18 449 résultats
réf. 25889Undated but on Britannia paper watermarked 1805; and the San Ysidro was a prison ship at Plymouth between May 1805 and September 1814. Napoleon’s Egyptian Campaign 1798-1801 inspired a period of ‘Egyptomania’ culminating in Champollion’s decipherment of the Rossetta Stone. The contribution of the author of this letter to this outpouring of scholarly activity is an offer to the President of the Society of Antiquaries of London to blow up one of the pyramids in order to extract their contents. See the recipient’s entry in the Oxford DNB. 3pp 8vo. Bifolium of laid Britannia paper watermarked 1805. Fifty-five lines well laid out and written in a neat and stylish hand. In fair condition somewhat grubby and warn folded into a packet. Addressed to ‘The Right Honorable the Earl of Leicester. / F.R.S. / President of the Society of Antiquaries / London.’ Signed: ‘Wm. Lydiard - / Master’s Mate of HM Prison Ship San Ysidro / Plymo’ Dock’. The text begins: ‘. excess of servility and drudgery to which they were driven even to the making of Brick and other debasing services; some writers have from thence inferred that the Pyramids being of stone is a proof that they were not founded by them no work of that kind being recorded: but is it not recorded that they built Treasure Cities’ He proceeds to discuss whether as ‘Some authors affirm’ the pyramids are ‘the Tombs of Kings’. He states that he was ‘a few days since’ ‘furnished with the official account of the capture of Alexandria’ The French garrison at Alexandria had surrendered to the British on 2 September 1801. and that ‘it immediately struck me with a desire of troubling you on this subject with the view of observing to you that if it is the intention of government to follow up their success in that quarter; whether this may not afford a good opportunity for opening one or two of these mysterious piles’ Warming to his theme he continues: ‘it surely can be done - gunpowder has a speedy effect in operations of this nature - the trouble might not be small but I certainly would not hesitate to undertake the performance of it neither can I imagine I would take any very considerable time or expense to execute it.’ After this surprising offer he goes some way to redeeming himself by stating: ‘There may be some valuable remains of antiquity deposited in those closed which may materially tend to the illustration of the ancient history manners or customs of the Egyptians’. He ends with reference to ‘sacred Scripture’ and the ‘plundering of the Temple by Shishak’. Undated, but on Britannia paper watermarked 1805; and the San Ysidro was a prison ship at Plymouth between May 1805 and Septembe unknown
réf. GB0015TF9ISI3N01The Dial Press. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. The Dial Press hardcover
1946réf. N2158aFanara/ Egypt: Verlag Der Tribuene 1946. First Edition . Original Wrappers. Very Good. 8vo. Hans Preis. 151pp German text Printed on one side only.N.D. ca 1946 .Illustrationen Hans Preis. Inscribed by the author to his mother 16.3.1948. Adolf Sindler 1899-1965 pediatrician Düsseldorf-Haifa.Extremely rare exile item. S A Minimal outside markings.A very good and clean copy. Verlag Der Tribuene unknown
1984réf. N1198Paris: Editions Du Scribe 1984. Original Cloth with d/j. Near Fine. Folio. 279pp. French text. Richly illustrated many colour plates A fine copy. Editions Du Scribe hardcover
réf. biblio55Fine. First edition Hard cover Université Laval de Montréal Montréal 1890 Fine Ex-library Signed by previous owner iii et 119 p Rel toile embossée contient 13 planches hors texte en artotypie de la ''Canadian Bank Note Co Rare hardcover
1903réf. 3864Egypt: various dates 1903. Various sizes. Twenty-nine printed menus with specific offerings printed or in manuscript. On various papers some with chromolithograph illustrations; some with embossed debossed or die-cut elements; some with edges beveled and gilt. Texts in Arabic French German and English. An unusual group of Egyptian menus from a moment when the British Germans and Austro-Hungarians were jockeying for Power in the region and the last of the Khedive rulers was in power. The collection includes menus from Palais Ismaïlia; Palais D’Abdine; Savoy Hotel Cairo; Ziftah Barrage; Hotel Angst; Unter den Belten bei den Chalifen-Gräbern Kairo under the straights at the Khalifa Tombs Cairo; and Ghésireh Palace Hotel. ~ Four of the menus are from the Palais D'Abdine in November and December of 1902 and bear the coat of arms of Abbas Helmi II Khedive of Egypt the last to serve as King of Egypt before being deposed by the British in 1914. One of these menus is labeled for S.E. El-Lewn F. Thurneyssen Pacha ecuyer riding instructor to the King and one of many Austro-Hungarians close the Khedive court much to the consternation of the British. A second menu from this group is labeled in Arabic which we have been unable to translate. Additionally two menus hail from the Palais Ismaila and record dinners on consecutive evenings March 3 and March 4 1903. Each of bears the hand-lettered names of the guests: Moustapha Fehmi Pasha who had served as 7th Prime Minster of Egypt; and Hr. Van der Does de Villebois the Dutch Consul General later posted to Constantinople. Perhaps some light soiling or a bumped corner to a few menus otherwise condition throughout is very good. various dates unknown
