1962réf. 87693Washington DC: Smithsonian Institution Press 1962. First American Edition. Quarto. 28.5cm. Publisher's terracotta cloth titled in gilt to spine. Dustjacket. xxii; 170pp. Light bumping and scuffing to corners strong and tight bumped to spine ends; internally clean and fresh bookplate to front pastedown illustrated throughout; in priceclipped pictorial dustjacket with some scuffing and fraying to corners and spine ends some minor soiling and scuffing of the black portions of the jacket. A very good copy with some shelfwear. In the 1930's an ethnological researcher named Dr. Elsie Clews Parsons received a letter from an anonymous Native American offering under rather mysterious circumstances to offer her a series of paintings and sketches of the lives customs costumes and rituals of the Pueblo peoples in an effort to assist with the factual accuracy of her researches and subsequent publications. Dr. Parsons accepted and began a back and forth correspondence with the individual whom she named "Felipe" for a number of years. This volume gathers together the Isleta paintings together in context for the first time providing a valuable eyewitness insight into the daily lives and special occasions of the Pueblo peoples. Smithsonian Institution Press unknown books
1962réf. 87693Washington DC: Smithsonian Institution Press 1962. First American Edition. Quarto. 28.5cm. Publisher's terracotta cloth titled in gilt to spine. Dustjacket. xxii; 170pp. Light bumping and scuffing to corners strong and tight bumped to spine ends; internally clean and fresh bookplate to front pastedown illustrated throughout; in priceclipped pictorial dustjacket with some scuffing and fraying to corners and spine ends some minor soiling and scuffing of the black portions of the jacket. A very good copy with some shelfwear. In the 1930's an ethnological researcher named Dr. Elsie Clews Parsons received a letter from an anonymous Native American offering under rather mysterious circumstances to offer her a series of paintings and sketches of the lives customs costumes and rituals of the Pueblo peoples in an effort to assist with the factual accuracy of her researches and subsequent publications. Dr. Parsons accepted and began a back and forth correspondence with the individual whom she named "Felipe" for a number of years. This volume gathers together the Isleta paintings together in context for the first time providing a valuable eyewitness insight into the daily lives and special occasions of the Pueblo peoples. Smithsonian Institution Press unknown
1950réf. 9869NY: Macmillan 1950. First edn. 8vop pp. 104. VG in chipped dj. The biography of the nurse who later went to Yale to found the school of nursing. Macmillan unknown books
1948réf. 53190Clifton NJ: Tobin-Howe Paper Box Co. 211 Mt. Prospect Ave. ca. 1948. 4to. 9.5 x 9.75 in. 2 56 colour-printed paper box top label samples 2 pp. Printed tan softcovers black lettering on front cover minor chipping to lower fore-edge front cover repaired minor tears back cover minor creasing to covers still a VG copy. First edition thus of this very scarce post-World War II handkerchief box top label catalogue with multiple designs available in a variety of tinted papers and coloured inks including some metallic inks as well. The artwork motifs encompass such possibilities as a kitten on a ball of yarn; a polk-dot donkey pulling a cart; a drum majorette with stars & strips designs; Greenaway inspired girls in bonnets with umbrellas silhouettes; several bird & birdhouse designs roses and a leaping stag. Tobin 1894-1974 was a Russian-Jewish immigrant who began working in his parents wholesale grocery following his stint in the Army during World War I and by 1925 was operating the Paper Box Co. with his wife Esther. The company specialized in boxes and box tops and operated according to street directories in Clifton NJ until the late 1950s. Tobin-Howe Paper Box Co., 211 Mt. Prospect Ave., paperback
1924réf. 67078NY: Harcourt Brace 1924. Second edition first printing. 233 pp. Small spot on fore-edge else very near fine in near fine dust jacket with light wear to base and crown of spine. Illustrated by Rockwell Kent. NY: Harcourt, Brace unknown books
1924réf. 67078NY: Harcourt Brace 1924. Second edition first printing. 233 pp. Small spot on fore-edge else very near fine in near fine dust jacket with light wear to base and crown of spine. Illustrated by Rockwell Kent. NY: Harcourt, Brace unknown
réf. 200914141Paris, Robert Laffont - collection vecu, 1974 ; in-8, 345 pp., broché, couverture illustr (qlq pages un peu écorné).
