1978réf. 63954Baton Rouge:: Louisiana State University Press 1978. Hardcover first edition -. Fine in a very good minus dj chipping and creasing to top edge of dj now protected by an archival cover. First printing. First book by this African American and feminist poet. Her style is described as "accomplished.at once lean subtle and strong." Uncommon in hardcover. Nominated for the National Book Award. 75 pp. Louisiana State University Press, hardcover
1997réf. 55276New York Toronto ET AL: Bantam Books. Fine in Fine dust jacket. 1997. First Edition; First Printing. Hardcover. 0553095552 . A handsome first printing of the first edition housed in an equally unblemished dust-jacket; The Good Death is a book about the current American search to reshape the end of life. It looks at the history of the death movement how people think about death and the different ways that people are trying to improve their own die; 8vo; 479 pages . Bantam Books hardcover
2014réf. 506145Albany New York: Excelsior Editions 2014. Book. Fine. Hardcover. 1st Edition. Excelsior Editions Hardcover
réf. 75-9448Santa RosaCA: Thresh Publications 1976. 8vo. Soft Cover. 47 pp. Very Good. B&W plates. Sunning. Santa Rosa,CA: Thresh Publications, 1976 paperback
1993réf. 221330Arizona State University Museum 1993. hardcover. near fine. Torres Francesc. Color plates throughout. 123pp. 4to pictorial cloth-backed boards. Arizone State University Museum 1993. Boldly inscribed in pencil by the illustrator on front end paper. A near fine copy. Essays by Thomas McEvilley; Juan Antonio Ramirez ; Francesc Torres Marilyn Zeitlin. Exhibition Arizona State University Art Museum 5 November 1993- 13 June 1994. Arizona State University Museum unknown
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2009réf. 1-0984240624Atapaz Press 2009. Paperback. New. 212 pages. 8.25x8.25x0.50 inches. Atapaz Press paperback
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réf. A9780226388335Paperback / softback. New. Anxieties about the potential loss of national identity and continuity disturb many in Japan despite widespread insistence that it has remained culturally intact. This ethnographic historical and cultural study examines marginalized events sites and cultural practices in Japan. paperback