Warner, Marina; Anselm KieferBiblio.com
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2012réf. 97630Prestel USA. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 216 pp. ; 160 illus. 157 in col. . -- with a bonus offer--; This book imaginatively evokes one of Anselm Kiefer's most significant exhibitions with magnificent reproductions of a provocative body of work representing his key themes styles and mediums. Employing a dazzling variety of mediums including painting sculpture and photography Kiefer's monumental installation captured in this sumptuous oversize volume manifests an array of cultural myths and metaphors from the Old and New Testaments to the Kabbalah from ancient Roman history to the poetry of Ingeborg Bachmann and Paul Célan. Fusing art and literature painting and sculpture Kiefer engages the complex events of history the ancestral epics of life death and the cosmos and the fragile endurance of the sacred and the spiritual amid the ongoing destruction of the world. The illustrations in the book are preceded by a thoughtful text by the novelist and cultural historian Marina Warner and the book concludes with a translation of Kiefer's acceptance speech for the 2008 Peace Prize of the German Book Trade a summation of his thought as artist and citizen. . 2012. 3791345834 . Prestel USA hardcover
1997réf. 55730Princeton Univ Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 1997. 0691015643 . Princeton Univ Pr hardcover
2001réf. 101608YUP. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 262 pages. -- with a bonus offer--; Outside Britain itself the richest holdings of British art are found in American collections. This extraordinary presentation of some 85 works pays tribute to this strength of American collecting while offering a fresh and engaging account of the history of painting in Britain from the sixteenth century to the present. The selection is drawn from collections from around the United States both public and private and includes spectacular pictures from the Yale Center for British Art and the Huntington Art Collections in California the two leading collections of British art in America. Among the highlights are such masterpieces as Sir Anthony Van Dyck's portrait of Queen Henrietta Maria with her dwarf Sir Jeffrey Hudson William Hogarth's Beggar's Opera Thomas Gainsborough's Blue Boy Henry Fuseli's Nightmare John Constable's Hadleigh Castle J. M. W. Turner's Staffa Fingal's Cave and William Holman Hunt's Lady of Shalott. Following introductory essays by Malcolm Warner on anglophilia and art and by Robyn Asleson on the history of collecting British art in the States each painting is reproduced in colour with a discussion of its artistic importance and the circumstances of its crossing the Atlantic. This catalogue accompanies an exhibition at the Yale Center for British Art on view from September 27 to December 30 2001. The show then travels to the Huntington Art Collections in early 2002. . 2001. 0300092229 . YUP paperback
2015réf. 115965Grand Central Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 0935314962 . Grand Central Press hardcover
2004réf. 33196Yale University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AVOID WEEKS OF DELAY ELSEWHERE. -- clean and crisp tight and bright pages with no writing or markings to the text. -- with a bonus offer--; 400-4546; 4to - over 9¾" - 12" tall; Warner Malcolm; Blake Robin; Kimbell Art Museum; National Gallery Great Britain; Walters Art Museum Baltimore Md. Stubbs & The Horse ART HISTORY BRITISH EQUINE Yale University Press . 2004. 0912804424 . Yale University Press paperback
1988réf. 67180Rizzoli / Trefoil. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 084781002X - 192 pp. With 221 ills. 47 col. . 26 x 26 cm. -- with a bonus offer-- . 1988. 084781002X . Rizzoli / Trefoil paperback
1996réf. 76114Centre. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pp. With 58 ills. 21 col. . 21 x 15 cm. -- with a bonus offer-- . 1996. 1853321559 . Centre paperback
2014réf. 109112Black Dog Publishing. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 1908966394 . Black Dog Publishing paperback
2012réf. 97989The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 194 pp. ; 41 illus. -- with a bonus offer--; American urban form--the spaces places and boundaries that define city life--has been evolving since the first settlements of colonial days. The changing patterns of houses buildings streets parks pipes and wires wharves railroads highways and airports reflect changing patterns of the social political and economic processes that shape the city. In this book Sam Bass Warner and Andrew Whittemore map more than three hundred years of the American city through the evolution of urban form. They do this by offering an illustrated history of "the City"--a hypothetical city that exemplifies the American city's transformation from village to merchant seaport industrial city multicentered metropolis and finally regional metropolis that participates in both the local and the global. The book thereby offers a yardstick against which readers can measure the history of their city. Warner and Whittemore have constructed their hypothetical City from the histories of Boston Philadelphia and New York focusing on commonalities that make up key patterns in American urban development. In an engaging text accompanied by Whittemore's detailed meticulous drawings they chart the City's changing boundaries densities building styles transportation infrastructures and population patterns. Planning for the future of cities they remind us requires an understanding of the forces that shaped the city's past; these are the tools of urban change. The city's protean ever-changing nature offers each generation a fresh chance to reform and re-form it. . 2012. 0262017210 . The MIT Press hardcover