réf. 249712 April 1884 on letterhead of the ‘Legation d’Angleterre’ British Embassy in Brussels. See his entry in the Oxford DNB. 3pp 12mo. Bifolium. An area torn away at the head of the first leaf with the loss of one word of text has been skilfully repaired with archival paper; otherwise in good condition lightly aged. He apologizes for being unable to ‘come to your at home tomorrow as I can not go to any parties till after the funeral of the Duke of Albany’. He asks her to ‘accept and make use of’ tickets ‘for some tableaux vivants which are to take place tomorrow night at the house of the Princesse de Caraman-chimay. They are likely to be interesting as the best looking ladies of the society take part in them’. Signed ‘Edward B Malet’. 2 April 1884, on letterhead of the ‘Legation d’Angleterre’ (British Embassy in Brussels). unknown
1985réf. 048677Tokyo: Waseda University - Tokyo Japan. Very Good with no dust jacket. 1985. Softcover. Softcover. Red covers with black title on front board. Light wear. Just a hint of sunning of spine. 49 pages of text plus plates in the rear. Plates are black & white photographs. A nice copy. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; 8vo 8" - 9" tall; 49 pages . Waseda University - Tokyo Japan paperback
1871réf. 33745London: John Murray 1871. 2 volumes. Fifth Edition With Numerous Additions and Improvements From a Copy Annotated by the Author With 130 illustrations through the two volumes appearing in both text and as full-page plates. 8vo publisher's original blind-embossed cloth the spine panels lettered in gilt. xxiii 386; viii 379 pp. A very fine set beautifully preserved as pristine and near mint hinges and text-blocks both in excellent condition very scarce in this condition. A VERY FINE WORK ON MANY ASPECTS OF EGYPTIAN MANNERS UP TO THE MIDDLE OF THE NINETEENTH CENTURY. Illustrated throughout the books were acknowledged for their accuracy and scope. They were reprinted many times well into the 20th century and have long been considered one of the most astute texts on Egypt and the Egyptians into the 20th century. Subjects included in the chapters relate to the country and climate religion and laws government domestic life society language literature science superstitions and magic alchemy industry tobacco bath games and music public celebrations and festivals as well as many more subjects. A complete work on Egypt. John Murray hardcover
1880réf. 33358Probably Cairo: Probably Maison Bonfils ca. 1880. With 56 full page albumen photographs mounted on board and with descriptions lettered by hand on the boards beneath the images. 210 x 270 mm. the mounted photographic images approximately 195 x 250 mm. the photographs are housed in a folding protective binder of brown calf the covers with triple gilt fillet rules the spine and upper cover with dark brown lettering labels gilt the inner portions of the foldover binding are decorated with patterned papers of red green and cream. 56 photographs on 28 boards the photographs in sepia. A very well preserved set with normal age and fading. A FINE COLLECTION OF PHOTOGRAPHS OF EGYPT including street scenes landscapes architecture photographs of mosques and tombs of the pyramids and ancient monuments and of people gathered in groups in Cairo and of Bedouin Arabs in gatherings and alone. Maison Bonfils was a French family-run company producing and selling photography and photographic products from Beirut then in Ottoman Syria now in Lebanon from 1867 until 1918 from 1878 on renamed "F. Bonfils et Cie". The Bonfils ran the first and in their time most successful photographic studio in the city. Maison Bonfils produced studio portraits staged biblical scenes landscapes and panoramic photographs. Félix Bonfils a French photographer married Marie-Lydie Cabanis in 1857. The couple together with their son Adrien moved to Beirut in 1867 where they opened a photographic studio called "Maison Bonfils" on what later became rue Georges-Picot. Maison Bonfils produced thousands of photographs of the Middle East. Bonfils worked with both his wife and his son. They photographed landscapes portraits scenes with subjects dressed in Middle Eastern regalia and also stories from the Bible. Félix Bonfils took photographs in Ottoman Syria in today's Lebanon Syria Israel & Palestine the Khedivate of Egypt Greece and Constantinople producing the vast majority of his work while his wife and son were also involved in photography produced by the studio. As few are signed it is difficult to identify who is responsible for individual photographs. Lydie is thought to have taken some of the studio portraits especially those of Middle Eastern women who were more inclined to pose for a female photographer. In 1876 Félix returned to AlÄs to have compiled collections of their photographs published. In 1878 when the name of the studio was changed to "F. Bonfils et Cie" Adrien was back in Beirut after completing his studies in France and took more responsibility for photography including landscape. Félix again travelled to AlÄs to establish a collotype printing factory in 1880 and died there in 1885. Probably Maison Bonfils hardcover
