4,909 results
1962ref. 150413N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste-from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 9.5 x 7 inches. Near Fine. N.p. unknown
1962ref. 150424N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations. Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. Set and shot on location in Paris. 4.5 x 6.5 inches. Near Fine. N.p. unknown
1962ref. 146923Paris: Cine Tamaris 1962. Vintage oversize double weight single photograph of four studio still images from the 1962 film. "CINE VOG FILMS S.A." and "CLEO DE 5 A 7" stamps on the verso. Told more or less in real time the story of a pop singer trying to distract herself from worry while awaiting the results of a biopsy. Nominated for the Palme d'Or. Set and shot on location in Paris. 9.25 x 11.75 inches. Very Good plus some creasing and curling pinholes primarily in corners repaired with paper tape on the verso. Rosenbaum 1000. Ebert IV. Criterion Collection 73. Cine Tamaris unknown
1962ref. 132899Paris: Cine Tamaris / Rome Paris Films 1962. Four vintage black-and-white still photographs from the 1962 French film. Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film prefigures stylistically the French New Wave and is today considered very much a part of it. Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. Set and shot on location in Paris. 8 x 10 inches. Near Fine. Edges lightly toned. Cine Tamaris / Rome Paris Films unknown
1995ref. 171699Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for Season 1 Episode 12 of the 1995 television series. Originally aired December 17 1995 on The WB. With some sparse manuscript ink annotations throughout the Final Draft script. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen's therapist brother comes to visit and inadvertently causes a rift in his parent's relationship by overanalyzing their dynamic. Set in Manhattan. Table Draft: Orange titled wrappers noted as Table Draft on the front wrapper dated October 30 1995. Title page present dated October 30 1995 noted as TABLE DRAFT with credits for screenwriter Nelson Costello and director Linda Day. 45 leaves with last page of text numbered 40. Xerographic duplication rectos only. Pages Near Fine wrapper Fine bound with two gold brads. Final Draft: White titled wrappers noted as FINAL DRAFT on the front wrapper production No. 3L12 dated November 14 1995 with credits for screenwriter Nelson Costello and director Linda Day. Title page integral with front wrapper. 44 leaves with last page of text numbered 39. Xerographic duplication rectos only with blue and white revision pages throughout dated variously between 11-14-95 and 11-15-95. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171698Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for Season 1 Episode 11 of the 1995 television series. Originally aired November 26 1995 on The WB. With label affixed to the front wrapper of the Table Draft script with the name of show creator Steve Stephen Sustarsic. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tries to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen's family continues to get in the way of date night with her boyfriend. Set in Manhattan. Table Draft: Blue titled wrappers noted as Table Draft on the front wrapper dated October 24 1995. Title page present dated October 24 1995 noted as TABLE DRAFT with credits for screenwriter Rachel Lipman and director David Grossman. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Final Draft: White titled self wrappers lacking rear wrapper noted as FINAL DRAFT production No. 3L11 dated November 6 1995 with credits for screenwriter Rachel Lipman and director David Grossman. Title page integral with front wrapper. 42 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171701Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for an unproduced episode of the 1995 television series. With label affixed to the front wrapper of the Final Draft script with the name of show creator Steve Stephen Sustarsic The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen's ex-husband wants to open up a chicken restaurant with Ellen's sister. Set in Manhattan. Table Draft: Lavender titled wrappers noted as Table Draft on the front wrapper dated November 29 1995. Title page present dated November 29 1995 noted as TABLE DRAFT with credits for screenwriter Rob Hanning and director Terri McCoy. 53 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Final Draft: White titled wrappers noted as FINAL DRAFT on the front wrapper production No. 3L14 dated December 11 1995 with credits for screenwriter Rob Hanning and director Terri McCoy. Title page integral with front wrapper. 41 leaves with last page of text numbered 37. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171660Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for Season 1 Episode 10 of the 1995 television series. Originally aired November 19 1995 on The WB. With label affixed to the front wrapper of the Table Draft script with the name of show creator Steve Stephen Sustarsic. