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197139 pages. Contents: Cover photo of the 4/20 Wurlitzer Publix #1 installed in the Seattle Paramount 8n 1927, a true "Crawford Special"; The Kilgen Wonder Organ - Part 2 of a fictional trip through the Kilgen Plant in St. Louis during its busiest days - with photos; Willimantic Connecticut's Windham Regional Technical School's new 3/15 Wurlitzer - article with photos; Robert Morton, No. 2296 Special is now located in a home in Solon, Ohio... after many travels; Eddie Jones Retires; Integration Accomplished - Mr. Garo Ray has placed the tone generating system complete with drawbars into his 42 rank pipe organ, controlling the entire instrument from the orthodox pipe organ console; Benjamin (Ben) Mortimer Hall III Found Dead - photo and article with the unfortunate news; From Scratch - Bob Sieben built his 3-ranker in his home workshop; "The Organ Loft" - an organ radio show on WZOW-FM in Utica, New York with Don Robinson; What is Required of the Theatre Organist - reprint of a 1927 article by Jesse Crawford; The Monster Snorts - Beulah and Marion Martin of Whiteville, North Carolina rebuild their Moller console; Alexander D. Richardson - he has performed in every entertainment medium, primarily in his home town of New York City; Back cover Rodgers Organ Company ad promotes Lyn Larsen and his "Something Special" album. Unmarked with moderate wear. A quality copy. Magazine
1970Contents: Nice Wurlitzer organ ad inside front cover. A Theatre Organ Comes to Downers Grove North High School - CATOE moves a Wurlitzer. Photo of the inside of the Norshore Theatre, Chicago - An acre of seats in a palace of splendor. Final curtain for the New Haven Paramount; Building for the Future - preserving a talent pool of organ builders and maintainers in future generations; Nuggets from the Golden Days; ConnValChap Scholarship Winners; Randy Sauls at the organ - Personality Profile; Hollywood Cavalcade; Obituaries for Eddie Peabody and Frederick Charles Wood, console designer for the Wurlitzer Company in the 1920s. Great Conn Organ ad features the Phantom of the Opera. Dennis James and "The Phantom" Thrill 3800. Record reviews. Snippets from England. Where the Bartons were - Part 5 - part of the only authorized list of Barton installations, provided by Dan Barton. Home Organ Festival Glitters - the eleventh stanza at Hoberg's resort in northern California - with many photos; Eddie Dunstedter recovering. Letters. Reader contributions. Lee Erwin plays unusual 'soundless' concert for a deaf-mute audience at the university of Rhode Island. Chapter news. Classified ads. Rodgers Organ Company back cover ad featuring Bob Power and his Rodgers custom built instrument. Light wear. Clean and unmarked. A nice copy. Book
1970Cover photo of Radio City Music Hall organists Jack Ward, Dick Leibert and Ray Bohr. Contents: Photo of the interior of Loew's Theatre, Akron, Ohio - An acre of seats in a palace of splendor. The Kilgen Wonder Organ - Part 1 - how the Kilgen Company of St. Louis responded to a shortage of organs in the 1920s - 3-page article with great photos. Snippets from England. Ad for the 1970 Conn 3-Manual Theatre Organ. The Gil White Residence 3/11 Organ. Nuggets from the golden days. Song Slides and Theatre Organists - the theatre organ solo in which glass song-slides were projected upon a motion picture screen developed from a humble beginning. Biography of performer Henry B. Murtagh. Toronto's Odeon Carlton Theatre - article with photo - opened in 1948. Reader contributions. Hollywood Cavalcade. The Esther McDonald Stayner Story - a theatre organ biography, with photos. New York Paramount now nostalgia. A Living Tribute to Farny Wurlitzer and Lou Rosa. Fifteenth convention of A.T.O.S. in New York. Bill Lamb named honourary member. Theatre Organists Hall of Fame - Lee Erwin. Photos and write-ups of twenty artists who performed at the fifteenth convention. Closing the Allyn Theatre in Hartford, Connecticut - Angelo Mastagni and Jack Martin of Clinton's Inc. purchased the organ and donated it to the ATOS Chapter - story with photos. Record reviews. Letters to the Editor. Rodgers delivers 'Style 260 Special' organ to Bob Power - article with photos (and ad on back cover). Chapter news. Classified ads. Nice Wurlitzer organ ad inside front cover. Classified ads. Rodgers Organ ad on back cover features photo of Bob Power and his new custom built Conn organ. Light wear. Clean and unmarked. A nice copy. Book
