4,912 results
1965ref. 159827Paris: UniFrance Film 1965. Vintage borderless reference photograph of director Georges Franju on the set of the 1965 French film arranging the coat of actress Emmanuele Riva. Stamp specific to the film's French release on the verso along with the stamp of UniFrance Film. Based on the 1923 novel by Jean Cocteau about a teenager who is mistaken for the nephew of the popular General de Fontenoy during World War I. Shot on location in Paris and Oise. 9.5 x 7.25 inches. Near Fine. UniFrance Film unknown
1963ref. 127386N.p.: Continental Distributing 1963. Vintage one sheet poster for the US release of the 1963 British film. Based on the 1960 novel by screenwriter David Storey. One of the greatest films in British cinema and regarded by many to be Richard Harris' finest performance. A young and angry Yorkshire rugby footballer finds his romantic life to be as unsuccessful as his sporting life is rewarding. Lindsay Anderson's stunning feature film debut following years of documentary work. Nominated for two Academy Awards and the Palm d'Or. Set in and shot on location in Yorkshire England. 27 x 41 inches. Folded as issued. Very Good plus with a pinhole to each corner and a tiny chip to the top right margin. Bright and unfaded. Criterion Collection 417. Continental Distributing unknown
1963ref. 150563N.p.: National Screen Service 1963. Eight vintage black and white studio still photographs from the 1963 film. An exploration of unusual people and behaviors throughout the world narrated by George Sanders. Includes a performance artist who sticks long needles into his body footage of the Grand Guignol theatre in Paris reindeer castrations and many more. 10 x 8 inches. Near Fine. National Screen Service unknown
1969ref. 151671Glendale CA: Allied Artists 1969. Vintage press kit for the US release of the 1969 French film for use by distributors and the press containing four black and white photographs one pressbook a promotional pamphlet and a one sheet poster for the film. Based on the 1938 novel by Cecil Day-Lewis writing as Nicholas Blake. A man seduces a young actress as part of his plan to avenge the hit-and-run death of his son. The second of four films Claude Chabrol made with actor Jean Yanne following "Line of Demarcation" 1966 and preceding "Le Boucher" 1970 and "Madame Bovary" 1991. Shot on location in Finistere Brittany and Paris. Poster photographs and promotional material Very Good plus. Grant France. Allied Artists unknown
1942ref. 151348Santa Ana CA: RKO Radio Pictures 1942. Final Draft screenplay for the 1942 film. Copy belonging to legendary screenwriter Dudley Nichols inscribed by Nichols to Los Angeles Times film critic Phil Scheuer on the title page: "By Dudley Nichols / Confidential! / For Phil Scheuer from D. Nichols-with admiration." Nichols' ownership name is also in manuscript pencil at the top right corner. Renoir's second American feature an anti-fascist propaganda film following a meek schoolteacher in a German-occupied European country who is falsely accused of murder and forced to take a stand against the Nazis and their collaborators. At the peak of his career Nichols worked with many key Golden Age directors including John Ford George Cukor Howard Hawks Fritz Lang and of course Jean Renoir. He was a founding member of the Screen Writers Guild and is best remembered for "The Informer" 1935 for which Nichols won an Academy Award "Bringing Up Baby" 1938 "Stagecoach" 1939 "For Whom the Bell Tolls" 1943 "Scarlet Street" 1945 "And Then There Were None" 1945 "The Bells of St. Mary's" 1945 and "The Tin Star" 1957. He continued to write prolifically for film up until the time of his death in 1960. Housed in a custom quarter-leather clamshell box. Pink titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 104 dated OCTOBER 2 1942 with credits for director Jean Renoir and screenwriter Dudley Nichols. Distribution page present with receipt removed. Title page integral with the front wrapper. 169 leaves with last page of text numbered 162. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. RKO Radio Pictures unknown
1944ref. 164361Universal City: Universal Pictures 1944. Vintage publicity photograph from the 1944 film showing actress Louise Allbritton behind a camera. Printed mimeo snipe affixed to the verso. A teenage orphan from New England receives an inheritance for education but instead uses it to travel to New York to pursue the object of her obsession an Army surgeon. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Pictures unknown
1984ref. 148189N.p.: Embassy Pictures 1984. Eight vintage lobby cards from the 1984 film. The film that invented the "rockumentary." Rob Reiner's debut now a timeless cult classic. Film director Mary DiBergi Reiner chronicles the American comeback tour of the aging heavy-metal band Spinal Tap. Selected for the National Film Registry in 2002. 14 x 11 inches. Near Fine. Ebert II. Criterion Collection 12. Embassy Pictures unknown
1984ref. 155631N.p.: N.p. 1984. Vintage reference photograph of actors Tony Hendra Christopher Guest Lara Cody and Harry Shearer on the set between takes and a take that ostensibly was not in the film. Reiner's debut and a much-loved cult classic about a documentary filmmaker chronicling the American comeback tour of an aging heavy-metal band. Shot on location throughout California. 10 x 8 inches. Near Fine. National Film Registry. Criterion Collection 12. Ebert II. McPadden Heavy Metal Movies. N.p. unknown
