Paramount PicturesBiblio.com
266 résultats
réf. 63-9634Hollywood CA: Paramount Pictures 1991-98. Three VHS Tapes. Very Good. Provenance: from the estate of Lady Barbara Colyton former wife of Addams Family creator Charles Addams. They divorced in 1956 and in the divorce settlement she was awarded copyright to some of his work. Hollywood, CA: Paramount Pictures, 1991-98. unknown
1939réf. 10411NY: Famous Music Corporation. Very Good with no dust jacket. 1939. First Edition; First Printing. Softcover. Light wear/soiling to the covers. ; 9x12; 25 pages . Famous Music Corporation paperback
1977réf. 88976Archer Chicago: Paramount Pictures Corp. Exclusive License Bi-Rite Enterprises Inc 1977. Presumed First Edition First printing. Photograph. Fair. The format is approximately 8.5 inches by 9.75 inches. The image dimensions are approximately 8 inches by 9.25 inches. The image is a head and torso shot of a shirtless Andy Gibb . There is a tape repaired tear at the bottom right near the corner. There is a plastic hanging hook at the top center of the image. Andrew Roy Gibb 5 March 1958 – 10 March 1988 was an English singer and songwriter. He was the younger brother of Barry Robin and Maurice Gibb musicians who had formed the Bee Gees during the late-1950s. Andy Gibb was never a major member of the Bee Gees but had his own solo career as well as being a member of other groups over time. Gibb came to prominence in the late-1970s through the early-1980s with eight singles reaching the Top 20 of the US Hot 100 three of which went to No. 1: "I Just Want to Be Your Everything" 1977 "Love Is Thicker Than Water" 1977 and "Shadow Dancing" 1978. In the early 1980s he co-hosted the American music television series Solid Gold. He also performed in a production of The Pirates of Penzance and Joseph and the Amazing Technicolor Dreamcoat. Gibb would later have substance use problems and depression. He died on 10 March 1988 aged 30. Gibb dropped out of school at the age of 13 and with an acoustic guitar given to him by his older brother Barry he began playing at tourist clubs around Ibiza Spain when his parents moved there and later on the Isle of Man his brothers' birthplace where his parents were living at the time. Gibb was nominated for two Grammy Awards at the 20th Annual Grammy Awards.37 He was also nominated for two American Music Awards. The Bee Gees were a musical group formed in 1958 by brothers Barry Robin and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognizable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all their own original material as well as writing and producing several major hits for other artists and are regarded as one of the most important and influential acts in pop-music history. They have been referred to in the media as The Disco Kings Britain's First Family of Harmony and The Kings of Dance Music. Brother Andy Gibb contributed to the group and its success. Paramount Pictures Corp., Exclusive License Bi-Rite Enterprises Inc unknown
1932réf. WALTER-FILM007826Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1932. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Near fine. A beautiful portrait of Anna May Wong for one of her most substantial roles in a major talking film the notorious pre-Code opus Shanghai Express directed by Josef von Stroheim. Though Wong received third billing behind Marlene Dietrich and Clive Brook her portrayal of Hui Fei is universally regarded as a masterclass in acting. Hui Fei is a fiercely independent woman navigating a train ride from Peking to Shanghai during the Chinese Civil War which is hijacked by rebel forces. Her performance often overshadowed Dietrich's. Unfortunately she would not be cast in another role as complex as this. Wikipedia Photo coded P671-245. Paramount
réf. 17-1329Los Angeles CA: Paramount Pictures 1958. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: Paramount Pictures, 1958. unknown
8 pages. As sung by Betty Hutton with Jimmy Dorsey and his Orchestra in the Paramount picture "The Fleet's In." Average wear. Coverfold partly open. Unmarked. A decent vintage copy. Sheet music
réf. 63-1748Hollywood CA: Paramount Pictures ca. 1928. Signed 5" x 7" Black & White Photograph. Very Good with minor perforation. Charles Farrell was a film actor during the 1920s silent era into the 1930s and later worked in early television best known for on-screen romances with actress Janet Gaynor. Hollywood, CA: [Paramount Pictures, ca. 1928]. unknown
réf. 63-8718Paris: Films Paramount 1932. B&W post card 9 x 14 cm. Good with slight warp; removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris: Films Paramount, 1932. unknown
48 pages. Features: Longitudinal Stability for Very Large Airplanes; Solution of Anomalies With Flying Models; Practical Structures; Economics of Airplane Sales; Outlook for Aviation; Aircraft Radio - a description of both radio receiving and transmitting apparatus for the large multi-motored planes as well as the small please plane; Maintenance of an Air Transport Service and Safety Standards; Ad for Western Electric radio telephone receiver; Stromberg-Carlson ad with photo of Lt. J.H. Doolittle, shown with his famous fog-flying plane; New Aircraft - with photo of Schroeder-Wentworth Guggenheim Safety Contest entry, the Paramount Cabinaire, the Curtiss P-y Hawk, and the Wallace Touroplane; News of the Industry; Airports and Airways; New Developments; many more vintage ads. Unmarked with average wear. A sound vintage copy. Book