1846réf. 26864London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 17" x 23" the captioned image is 12.75" x 19.25" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very interesting image of the Temple at Kom Omboan unusual double temple built during the Ptolemaic dynasty 180-47 BC. This was painted prior to the temple's restoration by by Jacques de Morgan in 1893 and in the image most of the temple remains hidden beneath the shifting desert sand. A group of locals standing beside one of the columns provides an excellent sense of scale. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1847réf. 26861London: F.G. Moon and Co. 1847. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 23" x 17.5" the captioned image is 19.25" x 13" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM ONE OF THE MOST DESIRABLE OF ALL TRAVEL AND COLOURPLATE BOOKS. This is an especially attractive plate showing one of the best preserved temples in Egypt. The temple dedicated to the falcon god Horus was built in the Ptolemaic period between 237 and 57 BC. The temple is located on the west bank of the Nile in the city of Edfu which was known in Greco-Roman times as Apollonopolis Magna after the chief god Horus-Apollo. The temple of Edfu is the largest temple dedicated to Horus. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt there are also views available of Tyre Nubia Petra Sinai the Jordan Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1847réf. 26863London: F.G. Moon and Co. 1847. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 23" x 17.5" the captioned image is 19.25" x 13" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. This is an especially attractive plate showing the Ramesseum near Luxor the funeral temple of Ramses II. Prominent in the view is the huge fallen Ozymandias colossus which if not broken would rival the Colossi of Memnon. Colourfully dressed visitors stand near the Colossus while others stand in the foreground. The Osirid statues and what is commonly referred to as "the other head" are also in the view. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt there are also views available of Tyre Nubia Petra Sinai the Jordan Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1846réf. 26518London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 23.25" x 16.25" the captioned image is 19.75" x 13.75" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-painted to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1846réf. 26560London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 17.25" x 24" the captioned image is 13.25" x 21" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. An image of the interior of the Grand Portico at the Temple of Esna. Highly colored as printed and very atmospheric. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1845réf. 26561London: F.G. Moon and Co. 1845. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 24" x 16.5" the captioned image is 19.5" x 13" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1846réf. 26562London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 24" x 16.5" the captioned image is 19.5" x 13" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very famous and iconic image being the Colossi of Memnon the two massive stone statues of Pharaoh Amenhotep III which for the past 3400 years have stood in the Theban necropolis west of the River Nile near the modern city of Luxor. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1848réf. 26558London: F.G. Moon and Co. 1848. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 17.25" x 24" the captioned image is 13.25" x 21" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1846réf. 26627London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 13.5" the captioned image is 13.75" x 10" now presented in cream mounting boards 21" x 17" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very beautiful image of the Temple of Isis on the Island of Philae looking down the Nile. Philae was accounted to be one of the burying-places of Osiris and was held in high reverence both by the Egyptians to the north and the Nubians to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable." This is a view now un-viewable to modern eyes. Due to decades of constant flooding of Philae after the construction of the Aswan Low Dam every building was dismantled into about 40000 units and then transported to higher ground on the nearby island of Agilkia. The project was completed in time for the 1970 construction of the the Aswan High Dam. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1847réf. 26629London: F.G. Moon and Co. 1847. