12.928 Ergebnisse
1982Best.-Nr. 2081402109802579Not Available 1982. Soft Cover. Fine. Number of books: 1 Not Available paperback
1997Best.-Nr. 2091202133211325The Executive Link 1997. Soft Cover. Fine. Volume: 1 The Executive Link paperback
Best.-Nr. 1022608304.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 102103584X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1355343356.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1290980845.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1355389984.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2000Best.-Nr. 2090202118201089Shochiku Co. Ltd. Division 2000. Soft Cover. Fine. The book is in fine condition. Shochiku Co., Ltd. Division paperback
Best.-Nr. CS-5985International. Brand New. Brand New unknown
Best.-Nr. cbs 9780763739676US Edition. New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
2005Best.-Nr. TK218312Enitharmon Editions London / Cavalo de Ferro Editores Lisbon 2005. 1st Trade Edition reprinted. HARDCOVER. Large 8vo in colour printed boards 62pp on stiff art paper colour plates 1 folding etc. This copy signed by Paula Rego on the title-page no other marks or inscriptions __CONDITION : An extremely well preserved AS NEW unread and unmarked copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Enitharmon Editions, London / Cavalo de Ferro Editores, Lisbon hardcover
1889Best.-Nr. 8066Rochester N.Y.: H.H. Warner & Co. Stecher Lith Co 1889. Octavo-sized booklet stapled in wrappers 22 x cm. 51 1 pages. Illustrated. Index. Title and publication information from wrapper. FIRST EDITION of the eleventh annual almanac advertising Warner’s patent medicines with the standard elements – ephemeris glowing testimonials illustrated advertisements for the various cures including Warner’s Kidney & Liver Safe Cure Log Cabin Sarsaparilla Benton’s Hair Grower. The cooking recipes themselves an advertisement for Warner’s Safe Cook Book run along the pages as footers. Some advertisements printed on colored paper; small wire loop for hanging in the kitchen. The "Compliments of." box on the rear panel indicates "A.L. Treworgy Surry Me." In a handsome chromolithograph paper wrapper. Small 1/2 cm. stain on front wrapper panel otherwise near fine. OCLC locates six copies; Hoolihan Atwater Collection S-1419. H.H. Warner & Co. Stecher Lith Co unknown
1889Best.-Nr. 8066Rochester N.Y.: H.H. Warner & Co. Stecher Lith Co 1889. Octavo-sized booklet stapled in wrappers 22 x cm. 51 1 pages. Illustrated. Index. Title and publication information from wrapper. FIRST EDITION of the eleventh annual almanac advertising Warner’s patent medicines with the standard elements – ephemeris glowing testimonials illustrated advertisements for the various cures including Warner’s Kidney & Liver Safe Cure Log Cabin Sarsaparilla Benton’s Hair Grower. The cooking recipes themselves an advertisement for Warner’s Safe Cook Book run along the pages as footers. Some advertisements printed on colored paper; small wire loop for hanging in the kitchen. The "Compliments of." box on the rear panel indicates "A.L. Treworgy Surry Me." In a handsome chromolithograph paper wrapper. Small 1/2 cm. stain on front wrapper panel otherwise near fine. OCLC locates six copies; Hoolihan Atwater Collection S-1419. H.H. Warner & Co. Stecher Lith Co unknown books
Best.-Nr. 200614936, Editions n°1, 1999 ; in-8, 283 pp., broché, couverture illustr.
Best.-Nr. 201006583Paris, Buchet chastel , 1964 ; in-8, 198 pp., broché, couverture illustr.
1915Best.-Nr. D5058New York, s.e., 1915 ; in-4 190 x 257 mm, 12 pp., couverture et cahier agrafés. Tiré à part, en langue anglaise. the American Naturalist (Reprinted from) Vol. XLIX, June 1915. Bon état.
1910Best.-Nr. D5197S.l., s.e., s.d. (vers 1910) ; in-4 197 x 267 mm, 4 pp., double-feuille (petites déchirures). Tiré à part, en langue anglaise. Science (Reprinted from) N. S., Vol. XLI, No. 1055, March 19, 1915. État moyen.