2014réf. 110358Art / Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; Art on the Underground . 2014. 1908970162 . Art / Books hardcover
réf. Z1-S-001-03381Routledge. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Routledge unknown
réf. Z1-E-005-02225Academic Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. May contain underlining and/or highlighting. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Academic Press unknown
1874réf. 33937Hartford: American Publishing Co. 1874. First edition mixed state as is the case with almost all copies this copy in the RARE PUBLISHER'S DELUXE BINDING. Fully Illustrated throughout with designs by various artists and with a long folding plate being the “map” of the “Salt Lick Branch of the Pacific Rail Road”. 8vo publisher's deluxe binding of three quarter morocco over cloth covered boards the joins ruled in gilt marbled end-leaves all edges marbled the spine with raised bands ruled in blind two compartments lettered in gilt. xvi 574 1 4 pp. ads. A very fine copy especially well preserved internally very fresh and clean the binding is in unusually fine and attractive condition near as pristine. Rarely seen in the deluxe binding in such pleasing condition. FIRST EDITION. The book that gave the era it’s name and Mark Twain’s first novel written in collaboration with Charles Dudley Warner. Twain and Warner started this book on a dare after being teased by their wives that Twain could not repeat the success of INNOCENTS ABROAD. Twain proposed that he and Warner write a book together and “we will so interweave our work that these wives of ours will not be able to say which part has been written by Mark Twain and which by Charles D. Warner.” Not only did they fool their wives but realized halfway through that they had something well worth publishing. THE GILDED AGE was born. The tale of Colonel Sellers and the Hawkins family and their determined pursuit of Wealth--a novel for which an entire era was named. American Publishing Co. hardcover
1930réf. 62548Hollywood CA & New York NY; Oshkosh WI & Parkersburg WV: The Strand Theatre Smoot Theatre Lincoln Theatre & Warner Bros. 1930-1934. Oblong folio. 14.5 x 11.5 in. 100 pp unpaginated. two different papers many preserved in archival mylar sleeves. With 90 original silver gelatin photographs either mounted or loose and inserted into sleeves sized from 2 x 2 in. up to 8 x 10 in. most sized approx. 5 x 7 in. many w/ photographer’s imprints 71 pieces of mounted ephemera including promotional cards souvenir promotional items such as napkins studio advertising mimeograph typescript marketing scripts lobby cards newspaper clippings and more. All leaves bound w/ brass screw posts at gutter margin many preserved in archival mylar sleeves some leaves w/ chipping & tears at fore=-edges offset tears and or reside on versos of a few photos some scuffing old glue markings cropping to some leaves still a VG artifact preserved as album. This exceptional original Warner Bros. Studio marketing photo album/scrapbook chronicles the movie industry’s system of engaging the movie-going public during the Great Depression in a form of interactive promotional live theatre to immerse them in the cinematic experience. Featuring physical props displays special lighting costumed extras studio scripts featuring a myriad of promotions the Warner Bros. Studios theatre group was able to enhance and pull in far more movie-goers and set the foundation for their marketing system in the coming decades. By using their opulent and fabulous 1920’s era created movie palaces these images capture the pre-Code sexualized Mae West in slinky costumes emblazoned on radio station cars physical stand-up showroom displays restaurant menus post-Prohibition tavern beer coasters and even pulled in local officials such as Mayor George Oaks of Oshkosh WI. Also featured here are photos and flyers for the giveaway cars tie-ins with the Oshkosh State Teachers College football team and nearby department store window displays which significantly expanded the visual and immersive experience.Of particular interest is the included and very detailed 117 step campaign script for Mae West’s iconic “I’m No Angel” featuring the titillating star as Tira the circus beauty who manages to always be mistress of the situation whether in the cage with wild beasts her boudoir filled with admirers to be bedded or even charming and seducing the judge at the end of the film with only a wiggle. The pre-Code campaign encourages the Warner Bros. Studio theatre’s to include a “Try your figure” display panel where young women would measure themselves against the busty silhouette and those that matched closest to the scantily gowned West would receive free tickets. Another stunt was setting up a “Mae West Voice Test” using a