32 649 résultats
1961réf. 16128THE 6TH ANNUAL OF THE YEAR'S BEST SF Simon & Schuster 1961 first edition text block tanned as usual else fine in vg or better dust-wrapper. Contributions by Ray Bradbury Isaac Asimov Anthony Boucher Arthur C. Clarke Lester Del Rey Fred Brown Zenna Henderson Brian Aldiss Kingsley Amis et.al. Simon & Schuster unknown books
1965réf. 16138THE 10TH ANNUAL OF THE YEAR'S BEST SF Delacorte 1965 first edition fine in fine pictorial dust-wrapper with a hint of wear to the head of the dust-wrapper spine. Contributions by Isaac Bashevis Singer J. G. Ballard Alan E. Nourse Arthur C. Clarke John D. MacDonald John Brunner Thomas Disch Roger Zelazny Fritz Leiber et.al. Curously uncommon. Delacorte unknown books
1961réf. 00414THE 6TH ANNUAL OF THE YEAR'S BEST S-F Simon & Schuster 1961 first edition vg in vg dust-wrapper with some slight chipping to the head of the dust-wrapper spine. Contributions by Arthur C. Clarke John Brunner Lester Del Rey Isaac Asimov Fred Brown Zenna Henderson Ray Bradbury Kingsley Amis Brian Aldiss Gordon Dickson et.al. Simon & Schuster unknown books
réf. 10781SIGNED HOLOGRAPHIC NOTE N.d. about vg on lined notepad paper from an apparent ring binder. Very short and yet very clever beginning with the recipients William Tenn address and reading thus: "Dear Mr. Tenn It'll be Child's Play -you know. Judith Merril." An obvious reference to the authors second and well known story first published in Astounding Science Fiction in 1947. What may not be obvious however is that the recipient was indeed an avid suitor of Ms. Merril who in fact proposed to her in a 17 page single spaced letter! N.d. unknown books
1948réf. 10683DREADFUL SANCTUARY in Astounding Science Fiction June though August 1948 Street & Smith first edition 3 volumes complete vg to vg copies in full color pictorial wraps. The true first printing of this novel. Also contains original contributions by Isaac Asimov John W. Campbell Judith Merril H. Beam Piper Willy Ley Charles Harness A. E. Van Vogt et.al. The true first American printing of this novel. Astounding / Street & Smith paperback books
réf. SLIVCN-9782872933044SATAS EDITIONS
1949réf. 502745Philadelphia: University of Pennsylvania Press 1949. Hardcover. Very Good/Very Good. First edition. A few pages roughly opened endpapers slightly tanned text block edges with a few small spots very good in a spine-tanned very good dust jacket with a few small spots on the front panel a 2" tear on the rear panel and modest wear to the extremities. Contains an early appearance by Richard Wilbur of a poem titled "Driftwood"; additional contributions by Judith Wright Muriel Spark Edith Henrich Peter Viereck Howard Nemerov Kay Smith Howard Sergeant Dannie Abse and more. University of Pennsylvania Press hardcover books
1998réf. 87708Philadelphia: Institute for Contemporary Arts 1998. First edition. Small 4to. 63 pp. Bump to upper outside corner else very near fine in illustrated wrappers. Essays by Richard Meyer and Thelma Golden. Interview with Ligon by Byron Kim. Philadelphia: Institute for Contemporary Arts unknown books
1992réf. 52842New York: Harper Perennial. Near Fine in Near Fine dust jacket. 1992. Fourth Edition; First Printing. 1/4 Cloth. 0062715445 . A Later edition in Near Fine condition with little general wear and tear in a mildly edgeworn alike dust-jacket; How to Get Happily Published is a book that provides tips and advice on how to be a successful author. The book is written by Judith Appelbaum an experienced author and book publisher and is designed to help new and aspiring writers achieve their publishing goals. The book covers topics such as finding an agent assembling a manuscript and marketing a book. It is a comprehensive guide that will help authors achieve their publishing goals and is a valuable resource for anyone who wants to become a successful author.; 8vo; 317 pages . Harper Perennial hardcover books
1999réf. 115465New Castle DE: Oak Knoll Press. Fine in Fine dust jacket. 1999. First Edition; First Printing. Cloth. 1884718825 . A Fine first edition/first printing in alike dust-jacket; An in-depth biography of Everett Johnson with a chronology scrapbook/clippings from The Post endnotes bibliography and index. With 228 black and white illustrations.; 8vo; xvi 304 pages; 15 . Oak Knoll Press hardcover books
