848 risultati
rif. 8485Karton rug ontbreekt alleen eerste deel. Bijgevoegd de titelprent van het tweede deel. unknown
1997rif. 87805(Berlin), Gerhard Wolf Janus Press 1997. 1997. gr.-4° (34,4 x 30 cm) 36 Bll. mit 17 ganzseitigen Grafiken, Illustr. Orig.-Pappband.
1982rif. 11632Newark VT: Janus Press 1982. Boards. Fine binding. Octavo. 4 32 4 pp. bifolium relief print. Limited edition number 196 of 220 copies. Signed by Thorne and Van Vliet at the colophon. In publisher's violet silk spine with Barcham Green Diana covers rainbow rolled directly in rose to yellow. An exceptional copy in fine condition. A beautiful story beautifully presented by Claire Van Vliet with such a simple but appealing binding-the touch of violet at the spine anchors the rainbow rolled paper over flexible boards atmospheric in its way. In the center of the book is Van Vliet's relief print landscape with a stunning night sky. Fine The Janus Press 1981-1990 p. 38-9. Janus Press unknown
1987rif. 21717Newark VT: Janus Press 1987. First edition. One of 150 copies signed by Burke and Fine the entire edition. Fine copy. 8vo original stiff printed wrappers 9 irregularly sized pages accordion folded with an irregularly sized 24-page pamphlet sewn between pages 7 and 8. Fine copy. Janus Press unknown
1990rif. 21825London and Newark VT: Gefn Press / Janus Press 1990. First edition. One of 150 numbered copies signed by Johanknecht and Meynell the entire edition. Very fine copy in a custom tray case. Small oblong folio 9 line cuts by Susan Johanknecht and 6 photographs by Susan Johanknecht and Katharine Meynell one fold-out original vellum-backed split boards covered with South of the Thames plaster mixed with acrylic wrapped in publisher's linen napkin with linen tie. Very fine copy in a custom tray case. Gefn Press / Janus Press unknown
1976rif. 21722West Burke VT: The Janus Press 1976. First edition. One of 150 numbered copies printed letterpress with the lithographs printed from the stone signed by Van Vliet the entire edition. Very fine copy. 8vo original printed hand-made wrappers by Jim Bicknell. Very fine copy. The Janus Press unknown
2000rif. 21843Newark VT: The Janus Press 2000. First edition. One of 200 copies of which 50 copies were specially published for Janus Press patrons. Accompanied by a bifolium explaining the volumes of vulnerability artists' book exhibition organized by Susan Johanknecht and Katharine Meynell. This book represented Claire Van Vliet in the exhibition. Very fine copy. Small oblong 8vo illustrated with numerous wood and metal printers' dingbats and commercial linecuts 24 unnumbered pages created from an 11- x 23 inch sheet cut into thirds horizontally and folded into fourths vertically publisher's board slipcase. Very fine copy. The Janus Press unknown
1990rif. 21825London and Newark VT: Gefn Press / Janus Press 1990. First edition. One of 150 numbered copies signed by Johanknecht and Meynell the entire edition. Very fine copy in a custom tray case. Small oblong folio 9 line cuts by Susan Johanknecht and 6 photographs by Susan Johanknecht and Katharine Meynell one fold-out original vellum-backed split boards covered with South of the Thames plaster mixed with acrylic wrapped in publisher's linen napkin with linen tie. Very fine copy in a custom tray case. Gefn Press / Janus Press unknown books
2000rif. 21843Newark VT: The Janus Press 2000. First edition. One of 200 copies of which 50 copies were specially published for Janus Press patrons. Accompanied by a bifolium explaining the volumes of vulnerability artists' book exhibition organized by Susan Johanknecht and Katharine Meynell. This book represented Claire Van Vliet in the exhibition. Very fine copy. Small oblong 8vo illustrated with numerous wood and metal printers' dingbats and commercial linecuts 24 unnumbered pages created from an 11- x 23 inch sheet cut into thirds horizontally and folded into fourths vertically publisher's board slipcase. Very fine copy. The Janus Press unknown books
1987rif. 21717Newark VT: Janus Press 1987. First edition. One of 150 copies signed by Burke and Fine the entire edition. Fine copy. 8vo original stiff printed wrappers 9 irregularly sized pages accordion folded with an irregularly sized 24-page pamphlet sewn between pages 7 and 8. Fine copy. Janus Press unknown books
1976rif. 21722West Burke VT: The Janus Press 1976. First edition. One of 150 numbered copies printed letterpress with the lithographs printed from the stone signed by Van Vliet the entire edition. Very fine copy. 8vo original printed hand-made wrappers by Jim Bicknell. Very fine copy. The Janus Press unknown books
rif. 120511Paris (Parisiis), Sumtibus Societatis, 1748.