1970Nice Wurlitzer organ ad inside front cover. Contents: Photo of the interior of the Fox Theatre, Washington, D.C. The Richard F. Kline, Jr. Studio Wurlitzer Pipe Organ - article with great photos. Portrait of Lee Erwin, Theatre Organist - nice four-page article with photos. Taming the Savage Beast - how to capture the proper sound when moving a theatre organ to your home - helpful illustrated 3-page article. A Theatre Organ "Pipe-In" at the University of Rhode Island - featuring their Moller-Austin four manual, forty-four rank pipe organ installed in Edwards Auditorium. The Boyd Kimball's Move to Wilmington - excitement over the installation of a three manual, nineteen rank Kimball pipe organ in the John Dickinson High School. Reprint of Chicago-Tribune article - Theatre Organ Revival is More than Nostalgia; Conn Organ ad featuring their 3-Manual Theatre Organ. Record reviews. I remember Dan Papp, the man who made the 4/36 Wurlitzer in the New York Paramount the standard to which all others were compared. Letters. Hollywood Cavalcade. Obituary for Herb Shriner. Chapter news. Classified ads. Classified ads. Rodgers Organ ad on back cover features their 33-E model. Light wear. Clean and unmarked. A nice copy. Book
199268 pages. Contents: The Sedgwick Saga - a 3/19 Deluxe Moller, opus 5230 - article with photos; The Golden Frame - Presenting the Silent Film, by Jeff Weiler; The Granada Theatre, San Francisco (Paramount) - article with archival photos; Toward Higher Standards in Theatre Organ Installations; The Vintage Morton - The Rest of the Story - the original 2/11 Robert-Morton installed in the San Francisco Castro Theatre in 1922; An Enchanted Evening - Twirling at Turner's Musical Merry-Go-Round in Northampton; Obituaries for Al Bollington, Garo W. Ray, Harold A. Roque and Bob R. Burkhart; Considerable chapter news. Unmarked with moderate wear. A sound copy. Magazine
1979ref. 371582Los Angeles :Paramount Studios 1979. First Edition. Softcover. Single sheet movie poster for Starting Over. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: A divorced man falls in love but somehow he can't get over his ex-wife. This affects his love life in comic ways. Based on Dan Wakefield's novel. Los Angeles :Paramount Studios paperback
1996ref. RO80090805CHEZ L'AUTEUR. 1996. In-12. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 jaquette pour K7 magnétoscope, illustrée en couleurs.. . . . Classification : 1000-Images Divers
ref. RO30161324. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours
1978ref. RO30161513. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours
1932ref. WALTER-FILM007826Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1932. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Near fine. A beautiful portrait of Anna May Wong for one of her most substantial roles in a major talking film the notorious pre-Code opus Shanghai Express directed by Josef von Stroheim. Though Wong received third billing behind Marlene Dietrich and Clive Brook her portrayal of Hui Fei is universally regarded as a masterclass in acting. Hui Fei is a fiercely independent woman navigating a train ride from Peking to Shanghai during the Chinese Civil War which is hijacked by rebel forces. Her performance often overshadowed Dietrich's. Unfortunately she would not be cast in another role as complex as this. Wikipedia Photo coded P671-245. Paramount
1932ref. WALTER-FILM007826Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1932. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Near fine. A beautiful portrait of Anna May Wong for one of her most substantial roles in a major talking film the notorious pre-Code opus Shanghai Express directed by Josef von Stroheim. Though Wong received third billing behind Marlene Dietrich and Clive Brook her portrayal of Hui Fei is universally regarded as a masterclass in acting. Hui Fei is a fiercely independent woman navigating a train ride from Peking to Shanghai during the Chinese Civil War which is hijacked by rebel forces. Her performance often overshadowed Dietrich's. Unfortunately she would not be cast in another role as complex as this. Wikipedia Photo coded P671-245. Paramount books
ref. 68-7592Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Good with tears perforations minor loss at corner. Additional photo included. Hollywood, CA: Paramount, 1939. unknown
ref. 68-7556Hollywood CA: Paramount 1942. B&W Photo. 8" x 10" Very Good with creasing. Hollywood, CA: Paramount, 1942. unknown
ref. 68-7599Hollywood CA: Paramount 1947. B&W Photo. 8" x 10" Very Good Hollywood, CA: Paramount, 1947. unknown