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen cancels a work engagement to help her friend who left her husband. Set in Manhattan. Table Draft: Pink titled wrappers noted as Table Draft on the front wrapper dated October 19 1995. Title page present dated October 19 1995 noted as TABLE DRAFT with credits for screenwriter Nancylee Myatt and director David Grossman. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Final Draft: White titled wrappers noted as Final Draft on the front wrapper production No. 3L10 dated October 30 1995. Title page integral with front wrapper. 43 leavees with last page of text numbered 39. Xerographic duplication rectos only. Pages Fine. wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171652Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for Season 1 Episode 8 of the 1995 television series. Originally aired November 5 1995 on the WB. With label affixed to the front wrapper of the Table Draft script with the name of show creator Steve Stephen Sustarsic. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen's mother sets her up with a local Reverend not realizing he is already married. Set in Manhattan. Table Draft: Peach titled wrappers noted as Table Draft on the front wrapper dated September 26 1995. Title page present dated September 26 1995 noted as TABLE DRAFT with credits for screenwriter Michael Riedel and director Terri McCoy. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Final Draft: Blue titled self wrappers lacking rear wrapper production No. 3L08 noted as FINAL DRAFT on the front wrapper dated October 10 1995 with credits for screenwriter Michael Riedel and director Terri McCoy. Title page present dated October 9 1995 noted as FINAL DRAFT with credits for screenwriter Michael Riedel and director Terri McCoy. 39 leaves with last page of text numbered 34. Xerographic duplication rectos only with blue and white revision pages throughout dated variously between 10-9-95 and 10-10-95. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171645Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for Season 1 Episode 7 of the 1995 television series. Originally aired October 29 1995 on The WB. With label affixed to the front wrapper of the Table Draft script with the name of show creator Steve Stephen Sustarsic. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen finds out her mom has been lying to her about her age making her one year older than she thought. Set in Manhattan. Table Draft: Goldenrod titled wrappers noted as Table Draft on the front wrapper dated September 21 1995. Title page present dated September 21 1995 noted as TABLE DRAFT with credits for screenwriter Mindy Schneider and director Linda Day. 44 leaves with last page of text numbered 39. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Final Draft: White titled wrappers production No. 3L07 noted as FINAL DRAFT on the front wrapper dated October 2 1995 with credits for screenwriter Mindy Schneider and director Linda Day. Title page integral with front wrapper. 43 leaves with last page of text numbered 39. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171649Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for Season 1 Episode 8 of the 1995 television series. Originally aired November 5 1995 on the WB. With label affixed to the front wrapper of the Table Draft script with the name of show creator Steve Stephen Sustarsic. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen's mother sets her up with a local Reverend not realizing he is already married. Set in Manhattan. Table Draft: Peach titled wrappers noted as Table Draft on the front wrapper dated September 26 1995. Title page present dated September 26 1995 noted as TABLE DRAFT with credits for screenwriter Michael Riedel and director Terri McCoy. 46 leaves with last page of text numbered 41. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Final Draft: Blue titled self wrappers lacking rear wrapper production No. 3L08 noted as FINAL DRAFT on the front wrapper dated October 10 1995 with credits for screenwriter Michael Riedel and director Terri McCoy. Title page present dated October 9 1995 noted as FINAL DRAFT with credits for screenwriter Michael Riedel and director Terri McCoy. 39 leaves with last page of text numbered 34. Xerographic duplication rectos only with blue and white revision pages throughout dated variously between 10-9-95 and 10-10-95. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1995ref. 171700Los Angeles CA: Twentieth Century-Fox Television 1995. One Table Draft script and one Final Draft script for an unproduced episode of the 1995 television series. With label affixed to the front wrapper of the Final Draft script with the name of show creator Steve Stephen Sustarsic. The short-lived sitcom followed beleaguered single mother Ellen Carlson as she tried to balance raising her nine-year-old daughter with running a production company in Manhattan's Upper West Side. In this episode Ellen's daughter is worried about her mother getting married and having to live with a new stepbrother. Set in Manhattan. Table Draft: Yellow titled wrappers noted as Table Draft on the front wrapper dated November 22 1995. Title page present dated November 22 1995 noted as TABLE DRAFT with credits for screenwriter Mark Drop and director Gary Shimokawa. 