1971réf. 119771London Faber and Faber 1971 1 vol. broché in-8, broché, couverture illustrée, 85 pp. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1971réf. 119771London Faber and Faber 1971 1 vol. broché in-8, broché, couverture illustrée, 85 pp. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1975réf. 113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1975réf. 113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1941réf. 113384Paris Editions des Iles de Lerins 1941 1 vol. broché plaquette in-16, brochée, 37 pp. Edition originale. Tirage limité à 200 exemplaires, celui-ci l'un des 190 numérotés à la main sur satiné. Couverture un peu insolée, sinon en très bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1941réf. 113384Paris Editions des Iles de Lerins 1941 1 vol. broché plaquette in-16, brochée, 37 pp. Edition originale. Tirage limité à 200 exemplaires, celui-ci l'un des 190 numérotés à la main sur satiné. Couverture un peu insolée, sinon en très bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1982réf. 113052Paris J.C. Lattès, coll. "Musiques et musiciens" 1982 1 vol. broché in-8, broché, couverture illustrée, 258 pp., quelques illustrations. Petite déchirure en marge de la couverture, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1982réf. 113052Paris J.C. Lattès, coll. "Musiques et musiciens" 1982 1 vol. broché in-8, broché, couverture illustrée, 258 pp., quelques illustrations. Petite déchirure en marge de la couverture, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
réf. R130006479GUIDE INTERNATIONAL DU DISQUE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette illustrée en couleurs par MP. ZWOLINSKI, biographie de ANDRE BOUCOURECHLIEV dérrière la pochette. L'orchestre de chambre Ramat-Gan. Au violon solo ABRAHAM COMFORT, direction: SERGIU COMISSIONA.. . . . Classification : 410-33 Tours
1958réf. R240101153EDITIONS DU ROCHER. 1958. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages - petit manque sur le 1er plat de la jaquette en tête - avec 14 photographies et un dessin en noir et blanc hors texte d'Alberto Giacometti.. Avec Jaquette. . . Classification Dewey : 780.92-Musiciens, concertistes
réf. DUC57AP
1990réf. R160197938CHESTER MUSIC. 1990. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 11 pages - Annotations au crayon à papier à la page 9. . . . Classification Dewey : 780.26-Partitions
1950réf. 1084781950. Signed. STRAVINSKY Igor. Photograph inscribed. No place 1950. Black-and-white postcard portrait measuring 3-1/2 by 5-1/2 inches; matted and framed entire piece measures 9-1/2 by 12 inches. $2200.Postcard photograph of Igor Stravinsky inscribed ÒPour Monsieur Maurice Dubois avec mes meilleurs compliments Igor Stravinsky 1950.Ó""Few 20th-century composers enjoyed international influence and importance equal to that of Stravinsky. This influence exists in the materials of his music and in his rigorous search for an individual soundÉ For many years he was with Schoenberg one of the two unofficial poles of Western music"" ANB. The postcard portrait is dated September 1948 and is attractively matted and framed with a page of music from Stravinsky's Four Etudes. An attractive inscribed and signed framed piece in fine condition. unknown books
réf. RO50030230Non édité. XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 8 pages environ. Partitions écrites manuscritement sur du papier à musique.. . . . Classification Dewey : 780.26-Partitions
réf. RO50061819DOVER PUBLICATIONS. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 172 pages de partitions - clé de sol et clé de fa. Illustration sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
1985réf. 14475New York, Thames and Hudson, 1985. In-4, pleine toile avec décor doré, jaquette couleurs. En belle condition. Illustré de 183 fac-similés et photographies en noir.
réf. QWA-13545Monaco, Editions du Rocher, 1958, in-4 br. (21,5 x 26), 215 p., coll. "Domaine musical", 14 photographies, 1 dessin d'Alberto Giacometti, jaquette, bon état.
1963réf. 124175Gallimard, coll. « Du Monde Entier » 1963 In-12 broché 18 cm sur 12. 210 pages. Appendice avec le premier scénario pour The Rake’s Progress par Stravinsky et Auden. Dos insolé et marqué par les lectures. Couverture légèrement tâchée, sans gravité. Bon état d’occasion.
1962réf. 1004541962. First Edition. Signed. STRAVINSKY Igor. CRAFT Robert. Expositions and Developments. Garden City New York: Doubleday 1962. Octavo original black cloth original dust jacket. $2500.First edition warmly inscribed on the half title to neighbor and longtime friend Miranda Levy ""To my dear Miranda with love and kisses from I Stravinsky Nov /63.""""Few 20th-century composers enjoyed international influence and importance equal to that of Stravinsky. This influence exists in the materials of his music and in his rigorous search for an individual soundÉ For many years he was with Schoenberg one of the two unofficial poles of Western music"" ANB. In these conversations with his protg conductor Robert Craft who coauthored seven books with him Stravinsky discusses his childhood in St. Petersburg Russia; recalls such musical luminaries as Tchaikovsky and Rimsky-Korsakov; reflects on the intersection of music and modern recording technology; and discusses scores including The Firebird The Rite of Spring and his then-new work The Flood. Illustrated with eight pages of black-and-white photographs. Inscribed to Miranda Levy a founding member of the Santa Fe Opera and wife of pioneering television director Ralph Levy whose credits include directing the original I Love Lucy pilot episode. Miranda ""met Stravinsky at the Aspen Colorado Music Festival in 1950 then hosted him on a New Mexico visitÉ When the composer let it be known he was interested in D.H. LawrenceÉ Miranda introduced Stravinsky to Lawrence's widowÉ Miranda and Ralph Levy moved to Los Angeles and bought a house less than a block from Stravinsky'sÉ Just as she had once kept Santa Feans up to date on the latest news and gossip she now regaled Igor and Vera Stravinsky with daily updates on movie studio gossip"" Albuquerque Journal.Dust jacket with light rubbing to spine ends and edges. A very nearly fine inscribed presentation/association copy. hardcover books
1967réf. RO60110412Boosey & Hawkes. 1967. In-4. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur acceptable. 153 pages. Nombreuses partitions Annotations au dos du 1er plat et en page de titre. Annotations au crayon dans le texte.. . . . Classification Dewey : 780.26-Partitions
1936réf. 255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36." Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275. An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown books
1954réf. 52498London: Boosey & Hawkes 1954. 4to pp. 8. Paper wraps. Cover a little spotted item slightly creased o/w a VG tight copy. Dirge-canons and song based on Thomas' poem "Do not go gentle." Vocal score for tenor only. Boosey & Hawkes unknown books
2016réf. 129872Pasadena CA: The Clinker Press 2016. Clinker Press. broadside 13 by 10 1/4 inches. Designed and printed by Andre Chaves. The Clinker Press unknown books
1940réf. 54998NY:: Random House. Very Good in Very Good dust jacket. 1940. Hardcover. Told by Robert Lawrence. No statement of printing. Very good in a very good edge worn with a few small chips and closed edge tears dust jacket. . Random House, hardcover books
1956réf. 625594New York: Vintage 1956. Softcover. Very Good. First Vintage edition. Trade paperback. English translations by Arthur Knodel and Ingolf Dahl. Preface by Darius Milhaud. 146 4pp. Text in English. Illustrated wrappers by Paul Rand a bit rubbed and toned else very good or a little better. The poet Geoffrey Hill's copy with his ownership signature. Vintage unknown books