ref. 68-7577Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1939. unknown
ref. 68-7553Hollywood CA: Paramount 1957. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1957. unknown
ref. 68-7549Hollywood CA: Paramount 1956. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1956. unknown
1933ref. WALTER-FILM006815Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1933. Set of five 5 vintage original 8 x 10" 20 x 25 cm. black-and-white double weight matte finish photos. Very minor corner wear and some with tiny pinholes at corners about fine. When Buster Crabbe lost out to fellow Olympic swimmer Johnny Weissmuller in playing Tarzan at MGM Paramount came up with this competitive story. It was Buster's first feature film and the studio photographers wasted little time in presenting photography of his physique which bared nearly all and would not be tolerated once the Production Code was enforced. This series of images introduced moviegoers to Crabbe. They are amongst the finest photos in male beefcake. Photos coded P-1495-2 3 4 6 27. Paramount
1938ref. WALTER-FILM006816Paramount. No binding. Very Good. Los Angeles: Paramount Pictures 1938. Set of four 4 Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photos. Minor corner creases and wear to all. One has chip at top right corner another has chip at bottom left corner. Overall very good. Four photos in a series called "How To Swim in Nine Easy Lessons". The series includes nine photos as indicated; present are numbers 1 6 8 and 9. Each has a blurb printed on the verso explaining the swim technique which Buster is demonstrating. They were used to publicize his appearance in the Paramount film Tip Off Girls. The Olympic swim champ was popular and utilized in film for his physique more so than his acting talents but he did make for an iconic Flash Gordon. From the Kenneth Anger collection but not stamped. Anger may have been planning a beefcake storyline for one of his books or just liked collecting beefcake photos of the stars. Photos coded P1498-240 241 243 248. Paramount
1938ref. WALTER-FILM006816Paramount. No binding. Very Good. Los Angeles: Paramount Pictures 1938. Set of four 4 Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photos. Minor corner creases and wear to all. One has chip at top right corner another has chip at bottom left corner. Overall very good. Four photos in a series called "How To Swim in Nine Easy Lessons". The series includes nine photos as indicated; present are numbers 1 6 8 and 9. Each has a blurb printed on the verso explaining the swim technique which Buster is demonstrating. They were used to publicize his appearance in the Paramount film Tip Off Girls. The Olympic swim champ was popular and utilized in film for his physique more so than his acting talents but he did make for an iconic Flash Gordon. From the Kenneth Anger collection but not stamped. Anger may have been planning a beefcake storyline for one of his books or just liked collecting beefcake photos of the stars. Photos coded P1498-240 241 243 248. Paramount books
1933ref. WALTER-FILM006815Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1933. Set of five 5 vintage original 8 x 10" 20 x 25 cm. black-and-white double weight matte finish photos. Very minor corner wear and some with tiny pinholes at corners about fine. When Buster Crabbe lost out to fellow Olympic swimmer Johnny Weissmuller in playing Tarzan at MGM Paramount came up with this competitive story. It was Buster's first feature film and the studio photographers wasted little time in presenting photography of his physique which bared nearly all and would not be tolerated once the Production Code was enforced. This series of images introduced moviegoers to Crabbe. They are amongst the finest photos in male beefcake. Photos coded P-1495-2 3 4 6 27. Paramount books
1928ref. WALTER-FILM007800Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1928. Set of 22 vintage original 8 x 10" 20 x 25 cm black-and-white photos one with a marginal chip. Sixteen have mimeographed text on verso some have old photo agency stickers. Two have writing in margins. Overall near fine. A remarkably substantial group of photos from this film which came near the end of Erich von Stroheim's career as a director. Set in Vienna in 1914 this was one of Stroheim's regular forays into the world of decadent European aristocracy. Paramount
