5540 resultados
1783ref. 1277019Augsburg Bavaria Germany: Joseph Wolffischen 1783. Hardcover. Folio 750 pages 24 pages 136 pages. In Very Good condition. Bound in brown leather with blank paneled spine. Front board with metal corner pieces and metal diamond-shaped ornament to center of board. Remnants of clasps present: two metal hooks on fore edge of front board and two torn leather strips affixed to rear board. Boards moderately rubbed. Front free end paper partially detached. Title page shows 1.25 in-long area of damage to lower edge repaired but resulting in loss of publication information. Title page also shows small tear repaired to center of page minimally impacting legibility. Minor repairs to pages 165/166 571/572 633/634 649/650 687/688 701/702 705/706 719/720. Plates preface Parts Two and Three pp. 165 and 567 respectively. Profusely illustrated with over 800 black and white woodcut illustrations including genre scenes individual plants and animals and distilling apparatus. Shelved in Case 4. Adam Lonicer was a German botanist who studied at Marburg and the University of Mainz obtaining his Magister degree at sixteen years of age. After becoming a Doctor of Medicine in 1554 he became the town physician in Frankfurt am Main. His true interest though was herbs and the study of botany. His first important work on herbs the Kräuterbuch was published in 1557 with a large part dealing with distillation. He married Magdalena Egenolff the daughter of Christian Egenolff his Frankfurt publisher and a printer who specialized in herbals. The work that made his name famous is this popular herbal the Kräuterbuch. Lonicer provides us with one of the early descriptions of local flora as well as being one of the first to differentiate deciduous trees from conifers. Complete collation: page 110 misprinted as 100 160 as 142 217 as 21 271 as 217 523 as 532 524 as 534 554 as 454 732 as 571. Pagination consistent with this edition. 1277019. Shelved Dupont Bookstore. Joseph Wolffischen hardcover books
1905ref. 3387868Innsbruck, Wagner, 1905. 261 S. Halbleinen (Name und privater Stempel auf Titel und verteilt im Buch).
1935ref. 27503ABEssen 1935. 2 Bde. 4°. Mit zahlr. Abb. i. Text u. a. Taf. 8 Bll., 379 S.; 8 Bll., 340 S. OLwdbde. - Gutes Ex.
1708ref. 746351708. Leipzig : Verlegt von Johann 1708. Folio. Leipzig : Verlegt von Johann 1708. Folio. Beyer's Rare 1708 Folio Edition of Volckmann's Notariat-Kunst Guide to Notaries in the Holy Roman Empire With a Handsome Title Page Volckmann Adam 1612-1664. Beyer Georg 1665-1714 Editor. Volckmannus Emendatus Sive Manuale Advocatorum et Notariorum: Hand-Buch vor Advocaten und Notarien So Bisshero unter dem Titul: Adam Volckmanns Notariat-Kunst zu Vielen Mahlen Edirt und Gebessert Nunmehr aber Durch und Durch Geandert. Leipzig : Verlegt von Johann Grossens seel. Erben und Johann Friedrich Braun 1708. Three parts in one volume. Folio 13 1/4" x 8 1/4"; 33.5 cm x 21 cm. x 522 i.e. 514; ii 416; 14 200 22 pp. Sections of text in parallel columns. Second and third parts have title pages. Main title page preceded by copperplate pictorial title page featuring a court scene and Lady Justice. Contemporary calf gilt spine with raised bands and gilt title reading Volkmanni Notariat Kunst speckled edges. Moderate rubbing and a few minor scuffs to boards somewhat heavier rubbing to extremities chipping to head of spine front joint cracked corners bumped upper corners moderately worn hinges partially cracked small recent owner inkstamp to front pastedown. Main title page printed in red and black. Moderate toning to interior faint dampstaining to fore-edges of rear quarter of text block spark burns to a few leaves light soiling and fading to pictorial title page offsetting to margins of preliminaries final leaves of text and rear endleaves. A very good crisp copy structurally sound. $2000. Later edition of this foundational manual of early modern civil practice in the Holy Roman Empire. First published in 1624-1625 under the title Informatio Notariorum Volckmann's treatise served as the definitive encyclopedia for Central European notarial practice for well over a century. Unlike common-law notary publics a notary within the Holy Roman Empire was a highly trained jurist of immense stature responsible for drafting complex public instruments codicils and commercial treaties. This 1708 edition is particularly significant due to the extensive textual overhaul by Georg Beyer a towering legal scholar at Wittenberg who is historically celebrated for delivering the first academic lectures on indigenous German law Jus Germanicum separating it from the domi. unknown books
1783ref. 4143DB2 Teile in 1 Band (von 2). Augsburg, Wolf, 1783. (4) Bl., 566 S. Mit zahlr. Textholzschnitten Moderner Halblederband.
