10 353 résultats
1975réf. 292952New York: Freedomways Associates 1975. Magazine. Single issue of the paperback journal pp.148-240 illus. spine and one edge of front wrap sunned else in very good condition. Entire issue focused on black youth. Cartoons by Brumsic Brandon Jr. Freedomways Associates unknown books
1975réf. 253183New York: Freedomways Associates 1975. Magazine. Single issue of the paperback journal pp. 84-144 in very good condition. Includes an editorial "Joanne Little: America goes on trial" Alice A. Lewis describing an appearance by Angela Davis in Port Gibson Mississippi to call for the release of the Republic of New Africa 11 and more. Freedomways Associates unknown books
1973réf. 253179New York: Freedomways Associates 1973. Magazine. Single issue of the paperback journal pp. 100-176 minor handling and soil penned checkmarks in the margins of some pages else good condition. Includes Irene Diggs on "The Amenia Conferences: neglected Afro-American history" "Criteria for children's Black literature" by Jacqueline Lee Young Ollie Harrington's "Look homeward baby" and more. Freedomways Associates unknown books
1975réf. 294408New York: Freedomways Associates 1975. Magazine. Single issue of the paperback journal pp245-304 6x9 inches front wrap worn and soiled else very good. Includes an article on International Women's Year poetry by Alice Walker and more. Freedomways Associates unknown books
réf. 55410New York: Freedomways Associates 1985. First edition. Very good to near fine overall. Complete 98-issue run of this indispensable document of the Civil Rights and post-Civil Rights eras. FREEDOMWAYS was one of the richest documents of African American and global Black culture politics and thought to emerge from the turbulence of the 1960s. Founded by Louis Burnham and Edward Strong with the help of W.E.B. Du Bois whose wife Shirley Graham Du Bois would serve as the journal's first editor "FREEDOMWAYS was the brainchild of a group of black Marxist activists" McClendon 277 which included Esther Jackson John Henrik Clarke Dorothy Burnham Margaret Burroughs James Jackson and Alphaeus Hunton. The quarterly published articles essays commentary poetry short stories book reviews and artwork from many of the most important international voices in Black intellectual life. Over its 24-year run John Lewis Julian Bond Angela Davis Martin Luther King Jr. James Baldwin Ossie Davis Harry Belafonte Pablo Neruda Derek Walcott Kwame Nkrumah Julius K. Nyerere Agostinho Neto Jomo Kenyatta Cheddi Jagan Alice Childress June Jordan Gwendolyn Brooks Tom Dent Don Lee Jacob Lawrence Alice Walker her first publication and many others all appeared in its pages. In addition to its many enduring influences FREEDOMWAYS also served as "an important but often overlooked 'parent' of modern black feminism" McDuffie 100. A tricky run to assemble especially in collectible condition of one of the most long-lived and important assemblages of 20th-century Black writing. 98 volumes; 9'' x 6'' all. Original printed and photographic wrappers all. Various paginations most 100-200 pages. Minor shelfwear. Some occasional creasing. Touches of soil or foxing here and there. Overall bright and sound. Housed in a series of archival boxes. (Freedomways Associates) unknown books
réf. 55410New York: Freedomways Associates 1985. First edition. Very good to near fine overall. Complete 98-issue run of this indispensable document of the Civil Rights and post-Civil Rights eras. FREEDOMWAYS was one of the richest documents of African American and global Black culture politics and thought to emerge from the turbulence of the 1960s. Founded by Louis Burnham and Edward Strong with the help of W.E.B. Du Bois whose wife Shirley Graham Du Bois would serve as the journal's first editor "FREEDOMWAYS was the brainchild of a group of black Marxist activists" McClendon 277 which included Esther Jackson John Henrik Clarke Dorothy Burnham Margaret Burroughs James Jackson and Alphaeus Hunton. The quarterly published articles essays commentary poetry short stories book reviews and artwork from many of the most important international voices in Black intellectual life. Over its 24-year run John Lewis Julian Bond Angela Davis Martin Luther King Jr. James Baldwin Ossie Davis Harry Belafonte Pablo Neruda Derek Walcott Kwame Nkrumah Julius K. Nyerere Agostinho Neto Jomo Kenyatta Cheddi Jagan Alice Childress June Jordan Gwendolyn Brooks Tom Dent Don Lee Jacob Lawrence Alice Walker her first publication and many others all appeared in its pages. In addition to its many enduring influences FREEDOMWAYS also served as "an important but often overlooked 'parent' of modern black feminism" McDuffie 100. A tricky run to assemble especially in collectible condition of one of the most long-lived and important assemblages of 20th-century Black writing. 98 volumes; 9'' x 6'' all. Original printed and photographic wrappers all. Various paginations most 100-200 pages. Minor shelfwear. Some occasional creasing. Touches of soil or foxing here and there. Overall bright and sound. Housed in a series of archival boxes. (Freedomways Associates) unknown