2016réf. 162733Chicago: Art Institute of Chicago 2016. hardcover. VG/VG- slightest curling at bottom of dust jacket. Navy blue boards with white lettering. Color-illustrated dust jacket. 204 pp. Color and BW illustrations. This book hightlights 50 American painting master works to illustrate the conditions of the 1930s. Through 50 masterpieces of American painting this catalogue chronicles the turbulent economic political and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States as the nation's artists novelists and critics struggled through the Great Depression in search of "Americanness." Seeking to define modern American art many painters challenged and reworked the meanings and forms of modernism reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles--ranging from abstraction to Regionalism to Surrealism--that allowed them to engage with issues such as populism labor social protest and urban and rural iconography including machines factories and farms. Seminal works by Edward Hopper Grant Wood Thomas Hart Benton Georgia O'Keeffe Aaron Douglas Charles Sheeler Stuart Davis and others show such attempts to capture the American character. These groundbreaking paintings highlighting the relationship between art and national experience demonstrate how creativity experimentation and revolutionary vision flourished during a time of great uncertainty. Contents as follows: Exhibition and catalogue sponsors -- Foreword / James Rondeau Guy Cogeval and Christopher Le Brun Pra -- Acknowledgments / Judith A. Barter -- Introduction / Judith A. Barter -- Prairie pastoral / Judith A. Barter -- American made Transatlantic expressions in the 1930s / Sarah Kelly Oehler -- Reviving the old and telling tales: 1930s modernism and the uses of American history / Annelise K. Madsen -- Death decay and dystopia: painting the American wasteland in the 1930s / Sarah L. Burns -- Busted seams and bad behavior : bodies for the 1930s / Teresa A. Carbone -- Epilogue: Americanness after the 1930s / Judith A. Barter -- Exhibition checklist. Many of these aintings came top the AIC as part of the Estate of Alfred Stieglitz. Art Institute of Chicago hardcover books
1999réf. 1001077New York: Art Institute of Chicago in association with Abrams 1999 Second printing. Cloth. Quarto. With 300 illustrations including 124 color plates. Fine in fine d.j. Art Institute of Chicago in association with Abrams, hardcover books
1969réf. 11411Leigh-on-Sea ENG: F. Lewis Publishers 1969. Hardcover. Near Fine in Near Fine Dust Jacket. Hardcover. Near fine in near fine white Dust jacket with red title to front and spine panels. 4to. 62 B&W illustrations. Textiles. TEX212311. F. Lewis, Publishers hardcover books
1987réf. 8781New Orleans La: New Orleans Museum of Art 1987. Softcover. VG May have small label on cover; may have slight edgewear at spine. Blue & color illus. wraps. 79 pp. 37 bw 13 color plates. Issued in conjunction with a 1987 exhibition at Newcomb College Tulane University. Catalogue lists 125 works by past members of the faculty either tenured or visiting of this New Orleans women's college. A dictionary of all present and past teachers in the arts department includes vital biographic information on these premier New Orleans artists and artisans. Short bibliography. New Orleans Museum of Art paperback books
2012réf. 181386Washington D.C. and Burlington VT: National Gallery of Art in association with Lund Humphries 2012. First edition. Hardcover. Exhibition catalog for a show that ran September 23 2012 through January 27 2013. Introduction and essay by Judith Brodie. Additional essays by Sarah Boxer Janine Mileaf Christine Poggi and Matthew Witkovsky. Includes numerous color illustrations after works by Jasper Johns Man Ray Hannah Hoch John Heartfield Dieter Roth and others. A fine copy in a fine dust jacket. As new and still in the publisher's shrinkwrap. National Gallery of Art in association with Lund Humphries unknown books
2020réf. 196944London England: Martin Beisly Fine Art 2020. Hardcover. VG/VG bumping & rubbin to spine ends. light rubbing to corners. jacket scuffed & scratched; rubbed edge-wear; rubbing to corners & spine ends. green cloth boards w/ gilt printing. 72 pgs w/ primarily color illustrations. glossy green dustjacket w/ color illustration & dark pink printing. Bright detailed color illustrations. Martin Beisly Fine Art hardcover books
1999réf. 583325New York: Alfred A. Knopf 1999. Softcover. Near Fine. Uncorrected proof. Cream wrappers. Slight creasing else near fine. Alfred A. Knopf unknown books
1994réf. 591367New York: Facts On File 1994. Hardcover. Fine/Fine. First edition. Foreword by Mary Ann Wimsatt. 100pp. Fine in a fine dust jacket. Facts On File hardcover books