45 leaves with last page of text numbered 40. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Final Draft: White titled wrappers noted as FINAL DRAFT on the front wrapper production No. 3L13 dated December 4 1995 with credits for screenwriter Mark Drop and director Gary Shimokawa. Title page integral with front wrapper. 42 leaves with last page of text numbered 38. Xerographic duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1982ref. 141263N.p.: N.p. 1982. Revised Draft script for an unproduced film. Laid in are two letters to agent Walter Kohner dated December 29 1982 and January 24 1983 respectively-the first introducing the script and the second from an agency reader critiquing the script. The brother of a horse breeder is in a successful country western band. When one of the bandmates begins running drugs the band's private jet gets bombed with the brothers being the lead suspects in the subsequent investigation. They work to clear their names and find the true criminals. Set in Atlanta. Green untitled wrappers. Title page present noted as Revised with credit for screenwriter Howard B. Kreitsek. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a spiral binding. N.p. unknown
1931ref. 140125Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1931. Vintage still photograph from the set of the 1931 film. Featuring Madge Evans and Lew Cody comparing binoculars while a very young and not yet famous Clark Gable smiles over their shoulders. Mimeograph snipe on the verso. Based on the short story "Horse Flesh" by Frederick Hazlitt Brennan published in the "Saturday Evening Post" on September 13 1930. An orphaned foal's journey through various owners including that of nefarious gambler Ludeking Hallam Cooley before being returned to his loving breeder Jim Ernest Torrence. Clark Gable's first starring role as a card dealer with occasional moral failings whose love story with Ruby Madge Evans makes for an entertaining side plot. Set in Kentucky shot on location in Lexington Kentucky and California. 8 x 10 inches. Just about Fine. Metro-Goldwyn-Mayer [MGM] unknown
1987ref. 130708Burbank CA: Warner Brothers 1987. Fourth Draft script for the 1988 film. Based on the 1985 novel by Joseph Olshan. A family is in crisis following the death of their child from Sudden Infant Death Syndrome. The mother takes a trip to Jamaica where she meets Clara Mayfield Goldberg who helps her overcome her grief with her no-nonsense straight talk. The mother invites her back to Baltimore to raise their young son Harris and Clara is eventually compelled to reveal dark secrets about her past. Pink titled wrappers. Title page present dated April 8 1987 noted as Fourth Draft with credits for screenwriter Medoff and writer Olshan. 128 leaves mechanical duplication. Pages Fine wrapper Fine with some mild sunning bound with two gold brads. Warner Brothers unknown
1970ref. 141083Paris: Les Films du Losange 1970. Vintage pressbook for the 1970 film. Director Eric Rohmer's first color film in which mountainous backdrops and varying tones play a significant visual role. In a notedly minimal narrative a newly married diplomat becomes infatuated with a lovely young acquaintance specifically with the girl's knee. His desire to touch her knee becomes the driving force behind the film. Two pages 9.5 x 12.5 inches. Near Fine with pin holes to the corners. Criterion Collection 347. Les Films du Losange unknown
1953ref. 125507Sherman Oaks CA: Republic Pictures 1953. Original pressbook for the 1953 film noir. Screenplay by noted screenwriter Steve Fisher. One sheet folded once as issued 11 x 17 inches. Near Fine with a faint horizontal fold crease at the center of the wrapper and pages. Lyons US. Martin 121. Selby US. 71. Spicer US. Republic Pictures unknown
1975ref. 140794Stockholm: Svensk Filmindustri SF 1975. Draft script for an unproduced film. An unproduced English-language version of "Mina Drommars Stad" or "City of My Dreams" a 1976 Swedish film written and directed by Ingvar Skogsberg based upon a novel by Per Anders Fogelstrom. Young Henning and his three friends struggle to survive with their freedom intact in 19th century Stockholm. Based on the life of Fogelstrom. This was the Swedish entry to the 1976 Academy Award for Best Foreign Language Film but it was not selected as a nominee. Set in Stockholm shot on location there. White untitled wrappers. Title page present dated January 26 1975 noted as Scenario Version with credits for author Per Anders Fogelstrom screenwriter Ingvar Skogsberg and translator Alan Blair. 151 leaves with last page of text numbered 150. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a white velo binding. Svensk Filmindustri [SF] unknown
