[ RIDEAL, Liz ] Text by Judith Collins, Emmanuel Cooper Poems by Bill Berkson and Emily DickinsonBiblio.com
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2002Best.-Nr. K16NS1037University Gallery University of Massachusetts Amherst 2002. 1st Edition. SOFTCOVER. Large Quarto size 4to. in colour printed stiff card covers 48pp colour plates etc __CONDITION : NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS University Gallery, University of Massachusetts Amherst paperback
Best.-Nr. 202501169Paris, France loisirs, 2009 ; in-8, 424 pp., br.
Best.-Nr. 28942Melbourne : s.n. 1927. Sepia tone gelatin silver print 155 x 205 mm on heavy stock; no photographer's imprint; verso blank; superb condition. Adelaide-born Judith Anderson who was to become one of the greatest ever Australian stage and screen actors had arrived in Hollywood with her mother in 1918 with a letter of introduction to Cecil B. DeMille. However her early success in America was to be achieved not in the motion picture industry her first screen role would not be until 1933 but on the Broadway stage. In 1927 promoter J. C. Williamson brought Judith Anderson - who by this time was established as a star of American theatre - back to Australia to star in three plays with English actor playwright and director Leon Gordon: Tea for Three The Green Hat and Cobra. The present photograph - unrecorded in Australian collections - was taken as a promotional photograph during Anderson and Gordon's tour that year. Read the extraordinary biography of the great Australian actor Dame Judith Anderson by Desley Deacon on ADB online. unknown
1997Best.-Nr. 166527Boston: Bulfinch Press 1997. First Edition. Softcover. First Edition. Illustrated with 650 color 405 halftone and 150 duotone illustrations. Published in conjunction with a traveling exhibition which opened on November 8 1997 at the Whitney in New York and closed at the Andy Warhol Museum in spring of 1999. Near Fine in perfect-bound wrappers. Bulfinch Press unknown
1997Best.-Nr. 166527Boston: Bulfinch Press 1997. First Edition. Softcover. First Edition. Illustrated with 650 color 405 halftone and 150 duotone illustrations. Published in conjunction with a traveling exhibition which opened on November 8 1997 at the Whitney in New York and closed at the Andy Warhol Museum in spring of 1999. Near Fine in perfect-bound wrappers. Bulfinch Press unknown books
Best.-Nr. 200815592Paris, Editions générales first, 1995 ; in-8, 264 pp., broché, couverture illustr.
1994Best.-Nr. 42002Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. Near Fine. Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. First Edition. Slim oblong quarto; publisher's gray pictorial staplebound wrappers; 20pp.; halftone illus. throughout. Very light wear to margins else Near Fine. Inscribed and signed on title page "11/7/94 / To David / Annette Lemieux. Davis Museum and Cultural Center, Wellesley College unknown
2010Best.-Nr. 33409Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. Near Fine. Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. First Edition. Quarto; publisher's maroon leatherette lettered in yellow and black; 229pp.; photographs throughout many full-color. Spine crown a bit bumped else a Near Fine example. Catalog accompanying the "mid-career presentation" of works by Annette Lemieux b. 1957 a member of the picture theory movement which emerged in the 1970s and 1980s. Krannert Art Museum and Kinkead Pavilion unknown
1994Best.-Nr. 42002Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. Near Fine. Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. First Edition. Slim oblong quarto; publisher's gray pictorial staplebound wrappers; 20pp.; halftone illus. throughout. Very light wear to margins else Near Fine. Inscribed and signed on title page "11/7/94 / To David / Annette Lemieux. Davis Museum and Cultural Center, Wellesley College unknown books
2010Best.-Nr. 33409Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. Near Fine. Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. First Edition. Quarto; publisher's maroon leatherette lettered in yellow and black; 229pp.; photographs throughout many full-color. Spine crown a bit bumped else a Near Fine example. Catalog accompanying the "mid-career presentation" of works by Annette Lemieux b. 1957 a member of the picture theory movement which emerged in the 1970s and 1980s. Krannert Art Museum and Kinkead Pavilion unknown books
1988Best.-Nr. 103983Paris, Judith Henry 1988 In-8 20 x 14 cm. Broché, couverture blanche à rabats, titre en noir sur le dos et le premier plat orné en bleu, 350 pp., 37 planches hors-texte, table des matières. Exemplaire à l’état neuf.