2001réf. Q-0813364523Basic Books 2001-08-31. Paperback. New. In shrink wrap. Looks like an interesting title! Basic Books paperback
1967réf. 1408626New York N. Y.: Freedomways Associates Inc 1967. Softcover. Lot of three softcover 1967 volumes 1 2 and 3 of Freedomways: A Quarterly Review of the Negro Freedom Movement. Includes: Vol. 7 No. 1 Winter 1967 Vol. 7 No. 2 Spring 1967 Vol. 7 No. 3 Summer 1967 Moderate scuffing to the covers and page edges. Light edgewear. A spot of dampstaining to the bottom right corner of No. 3. Please refer to the photos provided for more details regarding the condition of each edition. 1408626. Special Collections. Freedomways Associates, Inc unknown
réf. ria9781568214757_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This text presents the work of Ester Menaker. Never a follower of a particular psychoanalytic perspective of dogma she always questioned the prevailing orthodoxy. The result is a self psychological perspective that focuses on striving hardcover
réf. 6207927389.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9786207927388_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Das digitale Zeitalter hat neue Formen geschlechtsspezifischer Gewalt GBV hervorgebracht die Frauen in Bildungseinrichtungen und digitalen Räumen betreffen. Der Schutz der Frauenrechte in diesen Bereichen ist für die Gleichstellung d paperback
réf. 3638774570.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008réf. 8000740Princeton: Princeton University Art Museum 2008. Bound in stiff silver self-wraps. 108 pp. Lacks the slipcase. Published on the occasion of an exhibition at the Princeton University Art Museum Oct. 4 2008 - Jan. 4 2009./ Includes bibliographical references. Minor scratches to edges. Frist Edition. Soft Cover. Very Good /No Jacket - As Published. 12mo - over 6¾" - 7¾" tall. Princeton University Art Museum Paperback
2008réf. 77709Yale University Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 108 pp. With 47 ills. 25 col. . 22 x 15 cm. -- with a bonus offer--; World-renowned architect Frank Gehry considers drawing a conceptual tool: his fluid unpredictable sketches demonstrate how he searches for ideas with his pen. This handsome book slipcased in a cardboard box that itself recalls Gehry's furniture offers an in-depth analysis of his drawings during the two decades since computer generated design began to dominate architectural practice. Esther da Costa Meyer analyzes his idiosyncratic style his inspiration in the art of the past and of the present and his contributions to the art of architectural draftsmanship. As often as possible she allows Gehry to speak for himself.Da Costa Meyer argues that Gehry's sketches are only the first link in a long chain that passes through numerous models and computer renderings until the building is finally completed. She notes however that these whimsical works powerfully express Gehry's critique of the dogmatic strains of modernism prevalent when he began his career and his own attempts to bring humour emotion and drama back to architecture. . 2008. 0300122144 . Yale University Press (Distribution) paperback
1997réf. Q-1898787689Emerald House Group Inc 1997-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Emerald House Group Inc paperback
réf. 1898787689.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1997réf. DADAX1898787689Brand: Emerald House Group Inc 1997-09-01. paperback. New. 5.25x0.25x8.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Emerald House Group Inc paperback
réf. 1014393272.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1910réf. 21516San Francisco presumed 1910. Fine. A striking dimply composed full body watercolor portrait of a young Chinese American by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. The young woman is in traditional dress with a colorful parasol above her head positioned like a halo. The parasol is the only prop and it provides a sweet contrast to the "debutant". The painting is indeed titled "The Debutante". We think the title was intended a little tongue-in-cheek as the subject looks to us as if she is pre-adolescent. That said the title should not be deemed in any way snarky or sarcastic; an artist might have entitled a painting of such a young person of any background standing in this manner similarly. And here one could interpret the girl's inscrutable expression and stillness as suggestive of a maturity beyond her years. The visible portrait or frame window is 20 by 17 cm. The frame itself 33.5 by 30 cm. The frame is quite thick -- not quite 6 cm. We don't know when the painting was done but probably early 20th Century. We arbitrarily have dated it 1910. Hunt took an unconventional approach to marketing her paintings. She often sold through Gumps a well-known San Francisco-based jewelry and housewares store still in business today. One should not think she was lesser as an artist as a result of that. She certainly had the best art education conceivable. She studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. unknown books
