Alan IsaacBiblio.com
31 478 résultats
réf. ria9781940965673_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; When one sees a book covered in a particular paper the question often arises: Who made that paper This book helps us recognize certain kinds of marbled-paper decoration created by Edward Webster Morris 1842-1919 an Oxford printer. paperback
2023réf. 138603Ann Arbor MI: The Legacy Press 2023. hardcover sewn dust jacket. 10 x 7 in. hardcover sewn dust jacket. 224 pages. Foreword by Sidney E. Berger 92 full-color images. When one sees a book covered in a particular paper the question often arises: Who made that paper This book helps us recognize certain kinds of marbled-paper decoration created by Edward Webster Morris 1842-1919 an Oxford printer. Morris was adept at the art of marbling and as Isaac shows his papers were considered attractive by knowledgeable critics contemporary and more recent and his work was taken up by several well-known bookbinders at the time. One point worth repeating is that often scholarship about a phenomenon is published without any context. What Isaac has done in this book is to put Morris' papers into the broader contexts of the publishing and the bookbinding worlds. Only by doing this could he interpret the evidence before him with some sense of authority and reliability. Why would Morris produce what he did The answer lies in the publishing industry and the people inhabiting it - the people who would have used Morris' papers and those who would have promoted his work. Isaac's research here is wide ranging and deep and as a result the volume is a substantial contribution to the world of decorated-paper scholarship. - Sidney E. Berger Professor School of Information Sciences University of Illinois Urbana-Champaign; School of Library and Information Science Simmons University. The Legacy Press unknown
1884réf. 43312London 1884. 1st Printing. Modern plum colored cloth spine over marbled paper-wrapped boards. Printed paper title label to front board. Binding - Fine. Textblock - VG age-toning. 2 adverts 685 - 716 2 adverts pp. Text double column. Probert's article pp. 703 - 711. Adverts illustrated with cuts. 8vo. 10" x 6-3/4" hardcover books
réf. Z1-H-009-01421Gareth Stevens Children's. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Gareth Stevens Children's unknown
1825réf. 908London: George Humphrey 1825. Good. Etching and engraving with hand coloring in watercolor on cream wove paper 10 x 7 3/4 inches 252 x 195 mm trimmed to the platemark. Siginificant condition issues include multiple repaired tears in the lower center sheet area thick adhesive residue throughout on the verso and a corner tear that extends approximately 1.5 inches into the image area in the lower right. There is also an irregular trapezoidal area of bright discoloration with associated small surface losses at the top left sheet corner. Despite the condition issues the pigments are fresh and bright. This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. George Humphrey unknown
réf. 51-5693London: circa 1842. A suite of 10 handcolored lithographs mounted on card as issued. Average sheet size 50 x 37 or 38cm. Matted. One of the lithographs is missing most of the lower blank margin and one is missing the left side of the sky.The lithographs are not numbered or titled except for Abbey 5091 the title page.According to Abbey Travel II no. 509 there were 14 prints and they were tinted and not handcolored .After forcing the Bolan Pass and capturing Kandahar without a fight Sir John Keane's Army of the Indus advanced on the formidable Ghazni fortress. Protected by thick 60-feet high walls it presented a major problem for the British who lacked heavy artillery. They were only able to capture it because Mohan Lal a Kashmiri interpreter spy and assistant to the political officer Captain Sir Alexander Burnes managed to discover that one of the gates was poorly defended.Wingate was in India from March 1835 to January 1842. His sketch of the fortress of Ghuznee which as company commander in the 2nd Queen’s Royal Regiment of Foot he had stormed in July 1839 was published as a lithograph in London that same year one of fourteen large coloured lithographs by Weld Taylor after Wingate in an album entitled The Storming of Ghuznee and Kelat published 1842: copy British Library Oriental and India Office Collections. London: circa 1842 unknown
1770réf. WRCLIT58623London: Printed for W. Griffin 1770. xii2104pp. Octavo. Extracted from bound pamphlet volume. Early ink name effaced from blank portion of title a couple of faint old stamps of a defunct mercantile library; a good copy. Third edition published the same year as the first. Bickerstaff's adaptation from Calderon's EL ESCONDIDO Y LA TAPADA. ESTC T50356. NCBEL II:825. Printed for W. Griffin unknown books
réf. B9781013376245Hardback. New. hardcover
1984réf. 7155New York: Doubleday and Company 1984. First Edition. Hard Cover with Dust Jacket. Fine/Fine. Octavo. A perfect copy. Fine in a fine dust jacket. 218 pp. Doubleday and Company hardcover books
1680réf. 1639AGO.O., um 1680. Kupferstich. Plattengrösse: 31,5 x 18 cm. Blattgrösse: 38 x 25,3 cm.