1958ref. 132722London: Unviersal International Pictures 1958. Eight vintage full-color British front-of-house cards from the UK release of the 1958 US film. Based on a play by F. Hugh Herbert about a young woman who asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. A story set in Connecticut shot at Universal Studios in California. 8 x 10 inches. Faint creasing overall else Near Fine. Unviersal International Pictures unknown
1933ref. 145456Los Angeles: Paramount Pictures 1933. Five vintage double weight internal studio photographs from the set of the 1933 pre-code film. Manuscript annotations on the verso of each. One photo shown. Please inquire to see others. High school students unite against a ruthless gang leader. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1944ref. 171686N.p.: Donahue And Coe 1944. Vintage advertising proof for the 1944 film. Based on the 1943 book by Captain Ted W. Lawson and edited by Robert Considine an eyewitness account of the first American retaliatory strike against Japan four months after the Japanese attack on Pearl Harbor led by US Air Force Lieutenant Colonel James Doolittle. Set in Florida and shot on location in Florida and California. 8.5 x 11 inches. Very Good plus with tiny bruises to the four corners. Donahue And Coe unknown
1944ref. 171690N.p.: Donahue And Coe 1944. Two vintage working advertising proofs for the 1944 film both with manuscript pencil annotations amending text and layout on the recto and two printer labels on the verso of the narrow proof. Based on the 1943 book by Captain Ted W. Lawson and edited by Robert Considine an eyewitness account of the first American retaliatory strike against Japan four months after the Japanese attack on Pearl Harbor led by US Air Force Lieutenant Colonel James Doolittle. Set in Florida and shot on location in Florida and California. 11.5 x 17 inches and 7.25 x 18 inches. Very Good plus with light creasing and faint overall rubbing and soiling. Donahue And Coe unknown
1944ref. 168473Los Angeles: Metro-Goldwyn-Mayer MGM 1944. Vintage borderless reference photograph from the 1944 film showing director Mervyn LeRoy hosing down a plane prop on the set with Spencer Tracy making a goofy face from the pilot's seat. Printed mimeo snipe in French and Metro-Goldwyn-Mayer stamp on the verso. Based on the 1943 book an eyewitness account of the first American retaliatory strike against Japan four months after the Japanese attack on Pearl Harbor led by US Air Force Lieutenant Colonel James Doolittle. Set in Florida and shot on location in Florida and California. 8.5 x 6.5 inches. Faint discoloration on the top edge of the verso else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1949ref. 158691N.p.: N.p. 1949. Vintage oversize reference photograph from the 1949 film showing actress Eva Henning in a negligée. Ingmar Bergman's seventh film about the troubled romantic and sexual experiences of several Swedish adults. Based on the 1948 short story collection by Birgit Tengroth who also appeared as Viola in the film. Shot on location in Hamburg Germany. 9.5 x 11.75 inches. Very Good plus with light creasing at the corners. N.p. unknown
1961ref. 152418N.p.: N.p. 1961. Draft script for the 1962 film. From the estate of actress Monique van Vooren. Doon Spile a mute escapes from the asylum he has been committed to and encounters his estranged nephew Leroy in the woods. When Leroy almost drowns while swimming in the lake Doon overcomes his fear of water and rescues the boy only to be misinterpreted by a mob as hurting the boy. Beige titled wrappers with credits for screenwriter Robert Lewin. Title page present with credits for screenwriter Robert Lewin. 129 leaves with last page of text numbered 128. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown
1950ref. 142326N.p.: N.p. 1950. Synopsis script for an unproduced film. Ribbon copy typescript. The supposed memoir of a showgirl who begins who career simply as a beautiful woman who think she is untalented in all other areas and ends up embarrassing herself rather often at the start of her career. She eventually develops a camaraderie with her fellow performers and begins to accept her life with people who care about her. Set in England. Pink titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 32 leaves with last leaf of text numbered 28. Ribbon copy typescript. Pages Near Fine wrapper Very Good plus bound with string binding. N.p. unknown
1974ref. 169566Beverly Hills CA: United Artists 1974. Vintage borderless reference photograph from the 1974 film showing Shelley Duvall holding a baby kitten. French release stamp and layout annotations in manuscript ink on the verso. Based on the 1937 novel by Edward Anderson previously adapted by Nicholas Ray as "They Live by Night" 1950. One of Altman's many high spots during the 1970s an early and unusual entry in the American neo-noir canon and one of the most artful gangster films made. Set and shot on location in various towns and cities in central and southern Mississippi including Jackson Hermanville Pickens and Canton. 8 x 10 inches. Near Fine. Spicer US Neo-Noir. United Artists unknown