réf. 68-7592Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Good with tears perforations minor loss at corner. Additional photo included. Hollywood, CA: Paramount, 1939. unknown
réf. 68-7556Hollywood CA: Paramount 1942. B&W Photo. 8" x 10" Very Good with creasing. Hollywood, CA: Paramount, 1942. unknown
réf. 68-7599Hollywood CA: Paramount 1947. B&W Photo. 8" x 10" Very Good Hollywood, CA: Paramount, 1947. unknown
réf. 68-7577Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1939. unknown
réf. 68-7553Hollywood CA: Paramount 1957. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1957. unknown
réf. 68-7549Hollywood CA: Paramount 1956. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1956. unknown
réf. WALTER-FILM000032No binding. Very Good. Fine Art Print Vintage original 11 x 14"" 28 x 35 cm. lobby card USA. W. C. Fields Martha Raye Dorothy Lamour Shirley Ross Bob Hope Lynne Overman Ben Blue dir: Mitchell Leisen; Paramount. One of the finest and best remembered of the 1930s musicals if for no other reason than the introduction by Ross and Hope his first feature role of the classic song ""Thanks for the Memory"" it won the Academy Award. Martha Raye who did her own stunts in a raucously entertaining number was ingeniously cast as W. C. Fields' daughter in his last film for Paramount. Everyone shone in their musical moments in a story which concerned a race between two ocean liners from which the new S.S. Gigantic had a big radio broadcast emitting you see the turbine engine worked on radio waves is the explanation!. Fields plays T. Frothingill Bellows brother to the owner of the ship who with his daughter Martha Martha Raye are sent to cause trouble on the rival ship. They end up on the S.S. Gigantic instead and comically impede the ship's chances of winning NEAR FINE. unknown books
réf. WALTER-FILM000033No binding. Very Good. Fine Art Print Vintage original 27 x 41"" 68 x 102 cm. one sheet poster USA. W. C. Fields Martha Raye Dorothy Lamour Shirley Ross Bob Hope Lynne Overman Ben Blue dir: Mitchell Leisen; Paramount. One of the finest and best remembered of the 1930s musicals if for no other reason than the introduction by Ross and Hope his first feature role of the classic song ""Thanks for the Memory"" it won the Academy Award. Martha Raye who did her own stunts in a raucously entertaining number was ingeniously cast as W. C. Fields' daughter in his last film for Paramount. Everyone shone in their musical moments in a story which concerned a race between two ocean liners from which the new S.S. Gigantic had a big radio broadcast emitting you see the turbine engine worked on radio waves is the explanation!. Amongst the numbers broadcast and lavishly staged were Kirsten Flagstad performing Wagner in full opera regalia. The radio audience was not able to see the extravagant finale concerning the history of dance but the film audience could. Direction by Mitchell Leisen lifted the film above the normal musical faire of the period. On linen NEAR FINE. unknown books
réf. WALTER-FILM002158No binding. Very Good. Photo Vintage original 10 x 8"" 25 x 20 cm. black-and-white print still photo USA. W.C. Fields Martha Raye Dorothy Lamour dir: Mitchell Leisen; Paramount. This photo is of a retro African American dance number with costumes and dance styles meant to echo the fashions of 1910. unknown books
réf. WALTER-FILM000504No binding. Fine. Fine Art Print Vintage original 11 x 14"" 28 x 35 cm. lobby card no. 1 USA. Ray Milland Maureen O'Sullivan Charles Laughton George Macready Rita Johnson Elsa Lanchester dir: John Farrow; Paramount. The tense atmosphere of this film noir classic is evident in this image of publishing tycoon Earl Janouth Charles Laughton who has committed a murder which he pins on magazine editor George Stroud Ray Milland. This card is immaculate and never used FINE. unknown books
réf. WALTER-FILM000536No binding. Very Good. Photo Vintage original 9 x 7"" 24 x 18 cm. black-and-white single weight glossy silver gelatin print photo USA. Gloria Swanson William Holden Erich von Stroheim Nancy Olson Fred Clark Jack Webb Cecil B. DeMille Hedda Hopper Anna Q. Nilsson H. B Warner Buster Keaton dir: Billy Wilder Paramount. A ""Hollywood"" story which rings true to this day about how the film industry uses and abuses people and yet from which beautiful and interesting art flourishes. This rare behind-the-scenes still shows Billy Wilder with Erich von Stroheim following an industry screening of the film at a Paramount screening room. The woman is not identified. There is an original paper blurb attached to the verso which talks about Billy Wilder being in Paris as well as an ink stamp from the Paramount office in France. Minor handling ABOUT FINE. unknown books
