31.739 risultati
rif. 1240711 photographies de Judith Turner. Texte de léditeur. Très bon état.
rif. 10123LE POINT. N° 6. (Décembre 1937). " La Sculpture ". Jean Charbonneaux, George Besson, Judith Cladel (" Rodin "), etc. Lettres de Rodin et de Maillol en fac-simile. Nombreuses photographies de sculptures. Numéro rare. Bon exemplaire.
1978rif. 9849Argyle NY: Spinsters Ink 1978. Pamphlet. 24p. 5.5x8 inches footnotes small neat ownership signature otherwise very good first edition booklet in stapled wraps. A critique of Rich's poetry by a feminist poet and teacher at Skidmore College. Spinsters, Ink unknown books
1978rif. 76098Argyle: Spinsters Ink. 1978. First edition. 24 pp. Fine in stapled wrappers. Argyle: Spinsters, Ink. unknown books
1703rif. 63085[Basel], Getruckt bey Jacob Werenfelß, (1703). 4°. Mit kl. Holzschn.-Titelvignette. 32 S., Geheftet (ausgebunden).
1842rif. 4944Philadelphia: Lea & Blanchard 1842. First Edition. i - viii 9 - 301 pp.; 14 pp. publisher's catalog bound in at rear of volume. 1 vols. 8vo. Original cloth; spine a trifle soiled occasional light foxing; else fine. Inscription: "C.L. Ewing. Cameron St. Alexandria. 1842" on front pastedown. First Edition. i - viii 9 - 301 pp.; 14 pp. publisher's catalog bound in at rear of volume. 1 vols. 8vo. Includes a gothic tale of about 160 pages MM#95. Wright I 2124 Lea & Blanchard unknown
1842rif. 4944Philadelphia: Lea & Blanchard 1842. First Edition. i - viii 9 - 301 pp.; 14 pp. publisher's catalog bound in at rear of volume. 1 vols. 8vo. Original cloth; spine a trifle soiled occasional light foxing; else fine. Inscription: "C.L. Ewing. Cameron St. Alexandria. 1842" on front pastedown. First Edition. i - viii 9 - 301 pp.; 14 pp. publisher's catalog bound in at rear of volume. 1 vols. 8vo. Includes a gothic tale of about 160 pages MM#95. Wright I 2124 Lea & Blanchard unknown books
1978rif. 74532Seattle: N.p. 1978. Manuscript fable by this well known Seattle poet. 6 3/4 x 5 1/4 inches. 20 pp. Written on rectos only in a very legible hand in black ink. Hand-bound in quarter brown cloth over marbled boards. A bit cocked and a water splash on first leaf not defacing any letters. Very good.The fable concerns the wondrous journey of Desperada in search of the true Rose; "A true Rose is the flower of a loving heart an inquiring mind and a tranquil soul." She is helped by various fantastic creatures along the way: Hero who takes her flying in her search; Shooting-Star-Child who is her guide; Fire-dancer; Wayfarer; First-Mate and others. After confronting various hindrances to her search and overcoming them Desperada finally finds the true Rose that like all things of value was within her the whole time.This manuscript from the Seattle estate of J. Roche is inscribed by the author - "Judith gave this book to Louise R. Sullivan Christmas 1978." On the next free endpaper we also read "Louise Sullivan Bagby gives this book to Judith Roche on the eve of her second wedding Sept. 5 1980 with a few slight additions."Judith Roche was a poet and the author of three collections of poetry. They are Myrrh/My Life as a Screamer Ghost and recently Wisdom of the Body which won a 2007 American Book Award. She was also co-editor of First Fish First People: Salmon Tales of the North Pacific Rim which also won an American Book Award and edited a number of poetry anthologies. Roche worked in collaboration with visual artists on several public art projects which are installed in the Seattle area. Roche was Literary Arts Director Emeritus for One Reel an arts producing company and teaches poetry workshops. Her work has appeared in Exquisite Corpse Pebble Review Wandering Hermit and several anthologies. She conducted poetry workshops for adults and youth in prisons and was a fellow of Black Earth Institute. She was the 2007 Distinguished Writer at Seattle University. Roche was a founding member of Red Sky Poetry Theater. She died on November 14 2019. N.p. hardcover
rif. 201504927Paris, Stock, 2013 ; in-8, 155 pp., br.