1995ref. 162504Lyon: Sygma 1995. Vintage reference photograph of Catherine Deneuve and Laurence Côte relaxing between takes on the set of the 1996 film. Mimeo snipe on the verso crediting photographer Isabelle Weingarten. A love triangle develops between a beautiful shoplifter a cynical police officer and a philosophy professor. Shot on location in Lyon. 9.5 x 7 inches. Fine. Sygma unknown
1984ref. 146251Los Angeles: Paramount Pictures 1984. Original Shooting script for the 1984 film. Title typo on the front wrapper stamped in red. A seductive thriller about a bored housewife who is seduced by a burglar who begins to recreate erotic fantasies from her secret diary. Director-screenwriter Douglas Day Stewart had to his credit "The Blue Lagoon" 1980 and "An Officer and a Gentleman" 1982 along with the cult classic "Flashdance" 1983. Set and shot on location throughout California. Black titled front wrapper lacking rear wrapper. Title page present dated January 16 1984 SHOOTING SCRIPT a small letter B written in manuscript pencil at the top right corner and with a credit for director-screenwriter Steward as well as producers Bruckheimer and Simpson. 111 leaves with last page of text numbered "107A." Xerographically duplicated rectos only with blue and pink revision pages dated variously between 1/24/84 and 2/1/84 and one page with 2/2/84 and "Office" in manuscript ink. Pages Near Fine wrapper Very Good plus bound with two gold brads. Paramount Pictures unknown
ref. 163887N.p.: N.p. 1970. Draft script for an unproduced film. With Bloch's annotations throughout in manuscript ink noting changes to dialogue. A crime drama set in Mexico about an American woman who becomes involved with a controversial political revolutionary. Robert Bloch is best known for penning Alfred Hitchcock's "Psycho" 1959 although his six-decade writing career encompassed novels short stories radio cinema and television. A protégé of H.P. Lovecraft Bloch received the Hugo Award the Bram Stoker Award and the World Fantasy Award and served as the president of the Mystery Writers of America in 1970. Beige card wrappers with the title and the name of actor John Ireland in manuscript ink on the front wrapper. Title page present with credit for Bloch. 122 leaves with last page of text numbered 120. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus with leaves torn at the holes and laid into wrappers. N.p. unknown
1972ref. 154881Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Vintage press kit for the 1972 film. Full-color illustrated pocketed folder containing five gatherings of promotional reading material. The last movie to be filmed on the famed MGM "back lot." A small town sheriff in California finds that his investigation into the murder of a pregnant woman uncovers a web of deceit a Doberman Pinscher and a mysterious nurse ambiguously connected to the murder. Folder and promotional material Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1936ref. 164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1948ref. 170586Los Angeles: RKO Radio Pictures 1948. Collection of 4 vintage studio still photographs from the 1948 film noir. An interesting historical artifact in that each of these has a label with a corrected title reading "They Live By Night" pasted over the original release title "The Twisted Road." One of the four photos has this label roughly removed in a demonstrative fashion see images. Based on Edward Anderson's 1937 novel "Thieves Like Us" about an escaped convict who falls in love with a woman who nurses him back to health after he is injured in a robbery. Nicholas Ray's directorial debut a "doomed lovers" tale that is considered by many to be a forerunner to "Bonnie and Clyde" 1967. Generally 10 x 8 inches. Very Good plus to Near Fine. Criterion Collection 880. Grant US. Rosenbaum 1000. Selby US Canon. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown
1940ref. 148173N.p.: Vitagraph 1940. Vintage studio still photograph of George Raft getting ready to throw a punch from the 1940 film. Based on the 1939 novel "Long Haul" by A.I. Bezzerides. Paul Humphrey Bogart and Joe Fabrini Raft run a trucking business barely keeping ahead of creditors when one night a fatigued Paul falls asleep at the wheel crashing the truck and losing his arm. Joe is then offered a job by his friend Ed Carlsen Alan Hale whose wife Lana Ida Lupino has taken a fancy for Joe. 8 x 10 inches. Near Fine with very faint creasing. Selby US. Spicer US. Grant US. Vitagraph unknown
1962ref. 155090N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 film showing actors Sami Frey and Emmanuelle Riva between takes in conversation with director Georges Franju. Stamp of International Magazine Service on the verso along with a date stamp reading April 10 1962 and the stamp of Paris-Match and Marie Claire. Based on the 1927 novel by Francois Mauriac about a woman in a loveless relationship who plans to kill her husband by gradually increasing his medication to induce an overdose. Set in the Landres and shot on location in Gironde and Paris. 9.5 x 7.25 inches with a wide bottom margin. Near Fine. Grant France. N.p. unknown
