King, Martin Luther [contributor]; Baldwin, James [contributor]; Jackson, Esther Merle [contributor]Biblio.com
10 244 résultats
1967réf. 1408626New York N. Y.: Freedomways Associates Inc 1967. Softcover. Lot of three softcover 1967 volumes 1 2 and 3 of Freedomways: A Quarterly Review of the Negro Freedom Movement. Includes: Vol. 7 No. 1 Winter 1967 Vol. 7 No. 2 Spring 1967 Vol. 7 No. 3 Summer 1967 Moderate scuffing to the covers and page edges. Light edgewear. A spot of dampstaining to the bottom right corner of No. 3. Please refer to the photos provided for more details regarding the condition of each edition. 1408626. Special Collections. Freedomways Associates, Inc unknown
réf. ria9781568214757_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This text presents the work of Ester Menaker. Never a follower of a particular psychoanalytic perspective of dogma she always questioned the prevailing orthodoxy. The result is a self psychological perspective that focuses on striving hardcover
réf. 6207927389.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9786207927388_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Das digitale Zeitalter hat neue Formen geschlechtsspezifischer Gewalt GBV hervorgebracht die Frauen in Bildungseinrichtungen und digitalen Räumen betreffen. Der Schutz der Frauenrechte in diesen Bereichen ist für die Gleichstellung d paperback
réf. 3638774570.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008réf. 8000740Princeton: Princeton University Art Museum 2008. Bound in stiff silver self-wraps. 108 pp. Lacks the slipcase. Published on the occasion of an exhibition at the Princeton University Art Museum Oct. 4 2008 - Jan. 4 2009./ Includes bibliographical references. Minor scratches to edges. Frist Edition. Soft Cover. Very Good /No Jacket - As Published. 12mo - over 6¾" - 7¾" tall. Princeton University Art Museum Paperback
2008réf. 77709Yale University Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 108 pp. With 47 ills. 25 col. . 22 x 15 cm. -- with a bonus offer--; World-renowned architect Frank Gehry considers drawing a conceptual tool: his fluid unpredictable sketches demonstrate how he searches for ideas with his pen. This handsome book slipcased in a cardboard box that itself recalls Gehry's furniture offers an in-depth analysis of his drawings during the two decades since computer generated design began to dominate architectural practice. Esther da Costa Meyer analyzes his idiosyncratic style his inspiration in the art of the past and of the present and his contributions to the art of architectural draftsmanship. As often as possible she allows Gehry to speak for himself.Da Costa Meyer argues that Gehry's sketches are only the first link in a long chain that passes through numerous models and computer renderings until the building is finally completed. She notes however that these whimsical works powerfully express Gehry's critique of the dogmatic strains of modernism prevalent when he began his career and his own attempts to bring humour emotion and drama back to architecture. . 2008. 0300122144 . Yale University Press (Distribution) paperback
1997réf. Q-1898787689Emerald House Group Inc 1997-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Emerald House Group Inc paperback
réf. 1898787689.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1014393272.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1910réf. 21516San Francisco presumed 1910. Fine. A striking dimply composed full body watercolor portrait of a young Chinese American by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. The young woman is in traditional dress with a colorful parasol above her head positioned like a halo. The parasol is the only prop and it provides a sweet contrast to the "debutant". The painting is indeed titled "The Debutante". We think the title was intended a little tongue-in-cheek as the subject looks to us as if she is pre-adolescent. That said the title should not be deemed in any way snarky or sarcastic; an artist might have entitled a painting of such a young person of any background standing in this manner similarly. And here one could interpret the girl's inscrutable expression and stillness as suggestive of a maturity beyond her years. The visible portrait or frame window is 20 by 17 cm. The frame itself 33.5 by 30 cm. The frame is quite thick -- not quite 6 cm. We don't know when the painting was done but probably early 20th Century. We arbitrarily have dated it 1910. Hunt took an unconventional approach to marketing her paintings. She often sold through Gumps a well-known San Francisco-based jewelry and housewares store still in business today. One should not think she was lesser as an artist as a result of that. She certainly had the best art education conceivable. She studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. unknown books
1910réf. 21516San Francisco presumed 1910. Fine. A striking dimply composed full body watercolor portrait of a young Chinese American by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. The young woman is in traditional dress with a colorful parasol above her head positioned like a halo. The parasol is the only prop and it provides a sweet contrast to the "debutant". The painting is indeed titled "The Debutante". We think the title was intended a little tongue-in-cheek as the subject looks to us as if she is pre-adolescent. That said the title should not be deemed in any way snarky or sarcastic; an artist might have entitled a painting of such a young person of any background standing in this manner similarly. And here one could interpret the girl's inscrutable expression and stillness as suggestive of a maturity beyond her years. The visible portrait or frame window is 20 by 17 cm. The frame itself 33.5 by 30 cm. The frame is quite thick -- not quite 6 cm. We don't know when the painting was done but probably early 20th Century. We arbitrarily have dated it 1910. Hunt took an unconventional approach to marketing her paintings. She often sold through Gumps a well-known San Francisco-based jewelry and housewares store still in business today. One should not think she was lesser as an artist as a result of that. She certainly had the best art education conceivable. She studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. unknown
