Steven L Kravitz (screenwriter)Biblio.com
9,121 results
1982ref. 141727N.p.: N.p. 1982. Treatment script for an unproduced television program. A drama series focusing on the comings and goings of a hospital's emergency room. White titled self wrappers noted as Outline on the front wrapper dated October 4 1982 with credit for screenwriter Steven L. Kravitz. Title page integral with front wrapper. Eleven leaves with last page of text numbered nine. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with a staple. N.p. unknown
1977ref. 160670N.p.: N.p. 1977. Vintage reference photograph from the 1977 film showing a nude Mónica Zanchi surrounded by Amazonian cannibals. Mimeo snipe and provenance stamp on the verso. In pursuit of her next big exposé a photojournalist and her friends travel to the Amazon where they encounter a tribe of supposedly extinct cannibals. The sixth "Emanuelle" film starring Laura Gemser. Shot on location in New York and Rome. 10 x 8 inches. Very Good plus slightly wavy on the top and bottom edges. N.p. unknown
1979ref. 150583Los Angeles: Dick Clark Productions 1979. Final Shooting script for the 1978 television film which aired on ABC on February 11 1979. Annotation of copy number "147" in holograph marker on top right of title page. One of three television films made by noted film director John Carpenter. Carpenter began working on "Elvis" after wrapping up his 1978 quintessential horror slasher "Halloween" offering him a chance to try his hand at a dramatic biopic. It was the first time Carpenter had worked with Kurt Russell who would become a frequent collaborator starring in Carpenter's "Escape from New York" 1981 "The Thing" 1982 "Big Trouble in Little China" 1986 and "Escape from L.A." 1996. The television biopic follows the trajectory of Elvis Presley's career from his impoverished childhood to his sudden and unprecedented rise as a Rock and Roll icon to his years as a Las Vegas sensation. Featuring an outstanding performance by Russell as The King. Nominated for a Golden Globe for Best Television Motion Picture and nominated for three Emmy Awards including Best Actor in a Miniseries or Movie for Russell. Dark blue titled wrappers. Title page present dated 10/16/78 noted as FINAL SHOOTING SCRIPT with credits for screenwriter Anthony Lawrence. 146 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Dick Clark Productions unknown books
1960ref. 142077Beverly Hills CA: Elmer Gantry Productions / United Artists 1960. Vintage double weight photograph from the set of the 1960 film. Director Richard Brooks gets up close to direct Burt Lancaster as Lancaster holds Jean Simmons. Based on the 1927 novel by Sinclair Lewis. Nominated for five Academy Awards including Best Picture winning for Best Actor Best Supporting Actress and Best Adapted Screenplay. 8 x 10 inches. Near Fine. Rosenbaum 1000. Elmer Gantry Productions / United Artists unknown books
1960ref. 142077Beverly Hills CA: Elmer Gantry Productions / United Artists 1960. Vintage double weight photograph from the set of the 1960 film. Director Richard Brooks gets up close to direct Burt Lancaster as Lancaster holds Jean Simmons. Based on the 1927 novel by Sinclair Lewis. Nominated for five Academy Awards including Best Picture winning for Best Actor Best Supporting Actress and Best Adapted Screenplay. 8 x 10 inches. Near Fine. Rosenbaum 1000. Elmer Gantry Productions / United Artists unknown
1994ref. 151320London: Gala Film Distributors 1994. Vintage studio still photograph from the UK release of the 1994 film under its UK title "Love in the Strangest Way." A married businessman enjoys what he believes to be a one-night-stand but realizes he's in over his head when the woman shows up for her new job as his son's new nanny. 10 x 8 inches. Near Fine. Gala Film Distributors unknown books
1958ref. 152343N.p.: N.p. 1958. Collection of four vintage matte-finish borderless candid photographs of Jeanne Moreau on the set of the 1958 French film noir. The film's new cinematic realism was both indebted and pivotal to the French New Wave and skyrocketed the career of actress Jeanne Moreau whose disaffected makeup-less performance was the scandal of Paris for months following the film's release. 12 x 9.5 inches. Near Fine some light corner and edgewear. Criterion Collection 335. Buss French Film Noir. Hardy The BFI Companion to Crime. Grant US. Selby US. N.p. unknown books
1958ref. 171784N.p.: N.p. 1958. Vintage borderless oversize reference photograph from the 1958 French film noir showing a gloved Julien Tavernier carefully staging his lover's husband's death as a suicide. The film's new cinematic realism was both indebted and pivotal to the French New Wave and skyrocketed the career of Moreau whose disaffected makeup-less performance was the scandal of Paris for months following the film's release. 12 x 9.25 inches. Near Fine. Criterion Collection 335. Grant France. Selby France. N.p. unknown
