Planète

Planète — marelibri

Robertson, Terence; O'Brien, Andy; Robinson, Cyril; Stainsby, Donald; Trent, Bill; Lake, Rhodi; Klyn, DoyleMareMagnum

Weekend Magazine, Vol. 12, No. 50 - December 15, 1962 - Toronto's Gaslight Girls - Robin Saloum Cover Photo

196246 pages. Features: Can Russia Claim the Moon? - There's a red flag waiting for U.S. space men even if they are first on the planet; Classic full-page colour photo ad for Swanson TV Dinners (remember them!?); Crowds adore a Canadian Matadora - Carolyn Hawyard knows and revels in the dangers of the bull ring - article with photos; Nostalgic full-page colour photo ad by the Pan-American Coffee Bureau promoting use of the bean; Nice two-page colour photo ad for the various Christie's crackers/snacks; Toronto Restaurant the Gaslight Club employs beautiful female actresses, dancers and models to serve its patrons - article with many great colour photos of Shawna Wong, Agnes Simo, Eunice Beadle, Paula Jarvis, Yvonne Saunders, Lyn Chisham, singer Sonny Caulfield, Colleen Collins, Della Engen, Nina Prodon, Rochelle Ruland, Steffany Conwright, Heide Lamperstorfer, Jacqueline Gould, Paula Jarvis, and Kari Von Kantz; Hockey's Toughest Town - Mixing mayhem and money makes music in Chicago - article with photos in Chicago Stadium; Terror at the Carnival - Consuela Flores saves Randy Moore of Halifax from her 65lb African leopard - article with photos; Home Built on 2,000 Years of History - Michael and Elizabeth Moran of Beach Grove, BC discover native remains when building on their lot - article with photos; Centerfold advertisement for Ronson products; Montreal Lawye H. Carl Goldenberg - article with photos; Smitten with Knittin' - voluntary knitting classes after schooll at Capilano Elementary School in North Vancouver; Nice colour full-page ad for Shulton products; Du Maurier colour ad suggests giving cigarettes for Christmas(!); Cake recipes; Great colour photo and write-up on Montreal Canadiens player Gilles Tremblay; Santa visits Toronto's Firehall No. 7; Nipper comic. Printed by newspapers across Canada as a weekend supplement. Unmarked with average wear. A sound vintage copy. Magazine

RareNonFiction.com · Canada299,95 €

Planet of the ApesBiblio.com

Science Fiction Film History Planet of the Apes Dining Bowl and Fork Props 2001

2001rif. 93372001. Planet of the Apes dinner-scene bowl and fork created for Tim Burton's 2001 film contribute to the production's visualization of an ape-controlled civilization in which human beings are enslaved and treated as an inferior species. The objects belong to the film's extensively designed domestic culture extending its reversal of human and animal hierarchies into ordinary acts of dining and hospitality. Production accounts describe Ape City as a thoroughly imagined environment filled with purpose-built architectural and household detail making such tableware part of the visual system through which the film gave physical form to ape social power aesthetics and everyday life. Two production props attributed to the dinner scene in Planet of the Apes. United States: Twentieth Century Fox and The Zanuck Company 2001. One wooden bowl with metallic surface coating and one fork of an unidentified heavy material the fork measuring approximately 10 inches long; bowl dimensions not supplied. The fork has intricate molded or carved detailing with subtle burgundy coloration while both pieces were deliberately distressed to simulate prolonged use within the fictional setting. Their substantial scale metallic effects ornament and applied wear distinguish the objects from conventional tableware and support the film's presentation of an ape society that combines primitive textures with elaborate ceremonial design. No studio documentation prop tags or certificates are described so the attribution to the dinner scene should be retained as supplied rather than treated as independently verified. Burton's film released in 2001 reworked the premise of Pierre Boulle's novel and the earlier film series for a contemporary audience with production design by Rick Heinrichs and costume design by Colleen Atwood. The bowl's metallic coating and the fork's burgundy-toned ornament preserve the production's emphasis on tactile visibly aged surfaces rather than modern industrial uniformity. Both pieces retain intentional production-applied wear; no additional breaks losses repairs or post-production damage are identified very good. Visually distinctive pair of screen-attributed props illustrating how the 2001 production constructed ape culture through the design of functional domestic objects. unknown