1996ref. 170717Los Angeles: Atlas Entertainment 1996. Draft script for the 1998 film. An American remake of Wim Wenders' 1987 film "Wings of Desire" the setting moved to Los Angeles about an angel who falls in love with a human and decides to become mortal in order to live with her. Set and shot on location in Los Angeles. Generic white Atlas Entertainment wrappers. Title page present dated May 29 1996 with credit for screenwriter Dana Stevens. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound internally with two gold brads. Atlas Entertainment unknown
1976ref. 167073Universal City: Public Arts / Roy Huggins - Universal Studios 1976. Draft script for the fourth episode of the 1976 NBC television series here under the working title "City of Angels: Quicker Than the Eye" which aired on February 24 1976. Not to be confused with the 2000 CBS medical drama television series created by Steven Bochco. Inspired by Roman Polanski's 1974 classic "Chinatown" the series was created by Stephen J. Cannell and Roy Huggins who had previously worked together on the acclaimed 1974-80 television series "The Rockford Files." Wayne Rogers stars as the stalwart private investigator Jake Axminster working amid the corruption of 1930s Los Angeles. Hailed by mystery novelist Max Allan Collins as "the best private eye series ever" the series premiered on NBC on February 3 1976 and lasted for only one thirteen episode season before ending on May 18 1976. In this episode Jake is hired by a wealthy man named Underwood to investigate whether his wife Velma is having an affair only to discover Underwood dead after hearing a shot ring out while staking out Velma at their home. Front wrapper integral with title page dated January 27 1976 with credits for screenwriter Philip De Guere Jr. and Story by James Thomas James. 63 leaves with last page of text numbered 59. Mimeograph duplication rectos only with pink revision pages throughout dated 1/30/76. Pages Very Good plus with the front wrapper detached and stapled to the following two leaves bound with two gold brads. Public Arts / Roy Huggins - Universal Studios unknown
1940ref. 171479Los Angeles CA: RKO Radio Pictures 1940. Vintage studio still photograph from the 1941 film showing Orson Welles and Ruth Warrick surrounded by policemen. SIGNED by Warrick on the recto. Numeric stamp and annotations in manuscript pencil on the verso. Often considered to be one of the finest American films ever made the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film winner of an Academy Award and nominated for eight others including Best Picture. Shot on location in New York and California. 10 x 8 inches. Near Fine. Ebert I. Godard Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. RKO Radio Pictures unknown
1940ref. 161700Los Angeles CA: RKO Radio Pictures 1940. Vintage reference keybook photograph of actor director and screenwriter Orson Welles with a dresser on the set of the 1941 film. Linen backed with two sets of punch holes along the top edge. Often considered to be one of the finest American films ever made the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film winner of an Academy Award and nominated for eight others including Best Picture. Shot on location in New York and California. Photograph 8 x 11 inches image 3.5 x 4.5 with large margins. Very Good plus with adhesive residue on the verso and toning. Ebert I. Godard Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. RKO Radio Pictures unknown
1941ref. 151555Culver City CA: RKO Radio Pictures 1941. Vintage borderless reference photograph taken on the set of the 1941 film showing wardrobe aide Earl Leas adjusting director Orson Welles' collar in preparation for a scene. With a printed mimeo snipe affixed to the verso. Often considered to be one of the finest American films ever made the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film winner of an Academy Award and nominated for eight others including Best Picture. Shot on location in New York and California. 7 x 9 inches. Very Good plus overall. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
1941ref. 134897Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white double weight keybook photographs from the 1941 film. Both stills linen backed as issued one still with a mimeo snipe on the verso the other with the RKO Radio Pictures rubber stamp on the verso. The first still shows a young Kane Orson Welles smoking a pipe and smiing signing his "declaration" with advisors Jedediah Leland Joseph Cotten and Mr. Bernstein Everett Sloane. The second still shows Kane as an old man looking on as his young bride Dorothy Comingore completes a giant jigsaw puzzle at a table. Both stills 9.5 x 7.5 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
1941ref. 134898Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. Stills are 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