1992rif. 86302NY: Rizzoli/Gagosian Gallery 1992. First edition. 106 pp w/selected bibliography & index of illustrations. Near fine in glossy illustrated wrappers. Features an interview with Rosenquist by Goldman. NY: Rizzoli/Gagosian Gallery unknown
1992rif. 86302NY: Rizzoli/Gagosian Gallery 1992. First edition. 106 pp w/selected bibliography & index of illustrations. Near fine in glossy illustrated wrappers. Features an interview with Rosenquist by Goldman. NY: Rizzoli/Gagosian Gallery unknown books
1744rif. 9249A la Haye, chez Pierre Husson, 1744. 2 volumes de [66]-264; [4]-265 à 528-[20] pages, cartonnage d'attente moucheté (frotté), pièces de titre aux dos, non rognés, galerie de vers au tome premier. Ancienne inscription "D'Ivernois Mre, de Colombier"; ex-libris gravé du temps (Hibou et devise "Non movent"), répété deux fois, au dos des pages de titre.
1716rif. 15347A la Haye, chez Pierre Husson, 1716. In-12 de [66]-321-[7] pages, plein veau moucheté, dos à 5 nerfs orné de filets, encadrements et titre dorés, pièce de titre bordeaux, tranches mouchetées.
rif. 21876sans nom, sans lieu, an VIII. In-8 de 83-[1] pages, plein veau marron, dos lisse orné de filets et fleurons dorés, roulette dorée encadrant les plats, tranches rouges.
1948rif. 350871San Francisco: The Geary Theatre 1948. Leaflet/playbill printed both sides 5.5x10.5 inches folded in half heavily browned paper. This was the playbill for the touring company. Seldes debut on Broadway was with this production in 1948. The Geary Theatre unknown books
1981rif. 2349399Changsha Shi 1981. Small Softcover. Very Good. Front corner faintly creased wrappers lightly rubbed. 1981 Small Softcover. 515 pp. 5 x 3 1/2. Chinese and English characters. A handbook designed for use by Chinese travelers providing a guide to common slang colloquialisms and regularly used words. Changsha Shi paperback books
1993rif. 200120AB1993. Stanford California Stanford University Press 1993. 14 cm x 21.5 cm. 332 pages. Softcover. Very good condition with only minor signs of external wear. The first study in English of the 17th Century Chinese Classic by Liaozhai in a cultural and intercultural context. Selected tales are analyzed in relation to themes such as obsession gender disclocation and dream. Chapters include: The First Wave: Legitimizing the Strange / Seeing the Self as Other / A Brief History of Satire / Addiction and Satire / The Female Body Transformed / The Grotesque Woman / The Shrew / Pu Songling's Dream / A Fox Dream / Crossing Boundaries / etc. Includes translations of the following tales: 'The Ethereal Rock' / 'Miss Yan' / 'A Fox Dream' / 'The Painted Wall'. paperback
1977rif. 8098San Francisco: Synergistic Press 1977. Hardcover. 206p. frontispiece portrait of Spector illus. first edition very good condition in a slightly shelf worn dust jacket. Proletarian poet contributing editor of the New Masses. Synergistic Press hardcover books
rif. 200913153Paris, Payot - suspense, 2002 ; in-8, 332 pp., br.
1985rif. 52888Tacoma WA: Kipp Associates for The City of Tacoma Department of Community Development 1985. 4to. 6 143 1 pp. Illust. title with over 100 text illustrations photos maps diagrams 1 large folding some colour-tinted. Gray illustrated softcovers cover art & lettering in red slight shelfwear NF copy. First edition of this scarce and invaluable report for the City of Tacoma WA redevelopment movement which intended to recognize the buildings being restored by their owners and to establish special tax and zoning incentives in order to further promote the movement. This work details the buildings rehabilitated so far some suggested projects as well as providing an invaluable local history of Tacoma’s historic downtown. Kipp Associates for The City of Tacoma Department of Community Development, paperback
1992rif. ZZ1059Metuchen and London:: Scarecrow Press 1992. 1992. FIRST EDITION. 4to. xvii 512 pp. 4 full color plates 28 full page illustrations index. Red cloth gilt-stamped black cover and spine labels; label a bit rubbed. Near fine. Includes full collations. ISBN: 0810825708 Scarecrow Press, 1992. hardcover books
1969rif. 168709N.p.: N.p. 1969. Archive of 29 original photographs from The Living Theatre performances dating between 1959 and 1969 including 27 borderless photographs and eight double weight photographs. Four photographs with Gianfranco Mantegna photographer stamps on the versos six photographs with Horace Dimayo photographer stamps on the versos two with "L'Express/Manuel Bidermanas" photographer stamps on the versos and one with a "Photo Pic" stamp on the verso. The archive includes: One borderless photograph from the January 13 1959 premiere performance of William Carlos Williams' "Many Loves" on The Living Theatre Playhouse's opening night. Three borderless photographs of the June 29 1966 performance of "Mysteries and Smaller Pieces" 1964 at the Odéon-Théâtre de l'Europe in Paris. Three borderless photographs from the September - October 1966 performances of Jean Genet's "The Maids" 1947 