296 résultats
réf. BING374MM033Paramount Pictures and Twentieth Century Fox. Very Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Two VHS collector's edition includes commemorative book souvenir film strip in decorative box. Box shows some wear at corners but is still good. Paramount Pictures and Twentieth Century Fox unknown
réf. 63-5542Hollywood CA: Larry Felix 1994. Typed letter signed single letter-sized pages Very Good.Provenance: Herb Yellin 1935-2014 was the highly respected publisher and founder of Lord John Press considered by many to be one of the most important small presses of the 20th century. Hollywood, CA: Larry Felix, 1994. unknown
2008réf. 92446Paramount 2008-01-01. DVD. Very Good. Very Good; DVD; Paramount; 2008; 0 Paramount unknown
réf. 0394835581.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927réf. WALTER-FILM005709Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1927. Vintage original 8 x 10" 20 x 25 cm. black-and-white print still photo light crease and rippling from descriptive paper snipe on back near fine. A portrait of Evelyn Brent George Bancroft and Clive Brook from Josef von Sternberg's gangster film often cited as a proto-film noir. Grant p. 675: "Important precursor of the 1930s US gangster movie and as such significant to noir's ancestry." Silver and Ward p. 301: "Enhanced immeasurably by the exotic visual preoccupations of . Sternberg which encompass a range of original symbols and imagery. The script as written by ex-newspaperman Ben Hecht realistically details the personalities populating the sordid speakeasies and dingy dwellings of the gangsters." Paramount
1927réf. WALTER-FILM005709Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1927. Vintage original 8 x 10" 20 x 25 cm. black-and-white print still photo light crease and rippling from descriptive paper snipe on back near fine. A portrait of Evelyn Brent George Bancroft and Clive Brook from Josef von Sternberg's gangster film often cited as a proto-film noir. Grant p. 675: "Important precursor of the 1930s US gangster movie and as such significant to noir's ancestry." Silver and Ward p. 301: "Enhanced immeasurably by the exotic visual preoccupations of . Sternberg which encompass a range of original symbols and imagery. The script as written by ex-newspaperman Ben Hecht realistically details the personalities populating the sordid speakeasies and dingy dwellings of the gangsters." Paramount books
réf. WALTER-FILM006308Paramount. No binding. Fine. Hollywood: Paramount Pictures 1947. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo fine. Studio portrait shot a year after Veronica Lake appeared in THE BLUE DAHLIA. She remained at Paramount for a few more years after. Paramount unknown
réf. WALTER-FILM006307Paramount. No binding. Just About Fine. Hollywood: Paramount Pictures 1942. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo small closed tear in blank upper center top just about fine. Studio portrait of Veronica Lake during her time at Paramount Pictures. Photo coded P2745-504. Paramount unknown
1942réf. WALTER-FILM006653Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Tape repair at top right corner about fine. Veronica Lake displays her iconic appearance in this unusual portrait in which she sports a designer bracelet in promotion for her work in This Gun for Hire. The original attached paper blurb on verso calls it a "He and She" bracelet designed by Hobe. A picture of "he" and "she" can be inserted in the hearts. A vintage King Features Syndicate Inc. ink stamp on verso. Paramount
réf. WALTER-FILM005811Paramount. No binding. Near Fine. Los Angeles: Paramount 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white single weight glossy silver gelatin print still photo. Photo is lightly sepia toned. There is creasing in all four blank white margins. Near fine. A stunning portrait of Veronica Lake during her early time at Paramount when she was appearing in such now classic films as I WANTED WINGS THIS GUN FOR HIRE and I MARRIED A WITCH. Lake worked with the top directors and filmmakers and turned in some wonderfully subtle and deft performances in which her genius has been more recently recognized. This publicity photo is coded #2745034. Paramount unknown
réf. WALTER-FILM006307Paramount. No binding. Just About Fine. Hollywood: Paramount Pictures 1942. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo small closed tear in blank upper center top just about fine. Studio portrait of Veronica Lake during her time at Paramount Pictures. Photo coded P2745-504. Paramount unknown books
réf. WALTER-FILM006308Paramount. No binding. Fine. Hollywood: Paramount Pictures 1947. Vintage original 10 x 8" 25 x 20 cm. black-and-white print still photo fine. Studio portrait shot a year after Veronica Lake appeared in THE BLUE DAHLIA. She remained at Paramount for a few more years after. Paramount unknown books
réf. WALTER-FILM005811Paramount. No binding. Near Fine. Los Angeles: Paramount 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white single weight glossy silver gelatin print still photo. Photo is lightly sepia toned. There is creasing in all four blank white margins. Near fine. A stunning portrait of Veronica Lake during her early time at Paramount when she was appearing in such now classic films as I WANTED WINGS THIS GUN FOR HIRE and I MARRIED A WITCH. Lake worked with the top directors and filmmakers and turned in some wonderfully subtle and deft performances in which her genius has been more recently recognized. This publicity photo is coded #2745034. Paramount unknown books