dictaphone in the lobby with a “pretty girl attendant” set up in charge to ask potential women movie-goer attendees to utter “Come up and see me sometime” and free tickets were awarded for the best Mae West imitations. Other movies featured at the Strand in Oshkosh or the Smoot & Lincoln Theatre’s in Parkersburg WV depicted here with promotions souvenirs and photographs include: “The Sea Wolf” based on Jack London’s book and which starred Milton Sills Jane Keithley and Raymond Hacket released just 1 week after Sills’ death and features stunts with potential young movie-goers to bring their Rin Tin Tin like dogs as well as airplane stunts and lobby card; or elaborate window displays and automobile floats mocked up as dirigibles and costumed extras for Frank Capra’s “Dirigible” released in 1931 and starred Fay Wray Jack Holt Ralph Graves and Hobart Bosworth set against the drama of a competition by fixed-wing aircraft and dirigible airships to reach the South Pole. Other movies briefly archived in the group here feature “When Ladies Meet” released in 1933 starring Ann Harding Myrna Loy and Robert Montgomery or a couple mentions of the 1931 Bela Lugosi Dracula. The 1933 Gold Diggers is featured in several photos which starred Joan Blondell Aline MacMahaon Monica Bannister Joan Barclay and Connie Blackwood as out-of-work Broadway chorus girls. Also appearing here in approximately one fourth of the photo album/scrapbook is a similar campaign as that for Mae West for the 1932 “Fireman Save my Child!” with the wildly popular comedian Joe E. Brown starring as Joe Grant inventor fireman and baseball player offered to play in the big leagues in the film but earning more money from his inventions Again the script advises engaging the local fire department to put on stunts include the supplied advertising on their fire engines and even encourages the use of a large animatronic mechanical head of Brown in a fireman’s hat in the lobby. The movie was actually a natural fit for Joe Brown who had launched his physical comedy during the 1893 Depression by making faces at the firemen on passing coal-burning trains so they would throw coal at him to collect and sell and later worked as circus acrobat and newsboy and was a lifelong baseball fan. From 1930-July 1934 the Hollywood studios were largely self-regulating their content with continued threats by outside groups to “clean” up their movies and somehow balance the puritanical group sensibilities against the ever growing demands by audiences for movies that were daring edgy naughty and even sexualized often depicting spousal abuse sexual bondage marital infidelity free love with stars such as Mae West Norma Shearer Kay Francis Dorothy Mackaill Nancy Carroll and Constance Bennett typically depicted half-clad or in bed. At the time the movie studios and theatre’s were attempting to recoup the massive investments in transitioning to sound films and market the new technology by cultivating a sophisticated campaign system often hiring Broadway writers directors and actors to travel around and oversee their promotions productions. See: John Farr How Movies Got Us Through the Great Depression Best Movies 2024; David P. Hayes Production Code of the Motion Picture Industry 2009; Mae West Reveals Herself as a Circus Queen in “I’m No Angel” at the Paramount New York Times Oct. 14 1933. The Strand Theatre, Smoot Theatre, Lincoln Theatre, & Warner Bros., unknown
1801réf. 3865A scarce book of country excursions taking in some of the most striking landscapes and great houses within a day's journey of Bath. Three excursions are presented in the course of four letters with each excursion illustrated with a small part-page engraved map. The author describes in detail the landscapes cities and great houses along the way with plentiful information about the history of the towns gardens and architecture visited. Of particular note are Longleat Stourhead Fonthill and Wardour Castle. 'I am now to introduce you to one of the most splendid mansions in the kingdom Fonthill the seat of Mr. Beckford; where expence has reached its utmost limits in furniture and ornaments; where every room is a gold mine and every apartment a picture-gallery' p. 119. The description of Beckford's library is alas rather brief: 'The library is a large room filled with choice and expensive books; and decorated with appropriate paintings on the ceiling' p. 126. Warner also visits 'new' Wardour Castle - it was built in the 1770s - and gives a room by room commentary of the architecture furniture and paintings. Or particular interest is his description of the chapel: 'From this apartment we are carried into the western gallery of the chapel; a structure that displays superlative taste and magnificence. Crimson furniture and gilded ornaments produce an immediate striking coup d' œil; but when the decorations are examined individually the splendour and expence become more perceptible. Three immense pictures by Rubens cover the southern wall of the chapel; and one by this artist and another by Guido of the same majestic size are their opposite companions. The altar-piece is a Dead Christ by Cades. A large gallery is constructed at the western end superbly fitted up for Lord Arundel and his party; a second at the east end of the north side for the choir; and a third at the