9,121 results
1948ref. 156123N.p.: Verleih Schorchtfilm 1948. Vintage program for the 1948 German film. Text and titles in German. Based on the 1946 novel by Ernst Lothar. A romantic saga spanning six decades chronicling the history of a wealthy Austrian family during the late 19th and early 20th centuries. 8 x 11.5 inches. Bi-fold. About Near Fine. Verleih Schorchtfilm unknown
1950ref. 167604Berlin: Carlton-Film 1950. Six vintage studio still photographs from the 1950 West German film. The inhabitants of a small village in the Bavarian Alps lose their senses upon the arrival of a beautiful young dancer arousing the men and enraging their wives. Set and shot on location in Bavaria. 10 x 8 inches. Very Good to Very Good plus with pinholes on the margins. Carlton-Film unknown
1971ref. 144452London: Hammer Films 1971. Revised Draft script for the 1972 British horror film here under the working title "Blood Will Have Blood." With holograph annotations throughout that include additions to description and changes in dialogue. A classic from the Hammer canon and the last film Hammer made in conjunction with Anglo-EMI about a widowed aristocrat who keeps his two teenage children captive fearing that they may have inherited a curse from their mother who recently killed herself. Complete with blood letting incest demonic possession and a series of mysterious murders in the nearby woods. Shot on location in Buckinghamshire Hertfordshire and East Sussex England. Red untitled wrappers with a die cut title window. Title page present noted as Copy No. 47 in black holograph ink dated "Revised 12th July 1971" with a credit for screenwriter Christopher Wicking. 101 leaves with last page of text numbered 99. Mechanical duplication rectos only with pink revision pages throughout some with a type font different from the standard Roneograph style dated variously between 21.7.71 and 23.8.71. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Hammer Films unknown books
1981ref. 150753N.p.: American Panorama 1981. Two vintage black and white studio still photographs from the 1981 film. With holograph ink annotations on the bottom right corner of the recto noting production No. 82-617. A British couple inadvertently release a demon from its ancestral home in a Mexican mine. Shot on location in California Nevada and Mexico. 10 x 8 inches. Near Fine. Thrower Nightmare USA. Vinegar Syndrome 94. American Panorama unknown books
1977ref. 149031Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1977. Archive of seven vintage double weight borderless photographs from the 1977 film by special photographer Alan Pappe. Included is are four striking photographs of Julie Christie two photographs showing Fritz Weaver and Julie Christie with "the creature" and one photograph of director Donald Cammell on the set. With the stamp of photographer Alan Pappe on the verso of each photograph. Pappe worked as a film still and press photographer for 30 years covering a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. Based on Dean Koontz 1973 novel of the same name about a scientist who creates an artificial intelligence which becomes obsessed with procreating with the scientist's wife. Roughly 9.75 x 6.75 inches slightly irregularly trimmed. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1995ref. 135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2." A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. "A Twist of Lemming: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Twist of Lemming: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. "A Glitch in Time: Part One:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. "A Glitch in Time: Part Two:" Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown
1985ref. 151372N.p.: N.p. 1985. Collection of 25 vintage black and white reference photographs from the 1985 film. A multiethnic group of pizza delivery boys are united by their shared interest in break dancing. Set and shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown books
1985ref. 151372N.p.: N.p. 1985. Collection of 25 vintage reference photographs from the 1985 film. A multiethnic group of pizza delivery boys are united by their shared interest in break dancing. Set and shot on location in New York. 8 x 10 inches. Near Fine. McPadden Teen Movie Hell. N.p. unknown
1975ref. 161667N.p.: Rainbow Distributors 1975. Three vintage studio still photographs from the 1975 sexploitation film. One photograph with a provenance stamp on the verso. Three escaped mental patients break into a private girls' school with bad intentions unaware that the girls' curriculum includes wrestling and karate. Shot on location in Santa Barbara California. 8 x 10 inches. Light edgewear else Near Fine. Rainbow Distributors unknown
