwriter Frank Ritenhyde Saletri. 179 leaves with last page of text numbered 158. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Third Draft Shooting script: Red untitled wrappers. Title page present dated 1976 noted as SHOOTING SCRIPT THIRD DRAFT with credits for screenwriter Frank Ritenhyde Saletri. 181 leaves with last page of text numbered 158. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Frsco Productions unknown books
1969ref. 162207Hollywood: Global Pictures 1969. Three vintage studio still photographs from the 1969 film with one of the photographs a compilation photograph of two studio still photographs. Photographs with provenance stamps on the versos. Very loosely based on the Shakespeare play. A group of thesbians begin a production of Romeo and Juliet but everyone is in the production is incredibly randy and the play quickly descends into debauchery. 8 x 10 inches. Near Fine overall. Global Pictures unknown books
1965ref. 132145Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O." Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
1965ref. 132145Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O." Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
1977ref. 147064N.p.: N.p. 1977. First Edition. First Edition publicity manual reminiscent in content to a press kit but with much more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his psychological drama "The Serpent's Egg" 1976. Profusely photo-illustrated with over 60 black and white images including film stills and on the set photography of Bergman and other actors at work. Black comb bound wrappers with titles in green. Very Good plus with light rubbing and soil on the front and rear wrapper. Approximately 120 pages. N.p. unknown
1977ref. 147064N.p.: N.p. 1977. First Edition. First Edition publicity manual reminiscent in content to a press kit but with much more detail. Produced by Dino De Laurentiis to advertise legendary Swedish director Ingmar Bergman and his psychological drama "The Serpent's Egg" 1976. Profusely photo-illustrated with over 60 black and white images including film stills and on the set photography of Bergman and other actors at work. Black comb bound wrappers with titles in green. Very Good plus with light rubbing and soil on the front and rear wrapper. Approximately 120 pages. N.p. unknown books
1963ref. 146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown
1963ref. 149757N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 British film showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 10 x 8 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown
1963ref. 151273N.p.: N.p. 1963. Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot only this one including cinematographer Douglas Slocombe director Joseph Losey actor James Fox not in the original scene and a crew member adjusting the chandelier all in the reverse mirror image. From the archive of film historian and author Joel Finler. The first of director Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 8 x 10 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown
1963ref. 149757N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 British film showing director Joseph Losey watching a scene between actors James Fox and Wendy Craig. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 10 x 8 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown books
1963ref. 146913N.p.: Estree Distributors 1963. Vintage borderless photograph of Sarah Miles and Joseph Losey on the set of the 1963 film. Crop annotations in manuscript marker on recto crop annotations in manuscript pencil and "Theo Cowan LTD" and "Paris-Presse" stamps and 1 1/4" mimeo snipe on the verso. The first of Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a servant-becomes-master tale but goes beyond what could have been a mediocre finish and journeys into the psyche and personal problems of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set in and shot on location in London. 7.5 x 9.75 inches. Very Good plus some faint creasing. Estree Distributors unknown books
1963ref. 151273N.p.: N.p. 1963. Vintage reference photograph from the 1963 film noir. A wonderful fourth wall version of the film's most classic shot only this one including cinematographer Douglas Slocombe director Joseph Losey actor James Fox not in the original scene and a crew member adjusting the chandelier all in the reverse mirror image. From the archive of film historian and author Joel Finler. The first of director Joseph Losey's three legendary collaborations with screenwriter-playwright Harold Pinter a dark squeamish parable that tells a familiar servant-becomes-master tale but surpasses mediocrity through a journey into the psyche of the servant himself. Stunningly photographed by Douglas Slocombe. A classic of 1960s British cinema. Set and shot on location in London. 8 x 10 inches. Very Good plus with light wear to the corners. Spicer UK. N.p. unknown books
1971ref. 162479N.p.: Gulf-United Productions 1971. Vintage studio still photograph from the 1971 film here under the alternate release title "3 on a Waterbed." Provenance stamp on the verso. A famous actor hires a sex worker and locks her in a hotel room for three days as part of an "experiment." Shot on location in Florida. 8 x 10 inches. Very Good plus with wax pencil layout annotations in the margins of the recto and light creasing to the extremities. Gulf-United Productions unknown
1971ref. 162479N.p.: Gulf-United Productions 1971. Vintage studio still photograph from the 1971 film here under the alternate release title "3 on a Waterbed." Provenance stamp on the verso. A famous actor hires a sex worker and locks her in a hotel room for three days as part of an "experiment." Shot on location in Florida. 8 x 10 inches. Very Good plus with wax pencil layout annotations in the margins of the recto and light creasing to the extremities. Gulf-United Productions unknown books
1956ref. 132407Hollywood: Paramount Pictures 1956. Collection of 4 vintage full-color British front-of-house cards from the UK release of the 1955 US film. A musical romp about a solo Vaudeville entertainer who marries an Italian ballerina and the seven children they have together. 8 x 10 inches. Light toning else Near Fine. Paramount Pictures unknown books
1993ref. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown
1982ref. 138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown
1993ref. 147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait." After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. Set and shot in Jerusalem. Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown books
1982ref. 138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown books
1976ref. 164365N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976. An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves. 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown
1976ref. 164365N.p.: Danton Films 1976. Vintage one sheet poster for a double-bill of the 1968 and circa 1976 films circa 1976. An amusing pairing of two obscure exploitation films released as a double-bill by Danton Films one of the more memorable sexploitation and Gridnouse production companies of the 1970s circa 1976. "The Sex Shuffle" from 1968 is an exploitation film shot in Texas of hippie orgies drug use and body painting. The second film "Teenage She-Wolves" circa 1976 is largely undocumented except for a few newspaper ads from 1976-1979 and a favorable review in the April 26 1979 "Toronto Star" which describes the film as a Faustian fable set in Mexico in which a Vietnam veteran trades his soul to save the life of the woman he loves. 28 x 39.5 inches. Very Good with two R-rating labels over the recto a 1.5 inch chip to the lower left side a small open tear to the top left corner and repairs to pinholes and starting at the creases on the verso with linen tape and cello tape. Danton Films unknown books