ParamountBiblio.com
296 Ergebnisse
Best.-Nr. WALTER-FILM007769Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1936. Set of 6 vintage original 8 x 10" 20 x 25 cm black-and-white photos. Some with collector stamps and photo agency stickers on verso overall fine. Josef von Sternberg's final film with Marlene Dietrich. One photo has the film's tentative working title Caprice Espagnol. Dietrich is in four of the six photos. Paramount unknown
1932Best.-Nr. WALTER-FILM006662Paramount. No binding. About Fine. Los Angeles: Paramount 1932. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. There are light signs of use at blank corners about fine. Marlene Dietrich was the true writer of the screenplay for this opus which took her from wealth to ruin to rags to fame to wealth again. The censors crossed out so much of her material even in the pre-Code period that by the time a final script was approved she and director/mentor Joseph von Sternberg had little interest in making the film. They came through though with a brilliant odyssey highlighted by Dietrich in many moods all behind heavy diffusion. Here is Dietrich as the down-and-out vagrant Helen Faraday with Sidney Toler as the detective on her trail. Photo coded 1385-87. Paramount
Best.-Nr. WALTER-FILM007769Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1936. Set of 6 vintage original 8 x 10" 20 x 25 cm black-and-white photos. Some with collector stamps and photo agency stickers on verso overall fine. Josef von Sternberg's final film with Marlene Dietrich. One photo has the film's tentative working title Caprice Espagnol. Dietrich is in four of the six photos. Paramount unknown books
1932Best.-Nr. WALTER-FILM006662Paramount. No binding. About Fine. Los Angeles: Paramount 1932. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. There are light signs of use at blank corners about fine. Marlene Dietrich was the true writer of the screenplay for this opus which took her from wealth to ruin to rags to fame to wealth again. The censors crossed out so much of her material even in the pre-Code period that by the time a final script was approved she and director/mentor Joseph von Sternberg had little interest in making the film. They came through though with a brilliant odyssey highlighted by Dietrich in many moods all behind heavy diffusion. Here is Dietrich as the down-and-out vagrant Helen Faraday with Sidney Toler as the detective on her trail. Photo coded 1385-87. Paramount books
Best.-Nr. 0789329913.Gcalendar. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. WALTER-FILM006265Paramount. No binding. Just About Fine. Hollywood: Otto Preminger 1964. Two 2 vintage original 7 7/8 x 9 3/4" 20 x 24.5 cm. borderless double weight black-and-white photos just about fine. Director Otto Preminger works with John Wayne behind-the-scenes on the 1964 WWII masterpiece In Harm's Way. Paramount unknown
Best.-Nr. WALTER-FILM006265Paramount. No binding. Just About Fine. Hollywood: Otto Preminger 1964. Two 2 vintage original 7 7/8 x 9 3/4" 20 x 24.5 cm. borderless double weight black-and-white photos just about fine. Director Otto Preminger works with John Wayne behind-the-scenes on the 1964 WWII masterpiece In Harm's Way. Paramount unknown books
Best.-Nr. 63-9559Hollywood CA: Paramount 1964. . B&W Photo 8" x 10". Very Good. Hollywood, CA: Paramount, 1964. unknown
Best.-Nr. WALTER-FILM007621Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1929. Vintage original 14 x 17" 36 x 44 cm jumbo lobby card. Small tear mended on verso with archival paper and minor diagonal crease both in extreme upper left corner near fine. A portrait of the legendary actress and singer Helen Morgan in her first starring role in a talking film a pre-Code backstage musical which remains a classic of early American sound movies. Paramount unknown
Best.-Nr. WALTER-FILM007621Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1929. Vintage original 14 x 17" 36 x 44 cm jumbo lobby card. Small tear mended on verso with archival paper and minor diagonal crease both in extreme upper left corner near fine. A portrait of the legendary actress and singer Helen Morgan in her first starring role in a talking film a pre-Code backstage musical which remains a classic of early American sound movies. Paramount unknown books
Best.-Nr. 0671040014.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008Best.-Nr. 92446Paramount 2008-01-01. DVD. Very Good. Very Good; DVD; Paramount; 2008; 0 Paramount unknown
1927Best.-Nr. WALTER-FILM005709Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1927. Vintage original 8 x 10" 20 x 25 cm. black-and-white print still photo light crease and rippling from descriptive paper snipe on back near fine. A portrait of Evelyn Brent George Bancroft and Clive Brook from Josef von Sternberg's gangster film often cited as a proto-film noir. Grant p. 675: "Important precursor of the 1930s US gangster movie and as such significant to noir's ancestry." Silver and Ward p. 301: "Enhanced immeasurably by the exotic visual preoccupations of . Sternberg which encompass a range of original symbols and imagery. The script as written by ex-newspaperman Ben Hecht realistically details the personalities populating the sordid speakeasies and dingy dwellings of the gangsters." Paramount