réf. 17-1343Los Angeles CA: Paramount Pictures 1954. . 8x10 black & white glossy publicity photo. Very Good. Los Angeles, CA: Paramount Pictures, 1954. unknown
réf. WALTER-FILM000267No binding. Very Good. Fine Art Print Vintage original 14 x 11"" 35 x 28 cm. lobby card USA. Alan Ladd Veronica Lake William Bendix Howard Da Silva dir: George Marshall; Paramount. One of the finest classic film noir titles and written by the master of the genre Raymond Chandler. The story involved a war vet who returns home to see his wife with another man. She is murdered and he is the prime suspect. The Blue Dahlia is a nightclub where much of the action takes place. Chandler initially had the returning vet Bendix as the murderer but the patriotic atmosphere of the time would not permit a war vet to be seen in that light so he had to rewrite the story and character. William Bendix as Buzz is at center Alan Ladd as Johnny Morrison to left Hugh Beaumont as George and Tom Powers as Capt. Hendrickson. There are three pin holes at top center blank white margin and one at the bottom margin. Card has a ""3"" written next to the copyright information NEAR FINE. unknown books
réf. WALTER-FILM000268No binding. Very Good. Fine Art Print Vintage original 11 x 14"" 28 x 35 cm. lobby card USA. Alan Ladd Veronica Lake William Bendix Howard Da Silva dir: George Marshall; Paramount. One of the finest classic film noir titles and written by the master of the genre Raymond Chandler. The story involved a war vet who returns home to see his wife with another man. She is murdered and he is the prime suspect. The Blue Dahlia is a nightclub where much of the action takes place. Chandler initially had the returning vet Bendix as the murderer but the patriotic atmosphere of the time would not permit a war vet to be seen in that light so he had to rewrite the story and character. Alan Ladd as Johnny Morrison addresses Doris Dowling as Helen Morrison and her guests at a cocktail party. Four pin holes at top center blank white margin two at top right corner. Slight soil at bottom left corner and in border NEAR FINE. unknown books
réf. WALTER-FILM000500No binding. Very Good. Fine Art Print Vintage original 11 x 14"" 28 x 35 cm. lobby card USA. Alan Ladd Veronica Lake William Bendix Howard Da Silva dir: George Marshall; Paramount. One of the finest classic film noir titles and written by the master of the genre Raymond Chandler. The story involved a war vet who returns home to see his wife with another man. She is murdered and he is the prime suspect. The Blue Dahlia is a nightclub where much of the action takes place. Chandler initially had the returning vet Bendix as the murderer but the patriotic atmosphere of the time would not permit a war vet to be seen in that light so he had to rewrite the story and character. In this card are Alan Ladd Veronica Lake and Howard da Silva. There is a mended left edge tear and a few soil spots to the top blank white margin. There are two pinholes near the top left corner and two at the top right corner of the image NEAR FINE. unknown books
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind -- grease free. Huge oblong book, unpaginated but must be 600 pages in Frankensteinian binding with metal hinges and boards 3/8ths of an inch thick (10 mm). Covers Lucas parts & equipment repair & service guidelines in the first section for Batteries, Control Box, Dynamos, Horns, Ignition Equip., Lamps, Starters, Test Procedure, ( tools and instruments), Trafficators, Windscreen wipers, Misc. The remaining 3/4's of the book contains wiring diagrams, spec sheets and test data for the following models, each having their own page with full size wiring diagram, spec sheet, bulb table and key to cable colours: Allard, (1946, 47 & 48) Allard Sports 1951, A.C. 1947 , 48, 50, (16 h.p.) 51, 52, 53, Alvis 1946 -- '51, Armstong-Siddeley, 16 h.p. 1945 & '46, 1948, Whitley Saloon, 2.3 litre, 1950, 18 h.p. Limousine 1951, Austin 8 h.p. 1945 & '46, '47, 10 h.p. '45 -- '47, 12 h.p. '47, 16 h.p. '46 - '47, A40 '47 -- '50, A40 Devon & Dorset '51, '52, A70 '49, A40 Somerset '52 & '53, A70 Hereford '51 & '52, A90 '49, A125 Sheerline '49, 120 princess 1948 -'49, A135 princess '49, Aston Martin 2 L Sports & Tourer '50, 2.5 L Sports Saloon, DBII '51 & '52. That takes care of the "A's" Same detail and layout for the following manufacturers for the following years: Bristol '49 -- '53, Daimler '46 -- '52, Ford '45 -- '49, Healey '46 -- '52, Hillman '45 -- '52, Humber '45 -- '50, H.R.G. '46 -- '49, Jaguar'45 -- '52) Jowett '47 -- '52, Lanchester '45 & '46, Lea Francis '49 -- '52, LLoyd '48, M.G. '45 -- '50, Morgan '49 -- '52, Morris '45 -- '51, Nuffield '49 -- '51, Paramount 1951, Riley '46 -- '52, Rover '46 -- '53, Standard '46 -- '50, Singer '45 -- 52, Standard '51 & '52, Sunbeam - Talbot '48 -- '50, Triumph '46 -- '52, Vauxhall '48 -- '50, Wolseley '45 -- ' 52. First page is hanging by a thread, some pages are chipped at edges, some have small tears at edges, nothing to obscure the text and nearly all are in very good condition. Book lays open with zero stress on hinge. This large, heavy book will require extra charges for international transportation.
