12.571 risultati
rif. 0669995150.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0195156730.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2005rif. 201125018Oxford University Press 2005-02-03. Hardcover. New. New inside and Out! Clean & Crisp Pages w/No markings. Excellent book.Fast Shipping! Oxford University Press hardcover
rif. 42434504-nnew. unknown
rif. 42434504like new. unknown
2021rif. SKU0219058Academic Press 2021-08-06. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Academic Press paperback
2021rif. DADAX0128160942Academic Press 2021-08-06. 9. paperback. New. 8.46x0.87x10.87. Buy with confidence. Excellent Customer Service & Return policy. Academic Press paperback
rif. DEC1-124114695-1753Academic Press 2015-09-29. Paperback. Good. US Edition Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Emailed Tracking from USA Academic Press paperback
2015rif. 2-0124114695Academic Pr 2015. Paperback. New. 8th edition. 550 pages. 9.00x7.50x1.50 inches. Academic Pr paperback
2010rif. DADAX0123808820Academic Press 2010-11-30. 7. paperback. New. 7.00x0.99x10.00. Buy with confidence. Excellent Customer Service & Return policy. Academic Press paperback
rif. 0521430143.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1989rif. x-080580093XLawrence Erlbaum Assoc Inc 1989. Hardcover. New. 1st edition. 280 pages. 9.50x6.50x0.75 inches. Lawrence Erlbaum Assoc Inc hardcover
2016rif. x-113898230XTaylor & Francis 2016. Paperback. New. 282 pages. 9.21x6.14x0.64 inches. Taylor & Francis paperback
rif. 9780826124067New. unknown
1997rif. DADAX0826164994Springer Publishing Company 1997-11-10. 1. hardcover. New. 6.20x1.10x9.00. Buy with confidence. Excellent Customer Service & Return policy. Springer Publishing Company hardcover
2002rif. DADAX0826124011Springer Publishing Company 2002-10-31. 1. hardcover. New. 6.34x0.93x9.32. Buy with confidence. Excellent Customer Service & Return policy. Springer Publishing Company hardcover
2005rif. DADAX0826124054Springer Publishing Company 2005-06-27. 1. hardcover. New. 6.10x0.95x9.34. Buy with confidence. Excellent Customer Service & Return policy. Springer Publishing Company hardcover
2000rif. SONG0826113095Springer Publishing Company 2000-03-10. 1. hardcover. Used: Good. 6.00x0.90x9.00. Buy with confidence. Excellent Customer Service & Return policy. Springer Publishing Company hardcover
2006rif. DADAX0826124062Springer Publishing Company 2006-07-06. 1. hardcover. New. 6.00x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. Springer Publishing Company hardcover
rif. 1624062660.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2012rif. 13316Nashville: First Center for the Visual Arts and Vanderbilt University Press 2012. First Edition. Paperback. Good . First Edition. Paperback. 11" X 9 1/2". xi 119pp. Mild toning and shelf wear to covers corners and edges of paper wraps. Pages are clean and unmarked. Binding is firm and sound. ABOUT THIS BOOK: This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales Monsters and the Genetic Imagination which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology folklore and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context linking the visual fabulists of today to artists of the Romantic Symbolist and Surrealist periods who sought to transcend oppositions such as rationality and intuition fear and desire the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego Kiki Smith and Cindy Sherman. From a generation of women who have attained prominence since the 1980s these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In "Metamorphosis of the Monstrous" Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity bestiality or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety heterogeneity and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay punningly titled "The Extant Vamp or the Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini Janaina Tschape Saya Woolfalk and others which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future Anker shows how artists explore the social ethical and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights the essays in Fairy Tales Monsters and the Genetic Imagination explore the meaning of this fabulist revival through the lenses of social and art history literature feminism animal studies and science.Publisher. 11" X 9 1/2". xi 119pp. Mild toning and shelf wear to covers corners and edges of paper wraps. Pages are clean and unmarked. Binding is firm and sound. ABOUT THIS BOOK: This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales Monsters and the Genetic Imagination which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology folklore and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context linking the visual fabulists of today to artists of the Romantic Symbolist and Surrealist periods who sought to transcend oppositions such as rationality and intuition fear and desire the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego Kiki Smith and Cindy Sherman. From a generation of women who have attained prominence since the 1980s these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In "Metamorphosis of the Monstrous" Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity bestiality or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety heterogeneity and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay punningly titled "The Extant Vamp or the Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini Janaina Tschape Saya Woolfalk and others which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future Anker shows how artists explore the social ethical and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights the essays in Fairy Tales Monsters and the Genetic Imagination explore the meaning of this fabulist revival through the lenses of social and art history literature feminism animal studies and science.Publisher. First Center for the Visual Arts and Vanderbilt University Press paperback books
2015rif. x-1137384654Palgrave Macmillan 2015. Hardcover. New. 200 pages. 8.50x5.75x0.75 inches. Palgrave Macmillan hardcover
2014rif. x-1349480983Palgrave Macmillan 2014. Paperback. New. 200 pages. 8.50x5.51x0.50 inches. Palgrave Macmillan paperback
1982rif. 020499New York New York: Van Nostrand Reinhold Commpany Inc. 1982. First Edition First Printing . Hardcover. Fine/Fine. The first book to isolate the psychotic personality & make it definable by specific diagnostic criteria'' drawing from insights obtained working with 60 patients.many of whom were borderline.more than neurotic but not clearly psychotic. Van Nostrand Reinhold Commpany, Inc. hardcover
1985rif. 2352766Rutland Vermont: Charles E. Tuttle Company 1985. Reprint. Hard Cover. Good/Good. 9x6x0. 1985 16th printing. A bit musty sticker remnant on front endpaper. 159 pp. Illustrated with black-and-white photographs and diagrams. A fully illustrated introduction to the traditional art of Japanese fencing--its essential nature and its basic techniques. The first book in English to describe and analyze this famous sport. Charles E. Tuttle Company hardcover books