1910réf. 21516San Francisco presumed 1910. Fine. A striking dimply composed full body watercolor portrait of a young Chinese American by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. The young woman is in traditional dress with a colorful parasol above her head positioned like a halo. The parasol is the only prop and it provides a sweet contrast to the "debutant". The painting is indeed titled "The Debutante". We think the title was intended a little tongue-in-cheek as the subject looks to us as if she is pre-adolescent. That said the title should not be deemed in any way snarky or sarcastic; an artist might have entitled a painting of such a young person of any background standing in this manner similarly. And here one could interpret the girl's inscrutable expression and stillness as suggestive of a maturity beyond her years. The visible portrait or frame window is 20 by 17 cm. The frame itself 33.5 by 30 cm. The frame is quite thick -- not quite 6 cm. We don't know when the painting was done but probably early 20th Century. We arbitrarily have dated it 1910. Hunt took an unconventional approach to marketing her paintings. She often sold through Gumps a well-known San Francisco-based jewelry and housewares store still in business today. One should not think she was lesser as an artist as a result of that. She certainly had the best art education conceivable. She studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. unknown
1906réf. 21246San Francisco presumed 1906. A charming painting by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. And not to be shortchanged is the Orientalist frame obviously custom-made for this particular painting and is itself a pleasurable decorative object in and of itself but also working with the painting and as a good frame should do catching the eye and directing it to the painting. The painting here is a quintessential Hunt portrait and its custom frame is of a type one finds with other Hunt paintings -- we don't know whether she also designed the frame but we suspect she indeed did that as well. We date the painting to a penciled note on the back which indicates that the painting was purchased at Gumps on April 16th 1906. Gumps is a well-known San Francisco-based jewelry and housewares store still in business today. This reinforces our sense that Hunt was a painter who sold her paintings in a wide variety of venues outside of tony art galleries. That said she studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. The painting on canvas visible portion is 65 by 40 cm. The frame was done by a highly skilled artisan. Unfortunately we do not know who created it nor whether Esther Hunt had a hand in its design. All we can tell is that it was created for this painting and it is contemporary with the painting or put another way it is probably the only frame that ever housed this painting.The frame at its tallest including the wooden rings on top is 82 cm tall and except for the top roof shaped piece the frame is 54 cm wide. unknown books
1906réf. 21246San Francisco presumed 1906. A charming painting by Esther Hunt an artist who specialized in Oriental subjects and above all else the denizens of San Francisco's Chinatown. And not to be shortchanged is the Orientalist frame obviously custom-made for this particular painting and is itself a pleasurable decorative object in and of itself but also working with the painting and as a good frame should do catching the eye and directing it to the painting. The painting here is a quintessential Hunt portrait and its custom frame is of a type one finds with other Hunt paintings -- we don't know whether she also designed the frame but we suspect she indeed did that as well. We date the painting to a penciled note on the back which indicates that the painting was purchased at Gumps on April 16th 1906. Gumps is a well-known San Francisco-based jewelry and housewares store still in business today. This reinforces our sense that Hunt was a painter who sold her paintings in a wide variety of venues outside of tony art galleries. That said she studied at the Mark Hopkins Institute and the New York Art Students League and at the latter under William Merritt Chase. The painting on canvas visible portion is 65 by 40 cm. The frame was done by a highly skilled artisan. Unfortunately we do not know who created it nor whether Esther Hunt had a hand in its design. All we can tell is that it was created for this painting and it is contemporary with the painting or put another way it is probably the only frame that ever housed this painting.The frame at its tallest including the wooden rings on top is 82 cm tall and except for the top roof shaped piece the frame is 54 cm wide. unknown
réf. 8585418265.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 100-40709Boosey & Hawkes 2055-01-01. paperback. Good. Good condition with wear and markings. Boosey & Hawkes paperback
1939réf. 520070New York: Dramatists Play Service Inc 1939. Softcover. Fine. First edition. 12mo. 62; 3 ads pp. Brown printed wrappers. Covers are lightly faded along spine else a fine copy. Scarce. Dramatists Play Service Inc unknown books
