11,064 results
1967ref. 149909New York: Andy Warhol Film 1967. Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in a 95-minute version although this cut is considered lost. A 109-minute version would screen in 1968 as the first film shown at the New Andy Warhol Garrick Theater renamed as such after Warhol recovered from being shot by Valerie Solanas. One of several sexploitation influenced films made by Warhol an episodic story of a biker who has no bike and is both eroticized by the camera and emasculated by various Warhol superstars throughout. 19 x 25 inches rolled. Near Fine with some light soil and an almost imperceptible professional repair to a tear at the top edge. Murphy The Black Hole of Cinema. Warholstars. Andy Warhol Film unknown
1967ref. 149909New York: Andy Warhol Film 1967. Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in a 95-minute version although this cut is considered lost. A 109-minute version would screen in 1968 as the first film shown at the New Andy Warhol Garrick Theater renamed as such after Warhol recovered from being shot by Valerie Solanas. One of several sexploitation influenced films made by Warhol an episodic story of a biker who has no bike and is both eroticized by the camera and emasculated by various Warhol superstars throughout. 19 x 25 inches rolled. Near Fine with some light soil and an almost imperceptible professional repair to a tear at the top edge. Murphy The Black Hole of Cinema. Warholstars. Andy Warhol Film unknown books
1967ref. 150716Beverly Hills CA: United Artists 1967. Collection of eight vintage color studio still photographs from the US release of the 1967 British film. With a stamp noting production No. 68-43 on the bottom right corner of the recto. Based on Len Deighton's 1966 novel. A private eye takes on a case involving a sophisticated computer used by an anticommunist global spy network. The third and last film in the Harry Palmer series preceded by "The Ipcress File" 1965 and "Funeral in Berlin" 1966. Set and shot on location throughout Finland and England. 10 x 8 inches. Near Fine. United Artists unknown
1967ref. 150716Beverly Hills CA: United Artists 1967. Collection of eight vintage color studio still photographs from the US release of the 1967 British film. With a stamp noting production No. 68-43 on the bottom right corner of the recto. Based on Len Deighton's 1966 novel. A private eye takes on a case involving a sophisticated computer used by an anticommunist global spy network. The third and last film in the Harry Palmer series preceded by "The Ipcress File" 1965 and "Funeral in Berlin" 1966. Set and shot on location throughout Finland and England. 10 x 8 inches. Near Fine. United Artists unknown books
1962ref. 172536Buckinghamshire England: Rank Productions 1962. Two vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the versos and with a Rank Productions stamp on the verso. Based on the 1924 novella by Herman Melville and the 1949 play by Louis O. Coxe and Robert H. Chapman. A British Naval ship during the Napoleonic Wars takes on a merchant sailor who is framed by the master-at arms for planning a mutiny. Nominated for one Academy Award. Shot on location in Valencia Spain and the Mediterranean Sea. 9.25 x 7.5 inches. Very Good plus with toning. Rank Productions unknown
1961ref. 166734N.p.: N.p. 1961. First Draft script for the 1962 film. Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and optimism win him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow wrappers with a die-cut title window in the British style. Title page present dated March 21 1961 noted as FIRST DRAFT with credit for screenwriter Peter Ustinov. 127 leaves with last page of text numbered 123. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between May 5 and August 22 1961. Title page lightly toned else pages Near Fine wrapper about Near Fine bound internally with three silver brads. N.p. unknown
1957ref. 166733N.p.: N.p. 1957. Final script for the 1962 film. Early draft preceding the film's release by five years credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film but was involved in this early stage of the script's development. Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow titled wrappers noted as FINAL SCREENPLAY and dated October 15 1957 with credit for screenwriter Robert Rossen. 122 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1961ref. 166734N.p.: N.p. 1961. First Draft script for the 1962 film. Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and optimism win him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow wrappers with a die-cut title window in the British style. Title page present dated March 21 1961 noted as FIRST DRAFT with credit for screenwriter Peter Ustinov. 127 leaves with last page of text numbered 123. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between May 5 and August 22 1961. Title page lightly toned else pages Near Fine wrapper about Near Fine bound internally with three silver brads. N.p. unknown books
