Wit, Jacob de - 1696 - Amsterdam - 1754Antiquariat.de
4.282 resultados
ref. 061-Do.J. Pinsel in Grau, über roter Kreide, auf Bütten, unten signiert und datiert ?J. Wit f. 1754?. 17,7:14,4 cm. - Papier etwas vergilbt. Sehr reizvolle Zeichnung, die im Todesjahr des Künstlers entstanden ist.
ref. 539100Boston: Bulfinch Press / Little Brown 1995. Unbound. Very Good. Unbound proof and publisher's dummy. Proof consists of preliminary material photocopied on bifoliums followed by 326 unbound quarto sheets of text printed rectos only no illustrations wrapped in a folio sheet reproducing the book's cover. Folio sheet with some creasing on the bottom portion text with very light wear and a tiny bit of staining on the bottom edge affecting only the very corner of a few leaves overall very good or better. The publisher's dummy is a tall octavo bound in unprinted cloth and papercovered boards with 11 printed leaves bound in the front reproducing preliminary content a portion of the text and several color reproductions of Ringgold's artwork. Several of these leaves are composed of two sheets glued together and a few are printed on thicker stock; the remainder of the book is unprinted. Other than the spine and cover the dust jacket is printed a plain blue. The book is modestly worn with some splitting at the gutter where the first blank meets the first inserted leaf but sound very good or better. The dust jacket is about very good with several tiny chips and tears a couple of interior tape reinforcements and the plain lower panel of the dust jacket has three moderately sized chips one a bit dampstained about very good. Two very interesting and presumably very uncommon early formats of the noted African-American artist's autobiography. Bulfinch Press / Little, Brown unknown
ref. 539100Boston: Bulfinch Press / Little Brown 1995. Unbound. Very Good. Unbound proof and publisher's dummy. Proof consists of preliminary material photocopied on bifoliums followed by 326 unbound quarto sheets of text printed rectos only no illustrations wrapped in a folio sheet reproducing the book's cover. Folio sheet with some creasing on the bottom portion text with very light wear and a tiny bit of staining on the bottom edge affecting only the very corner of a few leaves overall very good or better. The publisher's dummy is a tall octavo bound in unprinted cloth and papercovered boards with 11 printed leaves bound in the front reproducing preliminary content a portion of the text and several color reproductions of Ringgold's artwork. Several of these leaves are composed of two sheets glued together and a few are printed on thicker stock; the remainder of the book is unprinted. Other than the spine and cover the dust jacket is printed a plain blue. The book is modestly worn with some splitting at the gutter where the first blank meets the first inserted leaf but sound very good or better. The dust jacket is about very good with several tiny chips and tears a couple of interior tape reinforcements and the plain lower panel of the dust jacket has three moderately sized chips one a bit dampstained about very good. Two very interesting and presumably very uncommon early formats of the noted African-American artist's autobiography. Bulfinch Press / Little, Brown unknown books
ref. 222-Do.J. Feder in Braun, teils laviert, auf Bütten, auf China aufgezogen. 14,2:9,2 cm.
ref. 296-Wo.J. Aquarell über Bleistift, mit schwarzer Tuschlinie umrandet, Darstellung oben rundbogig geschlossen, auf cremefarbenem Velin, rehts unten mit Bleistift monogrammiert und datiert ?M. E. September 1839?. Darstellungsgröße 20,5:13,3 cm, Blattgröße 26:19 cm. - Papier leicht vergilbt. Literatur: Nicht im WV von S. von Blanckenhagen in: F. W. Fischer, Marie Ellenrieder. Leben und Werk der Konstanzer Malerin. Konstanz/Stuttgart, 1963. Charakteristische Arbeit der Künstlerin, entstanden während der 2. Italienreise 1838-1840, bei der sie von ihrer Schwester Josephine und einem Dienstmädchen begleitet wurde. Über diese Zeit berichtet Bärbel Kovalevski in: Marie Ellenrieder 1791-1863. Kleine Galerie. Berlin, Selbstverlag 2008, S. 42, ?Die Belastung in psychischer und physischer Hinsicht führten dazu, dass sie sich während der zweiten Italien-Reise nie so frei und glücklich fühlte, wie sie es sich in ihren Vorstellungen gewünscht hätte: Kraft und neuen Mut zu gewinnen zu weiteren größeren Aufgaben im künstlerischen Schaffen war ihr Ziel. Aber Marie Ellenrieder kehrte 1840 in die Heimat zurück, ohne den ersehnten Auftrieb und die Stärkung ihrer Kräfte erhalten zu haben. Dabei war der zweite Aufenthalt von Marie Ellenrieder in Rom von Ehrungen begleitet. Bedeutende Persönlichkeiten besuchten ihr Atelier, wie der König Ludwig von Bayern. Sie wurde am 16.4.1840 in die Congregation dei Virtuosi al Panteon aufgenommen und wird am 6.2.1841 als korrespondierendes Mitglied aufgeführt. Auch an den Ausstellungen der deutschen Künstler im Januar 1839 und am 16.3.1840 nahm sie teil.?
1986ref. 47004GOLDMANN WILHELM 07/1986. 1. softcover. Falsa ISBN: 3-442-08534-0! GOLDMANN, WILHELM paperback
ref. 17700Original Artwork: Later published by George Allen and Unwin. c.1972. The original preliminary painting for the wraparound cover design of the 1973 first UK edition of Charlie and the Great Glass Elevator. The original preliminary painting for the wraparound cover design of the 1973 first UK edition of Charlie and the Great Glass Elevator. Pen watercolour and gouache on card. Measuring 25 x 35cm. Annotated and signed by the artist on verso "Elevator should be about 1/2'' higher. F. J." In excellent bright condition folded and partially split along the spine panel in production. A rare opportunity to acquire an iconic image of 20th century British children's literature. Faith Jacques 1923 - 1997 in Charlie and the Chocolate Factory 1967 was the first British illustrator of Roald Dahl's books therefore visually responsible for introducing a generation of children and adults to the world of Willy Wonka and Charlie Bucket. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Original Artwork: Later published by George Allen and Unwin. c.1972 unknown