1928ref. WALTER-FILM007800Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1928. Set of 22 vintage original 8 x 10" 20 x 25 cm black-and-white photos one with a marginal chip. Sixteen have mimeographed text on verso some have old photo agency stickers. Two have writing in margins. Overall near fine. A remarkably substantial group of photos from this film which came near the end of Erich von Stroheim's career as a director. Set in Vienna in 1914 this was one of Stroheim's regular forays into the world of decadent European aristocracy. Paramount books
ref. WALTER-FILM006440Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1935. Vintage original 8 x 11"" 20 x 28 cm. black-and-white double weight glossy silver nitrate keybook photo. Minor wear at bottom left edge keybook holes at left edge about fine. Independent film producer Walter Wanger throws a wrap party at the completion of his Paramount-released musical Every Night at Eight on the film's nightclub set and likely on the last day of principal photography; it is rare to find photos showing such events. His stars Alice Faye Frances Langford George Raft and director Raoul Walsh are joined by left-to-right: - Henry Fonda who was placed under contract to Wanger in 1935 after Broadway success and was just finishing his first film The Farmer Takes a Wife; - Gail Patrick Paramount contract player who was appearing in Wanger's Smart Girl at the time; - Walter Wanger producer of the film; - Alice Faye who was on loan from Fox Pictures to star in Wanger's film. She is still in costume; - Ida Lupino who was appearing in and is in costume and makeup for Wanger's production Smart Girl; - William Wellman well-known director writer and producer seemingly between projects; - Alison Skipworth in costume for The Devil is a Woman; - Frances Langford making her feature film debut and debuting her signature song ""I'm In the Mood for Love"". Her costume matches that of Alice Faye; - George Raft lead star of the film and Paramount contract player; - Joan Bennett who would be married to Wanger between 1940-65 and who was appearing in numerous Paramount films in 1935; - Raoul Walsh director of the film; - Bert Hanlon though the verso identifies him as Harry Holman -- the character actor who appeared in over 20 films in 1935 alone including uncredited in this film -- it is incorrect. This is composer songwriter actor author and director Bert Hanlon who wrote dialogue for this film. The party took place in late-June 1935 at General Service Studio Hollywood CA. Ink stamped by the Hollywood Advertising Council June 26 1935. Paramount unknown
ref. WALTER-FILM006440Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1935. Vintage original 8 x 11"" 20 x 28 cm. black-and-white double weight glossy silver nitrate keybook photo. Minor wear at bottom left edge keybook holes at left edge about fine. Independent film producer Walter Wanger throws a wrap party at the completion of his Paramount-released musical Every Night at Eight on the film's nightclub set and likely on the last day of principal photography; it is rare to find photos showing such events. His stars Alice Faye Frances Langford George Raft and director Raoul Walsh are joined by left-to-right: - Henry Fonda who was placed under contract to Wanger in 1935 after Broadway success and was just finishing his first film The Farmer Takes a Wife; - Gail Patrick Paramount contract player who was appearing in Wanger's Smart Girl at the time; - Walter Wanger producer of the film; - Alice Faye who was on loan from Fox Pictures to star in Wanger's film. She is still in costume; - Ida Lupino who was appearing in and is in costume and makeup for Wanger's production Smart Girl; - William Wellman well-known director writer and producer seemingly between projects; - Alison Skipworth in costume for The Devil is a Woman; - Frances Langford making her feature film debut and debuting her signature song ""I'm In the Mood for Love"". Her costume matches that of Alice Faye; - George Raft lead star of the film and Paramount contract player; - Joan Bennett who would be married to Wanger between 1940-65 and who was appearing in numerous Paramount films in 1935; - Raoul Walsh director of the film; - Bert Hanlon though the verso identifies him as Harry Holman -- the character actor who appeared in over 20 films in 1935 alone including uncredited in this film -- it is incorrect. This is composer songwriter actor author and director Bert Hanlon who wrote dialogue for this film. The party took place in late-June 1935 at General Service Studio Hollywood CA. Ink stamped by the Hollywood Advertising Council June 26 1935. Paramount unknown books