1927Best.-Nr. WALTER-FILM005709Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1927. Vintage original 8 x 10" 20 x 25 cm. black-and-white print still photo light crease and rippling from descriptive paper snipe on back near fine. A portrait of Evelyn Brent George Bancroft and Clive Brook from Josef von Sternberg's gangster film often cited as a proto-film noir. Grant p. 675: "Important precursor of the 1930s US gangster movie and as such significant to noir's ancestry." Silver and Ward p. 301: "Enhanced immeasurably by the exotic visual preoccupations of . Sternberg which encompass a range of original symbols and imagery. The script as written by ex-newspaperman Ben Hecht realistically details the personalities populating the sordid speakeasies and dingy dwellings of the gangsters." Paramount books
Best.-Nr. WALTER-FILM006308Paramount. No binding. Fine. Hollywood: Paramount Pictures 1947. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo fine. Studio portrait shot a year after Veronica Lake appeared in THE BLUE DAHLIA. She remained at Paramount for a few more years after. Paramount unknown
Best.-Nr. WALTER-FILM006307Paramount. No binding. Just About Fine. Hollywood: Paramount Pictures 1942. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo small closed tear in blank upper center top just about fine. Studio portrait of Veronica Lake during her time at Paramount Pictures. Photo coded P2745-504. Paramount unknown
1942Best.-Nr. WALTER-FILM006653Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Tape repair at top right corner about fine. Veronica Lake displays her iconic appearance in this unusual portrait in which she sports a designer bracelet in promotion for her work in This Gun for Hire. The original attached paper blurb on verso calls it a "He and She" bracelet designed by Hobe. A picture of "he" and "she" can be inserted in the hearts. A vintage King Features Syndicate Inc. ink stamp on verso. Paramount
Best.-Nr. WALTER-FILM005811Paramount. No binding. Near Fine. Los Angeles: Paramount 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white single weight glossy silver gelatin print still photo. Photo is lightly sepia toned. There is creasing in all four blank white margins. Near fine. A stunning portrait of Veronica Lake during her early time at Paramount when she was appearing in such now classic films as I WANTED WINGS THIS GUN FOR HIRE and I MARRIED A WITCH. Lake worked with the top directors and filmmakers and turned in some wonderfully subtle and deft performances in which her genius has been more recently recognized. This publicity photo is coded #2745034. Paramount unknown
Best.-Nr. WALTER-FILM006307Paramount. No binding. Just About Fine. Hollywood: Paramount Pictures 1942. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo small closed tear in blank upper center top just about fine. Studio portrait of Veronica Lake during her time at Paramount Pictures. Photo coded P2745-504. Paramount unknown books
Best.-Nr. WALTER-FILM006308Paramount. No binding. Fine. Hollywood: Paramount Pictures 1947. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo fine. Studio portrait shot a year after Veronica Lake appeared in THE BLUE DAHLIA. She remained at Paramount for a few more years after. Paramount unknown books
Best.-Nr. WALTER-FILM005811Paramount. No binding. Near Fine. Los Angeles: Paramount 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white single weight glossy silver gelatin print still photo. Photo is lightly sepia toned. There is creasing in all four blank white margins. Near fine. A stunning portrait of Veronica Lake during her early time at Paramount when she was appearing in such now classic films as I WANTED WINGS THIS GUN FOR HIRE and I MARRIED A WITCH. Lake worked with the top directors and filmmakers and turned in some wonderfully subtle and deft performances in which her genius has been more recently recognized. This publicity photo is coded #2745034. Paramount unknown books
1942Best.-Nr. WALTER-FILM006653Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Tape repair at top right corner about fine. Veronica Lake displays her iconic appearance in this unusual portrait in which she sports a designer bracelet in promotion for her work in This Gun for Hire. The original attached paper blurb on verso calls it a "He and She" bracelet designed by Hobe. A picture of "he" and "she" can be inserted in the hearts. A vintage King Features Syndicate Inc. ink stamp on verso. Paramount books
Best.-Nr. WALTER-FILM006790Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1934. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Some wear at bottom corners near fine. Original type on verso explains that Wally Westmore head of Paramount's make-up department has invented a new gun spray make-up device for applying body make-up. In this image showman Earl Carroll is shown demonstrating it on one of his showgirls Anya Taranda. Carroll's dancing ladies performed an extravagant production number in the film. The device is the forerunner of today's airbrush make-up technique. Photo is coded 989/2/90. Paramount unknown
Best.-Nr. WALTER-FILM006790Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1934. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Some wear at bottom corners near fine. Original type on verso explains that Wally Westmore head of Paramount's make-up department has invented a new gun spray make-up device for applying body make-up. In this image showman Earl Carroll is shown demonstrating it on one of his showgirls Anya Taranda. Carroll's dancing ladies performed an extravagant production number in the film. The device is the forerunner of today's airbrush make-up technique. Photo is coded 989/2/90. Paramount unknown books
Best.-Nr. 64-00034Paramount Pictures. Paperback. New. . Paramount Pictures paperback