réf. 201103060Paris, Fayard, 2009 ; petit in-12, 74 pp., broché. Monté a l'envers - sinon comme neuf.
réf. 201301227Paris, Larousse présent , 2008 ; in-8, 655 pp., br.
réf. 201611697Paris, Filipacchi, 1995 ; in-4 oblong, cartonnage de l'éditeur. Très bon état avec sa jaquette.
réf. 69852Kingston Jamaica BWI: Arawak Press 1955. Travel REVISED EDITION third overall. Octavo 21 x 14cm pp.316; 1. Illustrated throughout with photographs and a colour map. Publisher's clothbound hardcovers in illustrated dust-wrapper priced at 21s. A clean fine copy in a gently used jacket with one tear at crown. James Bond novelist Ian Fleming refers to this book and borrowed the title in his travel article 'Pleasure Islands' Spectator 4th July 1952. He also reviewed it for The Sunday Times 1st June 1952 under the heading 'West Indian'. Fleming who is mentioned in person on p.142 was a prominent resident of the island and set several of his thrillers there. This particular example is from the comprehensive archive assembled by Jon Gilbert pencil signature within. His encyclopaedic guide to the works of Ian Fleming 2012 won the 16th Breslauer Prize for bibliography. See Gilbert C31. Kingston, Jamaica, BWI: Arawak Press, 1955 unknown
réf. 200705254Paris, Robert Laffont collection vecu, 1974 ; in-8, 345 pp., broché, couverture illustr.
1947réf. 304815First edition. Octavo. Introduction "Robert Frost and the Mertins Collection" by Fulmer Mood. Frontispiece b/w portrait photograph with facsimile autograph 1 facsimile reproduction. Dust jacket price clipped; few nicks. Very good. 91 pages. No other signatures or bookplates. Chronology of the composition of Frost's poems with an annotated bibliography. Signed and inscribed by Louis Mertins to Florence Fisk White on front free endpaper; also signed and dated by Esther Mertins on front free endpaper August 7 1947. With a one-page TLS of Louis Mertins Riverside CA August 6 1947 laid in loose. Crane p.261; one of 1500 unnumbered copies. University of California Press hardcover books
1947réf. 304815First edition. Octavo. Introduction "Robert Frost and the Mertins Collection" by Fulmer Mood. Frontispiece b/w portrait photograph with facsimile autograph 1 facsimile reproduction. Dust jacket price clipped; few nicks. Very good. 91 pages. No other signatures or bookplates. Chronology of the composition of Frost's poems with an annotated bibliography. Signed and inscribed by Louis Mertins to Florence Fisk White on front free endpaper; also signed and dated by Esther Mertins on front free endpaper August 7 1947. With a one-page TLS of Louis Mertins Riverside CA August 6 1947 laid in loose. Crane p.261; one of 1500 unnumbered copies. University of California Press hardcover
1941réf. 170066New York: Perls Galleries 1941. Vintage bi-fold brochure for the May 5 to June 7 1941 joint exhibition at Perls Galleries New York. 6.25 x 9.25 inches Bi-fold. Near Fine. Perls Galleries unknown books
1941réf. 170066New York: Perls Galleries 1941. Vintage bi-fold brochure for the May 5 to June 7 1941 joint exhibition at Perls Galleries New York. 6.25 x 9.25 inches Bi-fold. Near Fine. Perls Galleries unknown
réf. 117059Jerusalem Bezalel Circa 1920. . Original manuscript on vellum text arranged in 14 lines in Hebrew script scroll housed in an elaborately decorated silver filigree case stamped 'Made in Palestine 935' set with five semiprecious stones presumed Carnelian stone; scroll height 600 mm case height 220 mm engraved with 'Jerusalem' signature in Hebrew. A beautiful example of a Bezalel Megillah housed in a silver case with elaborate filigree and semiprecious stones. The Bezalel school was founded in 1906 in Jerusalem by the artist and professor Boris Schatz and was the first art school to be established in the Holy Land in the 20th century. Schatz who discussed his vision of opening an art school in the Land of Israel with Herzl when the two met in Vienna in 1903 chose to call the school Bezalel after the biblical artist Bezalel ben Uri ben Hur mentioned in the book of Exodus as the artist chosen by God to build the Tabernacle HaMishkan in Hebrew. According to the scripture this artist worked in silver gold copper stone and wood. By founding the school Schatz aimed to establish a national style of art blending classical Jewish European and