1957ref. 166733N.p.: N.p. 1957. Final script for the 1962 film. Early draft preceding the film's release by five years credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film but was involved in this early stage of the script's development. Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow titled wrappers noted as FINAL SCREENPLAY and dated October 15 1957 with credit for screenwriter Robert Rossen. 122 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1962ref. 172536Buckinghamshire England: Rank Productions 1962. Two vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the versos and with a Rank Productions stamp on the verso. Based on the 1924 novella by Herman Melville and the 1949 play by Louis O. Coxe and Robert H. Chapman. A British Naval ship during the Napoleonic Wars takes on a merchant sailor who is framed by the master-at arms for planning a mutiny. Nominated for one Academy Award. Shot on location in Valencia Spain and the Mediterranean Sea. 9.25 x 7.5 inches. Very Good plus with toning. Rank Productions unknown books
1971ref. 160619N.p.: N.p. 1971. Vintage reference photograph from the 1971 film. Printed mimeo snipe affixed to the verso. The second film in the Billy Jack series following "The Born Losers" 1967 and preceding "The Trial of Billy Jack" 1974. Although a critical failure the Billy Jack movies were enormously popular and largely successful at the box office. 10 x 8 inches. Near Fine. N.p. unknown
1971ref. 160619N.p.: N.p. 1971. Vintage reference photograph from the 1971 film. Printed mimeo snipe affixed to the verso. The second film in the Billy Jack series following "The Born Losers" 1967 and preceding "The Trial of Billy Jack" 1974. Although a critical failure the Billy Jack movies were enormously popular and largely successful at the box office. 10 x 8 inches. Near Fine. N.p. unknown books
1963ref. 158035N.p.: N.p. 1963. Four vintage reference photographs from the 1963 film all four showing director John Schlesinger on the set. From the archive of film historian and author Joel Finler. Based on the 1959 novel by Keith Waterhouse. A working class teenager living with his parents in a small Yorkshire town spends his time dreaming and compulsively lying to others in order to distract himself from his boring job as an undertaker's clerk. A key film in the British New Wave balancing the experimental techniques of the French New Wave with the gritty disillusionment of kitchen sink realism. Shot on location in Bradford Yorkshire. 10 x 8 inches. About Very Good moderately edgeworn. One with light toning and one with light creasing that has been reinforced with paper tape on the verso. Criterion Collection 121. N.p. unknown
1963ref. 158035N.p.: N.p. 1963. Four vintage reference photographs from the 1963 film all four showing director John Schlesinger on the set. From the archive of film historian and author Joel Finler. Based on the 1959 novel by Keith Waterhouse. A working class teenager living with his parents in a small Yorkshire town spends his time dreaming and compulsively lying to others in order to distract himself from his boring job as an undertaker's clerk. A key film in the British New Wave balancing the experimental techniques of the French New Wave with the gritty disillusionment of kitchen sink realism. Shot on location in Bradford Yorkshire. 10 x 8 inches. About Very Good moderately edgeworn. One with light toning and one with light creasing that has been reinforced with paper tape on the verso. Criterion Collection 121. N.p. unknown books
1968ref. 152314N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 French film. With manuscript ink annotations and stamp of photographer Gerard Cossevin on the verso. While hiding out on a Peruvian island an emotionally numb young woman has sex with a group of sailors on a beach. Meanwhile her wealthy husband and his strange chauffeur search for her to no avail. One of the first films to receive an X rating from the MPAA purportedly written by director Romain Gary about his marriage to actress Jean Seberg. Shot on location in Mauritania. 9.5 x 7 inches. Near Fine. Bier 1209. N.p. unknown
1968ref. 152314N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 French film. With manuscript ink annotations and stamp of photographer Gerard Cossevin on the verso. While hiding out on a Peruvian island an emotionally numb young woman has sex with a group of sailors on a beach. Meanwhile her wealthy husband and his strange chauffeur search for her to no avail. One of the first films to receive an X rating from the MPAA purportedly written by director Romain Gary about his marriage to actress Jean Seberg. Shot on location in Mauritania. 9.5 x 7 inches. Near Fine. Bier 1209. N.p. unknown books
1975ref. 162359N.p.: N.p. 1975. Vintage borderless reference photograph of director Richard Brooks talking with actress Candice Bergen on the set of the 1975 film. Annotations in manuscript ink on the verso. In 1906 fifteen contestants compete in a 700-mile cross-country horse race with a cash prize of $2000. Nominated for two Academy Awards. Shot on location in New Mexico and Nevada. 10 x 8 inches. About Fine. Pitts 348. N.p. unknown
