30 résultats
1961réf. 26825Waltham Saint Lawrence: The Golden Cockerel Press. Near Fine. 1961. Limited Edition. 1/4 Cloth. Number 140 of 400 copies. Signed by translator Reginald Bretnor. Blue and red cloth gilt. Housed in original transparent wrapper. With 10 illustrations by Coypel reproduced by collotype from the 1727 edition. Printed at the Chiswick Press on Saunder's mould-made paper. Some rubbing to spine and corners. Bump to head of rear board. Internally fine. ; François-Augustin de Paradis de Moncrif was an eighteenth century French writer and scholar. He is now best known for Histoire des chats his parody of the ostentatious scholarship of the day ; tall 8vo; Signed by Translator . The Golden Cockerel Press hardcover books
2017réf. 143251Zürich: Lars Müller Publishers 2017. cloth. tall 4to. cloth. in the Typografische Monatsblätter. With Louise Paradis with Roland Früh and François Rappo. First edition. A fine copy. Illustrated in color throughout. The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss typography to an international audience as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years the journal was a vital forum for concepts and discussion. Throughout these years the Swiss typographic journal witnessed significant moments in the history of typography and graphic design. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter provides a condensed overview of the period between 1960 and 1990 an era of transition. In the second half of the 20th century factors such as technology socio-political contexts and aesthetic ideologies profoundly affected and transformed visual language. This publication features a selection of covers and key images from the journal and presents work by a number of well-known designers such as Emil Ruder Wolfgang Weingart Hans-Rudolf Lutz April Greiman and Jost Hochuli. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter enables a greater understanding of the development of late twentieth-century typography and graphic design. Edited by ECAL/École cantonale d'art de Lausanne Louise Paradis with Roland Früh and François Rappo With photographs by Jonas Marguet Design: Robert Huber Louise Paradis. Lars Müller Publishers unknown books
1932réf. 536120New York: Harper and Brothers 1932. Hardcover. Near Fine/Very Good. First edition. A bit cocked else near fine in spine-sunned very good dust jacket with small chips and tears and an internal repair. Woman must choose between a career in Hollywood or family life in Brooklyn. Harper and Brothers hardcover books
1961réf. 315516London: Golden Cockerel Press 1961. NUMBER 75 OF 100 "SPECIALLY BOUND" COPIES from an overall edition of 400. 10 illustrations by Cypel. 187pp. 8vo. Full red and blue morocco t.e.g. Slipcase. NUMBER 75 OF 100 "SPECIALLY BOUND" COPIES from an overall edition of 400 10 illustrations by Cypel. 187pp. 8vo. Golden Cockerel Press unknown books
1961réf. 2221803First edition thus. Octavo. Original full blue and red morocco spine lettered and decorated in gilt emblem gilt stamped on front cover t.e.g. navy blue linen-covered slipcase by E. W. Hiscox. Numerous collotype plates after etchings designed by Charles Antoine Coypel for the first edition of 1727. No dust jacket. Fine. 187 pages. #25 of 100 specially-bound copies. Inscribed on front free endpaper in Medford Oregon in 1973 by the translator with a small caricature of a cat. Laid in is a Polaroid photograph of Bretnor and his wife taken by the recipient of the inscription with a brief description of the circumstances. This attractive volume was one of the final productions of the Golden Cockerel Press. The Golden Cockerel Press hardcover books
