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Best.-Nr. 0323228925.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1498214673.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1958Best.-Nr. 5633Tel Aviv: Dvir Publishers. Very Good in Very Good dust jacket. 1958. First Edition. Illustrated folder with trace soil mild edgewear and creasing and lightly bumped corners and spine ends. Protected in removable mylar. Laid in are the staplebound booklet of text and 30 artwork prints on loose plates. Gift inscription inside front cover of folder. No stickers or stamps. ; Folio softcover 15 pages 30 plates. . Dvir Publishers paperback
1958Best.-Nr. 27123Tel Aviv Israel: Dvir Publishers. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED - Description: RARE "ASSOCIATION COPY" -- Inscribed Signed & Dated By Author. Inscription is to artist Archibald Ziegler. -- Author and artist Esther Lurie 1913-1998 was imprisoned in the Kovno ghetto during the Nazi occupation 1941-44 along with other Jews. As soon as she entered the ghetto in mid-1941 Lurie began to sketch views of her new world. She has left behind a detailed written testimony of her life and work during World War II. This combination of literary and visual testimony make up a "living witness". They enable us to enter deeply into her life as an artist during this period under these difficult conditions. Lurie drew everywhere in the ghetto including the various workshops. Including a pottery workshop. During her visits there Lurie got the idea of asking the Jewish potters to prepare a number of jars for her. She would use these to conceal her art works if the situation worsened. After the deportation of 26 October 1943 in which 3000 ghetto inmates were removed to forced labor camps in Estonia Lurie hid her art collection approximately 200 drawings and watercolors in the large jars she had prepared in advance. In July 1944 as the Red Army approached Lithuania the ghetto was liquidated and those remaining were transferred to concentration camps and forced labor camps in Germany. The ghetto was set on fire and the buildings were blown up and burnt to prevent those hiding from escaping. Some people were burned to death in their hiding places. Esther Lurie was sent to Stutthof concentration camp leaving her hidden works behind. After the war some of her drawings were recovered surviving with the Ältestenrat's archive. Avraham Tory succeeded in rescuing 11 sketches and watercolors and 20 of the photographs of her works. During the Eichmann trial which took place in Jerusalem in 1961 Lurie's Second World War works were exhibited as part of the testimony - giving an "official authorization" from Israel's Supreme Court to the rich documentary value of her sketches and watercolors. This is in addition to their aesthetic value as objects of art. -- Archibald Ziegler 1903-1971 was a painter portrait sculptor and teacher. He studied art at Central School of Arts and Crafts and then from 1927-30 under Sir William Rothenstein at Royal College of Art. Ziegler was an excellent draughtsman and taught drawing and painting at St. Martin's School of Art. He also taught art history at Morley College London. He gave of his time to the Workers' Educational Association in the East End of London. There were numerous exhibitions of his work in London and the provinces including Adams Gallery 1935; Leger Gallery 1938 and Ben Uri Gallery in 1950. The Ben Uri also held a retrospective in 1955 and works by Ziegler are in their permanent collection. He was an active and prominent member of the Chelsea Arts Club. --Rare Association Copy of this scarce and important work. -- with a bonus offer--; T-LURIE; Lurie Esther introduction By Sharett Moshe; Foreword By Kolb Eugene A Living Witness: Kovno Ghetto - Scenes and Types . 1958. Dvir Publishers paperback
1979Best.-Nr. C42083New York: Dodd Mead 1979. First Edition. Hardback. Dust Jacket. Hardback Hardcover. Good. First Edition. Hardback. Dust Jacket. 8vo. pp 190. Original publisher's red cloth lettered black at the spine. Signed presentation from the author on the front endpaper to the crime writer Marian Babson Ruth Stenstreem ""To Ruth with love from Mabel - 1980."" Including the author's calling card with a note and signed hand-written note discussing books ""I'm particularly interested in the D. Moore and 'My Song of the Abbey' has a very faded spine. Met Methuen yesterday quite productive."" ISBN: 0396078133 Very slight fading at lower edge with a few damp spots at head of spine otherwise about very good in close very good dust jacket with slight nicking at spine head and faint edgewear. Dodd, Mead, hardcover
1980Best.-Nr. G0396078133I3N10Dodd Mead 1980. Hardcover. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Dodd Mead hardcover