rif. 120511Paris Parisiis Sumtibus Societatis 1748. 12mo. II3821 corrigenda p. portrait. Vellum 14.5 cm Ref: cf. Willems 1669 Details: 5 thongs laced through the joints. An engraved portrait on the title of the first love of Janus Secundus Julia locked within a kind of medallion and surrounded by 2 cornucopiae; the text reads: Vatis amatoris Iulia sculpta manu i.e. a portrait sculped by the hand of the author; opposite the title is a full-page engraved portrait of Janus Secundus himself holding in his hand the medal or medallion he made with the portrait of Julia; underneath the portrait a 4 line poem by his brother Hadrianus Marius Condition: Binding soiled. Old ownership entry on the first flyleaf. Outer margin of the portrait & the title thumbed. Paper yellowing Note: The Dutch neolatin poet Janus Secundus Nicolai Hagiensis was born on the 15th of november 1511 the day of the martyr Secundus in The Hague. He died very young in 1536. In 1528 he moved to Mechelen where his father was appointed president of the High Council. This town was the residence of the Austrian vicequeen Margaretha of Parma. The southern part of the Netherlands was in this time the center of a florishing urban civilization. In May 1530 Secundus met a young prostitute from Mechelen called Julia and fell in love with her. Julia became the subject of his first book of elegies his Julia Monobiblos in which he tells how he won and lost his love. During his studies in Bourges under the famous jurist Alciati he wrote his first Basia. Alciati introduced Secundus there also to the newest Italian poetry. A humanist poet often started his career with erotic poetry like Piccolomini and Beza. Secundus' kiss-poems are a variation on two kiss-poems of the Latin poet Catullus ca. 84-54 B.C who became during the Renaissance a model for love-poetry. Secundus wrote in his short live 6835 lines of poetry of which only 425 lines were printed during his lifetime. He wrote 'with equal fluency all kinds of lyrical heroic and elegiac verse. Down to the present day Secundus lives in literary history als the kissing poet' . 'Until far in the 18th century Secundus is mentioned as one of the classics of love poetry' IJsewijn Companion to Neo-Latin studies I Leuven 1990 p. 152 The first edition of his collected works was posthumely published in 1541 in Utrecht and was edited by Secundus' brother Marius. All later editions are based on this edition. The manuscript with the collected works used for this edition came later in the possession of the Dutch classicist Petrus Scriverius 1576-1660. He produced a new edition in 1619 in which he also incorporated poems of Secundus which had been omitted in the 1541 edition because they were thought to be disagreeable to the French and English king. In his second edition of 1631 Scriverius incorporated more material from other sources and manuscripts. Best source for Secundus is J.P. Guépin De kunst van Janus Secundus Amst. 1991 § The book on offer here is a reissue of the third edition of 1651. Willems says about the edition of 1651: 'L'édition de 1651 reproduit textuellement la précédente' id est that of 1631. The book opens with 18 pages testimonia and iudicia on Secundus. After these preliminary pages and before Secundus' text we find on page 27 a kind of half title: Joannis Secundi poemata quae reperiri potuerunt omnia. Ex tertia editione Petri Scriverii anno 1650. The year 1650 seems to be a printing error of the French printer. At the end are added some letters and a treatise on the family of Secundus De gente Nicolaia Provenance: on front flyleaf the old ownership entry of 'Frid. Guil. von Knebel'. We found on the internet a Friedrich Wilhelm von Knebel 1735-1799 who seems to have been a rigid and at the same time sloppy Prusian state official. § On the front pastedown is written in a different hand 'Ostheide'. Ostheide might refer to the Samtgemeinde collective municipality in the district of Lüneburg south of Hamburg in Lower Saxony Germany. Ostheide is also a German family name Collation: pi1 = A12 A12 minus leaf A12 B-Q12 R1 corrigenda Photographs on request hardcover