1942réf. WALTER-FILM006653Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1942. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Tape repair at top right corner about fine. Veronica Lake displays her iconic appearance in this unusual portrait in which she sports a designer bracelet in promotion for her work in This Gun for Hire. The original attached paper blurb on verso calls it a "He and She" bracelet designed by Hobe. A picture of "he" and "she" can be inserted in the hearts. A vintage King Features Syndicate Inc. ink stamp on verso. Paramount books
19256 pages. Illustrated front cover includes nice photo of Glenn C. Smith's Paramount Orchestra. Coverfold mostly open. Store stamp on front cover otherwise unmarked with average wear. A worthy vintage copy. Sheet music
réf. WALTER-FILM006790Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1934. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Some wear at bottom corners near fine. Original type on verso explains that Wally Westmore head of Paramount's make-up department has invented a new gun spray make-up device for applying body make-up. In this image showman Earl Carroll is shown demonstrating it on one of his showgirls Anya Taranda. Carroll's dancing ladies performed an extravagant production number in the film. The device is the forerunner of today's airbrush make-up technique. Photo is coded 989/2/90. Paramount unknown
réf. WALTER-FILM006790Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1934. Vintage original 8 x 10" 20 x 25 cm. black-and-white glossy silver gelatin photo. Some wear at bottom corners near fine. Original type on verso explains that Wally Westmore head of Paramount's make-up department has invented a new gun spray make-up device for applying body make-up. In this image showman Earl Carroll is shown demonstrating it on one of his showgirls Anya Taranda. Carroll's dancing ladies performed an extravagant production number in the film. The device is the forerunner of today's airbrush make-up technique. Photo is coded 989/2/90. Paramount unknown books
1922réf. 12673St. Louis 1922. Broadside 11.25 x 14.25 inches. Tanned short closed diagonal tear on right edge left edge a bit frayed tiny hip to top right corner otherwise minor edge wear. Fragile but in good condition. An unrecorded promotional broadside recruiting membership in the short-lived Paramount Progressive Order of Moose PPOM an African-American fraternal organization founded in the early-1920s by H.A. Stewart of St. Louis. The organization was created to serve the needs of the African-American community after the Loyal Order of Moose refused to admit Black members. The PPOM was gone by the 1930s following lawsuits from the Loyal Order of Moose who claimed infringement due to the PPOM's use of similar imagery. Still the PPOM offered members a number of benefits during its operations. According to the present broadside which asks "WHY NOT JOIN THE MOOSE" and touts itself as "One of the Most Progressive Orders" above the moose-centric logo at upper center the PPOM was "Now Open to Men and Women Between the Ages of 18 and 50 Years." Members could enjoy "Free Medical Aid" as well as sick and death benefits. Membership was $6 for men and half that for women with women receiving $3 sick benefits as opposed to $5 for men and $150 death benefit men received $200. Potential members are asked to contact the Grad Supervisor but the name city and state for said person is not filled in. A wonderful and evocative promotional broadside for an important though short-lived St. Louis-based African-American mutual aid society with no copies reported in OCLC. unknown
1922réf. 12673St. Louis 1922. Broadside 11.25 x 14.25 inches. Tanned short closed diagonal tear on right edge left edge a bit frayed tiny hip to top right corner otherwise minor edge wear. Fragile but in good condition. An unrecorded promotional broadside recruiting membership in the short-lived Paramount Progressive Order of Moose PPOM an African-American fraternal organization founded in the early-1920s by H.A. Stewart of St. Louis. The organization was created to serve the needs of the African-American community after the Loyal Order of Moose refused to admit Black members. The PPOM was gone by the 1930s following lawsuits from the Loyal Order of Moose who claimed infringement due to the PPOM's use of similar imagery. Still the PPOM offered members a number of benefits during its operations. According to the present broadside which asks "WHY NOT JOIN THE MOOSE" and touts itself as "One of the Most Progressive Orders" above the moose-centric logo at upper center the PPOM was "Now Open to Men and Women Between the Ages of 18 and 50 Years." Members could enjoy "Free Medical Aid" as well as sick and death benefits. Membership was $6 for men and half that for women with women receiving $3 sick benefits as opposed to $5 for men and $150 death benefit men received $200. Potential members are asked to contact the Grad Supervisor but the name city and state for said person is not filled in. A wonderful and evocative promotional broadside for an important though short-lived St. Louis-based African-American mutual aid society with no copies reported in OCLC. unknown books
1927réf. 9203Paramount Famous Lasky Corporation. Good with no dust jacket. 1927. Softcover. Theater Program for the movie Wings. The movie was produced by Adolph Zukor and Jesse L. Lasky. It was directed by William A. Wellman. Stars included: Clara Bow Gary Cooper Richard Tucker and Hedda Hopper. Edge and surface wear to illustrated covers. Stapled wraps. Spine of cover worn through. 1/2" closed tear at spine edge of front cover. Inside pages and illustrations are clean and unmarked. "This book sold only in theatres showing Wings. " 20 pages 10 double sided including wraps . . Paramount Famous Lasky Corporation paperback
19306 pages. From the Paramount picture "The Big Pond" starring Maurice Chevalier and Claudette Colbert. Somewhat above-average wear. Writing on front cover. A worthy copy. Sheet music