1953ref. 156140N.p.: N.p. 1953. Vintage program for the 1953 German film. Text and titles in German. Based on the 1947 novel "Tauerngold" by Irmgard Wurmbrand. A young teacher is sexually assaulted by a wealthy sawmill owner and later learns that she is pregnant. In order to save her from shame her assaulter's brother agrees to marry her and romance blossoms between the two. Shot on location in Salzburg. 7.25 x 10.5 inches. Bi-fold. Near Fine. N.p. unknown
1987ref. 129810Toronto ON: Cineplex-Odeon Films 1987. Draft script for the 1991 film. An unusual and highly effective thriller by Martin Campbell "Casino Royale" "Edge of Darkness" starring Sam Shepard and Barbara Hershey at the height of their powers. Legal angles under-the-counter porn betrayal affairs and murder all figure in to a bizarre and intriguing tangle. Gray titled wrappers. Title page present dated July 17 1987 noted as Rewrite with credits for screenwriters Hicks and Jordan. 125 leaves mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. Cineplex-Odeon Films unknown books
1970ref. 137979Hollywood: Paul Kohner 1970. Original treatment script for an unproduced film called "Deeper Into the Forest" written by Giulio Questi whose film credits include "The Possessed" 1965 "Django Kill. If You Live Shoot!" 1967 "Death Laid an Egg" 1968 and "Arcana" 1972. From the Paul Kohner agency with his name and notation in holograph ink on the first page. The annotations states that director Sergio Leone suggested the script as a project for actor Charles Bronson. Brief corrective annotations in holograph ink on two pages. Set in South America in the early 1900s at an insane asylum where patient Lazarus resides. Based on previous scripts we have handled for this title the project was to star Charles Bronson but representatives from the Paul Kohner agency called the central character "a sort of left-over snack derived from Tony Quinn's character of the Indian in the play ONE FLEW OVER THE CUCKOO'S NEST" and that Bronson did not "fancy himself playing Indians." The representatives also say that the story spirals into a meaningless psychedelic peyote-induced "freeforall" with the timeless and worn idea that people commit outrageous and unhinged deeds because the world around them is exactly that: outrageous and unhinged. Blue wrappers. Title page present undated noted as Idea and Treatment with a credit for screenwriter Questi. 51 leaves with last leaf of text numbered 50. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound with two gold brads. Paul Kohner unknown books
1972ref. 153235N.p.: Gerard Damiano Film Productions 1972. Vintage three-color press kit for the groundbreaking 1972 adult film with annotation in manuscript marker on upper right of recto of first page of "Coming! Feb 21st" with a two page center spread featuring a synopsis and black and white photographs and ad mats on verso of second page. The film that heralded in the "Golden Age of Porn." One of the first pornographic films to feature a plot character development and comparably high production values. 8.5 x 11 inches bi-fold. Very Good plus with horizontal crease from having once been folded paper tape shadows on top and bottom margins of the recto of first panel a few one-inch pieces of cello tape on the center spread and paper tape shadow on top and bruise on bottom of verso of second page. Apart from this generally bright and unfaded. Gerard Damiano Film Productions unknown
1968ref. 161665N.p.: Cannon Films 1968. Three vintage studio still photographs from the 1968 film. All three photographs with provenance stamps on the versos. A woman hosts an annual licentious reunion parties for her former sorority sisters and their lovers at her beach estate. Shot on location in Fire Island New York. 8 x 10 inches. Very Good plus one photograph with a wax pencil annotation along the top right edge and a one inch closed tear to the top center right. Cannon Films unknown
1970ref. 162301N.p.: N.p. 1970. Vntage borderless studio still photograph from the 1970 film showing actors Jane Asher and John Moulder-Brown. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. Shot on location in Munich Germany and London. 10 x 8 inches. Near Fine. BFI Flipside 19. Grant UK. N.p. unknown
1970ref. 150635N.p.: N.p. 1970. Vntage borderless reference photograph of Jerzy Skolimowski and Jane Asher on the set of the 1970 film. A teenage boy takes a job at a local swim club becomes obsessed with his older coworker and tries to sabotage her engagement to another man. Shot on location in Munich Germany and London. 7.25 x 9.25 inches. Light creasing and edgewear else Near Fine. BFI 1063. Grant UK. N.p. unknown