Best.-Nr. 1178711912-2014. . In total over 100 items including: approx. 70 manuscript & typescript letters 1912-1990s 2 typescript speeches manuscript pedigree of Crabbet horse with original wax seal typescript certificate of horse purchase from the Feda'an Sheikh in 1928 printed list of the Sheyk Obeyd Stud from 1917 typescript of the Newmarket Arab Race in 1884 rare 1939 war office letter concerning Arab horses 10 photos of Courthouse Arabian horses 1930-50s 1981 issue of the Anglo-Arab Trade Magazine several 1980s Arab horse sales brochures presentation copy of 1986 work on Lady Anne Blunt collection of newspaper clippings and numerous photocopied and printed correspondence and research; a few letters frayed with one fragile all else in well-preserved and handsome condition. An intimate archive of correspondence between the first and second Arabian Horse Studs in England Crabbet and Courthouse Farm from Lady Anne Blunt and her daughter Judith to Henry Vyvyan Musgrave Clark as well as the wider international community of Arabian Horse Studs. The archive as a whole gives enormous insight into the reverence held for the Arabian horses and the efforts the British studs made in attempting to preserve the strains and breeds from the Arabian deserts. Henry Vyvyan Musgrave Clark 1885-1981 was the first breeder to follow in Lady Anne Blunt's footsteps and set up a Stud dedicated to breeding true Arabian horses following a visit to Crabbet Stud in 1910. He and Lady Anne would keep a warm friendship and business association until her death in 1917 after which Lady Anne's only child Judith Blunt-Lytton 16th Baroness Wentworth 1873-1957 would run Crabbet for the next 40 years and continue their business relationship. It was Clark who sold Skowronek in 1920 to Lady Wentworth who would become one of Crabbet's greatest stallions. Clark was also personally interested in the endurance abilities of Arabian horses and himself rode in the late 1910s and early 1920s in several races: part of the archive contains three letters concerning races in America in 1919 including information on the Unites States Mounted Services Cup. The first batch of letters from Lady Anne to Clark dated 1912-1917 are full of information on the exchange and purchase of horses such as Refi Mansur and Daoud. Along with practical matters and much encouragement to each other on the success of their respective studs Lady Anne gives more in depth glimpses into Bedouin culture. In one letter she reveals the breeding choices that formed the current Arabian breeds were often due to a horse 'distinguishing itself by which I mean that some mare has performed a remarkable feat in war at least that is what usually makes a strain fashionable in the desert'. Most of the letters are from the Sheyk Obeyd Stud the Blunt's stud in Egypt where Lady Anne lived permanently in her final years. The set of letters between Clark and Lady Wentworth Anne's daughter exhibit the continued relationship between Crabbet and Courthouse Farm despite some differences of professional opinion such as the correct height a pure-blood Arabian should be. With these letters are two important documents relating to foundational horses whose blood still runs today. The first is the manuscript pedigree of Safarjal b. 1915 signed by Lady Wentworth and stamped with original wax seal. Safarjal was given as a gift by Lady Wentworth to Clark and the Courthouse Farm Stud in the 1920s and would be an important mare who produced ten foals and whose direct descendants are still breeding in the UK and Germany today. The second document is the certificate of Fedaan a horse purchased in 1928 by Clark directly from Moudjhem ben Mehed Sheikh of the Feda'an tribe Ibn Sbenyi and brokered by the Aleppo British Consul. The certificate is signed by the Consul and accompanied with 12 letters negotiating the sale. Perhaps the most interesting of these is the manuscript copy of the letter written in Arabic which was directly sent to the Feda'an Sheikh and convinced him to sell the horse. Fedaan too was an important stallion with descendants alive today. The other large collection of letters numbering more than thirty are correspondence from leading international Arabian studs and represent the esteemed place of