1617réf. 116291617 Lyon, Jacques du Creux pour Ant. de Harsy, 1617, in 12 de (16)-367-(11)-(2) pp., rel. moderne pastiche du XVIIe siècle, pleine basane brune, dos lisse orné de double-filets dorés, date en pied, plats ornés d'encadrements dorés à fleurons angulaires à la "Du Seuil", tranches dorées, bel ex.
2002réf. 1239555Berlin: Max-Planck-Institut für Wissenschaftsgeschichte, 2002. 57 S. MPIWG-Kopie der Originalbroschur.
réf. 1359484671.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. H2211Lyon 1879. 8vo. 1 Postkarte gutes Exemplar. Text: deutsch. Botaniker aus der Schweiz. unknown
réf. 459530Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1817. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 459529Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1817. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 459527Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1817. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 459528Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1817. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. RO30095781***. fin 19° début 20°. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 photo albuminée de 16, 5 x 11 cm, contre collée sur un support cartonné de 21 x 16 cm.. . . . Classification : 1300-Photos Anciennes Situées
réf. RO30095782***. fin 19° début 20°. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 photo albuminée de 16, 5 x 11 cm, contre collée sur un support cartonné de 21 x 16 cm.. . . . Classification : 1300-Photos Anciennes Situées
1933réf. H29180New York: Self Published 1933. Very good. 11 woodcuts mainly on sheets measuring approx. 10 x 7.5 inches generally very good condition with pencil titles occasional signature and some with quotations from the poems. With title leaf 11 x 7.5 inches reprinting the enigmatic dedication to the published book of sonnets signed "T. T." -- the publisher was Thomas Thorpe -- and dedicated to "Mr. W. H." which has caused much speculation over the years. The illustration for CXXIII is dated New York 1933 and signed. Sonnet XII has the first two lines of the poem written in pencil probably in Friedlander's hand the same with Sonnet VII. Sonnet XVIII has only the title written in pencil underneath the image. Sonnet XXVII has the entire sonnet written in pencil mainly on the verso and shows light tanning and wear creases to lower left and upper right slight wear along left edge and small tissue tape on one corner of verso no stain. Sonnet LIII has two lines of the poem written in pencil underneath the image light corner creasing and toning. Sonnet XCVII has title in pencil light creasing to lower right corner some toning. Sonnet 20 measures 9 x 7 is signed underneath has wear to upper left corner: stained or perhaps singed and recornered with rice paper. Sonnet XXXIV has four lines in pencil under image shows light toning and darkening. Sonnnet 66 is titled and signed in pencil hows tiny loss to lower right corner and very faint stain to lower left and upper right corners. Friedlander was born in Latvia. He was sentenced to death at age 15 for anti-Tsarist remarks and managed to escape to Rome thanks to his friendship with Maxim Gorky and his mother selling off her jewelry; he studied at the academy in Rome and then emigrated to New York in 1929 sponsored by his cousin Joseph Hirschhorn. During the Depression he worked as an artist for the WPA. He was a prolific artist well represented in exhibits and in museum collections. Self Published unknown
1981réf. 40012HEYNE WILHELM 1981. 5. softcover. Nova Titolbildo! HEYNE, WILHELM paperback
1969réf. 40011HEYNE WILHELM 1969. 1. softcover. HEYNE, WILHELM paperback
1980réf. 40010HEYNE WILHELM 1980. 4. softcover. HEYNE, WILHELM paperback