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 13.55" the captioned image is 14" x 10" now presented in cream mounting boards 17" x 21" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. AN especially pretty image the ruins beautifully rendered with colorfully dressed people scattered about them. The island of Bigge adjacent to Philae was part of the site of the tomb of Osiris. Only the priests from Philae were permited to even set foot on the island let along enter the temples. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1846réf. 26628London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 15" the captioned image is 14" x 10" now presented in cream mounting boards 21" x 17" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very beautiful image of the the Island of Philae from the Nile at Sunset. In the foreground are reeds and a sailboat behind which can be seen in near silhouette the Temple of Isis on the island. Philae was accounted to be one of the burying-places of Osiris and was held in high reverence both by the Egyptians to the north and the Nubians to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable." This is a view now un-viewable to modern eyes. Due to decades of constant flooding of Philae after the construction of the Aswan Low Dam every building was dismantled into about 40000 units and then transported to higher ground on the nearby island of Agilkia. The project was completed in time for the 1970 construction of the the Aswan High Dam. We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details. In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
2015réf. 628221Egypt Exploration Society 2015. paperback. New. 0x0x0. Egypt Exploration Society paperback
réf. 1343100399.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 19168Without place or date but the quoted documents dating from 1914 and 1915. . Three documents all in fair condition lightly aged and worn each of the total of six leaves with three later punch holes to the inner margins of the leaves. On the same browned thin wove paper. The source of these items is uncertain but they appear to date from the first decades of the twentieth century. ONE: 'Disposition of Troops in the Canal Defences 15th January 1915.' 4pp. folio. Beginning with: 'G.O.C. Canal Defences. - Major-General A. Wilson. Chief Staff Officer Canal Defences. - Br.-General A. H. Bingley.' Followed by the 'Troops' and 'Posts in Sector' for three sections as well as the 'Advanced Ordnance Depot' and 'Defence of Railway and Sweet Water Canal' 'General Reserve Camp Moascar'. TWO: 'British Force in Egypt in August 1914.' 1p. 8vo. A nine-line list. THREE: Transcription headed 'Letter - General Maxwell to Lord Kitchener. 16th October 1914.' An abridged portion of a letter quoted in full in Sir George Arthur's 'Life of Lord Kitchener'. Text begins 'There is rather more nervousness in Egypt' and ends 'the Canal ought to be safe'. Without place or date, but the quoted documents dating from 1914 and 1915. ] unknown
réf. 22255'Darlington 21/7mo July 1853'. See Sams's entry in the Oxford DNB. 4pp 12mo. On a bifolium the second leaf of which has had a rectangle almost amounting to half cut away from the bottom. The text of the letter is complete but the priced list of the prints and drawings on the last page lacks the lower half. A long letter closely written. Signed 'J. Sams.' Aged worn and lightly stained but nevertheless in passable condition. The recipient saluted as 'Esteemed Friend' is not named. In the first paragraph Sams is at pains to explain his bookselling practice as founded on plain dealing: 'I have been from home to York & other places & this is the first day I have had here since thine came. I regret the circumstance fearing it may cause to suppose I have been inattentive ot the request sent. As a rule the wish is to put all as cheap as may be & not take back. One great difficulty as to return is especially of a fine work likely to be noticed as this people have remarked last word underlined the book not seeing it as usual suppose it sold & gone even if they are not so informed. Consequently to see it come back again they suppose somethg. sic is the matter & the sale of the work afterwards; is probably much injured. Sometimes also some injury arises in carriage two ways.' But to a much respected customer I will look carefully among my plates & try to accommodate – tho' the risk at which I have made free to hint is very considerable.' He continues at equal length in the same idiosyncratic tone regarding his plan to 'forward a collection of fine & curious coloured prints all of which have their original marks but I should have said a number are coloured drawings'. After sending respects to 'thyself & daughter' he signs 'in haste J. Sams.' The reverse of the second leaf carries a list of fourteen of the prints and drawings with prices most marked with pencil crosses to indicate that they are desired. A fifteenth entry ends abruptly indicating that the bottom part of the list has been cut away. 'Darlington 21/7mo (July) 1853'. unknown