1975ref. 162359N.p.: N.p. 1975. Vintage borderless reference photograph of director Richard Brooks talking with actress Candice Bergen on the set of the 1975 film. Annotations in manuscript ink on the verso. In 1906 fifteen contestants compete in a 700-mile cross-country horse race with a cash prize of $2000. Nominated for two Academy Awards. Shot on location in New Mexico and Nevada. 10 x 8 inches. About Fine. Pitts 348. N.p. unknown books
1984ref. 141892Munich: Bayerischer Rundfunk 1984. Draft script for the 1986 film. Text in German. A lawyer survives a plane crash and uses his new found lust for life to take on a new identity and start again. Based on a novel of the same title by Johannes Mario Simmel. Clear untitled wrappers. Title page present dated October 12 1984 with credits for screenwriter Johannes Mario Simmel. 146 leaves with last page of text numbered 144. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with white velo binding. Bayerischer Rundfunk unknown
1984ref. 141892Munich: Bayerischer Rundfunk 1984. Draft script for the 1986 film. Text in German. A lawyer survives a plane crash and uses his new found lust for life to take on a new identity and start again. Based on a novel of the same title by Johannes Mario Simmel. Clear untitled wrappers. Title page present dated October 12 1984 with credits for screenwriter Johannes Mario Simmel. 146 leaves with last page of text numbered 144. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with white velo binding. Bayerischer Rundfunk unknown books
1958ref. 132462Culver City CA: Waterlow and Sons / Columbia Pictures 1958. Eight vintage black-and-white still photographs from the 1958 UK release of the 1957 French-American film first released at the 1957 Venice Film Festival. Based on the French novel by Rene Hardy about a group of WWII British commandos who have raided a German outpost at Benghazi. They make their way across the desert facing starvation thirst and the delusions of their leader Captain Brand. 8 x 10 inches. Light toning and creasing overall else Near Fine. Waterlow and Sons / Columbia Pictures unknown
1958ref. 132462Culver City CA: Waterlow and Sons / Columbia Pictures 1958. Eight vintage black-and-white still photographs from the 1958 UK release of the 1957 French-American film first released at the 1957 Venice Film Festival. Based on the French novel by Rene Hardy about a group of WWII British commandos who have raided a German outpost at Benghazi. They make their way across the desert facing starvation thirst and the delusions of their leader Captain Brand. 8 x 10 inches. Light toning and creasing overall else Near Fine. Waterlow and Sons / Columbia Pictures unknown books
ref. 149250Glendale CA: Allied Artists Pictures. Vintage one sheet poster for US release of the 1977 French film. Jean-Jacques Annaud's directorial debut. A scathing black comedy in which the residents of a French outpost in Africa learn of France's 1915 declaration of war on Germany conscript the local population and plan an attack on a nearby German garrison. Winner of the Academy Award for Best Foreign Film. Set in and shot on location in Ivory Coast. 27 x 41 inches. Near Fine. Allied Artists Pictures unknown
ref. 149250Glendale CA: Allied Artists Pictures. Vintage one sheet poster for US release of the 1977 French film. Jean-Jacques Annaud's directorial debut. A scathing black comedy in which the residents of a French outpost in Africa learn of France's 1915 declaration of war on Germany conscript the local population and plan an attack on a nearby German garrison. Winner of the Academy Award for Best Foreign Film. Set in and shot on location in Ivory Coast. 27 x 41 inches. Near Fine. Allied Artists Pictures unknown books
1993ref. 158525Burbank CA: Warner Brothers 1993. First Draft script and Revised First Draft script for the 1994 film. First Draft script dated April 12 1993 and Revised First Draft script dated July 30 1993. Based on Anna Sewell's classic 1877 novel about the eponymous black horse and his varied experiences in England in the 1800s. The fifth film adaptation of Sewell's novel. Shot on location in London Oxfordshire Buckinghamshire and Hampshire England. First Draft: White untitled wrappers with a die-cut title window in the British style. Title page present dated April 12 1993 noted as FIRST DRAFT with credit for director-screenwriter Caroline Thompson. 113 leaves with last page of text numbered 111. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Revised First Draft: White untitled wrappers with a die-cut title window in the British style. Title page present dated July 30 1993 noted as REVISED / FIRST DRAFT with credit for director-screenwriter Caroline Thompson. 116 leaves with last page of text numbered 113. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between July 16 and September 13 1993. Pages Near Fine wrapper Near Fine bound with a silver prong. Warner Brothers unknown