1906réf. 21246San Francisco presumed 1906. A charming painting by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. And not to be shortchanged is the Orientalist frame obviously custom-made for this particular painting and is itself a pleasurable decorative object in and of itself but also working with the painting and as a good frame should do catching the eye and directing it to the painting. The painting here is a quintessential Hunt portrait and its custom frame is of a type one finds with other Hunt paintings -- we don't know whether she also designed the frame but we suspect she indeed did that as well. We date the painting to a penciled note on the back which indicates that the painting was purchased at Gumps on April 16th 1906. Gumps is a well-known San Francisco-based jewelry and housewares store still in business today. This reinforces our sense that Hunt was a painter who sold her paintings in a wide variety of venues outside of tony art galleries. That said she studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. The painting on canvas visible portion is 65 by 40 cm. The frame was done by a highly skilled artisan. Unfortunately we do not know who created it nor whether Esther Hunt had a hand in its design. All we can tell is that it was created for this painting and it is contemporary with the painting or put another way it is probably the only frame that ever housed this painting.The frame at its tallest including the wooden rings on top is 82 cm tall and except for the top roof shaped piece the frame is 54 cm wide. unknown books
1906réf. 21246San Francisco presumed 1906. A charming painting by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. And not to be shortchanged is the Orientalist frame obviously custom-made for this particular painting and is itself a pleasurable decorative object in and of itself but also working with the painting and as a good frame should do catching the eye and directing it to the painting. The painting here is a quintessential Hunt portrait and its custom frame is of a type one finds with other Hunt paintings -- we don't know whether she also designed the frame but we suspect she indeed did that as well. We date the painting to a penciled note on the back which indicates that the painting was purchased at Gumps on April 16th 1906. Gumps is a well-known San Francisco-based jewelry and housewares store still in business today. This reinforces our sense that Hunt was a painter who sold her paintings in a wide variety of venues outside of tony art galleries. That said she studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. The painting on canvas visible portion is 65 by 40 cm. The frame was done by a highly skilled artisan. Unfortunately we do not know who created it nor whether Esther Hunt had a hand in its design. All we can tell is that it was created for this painting and it is contemporary with the painting or put another way it is probably the only frame that ever housed this painting.The frame at its tallest including the wooden rings on top is 82 cm tall and except for the top roof shaped piece the frame is 54 cm wide. unknown
réf. 8585418265.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 100-40709Boosey & Hawkes 2055-01-01. paperback. Good. Good condition with wear and markings. Boosey & Hawkes paperback
1939réf. 520070New York: Dramatists Play Service Inc 1939. Softcover. Fine. First edition. 12mo. 62; 3 ads pp. Brown printed wrappers. Covers are lightly faded along spine else a fine copy. Scarce. Dramatists Play Service Inc unknown books
1939réf. 520070New York: Dramatists Play Service Inc 1939. Softcover. Fine. First edition. 12mo. 62; 3 ads pp. Brown printed wrappers. Covers are lightly faded along spine else a fine copy. Scarce. Dramatists Play Service Inc unknown
réf. 083852687XNew. paperback. New. Satisfaction Guaranteed or your money back. paperback
réf. 6352808Taylor & Francis Group . Papeback. New. pp. 266 Taylor & Francis Group unknown
1990réf. x-0866568786Haworth Pr Inc 1990. Hardcover. New. 1st edition. 266 pages. 9.00x6.50x0.75 inches. Haworth Pr Inc hardcover
2003réf. BN657850Steidl Verlag. 2003. 2003. Softcover. Fotografien 1927-1937. Fotografien 1927-1937. Kretschmer. Annelise - Esther Ruelfs Steidl Verlag. paperback
1968réf. 563613Chicago: Rand McNally & Company 1968. Hardcover. Fine/Very Good. First edition. 208pp. Black and white illustrations. Offsetting on the front free endpaper else fine in a very good dust jacket with toning and tiny tears as well as minor abrasions from sticker removal. Rand McNally & Company hardcover books
1968réf. 563613Chicago: Rand McNally & Company 1968. Hardcover. Fine/Very Good. First edition. 208pp. Black and white illustrations. Offsetting on the front free endpaper else fine in a very good dust jacket with toning and tiny tears as well as minor abrasions from sticker removal. Rand McNally & Company hardcover
réf. BN376520Kantonaler Lehrmittelverlag Thurgau. Forschendes Lernen: Eine begabungsfördernde Unterrichtskonzeption Forschendes Lernen: Eine begabungsfördernde Unterrichtskonzeption Esther Brunner Kantonaler Lehrmittelverlag Thurgau unknown