2020rif. x-3030579379Palgrave Macmillan 2020. Hardcover. New. 730 pages. 9.50x6.50x1.75 inches. Palgrave Macmillan hardcover
2025rif. 10907Gefn Janus and Plowboy Presses 2025. Original Wrappers. Fine binding. Accordion. 9-1/2" x 4-3/4" closed. 12 pp. Limited edition one of 100 copies. Signed by Johankneckt Van Vliet and Miller-Brown at the colophon. As issued in stiff wrappers of Barcham Green India Office illustrated with an image of Bach's last known musical score the unfinished Fugue of The Art of the Fugue. The accordion style structure designed by Van Vliet folds into 12 unnumbered pages that read parallel to the folds recto and verso. All housed in a handmade paper slipcase with "fugal" printed on the spine. A fine copy. A wonderful collaboration between Susan Johanknecht Claire Van Vliet and Andrew Miller-Brown. Inspired by Bach Fugues Johanknecht's poem is printed on the recto of accordion-fold. As Van Vliet and Miller-Brown were puzzling over the project last fall it became apparent that the lines could be read aloud in any order. This morphed into the accumulating text on the verso. True to the musical definition of a fugue this presentation of the poem develops through repetition and interweaving. A wonderful homage to the musical form and to Bach in particular; all the while developing into something that is not merely an homage. Gefn, Janus, and Plowboy Presses unknown
2020rif. 10966Newark VT: Janus Press 2020. Original Wrappers. Fine binding. Octavo. 2 71 3 pp. illus. Limited edition one of 120 numbered copies. Sewn longstitch with three different colors of thread into St. Armand Papeterie's Canal paper with small printed embellishment on front cover. Letterpress printed in black and brick red on Canaletto paper. Strikingly illustrated with photographs ink knife images and collages all of which are digitally printed many are folding. In card slipcase with printed paper label on the spine. A fine copy. A remarkable collection Luck's lyrics are by turns searching defiant and resigned but always personal and human "I thought when I threw away the bus transfers / I used again and again / I would lose this turbulence / in the coming and going / from here to there." A wonderful book of poetry wonderfully illustrated by Luck; and here beautifully designed and printed in the inimitable fashion of the Janus Press. And few Janus Press books are issued without some novel playfulness or unique element to their structure. Here a three-leaf section with short "grook" poems one on top and one on the bottom of each page that has a horizontal cut across the middle so the top and bottom of each leaf turn independently allowing the reader to navigate these several poems in a less prescriptive manner. Janus Press unknown
rif. 42918Geheel leren band uit de tijd 16 139 pag. Goed exemplaar. Opdracht aan Janus van den Burch door Joh. Jensius d.d. Rotterdam 1739. Drempelversen van J.W. v. Steenbergen. De verzen van den Broucke 1693-1737 o.a. op Fr. Valentijn Fr. v. Bokhoven J. v. Braam J. Hallincq O. Munster C. Vrolykhert J. Jensius J. de Witt G.W. Duker T. Zeeberg J.W. van Steenbergen Ph.J. v. Boetzelaar J. de Haas S. v.d. Putten e.a. unknown
rif. BN356132Klett. Wege in die Biologie. Lehrerband Wege in die Biologie. Lehrerband Norbert Cibis Hans J Dobler Werner Grüninger Walter Haas Herbert Heinkel Roland Herdtfelder Theo Homolka Horst Janus Konrad Kunsch Helmut Länge Volker Lauer Rolf Meyer Ekkehard Schmale H Klett unknown
2015rif. 2-1614514798Mouton De Gruyter 2015. Hardcover. New. 277 pages. 9.00x6.25x0.75 inches. Mouton De Gruyter hardcover