1958ref. 152780N.p.: N.p. 1958. Four vintage oversize matte-finish reference photographs from the 1958 film one showing actor Patrick McGoohan in full safari garb crouching with a cheetah two showing actors Belinda Lee and Michael Craig and one showing Lee between takes on the set petting a lion. The British fiancee of a senior warden at a south African game preserve finds her affections unexpectedly drawn by her beau's younger brother. Shot on location in Kenya. 14 x 11 inches. Very Good plus one with a short closed tear to the bottom edge and all with light creasing and toning to the edges. N.p. unknown
1956ref. 150324N.p.: N.p. 1956. Vintage oversize borderless reference photograph of actress Ingrid Bergman filing her nails on the set of the 1956 film. With the stamps of Match magazine Photo Garofalo and Gamma picture agency on the verso. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 9 x 11.25 inches. Near Fine. N.p. unknown books
1956ref. 151415N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 7 x 5.25 inches. Near Fine. Franco-London Film unknown books
1956ref. 150324N.p.: N.p. 1956. Vintage oversize borderless reference photograph of actress Ingrid Bergman filing her nails on the set of the 1956 film. With the stamps of Match magazine Photo Garofalo and Gamma picture agency on the verso. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 9 x 11.25 inches. Near Fine. N.p. unknown
1956ref. 151415N.p.: Franco-London Film 1956. Vintage borderless reference photograph of director Jean Renoir listening while composer Joseph Kosma plays the organ on the set of the 1956 film. With a mimeo snipe on the verso along with a stamp specific to the film's French release. In turn-of-the-century France a young Polish princess agrees to marry a wealthy older man to save her family from the poorhouse but finds herself falling in love with a handsome stranger despite her engagement. The third film in director Jean Renoir's romance trilogy preceded by "The Golden Coach" 1953 and "French Cancan" 1955. Set and shot on location in France. 7 x 5.25 inches. Near Fine. Franco-London Film unknown
1956ref. 144496Burbank CA: Warner Brothers 1956. Vintage photograph of Jean Renoir and Ingrid Bergman on the set of the 1956 French film. Agency stamps on the verso. A romantic-comedy set in 1890 Paris starring Ingrid Bergman as Elena Sokorowskaa Polish princess who has a reputation for bringing good luck to her lovers. While scheduled to be married to a wealthy family friend with plans to bring new money to the family's dwindling fortune she meets Count de Chevincourt Mel Ferrer the aide to General Rollan Jean Marais. Both men are taken by her charm and find themselves in a romantic knot with repercussions for all of France. Shot on location in and around Paris. 5 x 7 inches. Near Fine with single bottom margin. 244 Criterion Collection. Godard Histoires du cinema. Rosenbaum 1000. Warner Brothers unknown
1956ref. 144442Paris: Cinedis 1956. Original borderless single weight still photograph from the 1956 French-Italian film. Bergman and Marais enjoy a moment sharply dressed. Numerical notation in manuscript pencil and a rubber-stamp crediting starring actors director and French film title on the verso. One of director Renoir's final films a turn of the century romantic comedy about Polish princess Elena Bergman and various men of military rank in pre-WWI Paris. Shot on location throughout France. 7 x 9.25 inches. Very Good plus with pinholes and brief creases at the corners and a faint dampstain. Criterion Collection 244. Godard Histoire du cinema. Rosenbaum 1000. Cinedis unknown
1973ref. 161160Los Angeles: National Theatre Westwood 1973. Vintage flyer for a preview screening of the 1973 film at the National Theatre Westwood in Los Angeles to benefit the Los Angeles International Film Exposition. An ambitious newly promoted homicide detective becomes disillusioned with the police force while investigating a case empathizing with the hippies other officers in his unit harass. Soundtrack by Chicago. Set and shot on lcoation in Fountain Hills and Monument Valley Arizona. 8.5 x 11 inches. Near Fine. Grant US. National Theatre Westwood unknown
