5492 risultati
2025rif. x-1032550422Routledge 2025. Paperback. New. 144 pages. 8.50x5.43x8.50 inches. Routledge paperback
rif. DADAX1623568188New unknown
1886rif. 1107501886 A Tours, Alfred Mame et Fils, Editeurs - MDCCCLXXXVI, 1886 - In-8, demis percaline rouge à coins, plats marbrés, pièce de titre au dos - 483 p. - Gravures hors-texte d'après L. Hallez, ornements tirés des miniatures de la fin du XIVe et du commencement du XVe siècle (bandeaux, lettrines, encadrement des pages)
1923rif. 1103621923 A Paris, Chez Auguste Picard, Editeur - 1923 - Nouvelle édition refondue et corrigée - Fort In-12, cartonné, titre doré au dos, titre doré et décor doré sur le premier plat - 748 p. - Avec 26 Cartes et 14 Plans de villes gravés et en couleurs + 110 Plans de monuments dans le texte (dont certaines cartes dépliantes)
rif. 20151128035Roc. Mass Market Paperback. New. Brand New! Fresh from the publisher! Titles Include: Skinwalker; Blood Cross; Mercy Blade; Raven Cursed: A Jane Yellowrock Novel; Death's Rival: A Jane Yellowrock Novel; Blood Trade: A Jane Yellowrock Novel; Black Arts; Broken Soul; Dark Heir: A Jane Yellowrock Novel Roc paperback
rif. 1105738949.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1998rif. 2ivAa0006New York: Clarkson N. Potter Publishers 1998. Book. Illus. by Maggie Hinders Jacket Design & Design; Charles E. Martin Author Photo. Very Good. Hardcover. 4to or 4° Quarto: over 9¾" x 12" tall. 192 pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy and dust jacket with moderate external wear crisp pages and clean text. Dust jacket shows wear in some places. Clarkson N. Potter, Publishers Hardcover
rif. 1604163461.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. SONG164051001XUsed: Good unknown
rif. 159255797X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. SONG0806695897Used: Good unknown
rif. 1512791776.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1973665085.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1449755070.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1480853879.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. DADAX0884899829New unknown
rif. DADAX0195368339New unknown
2008rif. 1-0446199508Grand Central Pub 2008. Hardcover. New. illustrated edition. 368 pages. 9.25x6.25x1.25 inches. Grand Central Pub hardcover
rif. DADAX0824507797New unknown
rif. ria9781787993402_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; "You stop worrying about your sister and worry about yourself. You have said that today is my marriage but I have made a slight change in it."he said with menacing smirk playing on his face. "What change" she asked as she was not gettin paperback
rif. ria9781612299259_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In a world that is toying with neo-fascist tendencies Latin America’s painful experience with fascist military governments and North American corporate capitalism should be a red flag.From 1954 to 2005 Latin America underwent so paperback
rif. 026745094X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1924rif. 135995Ditchling Sussex UK: St. Dominic's Press. Good. 1924. First Edition. Card Cover. 8vo Writing on upper cover. Previous owner's book plate on verso of upper cover. Couple of photograph corners on ffep. With Eric Gill's printer's device on title page and two small decorative woodcuts in the text on e of a small cross and one of Christ carrying the cross. Corner torn from back cover. 28 pp.clean and tight. . St. Dominic's Press unknown
2012rif. C88053Cambridge: Cambridge Scholars Publishing 2012. First Paperback Edition. Paperback . Fine. First Paperback Edition. 8vo. Large format paperback. ISBN: 1443841439 Pages: 496 Fine. Cambridge Scholars Publishing paperback
2010rif. SS-EZG8-B9VD2010 OUP hardcover edition. Ex library copy with stamps and labels else good condition. This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period how where and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that created and surrounded these publications Faith Binckes aims to contribute a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911 and 1913 edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield these magazines figured in a series of pivotal developments. They were the arena for a challenge to Roger Fry's vision of Post-Impressionism for the introduction of Picasso to a British audience for early short stories and reviews by Lawrence and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age in which issues of the proper gender generation and formulation of modernity were debated month by month. However reading these magazines as vehicles for avant-garde development can only provide half the story. This book also pays close attention to their dialogic reproductive and periodical nature exploring the impact of these elements on the emerging terminology of the 'new'. Binckes argues that periodicals offer compelling evidence for the consistently mobile and multiple boundaries of the modern and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation. Contents: Introduction: Little Magazines: Modernism in Miniature 1. Textual Investments and Publishing Fields 2. Networks of Difference: Rhythm and the Avant-Garde 1911-1912 3. 'Cette belle allure indépendante': Tradition France and the Fantasistes 4. 'The type of people one can't stand': Murry Mansfield Modernism 5. Being Graphic: Post-Impressionism Reproduction and the Rhythmists 6. Sailing the 'Blue Sieve': Rhythm the Blue Review and the Georgians In Conclusion: Afterlives and the Signature OUP hardcover