1702ref. 33723BBWien, In Verlegung dess Authoris, gedruckt bey Anna Rosina Sischowitz 1702. 8°. 6 n,n. Bl., 295 (recte 277) S., mit gestochenem Porträt als Frontispiz. Pergamentband der Zeit mit handschriftlichem Rückentitel.
1971Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. Dust jacket shows the slightest signs of shelf wear only, chips to edges, price clipped, now wrapped in protective cover. Contents include: Symbols in: American history (anti-black, collective guilt), of Love and life in marriage, Dream, Oedipus ( Jocasta ), Medieval christian art (Adam and Eve, Hell, Adamites, Hieronymus Bosch), Work of Georg Groddeck, Symbol in psychonalytic heory, etc.
2014332 pages. Features: Ravishing holiday fashion; A Few Good Men - Bradley Cooper, Benedict Cumberbatch, Adam Driver; Amazing Amy Adams; Kendall Jenner; Botox in a Bottle? - the truth about the latest anti-wrinkle treatment; and more. Clean and unmarked with light wear. A nice copy. Book
2017ref. ABE-1773858980510EDITION AMERICAINE-FORMAT 20 CM X 27,5 CM-266 PAGES-EN COUVERTURE : MERYL STREEP PHOTOGRAPHIEE PAR ANNIE LEIBOVITZ-THE PHARRELL FACTORY, PHOTOS DE MARIO TESTINO, 10P-SPECIAL KAY, TEXTE DE KATI MARTON, PHOTOS D'ANNIE LEIBOVITZ, 5P-GRIFFURE EN PARTIE SUPERIEURE DE COUVERTURE-(PG25)
ref. 57192, Brepols , 2018 2 vols, xliii + 584 pages ., 150 x 250 mm, Texte en Francais ,Paperback, . ISBN 9782503550152.
2012ref. R300293897Alternatives économiques/Les petits matins. 2012. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages. Plats contrepliés en un rabat.. . . . Classification Dewey : 320-Science politique
1615ref. 14675Impensis Jonae Rosae Typis Johannis Lacelloti | Haidelbergae (Heidelberg) 1615 | 19 x 12 cm | relié
1872ref. RO40204650Chez Plataut, Paris. 1872. In-18. Broché. Etat d'usage, Couv. légèrement pliée, Dos abîmé, Intérieur acceptable. 72 pages. Annotations sur le 1er plat et en 1re page.. . . . Classification Dewey : 840.08-XIX ème siècle
ref. 1967Paris, Mercure de France, 1965 in 8 broché
ref. 1967Paris, Mercure de France, 1965 in 8 broché
ref. 3407In 12 broché,faux-titre,portrait de Villiers de l’Isle Adam en frontispice,titre,304 pages,fac-similé d’autographe page 59 à 62,Albert Savine éditeur 1893,tache légère sur les plats,intérieur très bon état,mention fictive de deuxième édition
1950ref. 170831Stockholm: Nordisk Rotogravyr 1950. Paperback. VG- light general wear and discoloration pages detached from cover. Paper wraps with red illustration and black lettering. 29 pp. BW illustrations. Catalogue of an exhibition from October 27 to November 19 1950. Text in Swedish German French and English. Nordisk Rotogravyr paperback books
1996ref. 144003New York New York: Whitney Museum of American Art 1996. Softcover. VG. Orange/blue color-illustrated wraps. 175 pp. Numerous bw and color illustrations. Parallel text English and German. Accompanied an exhibition held at the Whitney Museum of American Art and the Museum fur Moderne Kunst Frankfurt. Whitney Museum of American Art paperback books
1996ref. 152259New York New York: Whitney Museum of American Art 1996. Softcover. VG. Steel-grey/yellow color-illustrated wraps. 128 pp. Numerous bw and color illustrations. Dual text English and Dutch. Accompanied an exhibition held at the Whitney Museum of American Art and the Stedelijk Museum Amsterdam. Whitney Museum of American Art paperback books
1997ref. 132350NY: Harry N. Abrams 1997. Softcover. New in plastic. Color illustrated wraps. 128 pp. Harry N. Abrams paperback books
ref. WELLER9781454967699New. New book. unknown books
ref. WELLER9798217059706New. New book. unknown books
ref. 231862(XVIIème siècle), 20 x 28.5 cm , Marges découpées.