2009réf. 183631Barcelona: MNAC ; Vic : Museu Episcopal de Vic 2009. Softcover. VG. Illustrated card covers. 138 pages : illustrations chiefly color map. Text in Catalan and Spanish. Catalog of an exhibition held at the Museu Nacional d'Art de Catalunya Barcelona Dec. 2 2009-April 2010 and the Museu Episcopal de Vic March 20-July 5 2010./ Includes bibliographical references pages 100-106. MNAC ; Vic : Museu Episcopal de Vic paperback books
2007réf. 177227London: Francis Lincoln Limited 2007. Hardcover. VG. light shelf-wear to covers; minor rubbing to corners. pgs lightly edge-toned. back cover fly-leaf has yellow smudging/soiling. rose cloth boards w/ gilt spine printing. 160 pgs w/ bw & color illustration. pictorial dustjacket. "Strawberry Hill began as Walpole's 'Little play-thing house' and became one of the wonders of the eighteenth-century architectural world. Woefully neglected for years it is now undergoing major restoration and will emerge in triumph as the seminal house of the gothic revival in England." "Walpole and his 'Committee of Taste' devoted themselves to their gothic creation. It became a visitor attraction with Walpole's own guidebook and housekeeper to show ticketed visitors round. The authors take us on that same route and room by room with Walpole at our elbow reveal the theatrical planning the deliberate contrasts of light and colour and the love of drama invested in every detail of the building its decoration and its furniture." "At first Walpole sought the 'gloomth' of medieval buildings and details from tombs heraldic devices and stained glass were used to promote the effect that would inspire his own gothic tale The Castle of Otranto. Later with the building of the magnificent Long Gallery and its incredible papier mache ceiling Walpole revelled in 'gothicism and gold'." "The book is illustrated with many of the engravings that Walpole himself commissioned of his house and its interior decoration. There are modern photographs too."--BOOK JACKET. Francis Lincoln Limited hardcover books
1984réf. 597703Chicago: University of Chicago Press 1984. Hardcover. Near Fine/Near Fine. First edition hardcover issue. Foreword by Quentin Bell. Tall octavo. x 310pp. Illustrated with plates. Binding with three tiny nicks on the bottom edge of the front cover near fine in near fine dust jacket with light creasing at the corners and spine ends. "The full story of the Bloomsbury Group's venture into interior decoration and furniture design" from the jacket. University of Chicago Press hardcover books
1984réf. 43423Austin TX: University of Texas Press. Fine in Good dust jacket. 1984. First Edition; Second Printing. Hardcover. 029278712X . A bright first edition/second printing in Fine condition with previous owner's bookplate to front flyleaf recto in Good dust-jacket with edgewear and chipping particularly to upper rear where a large segment of wrapper is missing; The sixth of Faulkner's handmade books to be published since his death in 1962 and the third complete and most ambitious of his extant early poem sequences; 4to; 88 pages; FSA . University of Texas Press hardcover books
1968réf. 373001Washington D.C.: Association of American Geographers 1968. Softcover. Near Fine. First edition. Quarto. 109pp. Forty-three pages of illustrations and map drawings in rear. Pictorial light blue wrappers with blue cloth tape spine. Two maps laid in. Owner's name penned on title still near fine. Association of American Geographers unknown books
2003réf. 304605Albuquerque: University of New Mexico Press 2003. Hardcover. Fine/Fine. First edition. Fine in fine dustwrapper. Signed by the author. Although not marked in any way this copy is from the distinguished modern first edition collection of Bruce Kahn. University of New Mexico Press hardcover books
1976réf. 58192New York: The Viking Press. Fine in Near Fine dust jacket. 1976. Third Printing. 1/4 Cloth. 0670528315 . A Later Printing in Fine condition in a Near Fine dust-jacket that is slightly shelfworn and bears some minor discoloration to the edges ; In this brilliantly written and powerful novel Judith Guest takes us on a journey into the lives of four families in the weeks and months following the events of September 11 2001. With unflinching honesty and stunning storytelling Guest brings to life the fears hopes and everyday moments that connect these ordinary people - a teacher a nurse a paralegal and a firefighter - as they try to make sense of what has happened and to begin the healing process.This beautifully written and powerful novel captures the fears hopes and everyday moments that connect four ordinary families as they try to make sense of September 11 2001.; 8vo; 263 pages . The Viking Press hardcover books