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Best.-Nr. 1504944240.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1332608809.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 0484658808.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1022530658.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1021056057.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1164881523.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1437082661.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1988STORIA GENERALE DEL CINEMA CON PROBLEMATICA INTRODUTTIVA 3 VOLUMI I PRIMI DUE A CURA DI GHIRARDINI, COMPLESSIVE 1152 PP. IL TERZO DIRETTO DA VINCENZO BASSOLI CINEMA CONTEMPORANEO 604 PP. EDIZIONI ORSA MAGGIORE 1988. SEGNI DEL TEMPO, BRUNITURE AI TAGLI, NEL COMPLESSO BUONE SE NON OTTIME CONDIZIONI. Parole e frasi comuni alcuni Alexander Korda ambientato America americani americano artistico attori capolavoro caratteristiche Carol Reed certo Chaplin cinema italiano commedia commerciale complesso critica derivato dimostrare diretto disegno animato Disney documentario dopoguerradramma drammatico Duvivier Edward Dmytryk Eisenstein espressive esso estetico Feyder film di guerra Ford fotografia gangster generale genere giovane Grierson Hollywood infatti interpretato invece Jean Jean Gabin John John Ford King Vidor Laurence Olivier lotta maggior Marcel Carnè mente mezzo cinematografico miglior film moglie mondo Monsieur Verdoux morale narrativo neorealismo nonostante opere Orson Welles Pabst particolare periodo personaggi polizia preciso problema produttori produzione proprioprotagonista psicologico Pudovkin ragazza rappresenta realistica realizzato realtà regista René Clair resta riesce risulta riuscito rivela Robert romanzo scena sceneggiatore sceneggiatura scenografie schermo significato sincerità sociale soggetto soltanto sonorosovietico stilistica storia del cinema storico successo sviluppo svolge teatrale tecnica tedesco tendenza tipicamente tratta umano valore vari viene western William Wyler Wyler
Best.-Nr. 0331806991.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3337006752.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1872Best.-Nr. 35671James Nisbet & Co. hardcover
1936Best.-Nr. 78367New York:: Story Parade Inc. Jan. - Dec. 1936. First edition. blue cloth with duplicate original front and rear wrappers for the December issues laid down--original wrappers illustrated in color for each issue bound in. . The exterior wrappers are a little sunned; fine. 8vo. Illustrated. Story Parade, Inc., hardcover
2009Best.-Nr. x-1870252594Henry Bradshaw Society 2009. Paperback. New. 45 pages. 8.25x5.50x0.75 inches. Henry Bradshaw Society paperback
1983Best.-Nr. P-27527Cambridge: Cambridge University Press 1983. Paperback. Fine/First Edition. Octavo. States 'First Published in 1983' on copyright pages. An invaluable resource for the scholar and critic of art during the age of Ruskin and the Pre-Raphaelites and continuing through the aesthetic period of William Morris and Walter Pater. Small 4tos perfect bound titled and pictorial wrappers volume 1 285 pages volume 2 303 pages. A fine clean and unmarked set. Cambridge University Press paperback
2009Best.-Nr. 3228Two volumes. Softcover volumes each measuring approximately 6" x 9" are like new. xii/285/xii/303 pages. "This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premises of modernist aesthetics. Volume I begins with the development of the Romantic idea of the artist-critic as preacher in the work of Ruskin whose aim was very much that of this Romantic forebears Blake and Wordsworth: to awaken humanity to a greater spiritual perception. The volume also concerns itself with the transformation of this in works such as Arthur Hallam's essay on his friend Tennyson which is central to the writing of the Pre-Raphaelite Brotherhood and with the development of French Romanticism into the influential aesthetic movement of Symbolism in the work of Gautier and Baudelaire. The presiding genius of volume 2 is Pater who was much influenced by Ruskin's belief in refining and educating the senses as a path to spiritual fulfilment. However whereas Ruskin saw this education as a means of enriching the moral and religious life conceived in fundamentally orthodox terms Pater regards religion as a supreme aesthetic experience with no particular connections either with morality or with any bourgeois virtues. Those who came under Pater's influence evinced disdain for the social order and its accepted values; this new tone is evident in the work of George Moore Whistler and Wilde all represented in this volume. The final author in this anthology Arthur Symons forms one of the principal links between nineteenth- and twentieth-century poetics for it was his introduction of the French Symbolists to England which was to give such a powerful impulse to the innovations of Eliot and Pound. The volumes comprise general introductions and introduction to individual extracts full annotation and helpful guides to further reading." Cambridge University Press paperback
Best.-Nr. A9780521282901Paperback / softback. New. This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. paperback
Best.-Nr. A9780521282918Paperback / softback. New. This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. paperback
Best.-Nr. B9780521282918Paperback / softback. New. This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. paperback
Best.-Nr. B9780521282901Paperback / softback. New. This is a two-volume anthology of criticism of art and literature from approximately 1840 to 1910. The central purpose of the anthology is to show how Romantic ideas of art and imagination were transformed by a number of writers in the nineteenth century and became the fundamental premisses of modernist aesthetics. paperback
Best.-Nr. 6593760Cambridge University Press CUP . Papeback. New. pp. 324 Cambridge University Press CUP unknown
Best.-Nr. 7038009-nnew. unknown
Best.-Nr. 6998233-nnew. unknown
1983Best.-Nr. Q-052128290XCambridge University Press 1983-04-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1983Best.-Nr. Q-0521282918Cambridge University Press 1983-04-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
1983Best.-Nr. DADAX0521282918Cambridge University Press 1983-04-29. paperback. New. 6.00x0.81x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