east end of the north side for the accommodation of visiters sic. Benches occupy the middle of the chapel for the reception of the domestics and such of the villagers as profess the Romish faith; for there is a Catholic seminary here the pupils of which punctually attend at morning and evening prayers. The eastern end of the chapel recedes into a semi-circular form through the windows of which light is admitted; but as these are placed high and consist of coloured glass the effect is extremely striking and solemn. The central window exhibits Angels and the awful Tetragrammaton from which is an emanation of glory. Brought forward from the eastern end sufficiently to allow the processions around it stands the Altar a most costly piece of workmanship fixed on a splendid sarcophagus of ebony; and constructed of porphyry agate and amber. A magnificent crucifix of silver surmounts the altar; and two censers of solid gold embossed with silver suspended over it pour through the chapel odiferous clouds of ever-burning frankincense. Every thing around indeed evinces that the Romish ritual is observed here with the utmost vigour and magnificence; and doubtless the celebration of its higher offices amid such seducing objects must act with infinite force upon the imagination. The effect produced by the externals of worship every man experiences who attends our Cathedral service which has not been stripped of so much of its lace as the common parochial ritual; how much then must this be increased when aided by exquisite examples of sculpture and painting; amid the strains of angelical music the glare of unnumbered lights and the Hallelujahs of numerous multitudes! The tamest fancy must be roused by such a scene and the coldest heart warmed into transport … It is but proper to add that the attendance of strangers at the service in Wardour chapel is considered as a compliment and every convenience provided for their accommodation' pp. 137-141. Richard Warner was an antiquary and an Anglican clergyman originally from the coastal town of Lymington in Hampshire. He became curate to Wililam Gilpin whose influence can be clearly seen in the present work dedicated to walking and the natural beauties of the west country. Warner obtained his first position in Bath in 1794 and remained there for some years writing a number of topographical works and a gothic novel Netley Abbey 1795 inspired by local ruins. He was a friend of Wordsworth who collected Warner's picturesque writings alongside those of Gilpin and who is known to have dined with him in Bath. In his lifetime Warner was mostly known for his controversial pacifist sermons and writings: it is thought that Blake was referring to Warner in the lines 'ask him if he is Bath or if he is Canterbury' in Jerusalem as claimed by David Erdman. Although this copy is in a later nineteenth century binding and was bound without the half-title a previous owner - possibly from the 1840s or 1850s perhaps contemporaneous with the binding and the newspaper cutting - has added an engraved portrait a Latin celebration of Bath an engraving of Farleigh Castle and a newspaper cutting referring to Paul Methuen of Corsham. OCLC lists BL University of Edinburgh the Natural History Museum and the Rubenianum in Antwerp only. Crutwell & G.G. and J. Robinson
2005réf. SBBIH-AF32IIVDH224Ladybird 2005. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Ladybird hardcover
2000réf. 290151Tsinghua University Press; 1 January 1. 1901 2000-01-01. hardcover. Used - Good. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.Hardcover. Language: Chinese. Publisher: Tsinghua University Publishing community; 1 January 1. 1901. Encyclopedia of International Business Management 2nd edition Thomson Learning Group mandated by the Tsinghua University Press in China not including Hong Kong and Macao Administrative Region and China Taiwan. the book version 1 reference in the field of business a leading position in the U.S. Satisfaction guaranteedor money back. Tsinghua University Press; 1 (January 1. 1901) hardcover
1984réf. 50872London England: Weidenfeld & Nicholson / Royal Academy of Arts London. As New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Pages unmarked tight to spine - 123 works catalogued. Many color and black & white illustrations. Among the artists represented: Edward Lear W. H. Hunt Gerome Guillaumet Fromentin and others. -- with a bonus offer-- May be either: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition . Weidenfeld & Nicholson / Royal Academy of Arts, London paperback