Middle-Eastern traditions. In addition to traditional sculpture and painting training the school ran craft workshops that produced decorative objects in silver leather wood brass and fabric which were sold at exhibitions in Europe and the United States. Schatz's school was closed in 1929 and then reopened in the mid 1930s as the New Bezalel. In 1955 the school received its official academic acclaim and today the Bezalel Academy of Art and Design is Israel's national school of art as well as its oldest higher education institution. The art created by Bezalel's students and professors in the first decades of the 20th century is considered the stepping stone for Israeli visual arts. The Book of Esther is part of Ketuvim Writings the third section of the Hebrew Bible. It tells the story of a Jewish girl named Esther who became queen of Persia and thwarted a plan by Haman to commit genocide against her people. Also called The Megillah the book is the basis and an integral part of the Jewish celebration of Purim. Its full text is read aloud twice during the celebration in the evening and again the following morning. Besides Song of Songs it is the only book in the Bible that does not explicitly mention God. 'Since the Talmudic period it has been customary to write the Book of Esther on parchment in the form of a scroll and the rules governing its production and writing are basically the same as those for a traditional Torah scroll. It is not known when and under what circumstances artistic embellishment of Esther scrolls began. The earliest extant illuminated examples emanate from 16th-century Italy commissioned by well-to-do Italian Jews.' Encyclopaedia Judaica Jerusalem, Bezalel, [Circa 1920]. hardcover
réf. 97796Balkan early 19th century. . Scroll on parchment housed in a silver case unstamped cast hammered and engraved with floral decorations and geometric patterns. Scroll height 15 cm case height 34.5 cm; some staining to parchment. Megillat Esther in Sephardic Script housed in an elaborately decorated silver case. Esther scroll housed in an elaborately decorated silver case. Manuscript on vellum text arranged in 19 lines in Hebrew Sephardic Script. An ornamentation of an attractive multilayered flower to the top of the case. The Book of Esther is part of the Ketuvim The Writings the third section of the Hebrew Bible. It tells the story of a Jewish girl named Esther who became queen of Persia and thwarted a plan by Haman to commit genocide against her people. Also called The Megillah the book is the basis and an integral part of the Jewish celebration of Purim. Its full text is read aloud twice during the celebration in the evening and again the following morning. Besides Song of Songs it is the only book in the Bible that does not explicitly mention God. 'Since the Talmudic period it has been customary to write the Book of Esther on parchment in the form of a scroll and the rules governing its production and writing are basically the same as those for a traditional Torah scroll. It is not known when and under what circumstances artistic embellishment of Esther scrolls began. The earliest extant illuminated examples emanate from 16th-century Italy commissioned by well-to-do Italian Jews' Encyclopaedia Judaica. Balkan, early 19th century. hardcover
réf. 98168Balkan 19th century. . Scroll on parchment housed in a silver gilt case unstamped; scroll height 7 cm. case height 19 cm. Original manuscript on vellum text arranged in 15 lines in Hebrew Sephardic Script. A red bead decorating the top of the case. The Book of Esther is part of the Ketuvim The Writings the third section of the Hebrew Bible. It tells the story of a Jewish girl named Esther who became queen of Persia and thwarted a plan by Haman to commit genocide against her people. Also called The Megillah the book is the basis and an integral part of the Jewish celebration of Purim. Its full text is read aloud twice during the celebration in the evening and again the following morning. Besides Song of Songs it is the only book in the Bible that does not explicitly mention God. 'Since the Talmudic period it has been customary to write the Book of Esther on parchment in the form of a scroll and the rules governing its production and writing are basically the same as those for a traditional Torah scroll. It is not known when and under what circumstances artistic embellishment of Esther scrolls began. The earliest extant illuminated examples emanate from 16th-century Italy commissioned by well-to-do Italian Jews' Encyclopaedia Judaica. Balkan, 19th century. hardcover