the Courthouse Farm stud in the Arabian breeding community. There are letters from: Spencer Borden one of the earliest importers of Arab Horses Crabbet into America Edward Skorkowski the father of the Polish Arab breeding post-WWII Guilherme Echenique Filho founder of the first Brazilian Arab stud including his first letter to an English Stud Carl Reinhard Raswan one of the great scholars of Arab horses of the 20th century Lionel Edwards noted Arab Horse artist Fortunino Matania famous WWI and horse artist Michael Harris one time director of the Royal Stud of Oman and more. Alongside the letters are numerous other documents relating to the Crabbet and Courthouse Studs including original photographs of 1950s Arabians Ghali Rahlind and Ramoth and 7 photos of the Clarks with various Arabian horses dates 1930s-1950s including Shammaar original speeches given by Wilfrid Blunt at the Crabbet sales of 1902 and 1913 a letter from the War Office in 1939 confirming the prohibition of drafting Arab horses into the army a list of the full Sheyk Obeyd Stud in 1917 and numerous ephemera of sales photocopied correspondence and research material. In total the collection provides an unrivalled insight into the efforts made by both Henry Clark and Lady Anne Blunt to preserve the original desert Arabians and their esteem for horses that they considered the best in the world. Full contents list: 19 letters from Lady Anne Blunt to Henry Vyvyan Musgrave Clark 1912-1917. 9 letters from Judith Lady Wentworth Anne's only child continuing correspondence 1921-1955 plus typescript of letter from Mrs Clark to Lady Wentworth. Pamphlet list of the Sheyk Obeyd Stud printed in 1917. Original typescripts of two speeches given by Lady Anne's husband the poet Wilfrid Blunt at the Crabbet sales of 1902 and 1913. Typescript quote of Wilfrid Blunt's which appeared in The Times in 1897 Manuscript pedigree of horse Safarjal b. 1915 signed by Lady Wentworth with original wax seal. The certificate of the horse 'Fedaan' purchased by Henry Clark in 1928 from Moudjhem ben Mehed Sheikh of the Feda'an tribes signed by the Aleppo British Consul with 12 letters negotiating the sale including the manuscript copy in Arabic of the letter written to the Sheikh from Clark. The original typescript of the Newmarket Arab Race in 1884 in which 2 horses were entered by the Blunts. 3 letters concerning the endurance races in America in 1919 including the United States Mounted Services Cup. 1 of just 3 copies of the letter from the War Office confirming that no Arab horses should be drafted into the army 1939. 30 letters between the Courthouse Stud and the leading international Arab breeders of the day 1913-1990s including: Spencer Borden one of the earliest importers of Arab Horses Crabbet into America Edward Skorkowski the father of the Polish Arab breeding post-WWII Guilherme Echenique Filho first Brazilian Arab stud including his first letter to an English Stud Carl Reinhard Raswan one of the great scholars of Arab horses of the 20th century Lionel Edwards noted Arab Horse artist Fortunino Matania famous WWI and horse artist Michael Harris one time director of the Royal Stud of Oman. Manuscript list of the Courthouse Stud 1967-1973. Photos of 1950s Arabians Ghali and Rahlind photo of Ramoth and 7 photos of the Clarks with various Arabian horses dates 1930s-1950s including 'Shammaar'. 1981 issue of the Anglo-Arab Trade Magazine which mentions the Courthouse Stud and the purchase of Fadaan. Several brochures advertising Courthouse Stud sales of the 1980s including horses Maard and Ansah Ibn Sudan. Collection of newspaper clippings concerning Judith Blunt from the 1920-1930s and collection from 1970-1990s concerning Courthouse Stud. Presentation copy of 'Lady Anne Blunt: Journals and Correspondence 1878-1917' by Rosemary Archer and James Fleming 1986 with slip. Numerous photocopied correspondence and research material. [1912-2014]. unknown
2012Best.-Nr. 225421Saint Louis Art Museum/Yale U. Press 2012. First edition first printing. Hardcover in dust jacket. Fine in fine dust jacket in mylar cover. Saint Louis Art Museum/Yale U. Press hardcover
Best.-Nr. 201008622Paris, Presses de la cité, 1990 ; in-8, 287 pp., broché, couverture illustr. Bon état - rousseurs, bruni.