1998rif. 014397Paris: Actes Sud/ Fondation Cartier Pour L'Art Contemporain 1998. This is a fine hardcover copy with a fine dust jacket with no wear whatsoever. Completely clean. Text in French. Stated first edition. This monograph was prepared to accompany the exhibition at Fondation Cartier pour l'art contemporain Paris in the spring of 1998. Essays by Hervé Chandès Philippe Sollers David Levi Strauss Elizabeth Janus and Sloan Rankin. Biographical sketch. Exhibition history. Bibliography. Illustrated throughout in color and black & white with Francesca Woodman's haunting photographs includes two gatefolds. 11" high X 9" wide 160 pages. Heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . First Edition. Hard Cover. Fine/Fine. Actes Sud/ Fondation Cartier Pour L'Art Contemporain Hardcover
1757rif. NS0264Lugduni Batavorum MDCCLVII Leiden 1757. Muret a friend of poets of the Pléïade wrote these poems many of them erotic in his youth. This volume also contains "Joannis Secundi Hagiensis Juvenilia" --the Juvenilia of Janus Secundus 1511-1536-- with separate title-page dated 1756 and pagination. Within this there is further "Pancharis Joan. Bonefonii Arveni" pages 111-156-- the Pancharis of Jean Bonnefons 1554-1614-- with caption title only. These three texts are bound as issued with a fourth: Theodore de Beze Poemata. A collection of Latin poetry of the French literary Renaissance. Bookplate of Liechtensteinianus. Hard Cover. x 11-106 iv 3-156 pages portrait front.; 18.5 cm. Signatures: A8 B4-X8 Y4. Title-page vignette; head- & tail-pieces. Vg/ bound in publisher's cardboard with wide margins for the anticipated rebinding. Stock#NS0264. Lugduni Batavorum, MDCCLVII. hardcover
rif. 100201Lyon Ioannis Anard 1622. 4to. 8 529 2 pp. Title printed in red and black. Stain in the beginnning and in inner upper corner from p. 125 and forward foxing and spotting throughout. Contemporary vellum. Owner’s signatures of Henrik Hellsing S. Hedborn C. F. Hellström 1845 and Bengt Lassen 1928. First edition of Laurenberg’s dictionary of obsolete latin words and terms a second was published in 1652. Johann Hans Villumsen Laurenberg 1590-1658 was both mathematican poet and a philologist. Born in Rostock he was from 1623 active as professor at Sorø in Denmark where he also died. At the end pp. 503-259 a supplement by Henri Estienne. hardcover
rif. 120208Leiden (Lugduni Batavorum), 1757.
rif. 120208Leiden Lugduni Batavorum 1757. 12mo in 8 & 4 sheets. 3 volumes in 1: IVIV124 p. a portrait of Beza; X106 p. a portrait of Muretus; IV3-156 p. Green morocco 16 cm Ref: Brunet 1239; Graesse cf 1359 where we find the imprint Paris 1757 Details: Green morocco; red morocco shield on the back; gilt floral decoration on the back; boards with gilt triple fillet borders; inside dentelles gilt; marbled endpapers; edges of the bookblock gilt; woodcut printers' mark of Joseph Gérard Barbou on all three titles depicting an old man who stands in the shade of a vine-entwined elmtree. The motto is 'Non solus'. The 2 portraits have been etched by Fiquet Condition: Some wear to the extremes. A small bump in the bottom edge of the front board. Two tiny and almost invisible wormholes in the front joint Note: All three titles in this book have a false imprint 'Lugduni Batavorum' i.e. Leiden in the Dutch Republic. It was according to Brunet actually published in Paris by Barbou. He does not explain but the printer's mark paper printing and layout looks indeed very Barbou. The Short Title Catalogue Netherlands STCN is not sure either about Leiden it adds 'printed in France' § In Latin elegiac and epigrammatic poetry from Roman times to the Renaissance there is constant reference to the 'poetry of youth' as 'standing in contrast to a kind of poetry suitable to be written in old age. The poets characterize the latter poetry as serious moral and austere touching on wars and politics and patriotism. The former is filled with passion and exuberance concerned not with weighty national issues but with jokes and laughter and erotic affaires'. K.M. Summers 'The Iuvenilia of Marc-Antoine Muret' Columbus 2006 p. XXV-XXVI § The first edition of 'poemata juvenilia' of the young Calvinist theologian Theodore de Bèze or Theodorus Beza 1519-1605 was published in Paris in 1548. 