1997ref. 160794N.p.: N.p. 1997. Third Draft script for the 1999 film. With manuscript ink annotations relating to the character of Jim McAllister on several pages possibly in the hand of screenwriter Jim Taylor and post-it notes with annotations in the same hand attached to five pages. Based on the 1998 novel by Tom Perrotta loosely based in turn on Budd Schulberg's 1941 novel "What Makes Sammy Run" A pitch-black comedy about a washed-up high school history teacher who forms an increasingly desperate vendetta against an overachieving student. Nominated for an Academy Award for Best Screenplay. Set in Omaha shot on location in Washington DC in Omaha Bellevue LaVista and Papillon Nebraska in Carter Lake Iowa and in New York City. Blue titled wrappers noted as THIRD DRAFT on the front wrapper dated July 22 1997 with credits for director-screenwriter Alexander Payne screenwriter Jim Taylor and novelist Tom Perotta. Title page present noted as THIRD DRAFT dated July 22 1997 with credits for director-screenwriter Alexander Payne screenwriter Jim Taylor and novelist Tom Perotta. 116 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Fine wrapper Very Good plus bound with a silver prong that has been reinforced with clear packing tape. Criterion Collection 904. N.p. unknown
1970ref. 161698N.p.: Rond Inc 1970. Vintage studio still photograph from the 1970 film with a provenance stamp on the verso and two labels obscuring a previous provenance stamp. An innocent girl has her sexual awakening over a wild weekend. 8 x 10 inches. Very Good plus. Rond, Inc unknown
1960ref. 147196N.p.: N.p. 1960. Draft script for an unproduced film. Text in Spanish. An imagining of the infancy youth and adolescence of Jesus Christ. Set in Jerusalem. Beige titled wrappers with credits for screenwriter Ismael Rodriguez. 114 leaves with last page of text numbered 112. Mimeograph duplication on onionskin stock rectos only. Pages Very Good plus wrapper Very Good bound with a silver prong. N.p. unknown
ref. 1028986Encuadernación de tapa blanda. Aceptable. . Barcelona. Edic. B. Edita Tebeos. 1988. 1ª edic.30x21 cm. apaisado. 32 págs. 2 de cubiertas a todo color. Dibujantes: Sy Barry / Ray Moore / Wilson McCoy. La colección completa se compone de 74 números los primeros 32 núms. en formato vertical resto en horizontal. Perfecto estado. # comics. unknown
1966ref. 161554Los Angeles: Paramount Pictures 1966. Vintage reference photograph of screenwriter Leigh Brackett and director Howard Hawks on the set of the 1966 film. Annotation in manuscript ink on the verso. Loosely based on Harry Brown's 1960 novel "The Stars in Their Courses." A gunfighter comes to the aid of his old friend now a sheriff to defend a rancher's family. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine. Godard Histoires du Cinema. Paramount Pictures unknown
ref. 1029031Encuadernación de tapa blanda. Aceptable. . Madrid. Cómic ¿ Mam. Años 1980. Reedición Facsimilar de la de Barcelona. Edit. Grafidea. 1953. 17x24 cm. apaisado. 10 págs. 2 de cubiertas a color interior en b/n. 2 grapas por núm. Dibujante: Matías Alonso. Perfecto estado. # cómics unknown
1953ref. 156132N.p.: Allianz Filmproduktion 1953. Vintage program for the 1953 German film. Text and titles in German. An American millionaire returns to his native Dubrovnik in his yacht accompanied by his flighty beautiful young daughter. Shot on location in Yugoslavia. 7.25 x 10.5 inches. Bi-fold. Very Good plus lightly age toned and edgeworn. Allianz Filmproduktion unknown
1980ref. 146511Berlin: CCC-Film CCC-Filmkunst 1980. Draft script for the 1983 German film directed by Andrzej Wajda. With a few small holograph pencil annotations mostly regarding a character's name change and changes to pagination. Laid in with the script is a handwritten letter discussing films with KO-Productions. Text in German. Based on the 1980 novel. In 1983 a middle-aged man returns to his hometown village with his teenage son in an attempt to discover the details of his mother's affair with a Polish prisoner of war during World War II. Set in Brombach shot on location in Baden-Wurttemberg and Berlin. Yellow titled wrappers. Title page present dated Januar 1980 with credits for screenwriters Rolf Hochhuth and Werner Jorg Luddecke. 216 leaves with last page of text numbered 210. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly soiled with perfect binding. CCC-Film [CCC-Filmkunst] unknown books
1980ref. 146511Berlin: CCC-Film CCC-Filmkunst 1980. Draft script for the 1983 German film directed by Andrzej Wajda. With a few small manuscript pencil annotations mostly regarding a character's name change and changes to pagination. Laid in with the script is a handwritten letter discussing films with KO-Productions. Text in German. Missing page 59 likely as used or issued. Based on the 1980 novel. In 1983 a middle-aged man returns to his hometown village with his teenage son in an attempt to discover the details of his mother's affair with a Polish prisoner of war during World War II. Set in Brombach shot on location in Baden-Wurttemberg and Berlin. Yellow titled perfect-bound wrappers. Title page present dated Januar 1980 with credits for screenwriters Rolf Hochhuth and Werner Jorg Luddecke. 216 leaves with last page of text numbered 210. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus. CCC-Film [CCC-Filmkunst] unknown