réf. 121606Jerusalem c. 1920. . Scroll on parchment housed in an carved olive-wood case and the Hebrew words: 'Jerusalem' printed on top and 'Kotel Ma'aravi' and 'Rachel Imenu' printed in smaller letters at the bottom; scroll height 50 cm case height 83 cm; marginal tears to parchment sheets some of which professionally restored. Esther scroll housed in a beautiful carved Olive-wood case. Manuscript on vellum text arranged in 42 lines in Hebrew Ashkenzai Script. The wooden case is adorned with a carved image of the Wailing Wall of Jerusalem and Rachel's Tomb in Bethlehem. The Book of Esther is part of the Ketuvim The Writings the third section of the Hebrew Bible. It tells the story of a Jewish girl named Esther who became queen of Persia and thwarted a plan by Haman to commit genocide against her people. Also called The Megillah the book is the basis and an integral part of the Jewish celebration of Purim. Its full text is read aloud twice during the celebration in the evening and again the following morning. Besides Song of Songs it is the only book in the Bible that does not explicitly mention God. 'Since the Talmudic period it has been customary to write the Book of Esther on parchment in the form of a scroll and the rules governing its production and writing are basically the same as those for a traditional Torah scroll. It is not known when and under what circumstances artistic embellishment of Esther scrolls began. The earliest extant illuminated examples emanate from 16th-century Italy commissioned by well-to-do Italian Jews' Encyclopaedia Judaica. Jerusalem, [c. 1920]. hardcover
réf. 91530Central Italy early 19th century. . Illuminated scroll on parchment 3 spliced sheets 25.5 x 202.7 cm.; hand-coloured decorations possibly later some wear and loss of colour small tears; repairs to the back of first sheet. Italian Esther scroll beautifully illuminated in colour. Text divided into 11 parshiyot of 28 lines each and a compartment dedicated to the schematic drawing of the hanging of Haman's 10 sons. The decoration is composed of colourful ornamental borders on an ochre-yellow background: upper border with intertwining green branches lower border with a white vine-stem and crowns large flowers and medallions depicting the zodiac signs in the columns that separate the compartments. The Book of Esther is part of the Ketuvim The Writings the third section of the Hebrew Bible. It tells the story of a Jewish girl named Esther who became queen of Persia and thwarted a plan by Haman to commit genocide against her people. Also called The Megillah the book is the basis and an integral part of the Jewish celebration of Purim. Its full text is read aloud twice during the celebration in the evening and again the following morning. Besides Song of Songs it is the only book in the Bible that does not explicitly mention God. 'Since the Talmudic period 70-640 AD it has been customary to write the Book of Esther on parchment in the form of a scroll and the rules governing its production and writing are basically the same as those for a traditional Torah scroll. It is not known when and under what circumstances artistic embellishment of Esther scrolls began. The earliest extant illuminated examples emanate from 16th-century Italy commissioned by well-to-do Italian Jews' Encyclopaedia Judaica. Central Italy, early 19th century. unknown
1968réf. 219077New York: Walker and Company 1968. First edition first printing. Hardcover in dust jacket. General wear and toning to extremities boards with a slight bow very good in near fine price-clipped dust jacket in mylar cover. 9.25" x 9.75". 155pp. Briefly inscribed by Craig Ellwood. Walker and Company hardcover
réf. 201808431Colmar, Musée d'Unterlinden, 1990 ; grand in-8, 357-12 pp., br. Couverture illustrée - broché bon état.
réf. 201701386Colmar, Musée d'Unterlinden, 1990 ; grand in-8, 357-12 pp., br. Couverture illustrée broché très bon état.
réf. 201216672Colmar, Musée d'Unterlinden, 1990 ; grand in-8, 357-12 pp., br. Couverture illustrée.