1966Best.-Nr. 1225111966. The University of Texas 1966. 8vo 120 pp. Original white cloth lettered in brown on the upper board and backstrip illustrated endpapers pictorial dust-jacket. Fine in a lightly toned dust-jacket. § Limited to 1000 copies. With entries for over 400 items from the Texas University collections including many manuscripts and letters. unknown books
1874Best.-Nr. 369661Hartford: The American Pubishing Company 1874. First edition mixed state. Fully Illustrated from New Designs by Hoppin Stephens Williams White Etc. Etc. 1 vols. Large 8vo. Publisher's deluxe 3/4 morocco binding; gilt edging along leather; blind stamped decoratively and in gilt on spine; edge and shelf wear to corners and spine; small stains and rubbing to front; marbled fore edges; marbled endpapers; one fold-out bound in at page 246. First edition mixed state. Fully Illustrated from New Designs by Hoppin Stephens Williams White Etc. Etc. 1 vols. Large 8vo. Although this handsome 3/4 morocco copy bears a title page with the later publication date of 1874 it contains many of the first edition first issue A points including: the presence of ads at the rear; Everybody's Friend described in its advertisment as a "true inde"; the artist "White" is present on the title page; the name "Eschol" appears under Chapter V in the table of contents; page 246 has "Hallelujah" with no comma; and on page 280 line 18 this is a period after "Dr. Jackson." In other issue points however it differs: the final illustration is numbered 212 on page xvi; the lines on pages 351 and 353 are absent; and there is an illustration on page 403. BAL 3357 The American Pubishing Company unknown
1874Best.-Nr. 369661Hartford: The American Pubishing Company 1874. First edition mixed state. Fully Illustrated from New Designs by Hoppin Stephens Williams White Etc. Etc. 1 vols. Large 8vo. Publisher's deluxe 3/4 morocco binding; gilt edging along leather; blind stamped decoratively and in gilt on spine; edge and shelf wear to corners and spine; small stains and rubbing to front; marbled fore edges; marbled endpapers; one fold-out bound in at page 246. First edition mixed state. Fully Illustrated from New Designs by Hoppin Stephens Williams White Etc. Etc. 1 vols. Large 8vo. Although this handsome 3/4 morocco copy bears a title page with the later publication date of 1874 it contains many of the first edition first issue A points including: the presence of ads at the rear; Everybody's Friend described in its advertisment as a "true inde"; the artist "White" is present on the title page; the name "Eschol" appears under Chapter V in the table of contents; page 246 has "Hallelujah" with no comma; and on page 280 line 18 this is a period after "Dr. Jackson." In other issue points however it differs: the final illustration is numbered 212 on page xvi; the lines on pages 351 and 353 are absent; and there is an illustration on page 403. BAL 3357 The American Pubishing Company unknown books
1867Best.-Nr. 29169New York: F. W. Beers 1867. Very good overall. A lithograph map of this Westchester NY town which extends from Peekskill down to Croton Point. From the Beers atlas that includes Westchester Putnam & Dutchess County. 14.5 by 17.5 F. W. Beers unknown
1913Best.-Nr. 31414Newark: The Carteret Book Club 1913. FIRST EDITION LIMITED to only 100 copies printed hand numbered. 8vo in the original ivory paper-covered boards the upper cover with printed tipped-on label 10ff unpaginated. A very good copy internally fine. The white paper boards with some mild darkening a little wear at the corners the paper split and a bit chipped at the spine panel. ONE OF ONLY ONE-HUNDRED COPIES PRINTED. The printing was done in May of 1913 at the Marion Press on very fine handmade paper which remains fresh and bright. The essay was printed from Warner's original manuscript with the sanction of his widow. It is believed that it was never published prior to this printing of 1913. Warner was an extremely influential writer and a close friend of Mark Twain. It is interesting to read Twain's assessment of one of England's most popular authors. The Carteret Book Club hardcover
1946Best.-Nr. 81994AB1946. Second printing. London John Lane The Bodley Head 1946. 145 cm x 23 cm. 64 pages. Original Hardcover. Very good condition with some minor signs of external wear. From the library of swiss - american - irish poet Chuck Kruger. hardcover
1930Best.-Nr. 62548Hollywood CA & New York NY; Oshkosh WI & Parkersburg WV: The Strand Theatre Smoot Theatre Lincoln Theatre & Warner Bros. 1930-1934. Oblong folio. 14.5 x 11.5 in. 100 pp unpaginated. two different papers many preserved in archival mylar sleeves. With 90 original silver gelatin photographs either mounted or loose and inserted into sleeves sized from 2 x 2 in. up to 8 x 10 in. most sized approx. 5 x 7 in. many w/ photographer’s imprints 71 pieces of mounted ephemera including promotional cards souvenir promotional items such as napkins studio advertising mimeograph typescript marketing scripts lobby cards newspaper clippings and more. All leaves bound w/ brass screw posts at gutter margin many preserved in archival mylar sleeves some leaves w/ chipping & tears at fore=-edges offset tears and or reside on versos of a few photos some scuffing old glue markings cropping to some leaves still a VG artifact preserved as album. This exceptional original Warner Bros. Studio marketing photo album/scrapbook chronicles the movie industry’s system of engaging the movie-going public during the Great Depression in a form of interactive promotional live theatre to immerse them in the cinematic experience. Featuring physical props displays special lighting costumed extras studio scripts featuring a myriad of promotions the Warner Bros. Studios theatre group was able to enhance and pull in far more movie-goers and set the foundation for their marketing system in the coming