1685ref. 3659Paris: distribuë par l'Auteur en l'Hostel des Manufactures des Gobelins et en la rue St.Jacques 1685. Copper engraving on two joined sheets by A.F. Baudouin with the figures by R. Bonnart after Van der Meulen. Titled in French and Latin. A fine view of the fortified town of Calais and its environs recalling king Louis XIV's gradual acquisition of territory on the Channel coast from 1667 onwards. This excellent panorama shows Calais as seen from the landward side looking across to the ramparts of the fortifications surrounding the town to the roofs of the town itself and then beyond to the sea. In the fore and mid-ground the French army of King Louis XIV moves forward towards the town this scene enlivened by Van der Meulen's portrayal of the stormy conditions: hats blow off cloaks are wrapped around peoples' heads foot soldiers lean into the wind. This sort of detail supports the statement in the imprint that the present scene was painted from life by Van der Meulen. Adam Frans Van der Meulen was a landscape and genre painter who specialized in battle scenes and his early works i.e. those from the years before he left for Paris the earliest dated work is from 1653 are mainly cavalry skirmishes in the manner of his teacher Pieter Snayer. After he moved to Paris the character of his work changed and became more ceremonial. He now specialized in large topographical views and military scenes and in royal journeys processions and receptions. His most important task was to accompany the king on his many campaigns during the wars of conquest waged in the 1660s and 1670s against inter alia the Spanish Netherlands and as Peintre de conquêtes du roi officially to portray the memorable sieges battles and conquests of le Roi Soleil in large-scale canvases or cartoons which were later transformed into tapestries. Van der Meulen was born in Brussels where he was baptised in 1632. In 1646 he was apprenticed to the battle painter Pieter Snayers. In 1651 he became a master in the Guild of St Luke in Brussels but by 1663 he had moved to Paris where he joined a group of Netherlandish artists associated with the French painter Charles Le Brun 1619-90 who not only was Premier peintre du roi but also from 1663 director of the Parisian tapestry manufactory Manufacture royale des Gobelins. Van der Meulen quickly became a protégé of Le Brun and on his recommendation Van der Meulen was appointed court painter to Louis XIV on 1 April 1664 and at the same time became Le Brun's collaborator in the tapestry manufactory. In 1673 he was accepted as a member of the Académie royale de Peinture et de Sculpture without any obligation to submit a morceau de réception; in 1681 he became conseiller and in 1686 premier conseiller. He died as a highly esteemed artist in the Hôtel des Gobelins 15 October 1690. distribuë par l'Auteur, en l'Hostel des Manufactures des Gobelins, et en la rue St.Jacques unknown books
1685ref. 16903Paris: distribuë par l'Auteur en l'Hostel des Manufactures des Gobelins et en la rue St.Jacques 1685. Copper engraving on two joined sheets after Van der Meulen. Titled in French and Latin. In excellent condition. Some infill work along the bottom margin. Image size: 18 1/2 x 38 5/8 inches. A striking contemporary view of Gray in Franche-Comte by the celebrated court painter Van der Meulen. This fine view shows the town of Gray in Franche-Comte built on the banks of the Saône River. One of the most important trading towns in Franche-Comte the region became a possession of the Spanish Hapsburgs in 1556. Although some of the region's fortified towns were occupied by France during the Wars of Religion peace and prosperity continued until the advent of the Thirty Years War when the region was ravaged by both Catholics and Protestants. Louis XIV conquered Franche-Comté in 1668 and again in 1674 and finally obtained its cession from Spain. Van der Meulen's striking image depicts the king and his armies entering the town after they successfully re-conquered the region. Adam Frans Van der Meulen was a landscape and genre painter who specialized in battle scenes and his early works i.e. those from the years before he left for Paris the earliest dated work is from 1653 are mainly cavalry skirmishes in the manner of his teacher Pieter Snayer. After he moved to Paris the character of his work changed and became more ceremonial. He now specialized in large topographical views and military scenes and in royal journeys processions and receptions. His most important task was to accompany the king on his many campaigns during the wars of conquest waged in the 1660s and 1670s against inter alia the Spanish Netherlands and as Peintre de conquêtes du roi officially to portray the memorable sieges battles and conquests of le Roi Soleil in large-scale canvases or cartoons which were later transformed into tapestries. Van der Meulen was born in Brussels where he was baptized in 1632. In 1646 he was apprenticed to the battle painter Pieter Snayers. In 1651 he became a master in the Guild of St. Luke in Brussels but by 1663 he had moved to Paris where he joined a group of Netherlandish artists associated with the French painter Charles Le Brun 1619-90 who not only was Premier peintre du roi but also from 1663 director of the Parisian tapestry manufactory Manufacture royale des Gobelins. Van der Meulen quickly became a protégé of Le Brun and on his recommendation Van der Meulen was appointed court painter to Louis XIV on 1 April 1664 and at the same time became Le Brun's collaborator in the tapestry manufactory. In 1673 he was accepted as a member of the Académie royale de Peinture et de Sculpture without any obligation to submit a morceau de réception; in 1681 he became conseiller and in 1686 premier conseiller. He died as a highly esteemed artist in the Hôtel des Gobelins 15 October 1690. distribuë par l'Auteur, en l'Hostel des Manufactures des Gobelins, et en la rue St.Jacques unknown books