Best.-Nr. 201600691Paris, Seghers - biographie, 1896 ; in-8, 501 pp., broché, couverture illustr. Du Danemark au Kenya : toute la vie de l'auteur de LA FERME AFRICAINE - exemplaire ptes usures un peu écorné.
Best.-Nr. 200713222Paris, Seghers - biographie, 1896 ; in-8, 501 pp., broché, couverture illustr. Du Danemark au Kenya : toute la vie de l'auteur de LA FERME AFRICAINE.
Best.-Nr. 200614936, Editions n°1, 1999 ; in-8, 283 pp., broché, couverture illustr.
Best.-Nr. 201322754, Léandre, 2013 ; in-8, 79 pp., br.
1998Best.-Nr. 25130Abrams 1998 In-4, pleine toile rouge editeur sous jaquette illustree. 376 p. 163 reproductions n&b et couleurs in-texte, 91 planches couleurs, 24 illustrations n&b, 3 cartes. Texte en anglais. Tres bon etat d’occasion.
Best.-Nr. 14802Revue des sciences humaines, N°216, Lille, 1989. In-8°, broché.
Best.-Nr. 029597138X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992Best.-Nr. 44607Kansas City MO & Seattle WA: Nelson-Atkins Museum of Art Univ. of Washington Press 1992. Folio. 475 1 pp. 100s of colour and blk & wht text illusts. many full page some double-page. Colour-illust. softcvrs mnr shlfwr slght rubbng still a VG copy. First softcover edition of this massive catalogue of the works of the famed 16th-Century Chinese painter calligrapher and art theorist. This exhibition catalogue draws heavily from the Beijing Palace Museum. Nelson-Atkins Museum of Art, Univ. of Washington Press, paperback
1900Best.-Nr. 15050Paris: Felix Juven 1900. New Edition augmented. Hard Cover. Very good. Ca. 1900 not dated; first published in 1867. A signed presentation copy to Madame 'Vatsamachi' unclear by Judith Gautier the first woman elected to the Academie Goncourt and the daughter of the poet and dramatist Theophile Gautier. With the initials LV at the base of the spine. Judith Gautier was an artist poet novelist and orientalist the friend and collaborator of artists such as Wagner Hugo and Sargent who painted a full length portrait of her. She wrote poetry prose essays and articles; her creative work drew on Middle Eastern Japanese and Chinese sources. She studied Chinese at a young age from Tin Tun Ling a Chinese man brought to Paris by the bishop of Macao to work on a French-Chinese dictionary. This is an anthology of Chinese poetry translated into French one of the earliest translations of Chinese poetry published in a European language. Each page is decorated with varying Art Nouveau inspired designs around the borders with poems grouped by topic such as: 'Les Amoureux' 'La Lune' 'Les Voyageurs' 'La Cour' 'La Guerre' 'Le Vin' 'L'Automne' and 'Les Poetes'. Signed presentation copy. "Nouvelle edition considerablement augmentee et ornee de vignettes et de gravures hors texte d'apres les artistes chinois". 8vo 279pp with black & white illustrations after Chinese artists. Half dark red gilt decorated cloth and marbled boards gilt title to red spine label. Corners and head and tail of spine gently rubbed. The rear free end paper missing. HK2700. Felix Juven unknown
2000Best.-Nr. 23923New York:: Abrams 2000. First Printing of the First Edition. A Fine copy in a Fine bright dust jacket. The drawings in this volume date from 1915 to 1965 and chart the development of O'Keeffe's personal abstract vision. Essays by well-known scholars place her works on paper in context of her American modernist contemporaries and the Stieglitz circle in particular. This collection contains 88 of O'Keefe's watercolors charcoals and pastels--55 in color. Abrams, unknown
Best.-Nr. 200812905Montreal, Editions Brimar, 1992 ; in-4, 256 pp., cartonnage d'éditeur avec jaquette. Poissons et fruits de mer pour tous les gouts.