decades. By using their opulent and fabulous 1920’s era created movie palaces these images capture the pre-Code sexualized Mae West in slinky costumes emblazoned on radio station cars physical stand-up showroom displays restaurant menus post-Prohibition tavern beer coasters and even pulled in local officials such as Mayor George Oaks of Oshkosh WI. Also featured here are photos and flyers for the giveaway cars tie-ins with the Oshkosh State Teachers College football team and nearby department store window displays which significantly expanded the visual and immersive experience.Of particular interest is the included and very detailed 117 step campaign script for Mae West’s iconic “I’m No Angel” featuring the titillating star as Tira the circus beauty who manages to always be mistress of the situation whether in the cage with wild beasts her boudoir filled with admirers to be bedded or even charming and seducing the judge at the end of the film with only a wiggle. The pre-Code campaign encourages the Warner Bros. Studio theatre’s to include a “Try your figure” display panel where young women would measure themselves against the busty silhouette and those that matched closest to the scantily gowned West would receive free tickets. Another stunt was setting up a “Mae West Voice Test” using a dictaphone in the lobby with a “pretty girl attendant” set up in charge to ask potential women movie-goer attendees to utter “Come up and see me sometime” and free tickets were awarded for the best Mae West imitations. Other movies featured at the Strand in Oshkosh or the Smoot & Lincoln Theatre’s in Parkersburg WV depicted here with promotions souvenirs and photographs include: “The Sea Wolf” based on Jack London’s book and which starred Milton Sills Jane Keithley and Raymond Hacket released just 1 week after Sills’ death and features stunts with potential young movie-goers to bring their Rin Tin Tin like dogs as well as airplane stunts and lobby card; or elaborate window displays and automobile floats mocked up as dirigibles and costumed extras for Frank Capra’s “Dirigible” released in 1931 and starred Fay Wray Jack Holt Ralph Graves and Hobart Bosworth set against the drama of a competition by fixed-wing aircraft and dirigible airships to reach the South Pole. Other movies briefly archived in the group here feature “When Ladies Meet” released in 1933 starring Ann Harding Myrna Loy and Robert Montgomery or a couple mentions of the 1931 Bela Lugosi Dracula. The 1933 Gold Diggers is featured in several photos which starred Joan Blondell Aline MacMahaon Monica Bannister Joan Barclay and Connie Blackwood as out-of-work Broadway chorus girls. Also appearing here in approximately one fourth of the photo album/scrapbook is a similar campaign as that for Mae West for the 1932 “Fireman Save my Child!” with the wildly popular comedian Joe E. Brown starring as Joe Grant inventor fireman and baseball player offered to play in the big leagues in the film but earning more money from his inventions Again the script advises engaging the local fire department to put on stunts include the supplied advertising on their fire engines and even encourages the use of a large animatronic mechanical head of Brown in a fireman’s hat in the lobby. The movie was actually a natural fit for Joe Brown who had launched his physical comedy during the 1893 Depression by making faces at the firemen on passing coal-burning trains so they would throw coal at him to collect and sell and later worked as circus acrobat and newsboy and was a lifelong baseball fan. From 1930-July 1934 the Hollywood studios were largely self-regulating their content with continued threats by outside groups to “clean” up their movies and somehow balance the puritanical group sensibilities against the ever growing demands by audiences for movies that were daring edgy naughty and even sexualized often depicting spousal abuse sexual bondage marital infidelity free love with stars such as Mae West Norma Shearer Kay Francis Dorothy Mackaill Nancy Carroll and Constance Bennett typically depicted half-clad or in bed. At the time the movie studios and theatre’s were attempting to recoup the massive investments in transitioning to sound films and market the new technology by cultivating a sophisticated campaign system often hiring Broadway writers directors and actors to travel around and oversee their promotions productions. See: John Farr How Movies Got Us Through the Great Depression Best Movies 2024; David P. Hayes Production Code of the Motion Picture Industry 2009; Mae West Reveals Herself as a Circus Queen in “I’m No Angel” at the Paramount New York Times Oct. 14 1933. The Strand Theatre, Smoot Theatre, Lincoln Theatre, & Warner Bros., unknown
1913Best.-Nr. TK0052Edinburgh:: Hodder and Stoughton 1913. 1913. 4to. xvi 207 1 pp. Frontispiece 24 tipped-in color plates. Original full vellum with gilt-rules navy-blue painted border and within the heraldic arms of the school t.e.g.; covers spotted rare spotting within last leaf with short marginal tear. Bookplate of Myles Storr Nigel Kennedy. Very good. Limited edition of 125 numbered and signed copies; a trade edition was issued in cloth. The famous Harrow public school got its Royal Charter from Queen Elizabeth in 1571. This work celebrates Harrow. Supplemented with literary and poetic contributions including from Anthony Trollope Lord Byron and many others. / PROVENANCE: Myles Storr Nigel Kennedy 1889-1964 was a British barrister army officer and politician. He served a single term in Parliament as a Conservative Party Member of Parliament yet never contributed to any debate. He was a member of Lancashire County Council for nearly twenty years. His Military and political career came to a premature end when his colourful private life brought about a court judgment against him and resulted in his bankruptcy. Hodder and Stoughton, [1913]. hardcover