Best.-Nr. ria9781845199555_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Eva Szek's memoir describes the Nazi onslaught against Jews in her beloved city of Lublin in Poland an important center of Jewish religion and culture. Eva recounts her fearless fight not to fall into German hands and to save her famil paperback
Best.-Nr. A9781845199555Paperback / softback. New. paperback
2018Best.-Nr. x-1845199553Sussex Academic Press 2018. Paperback. New. 419 pages. 9.00x6.00x1.25 inches. Sussex Academic Press paperback
2018Best.-Nr. G1845199553I3N00Liverpool University Press 2018. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Liverpool University Press paperback
Best.-Nr. 1845199553.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011Best.-Nr. Q-1461065976CreateSpace Independent Publishing Platform 2011-04-18. Paperback. New. In shrink wrap. Looks like an interesting title! CreateSpace Independent Publishing Platform paperback
1996Best.-Nr. Q-0816516200University of Arizona Press 1996-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of Arizona Press paperback
Best.-Nr. 6356224The Haworth Press Incorporated . Papeback. New. pp. 126 The Haworth Press, Incorporated unknown
1998Best.-Nr. 2-1560239190Haworth Pr Inc 1998. Paperback. New. 1st edition. 111 pages. 8.75x6.25x0.50 inches. Haworth Pr Inc paperback
1928Best.-Nr. 128596Houghton Mifflin Company 1928. First Edition. hardcover. Very Good. 0x0x0. Signed by Author. 1928 Houghton Mifflin signed limited edition 182 of 200 for sale out of 220. Page edges untrimmed. Pictorial frontispiece and woodcut illustrations by Robert Gibbings. Patterned boards. Some of the pages did not separate cleanly resulting in chipped margins. Tight binding no marks. Top edge dust dulled. Missing the slipcase. Please email for photos. Houghton Mifflin Company hardcover
1928Best.-Nr. 10501Houghton Mifflin Company Boston and New York 1928. First Edition. HC VG has a distinct green and tan geometric or "checkerboard" style design with a red paper label now sunned and looks more orange. Previous owner's name on inside cover. Beautiful woodcut illustrations by Robert Gibbings. This story centers around a young girl who gets caught up with the Salem Witch Trials. Denounced by a relative as being a witch and the hysteria of these trials in 17th Century New England. Houghton Mifflin Company hardcover
1928Best.-Nr. 53255Boston: Houghton Mifflin 1928. first edition. Hardcover. Very good. 6 x 9 in. Tan cloth spine with decorative paper boards red paper spine label. Frontis and some text vignettes. Condition is VERY GOOD ; covers very clean one tiny spot on spine. Minor shelf wear. Spine label has a little wear ti edges. Binding tight with a little pulling in the text at pg 25 that does not affect the binding. Text unmarked one pg has a spot. Fic. RGR. Houghton Mifflin hardcover
Best.-Nr. 1-0848800508Amereon Ltd 1963. Hardcover. New. 8.75x5.50x1.00 inches. Amereon Ltd hardcover
1928Best.-Nr. mon0004190716Houghton Mifflin Comapny 1928T. hardcover. Good. . Houghton Mifflin Comapny hardcover
Best.-Nr. 102584033X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1928Best.-Nr. 1135847Boston: Houghton Mifflin Co. 1928. A novel of the witch hunt in 17th Century New England. Hardcover. Very Good/No Jacket. Illus. by Robert Gibbings. Octavo. Book. Houghton Mifflin Co. Hardcover
1928Best.-Nr. 039162United Kingdom: William Heinemann 1928. 2nd Printing. Hardcover. Very Good/NO Dustwrapper. 12mo - over 6¾" - 7¾" tall. Who with a more than feminine perversity preferred a Demon to a Mortal lover: Here is also told How and Why a Righteous and Most Awful Judgment befel her destroying both Corporeal Body and immortal Soul. Dramatically embellished with twelve wood-engravings by Robert Gibbings. Interesting Ex-libris Plate of Caroline R. Dutton. New Imp. William Heinemann London - November 1928. b/w illus x 228pp hb No Dust-wrapper gilt black cloth pages slightly browned two page edges untrimmed vg William Heinemann hardcover
1928Best.-Nr. 224752First edition so stated. Octavo. Illustrated with 12 woodcuts by Robert Gibbings. Original 1/2 gilt stamped vellum over parchment-backed boards. Very good fresh. Original publisher's black board slipcase with large pictorial paper label some rubbing. No other signatures or bookplates. Number 140 of 220 copies signed by Esther Forbes on the limitation page of which only 200 were for sale. Houghton Mifflin Company hardcover
1928Best.-Nr. 224752First edition so stated. Octavo. Illustrated with 12 woodcuts by Robert Gibbings. Original 1/2 gilt stamped vellum over parchment-backed boards. Very good fresh. Original publisher's black board slipcase with large pictorial paper label some rubbing. No other signatures or bookplates. Number 140 of 220 copies signed by Esther Forbes on the limitation page of which only 200 were for sale. Houghton Mifflin Company hardcover books