1904réf. 32471Hartford: American Publishing Company 1904. 15 volumes. The Autograph edition one of 612 copies signed by Lounsbury and on behalf of the publisher. Included are a manuscript page from "In The Levant" a second manuscript page with numbering in Warner's hand and an autograph letter signed "C. D. Warner" to Lounsbury dated March 6 1883. This copy also the most desirable with plates in two states. With a hand-coloured photogravure portrait frontispiece hand-coloured vignette title page and other photogravures plates 2 signed by artists Frank T. Merrill and E.H. Garret. This copy with the initial portrait in two states both hand-coloured and uncoloured. 8vo bound in three-quarter dark green morocco over marbled paper covered boards the spines with raised bands gilt tooled gilt decorated and tooled in two compartments gilt lettered in two compartments with the remaining large compartment elaborately decorated with gilt borders enclosing a pair of gilt floral decorations top edges gilt. A fine and handsome set with some very light mellowing as is typical the text-blocks and illustrations all in essentially pristine condition. FIRST OF THE EDITION WITH MANUSCRIPT LEAVES AND A MANUSCRIPT LETTER. A sumptuous publication of the great American novelist essayist and close friend of Mark Twain with whom he wrote THE GILDED AGE. His works are popular for their abounding and refined humor their mellow personal charm their wholesome love of outdoor things their suggestive comment on life and affairs and their delicately finished style. Interestingly Warner is known for making the famous remark "Everybody complains about the weather but nobody does anything about it". This was quoted by Mark Twain in a lecture and is frequently misattributed to him. The volumes contain the following writings and are illustrated in all volumes: Volume I “My Summer in a Garden” “Backlog Studies” “Baddeck” Volume II “Saunterings” Volume III “My Winter on the Nile” Volume IV “In the Levant” Volume V “A Roundabout Journey” Volume VI “In the Wilderness” “Captain John Smith” Volume VII “Being a Boy on Horseback” Volume VIII “Studies in the South and West with Comments on Canada” Volume IX “Washington Irving” “The Work of Washinton Irivng” Our Italy” Volume X “Their Pilgrimage” Volume XI “A Little Journey in the World” Volume XII “The Golden House” Volume XIII “That Fortune” Volume XIV “As We Were Saying” “As We Go” “Fashions in Literature” Volume XV “Relation of Literature to Life” People for Whom Shakespeare Wrote” American Publishing Company hardcover
1882réf. 005151London: B. S. Williams 1882. First Edition . Leather. Very Good. Folio. John Nugent Fitch. Volume one. Original full green morocco leather raised bands gilt titles and decorative compartments and boards inner dentelles marbled endpapers all edges gilt 12.5 x 10 inches. First Edition. Unpaginated; illustrated with 47 chromolithographed plates including 1 folding by John Nugent Fitch 1836-1895. One of the great orchid books of the nineteenth century published at the height of the 'Orchidelirium' mania. Exterior showing some light wear and rubbing heaviest at extremities light typical foxing to text pages all plates clean and bright. Provenance: Bookplate from the Royal Horticultural Society Lindley Library deaccessioned with "Cancelled" stamp on bookplate no other library markings in book. The Lindley Library in London is the largest horticultural library in the world. B. S. Williams hardcover
1918réf. 374343New York: Warner M. Van Norden 1918. First Edition. Illustrated. 148pp. Small handbill by Norden tipped to the rear pastedown. 1 vols. 8vo. Publisher's grey cloth lettered in red staining wear at board edges. Staining. First Edition. Illustrated. 148pp. Small handbill by Norden tipped to the rear pastedown. 1 vols. 8vo. A very rare early twentieth-century illustrated directory of Chinese businessmen in New York with detailed biographical information. Preceding the directory is a section on Chinese farmers in America; the final section of the book comprises "Glimpses of China" as photographed by the author Warner M. Van Norden. Warner M. Van Norden unknown
1918réf. 374343New York: Warner M. Van Norden 1918. First Edition. Illustrated. 148pp. Small handbill by Norden tipped to the rear pastedown. 1 vols. 8vo. Publisher's grey cloth lettered in red staining wear at board edges. Staining. First Edition. Illustrated. 148pp. Small handbill by Norden tipped to the rear pastedown. 1 vols. 8vo. A very rare early twentieth-century illustrated directory of Chinese businessmen in New York with detailed biographical information. Preceding the directory is a section on Chinese farmers in America; the final section of the book comprises "Glimpses of China" as photographed by the author Warner M. Van Norden. Warner M. Van Norden unknown books
réf. 37484Oxford: Privately Printed for Presentation to the Members of the Roxburghe Club 1910. Folio 374 x 275 mm lx2 56 2 iv 2pp. with coloured frontispiece and 238 pages of collotype facsimile half red morocco by Bayntun of Bath spine with five raised bands ruled in gilt second compartment lettered in gilt direct t.e.g. uncut a very nice copy. "The Benedictional is one of the most magnificent of the tenth-century English manuscripts; it had been one of the most important and most discussed exhibits at the Society of Antiquaries Exhibition in 1896 and its reproduction and the introductions by Warner and Henry Wilson were a major event in the study of palaeography and liturgiology."Barker. Provenance: Armorial bookplate of Phythian-Adams. Barker 156. Oxford: Privately Printed for Presentation to the Members of the Roxburghe Club, 1910 hardcover
1962réf. 94020Gallery. New. 1962. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 65 pages; illustrated mostly in black and white. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Gallery hardcover
1962réf. 94021Gallery. New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 65 pages; illustrated mostly in black and white. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Gallery paperback