'It had certain rather free pieces printed which were afterwards made a matter of bitter reproach against him. He therefore suppresed them in the following editions'. Ebert This first edition including the erotic love poems which Beza later regretted having ever published was clandestinely reprinted. Beza was considered to be among the best Neo-Latin poets of his time. He is however best known for his Latin translation of the New Testament his critical Greek edition of the New Testament and for being the founder of the University of Geneva. § The Frenchman Marc Antoine Muret latinized as Marcus Antonius Muretus 1526-1585 'exemplifies the essence of French Renaissance humanism. A master of Latin and student of Classical Antiquity he not only engaged in the recovery and exposition of ancient texts he also actively employed the old genres and skills in the contemporary ecclesiastical and public spheres. He wrote Latin poetry both sacred and profane delivered public orations in Latin and lectured in various schools throughout France and Italy on authors as diverse as Catullus and Tacitus and on topics as varied as Greek philosophy and Roman law'. K.M. Summers 'The Iuvenilia of Marc-Antoine Muret' Columbus 2006 p. XIII His 'Iuveninlia' were first published in 1552. § The Dutch neolatin poet Janus Secundus Nicolai Hagiensis was born on the 15th of november 1511 the day of the martyr Secundus in The Hague. He died very young in 1536. In 1528 he moved to Mechelen the residence of the Austrian vicequeen Margaretha of Parma. The southern part of the Netherlands was in this time the center of a florishing urban civilization. In May 1530 Secundus met a young prostitute from Mechelen called Julia and fell in love with her. Julia became the subject of his first book of elegies his 'Julia Monobiblos' in which he tells how he won and lost his love. During his studies in Bourges under the famous jurist Alciati he wrote his first 'Basia'. Alciati introduced Secundus there also to the newest Italian poetry. A humanist poet often started his career with erotic poetry like Piccolomini and Beza. Secundus' 'kiss-poems' are a variation on two 'kiss-poems' of the Latin poet Catullus ca. 84-54 B.C who became during the Renaissance a model for love-poetry. Secundus wrote in his short life 6835 lines of poetry of which only 425 lines were printed during his lifetime. He wrote 'with equal fluency all kinds of lyrical heroic and elegiac verse. Down to the present day Secundus lives in literary history as the kissing poet' . 'Until far in the 18th century Secundus is mentioned as one of the classics of love poetry' IJsewijn Companion to Neo-Latin studies I Leuven 1990 p. 152 The first edition of his collected works was posthumely published in 1541 in Utrecht and was edited by Secundus brother Marius. § After the poems of Janus Secundus we find 46 pages with the 'Pancharis Joan. Bonefonii Averni ad Jacobum Guellium p. 111-156 Provenance: On the verso of the front flyleaf: 'John Wordsworth Edinburgh 1827'. This is the English classical scholar John Wordsworth 1805-1839 nephew of the Romantic poet William Wordsworth. 'In October 1824 he entered Trinity College Cambridge. His university career was distinguished. In 1825 he obtained the Bell scholarship in 1826 a scholarship at his own college and was second for the Porson prize; in 1827 he obtained it. In 1828 he proceeded to the B.A. degree but was disqualified for classical honours through distaste for mathematics. In 1830 he was elected fellow of his college. . In 1834 he was appointed a classical lecturer in Trinity College and undertook to edit Richard Bentley's Correspondence afterwards completed by his brother Christopher Wordsworth'. Source Wikipedia Collation: pi4 plus portrait; A8 B4 C8 D4 etc. K4 L2; Portrait A8 B4 etc. X8 Y4 Photographs on request hardcover
1828rif. 1378Utrecht, 1826-1828. 265 S.; 176 S., 29 B., 6 leere B.; 121 S., 1 Bl., 1 Bl Index., 1 Bl.; 154 S., 1 Bl. Index, marmorierte Halblederbände der Zeit mit goldgeprägten Rückentiteln auf Schildchen und Rückenverzierungen. Guter Zustand, Ecken bestoßen, 1 Band Leder des Vorderdeckels großere Insektenfraßspur, Buchblöcke wellig.