at the Berliner Festwochen including two double weight. Seven borderless photographs from the July 1968 performance of Bertolt Brecht's "Antigone" 1948 performed at the Avignon XXII Festival at the Cloître des Célestins. Two double weight borderless photographs of Julian Beck and Judith Malina being interviewed in 1968 at the Avignon XXII Festival at the Cloître des Carmes. Six borderless photographs from the October 1969 performance of "Mysteries and Smaller Pieces" 1964 at the Circo Medini in Milan. Two photographs from the October 1969 performance of "Paradise Now" 1968 at Teatro Alfieri in Turin. One borderless photograph of Julian Beck from Bernardo Bertolucci's segment "Agonia" from the 1969 compilation film "Love And Anger." Lastly four borderless photographs we have been unable to definitively identify including a photograph of a stage set a photograph of a performance of three actors a photograph of Jean-Jeacques Lebel and a photograph of a woman in profile possibly Living Theatre actress Mary Mary. The latter two photographs are likely from the 1968 Avignon performance of "Paradise Now." Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works. The company produced often radical stage productions and adaptations of works by artists and writers such as Bertold Brecht Gertrude Stein Jean Cocteau William Carlos Williams T.S. Eliot Pablo Picasso Luigi Pirandello and Federico García Lorca among others and laid the foundation for New York's robust underground art scene in the ensuing decades. The Living Theatre and its founders were the subject of the 1983 documentary "Signals Through the Flames" directed by Sheldon Rochlin. Photographs generally 7 x 5 inches to 12 x 8 inches. Near Fine overall five with light toning. All housed in a 9.75 x 12.17 inch Near Fine black folder with a "The Living Theatre" sticker on the front board. N.p. unknown
1979rif. 162878Rome: Comune di Roma 1979. Vintage poster for an Italian staging of the 1974 groundbreaking American experimental theatre production. Staged in Rome at the Teatro Alberico circa 1979. Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works. "Seven Meditations" was largely written in response to the imprisonment of several members of the company under the Medici dictatorship in Brazil in 1971 drawing on their experiences of suppression and torture in the Brazilian prison system. The show addressed seven different types of actions relationships or statements governed by power including sexuality capitalism private property and law enforcement and attempted to begin a dialogue with audience members regarding ways to move forward from these dynamics. As with many of the group's performances "Seven Meditations" proved controversial and even courted obscenity charges largely due to a section of the show depicting a simulated torture scene-as shown in the poster on offer. 39 x 55 inches. Rolled. Very Good plus. Comune di Roma unknown
1959rif. 47617New York: The Living Theatre 1959. Very Good . New York: The Living Theatre 1959. Quarto 28cm; publisher's plastic comb-bound silkscreen printed wrappers; 34pp.; chiefly halftone reproductions of related newspaper articles. Four of the comb binding teeth broken tiny red ink price to upper cover else Very Good and sound. Together with a promotional flyer 28x22cm and palmcard 19x11cm. Light soil to palmcard else in excellent condition. Three scarce pieces of Living Theatre material promoting The Connection a play by Jack Gelber. Directed and designed by Living Theatre co-founders Judith Malina Julian Beck the show also featured jazz music by The Freddie Redd Quartet. The Connection earned three Obie Awards in its first year - Best New Play Best All-Around Production and Best Actor. It is considered to be The Living Theatre's first great success. In 1961 it was adapted by the experimental filmmaker Shirley Clark. None of these pieces appear to be separately catalogued in OCLC as of June 2026. The Living Theatre unknown
1959rif. 47617New York: The Living Theatre 1959. Very Good . New York: The Living Theatre 1959. Quarto 28cm; publisher's plastic comb-bound silkscreen printed wrappers; 34pp.; chiefly halftone reproductions of related newspaper articles. Four of the comb binding teeth broken tiny red ink price to upper cover else Very Good and sound. Together with a promotional flyer 28x22cm and palmcard 19x11cm. Light soil to palmcard else in excellent condition. Three scarce pieces of Living Theatre material promoting The Connection a play by Jack Gelber. Directed and designed by Living Theatre co-founders Judith Malina Julian Beck the show also featured jazz music by The Freddie Redd Quartet. The Connection earned three Obie Awards in its first year - Best New Play Best All-Around Production and Best Actor. It is considered to be The Living Theatre's first great success. In 1961 it was adapted by the experimental filmmaker Shirley Clark. None of these pieces appear to be separately catalogued in OCLC as of June 2026. The Living Theatre unknown books