1970ref. 144949UK: Connoisseur Films 1970. Five vintage borderless photographs from the 1970 film noir. Each with the stamp of French magazine "Telecine" on the verso. A teenage boy takes a job at a local swim club becoming obsessed with his older coworker trying to sabotage her engagement to another man. 9.5 x 7.25 inches. Near Fine. Grant UK. Connoisseur Films unknown
1970ref. 144949UK: Connoisseur Films 1970. Collection of five vintage borderless photographs from the 1970 film noir. Each with the stamp of French magazine "Telecine" on the verso. A teenage boy takes a job at a local swim club becoming obsessed with his older coworker trying to sabotage her engagement to another man. 9.5 x 7.25 inches. Near Fine. Grant UK. Connoisseur Films unknown books
1949ref. 132808London: Curzon Film Distributors 1949. Vintage black-and-white double weight still photograph from the 1949 UK release of the 1948 French film. Distributor's rubber-stamp and notation on the verso. Based on a story by Ashelbe Henri La Barthe about a prostitute named Dedee Simone Signoret who works in a night club in Antwerp. She meets an Italian sailor and they fall in love giving Dedee a new outlook on life. A film that would bring Signoret great popularity. A story set in Antwerp. 8 x 10 inches. Very Good plus with light creasing overall. Curzon Film Distributors unknown books
1947ref. 138070Beverly Hills CA: Victor Glaser 1947. Draft script for the 1948 film. Carbon typescript on onionskin stock a draft of the novel produced for purposes of film development with brief annotations throughout in holograph ink. Copy belonging to Victor Glaser with his name and address on the front wrapper in holograph ink and the person to whom the internal annotations presumably belong. Based on the 1939 novel by Henri La Barthe writing as Ashelbe. Dedee Signoretworks in a bar and lives Marco Dalio the bouncer and her pimp. When she meets Francesco Pagliero she sees a way to a better life but must avoid the menacing embrace of Marco. Set in Antwerp. Censored upon release in both Finland and France. Blue wrappers with a credit for Ashelbe on the front wrapper. 145 leaves with last leaf of text numbered 143. Carbon typescript on onionskin stock. Pages Near Fine wrapper Very Good bound with three gold brads. Victor Glaser unknown books
1947ref. 138070Beverly Hills CA: Victor Glaser 1947. Draft script for the 1948 film. Carbon typescript on onionskin stock a draft of the novel produced for purposes of film development with brief annotations throughout in manuscript ink. Copy belonging to Victor Glaser with his name and address on the front wrapper in manuscript ink and the person to whom the internal annotations presumably belong. Based on the 1939 novel by Henri La Barthe writing as Ashelbe. Dedee Signoretworks in a bar and lives Marco Dalio the bouncer and her pimp. When she meets Francesco Pagliero she sees a way to a better life but must avoid the menacing embrace of Marco. Set in Antwerp. Censored upon release in both Finland and France. Blue wrappers with a credit for Ashelbe on the front wrapper. 145 leaves with last leaf of text numbered 143. Carbon typescript on onionskin stock. Pages Near Fine wrapper Very Good bound with three gold brads. Victor Glaser unknown
1984ref. 163805N.p.: N.p. 1984. Vintage reference photograph from the 1984 cult film showing actors William S. Burroughs and F.M. Einhelt. Annotations in manuscript ink on the verso. Loosely based on Burroughs' "The Electronic Revolution" 1970 about a young punk who creates a device to unscramble the subliminal messages embedded in Muzak. An underground film made on a shoestring budget shot in Berlin with a cast of non-actors playing themselves-including FM Einheit of Einstürzende Neubauten and Genesis P-Orridge of Psychic TV. Largely forgotten until 2019 when the film was released by Vinegar Syndrome on Blu-ray and DVD. 9.5 x 7 inches. Near Fine. Vinegar Syndrome 288. N.p. unknown
ref. CIN005C341998 / 190 pages. Broché Editions Petites bibliothèque des Cahiers du Cinéma.
2002ref. 160032N.p.: N.p. 2002. Draft script for the 2002 film. Loosely based on and not to be confused with the notorious 1977 horror film directed and written by George Barry. A murderous haunted bed terrorizes a young couple after they move into a newly renovated warehouse. Set in Los Angeles. Self wrappers. Title page present undated with credit for screenwriter John Strysik. 117 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Very Good plus silver prong binding. N.p. unknown
1980ref. 162953N.p.: N.p. 1980. Draft script for an unproduced short film. A woman who receives a lifesaving heart transplant is haunted by the ghost of the man whose heart she received. White titled self wrappers lacking rear wrapper with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 25 leaves with last page of text numbered 25. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with a paper clip at the top left corner. N.p. unknown
