497 risultati
rif. R130008456GUILDE INTERNATIONAL DU DISQUE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette illsutrée en couleurs par MP.ZWOLINSKI, Orchestre de Chambre Ramat Gan-direction: SERGIU COMISSIONA. Biographie de ANDRE BOUCOURECHLIEV dérrière la pochette. Auviolon solo: ABRAHAM COMFORT.. . . . Classification : 410-33 Tours
rif. R130008647ARGO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, biographie de JOHN AMIS dérrière la pochette. The Academy of St.Martin-In-The-Fields, direction: NEVILLE MARRINER.. . . . Classification : 410-33 Tours
rif. R130008896DECCA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre de la Suisse Romande, direction: ERNEST ANSERMET. Biographie dérrière la pochette.. . . . Classification : 410-33 Tours
rif. R130009469STEREO. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. POchette en couleurs, Orchestre de Cleveland, direction: PIERRE BOULEZ. Biographie de PIERRE BOULEZ à l'intèrieur de la pochette avec une petite photo en noir et blanc. Illustrations: MANNICK et photo: J.-P.LELOIR.. . . . Classification : 410-33 Tours
rif. R130009821GUILDE INTERNATIONAL DU DISQUE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre National de l'O.R.T.F, direction: LORIN MAAZEL. Biographie dérrière la pochette en trois langues différentes (Français, Anglais et Allemand). Enregistrement réalisé en collaboration avec l'O.R.T.F.. . . . Classification : 410-33 Tours
rif. R130009824GUILDE INTERNATIONAL DU DISQUE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre Symphonique de Minneapolis, direction: ANTAL DORATI. Biographie de JEAN ROY dérrière la pochette. Ballet en quatre tableaux.. . . . Classification : 410-33 Tours
rif. R130009958DECCA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, un assez long texte dérrière la pochette. Orchestre de la Suisse Romande, direction: ERNEST ANSERMET. Microsillon 33tours.. . . . Classification : 410-33 Tours
rif. R130010162SAGA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, biographie de BURNETT JAMES dérrière la pochette. The Haydn Orchestra, direction: HARRY NEWSTONE.. . . . Classification : 410-33 Tours
rif. R130010389MERCURY RECORDS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, un texte de MARCEL MARNAT dérrière la pochette et extrait du catalogue. Orchestre Symphonique de Minneapolis, direction: NATAL DORATI.. . . . Classification : 410-33 Tours
rif. R130012657CLUB FRANCAIS DU DISQUE. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Plastique recouvrant la pochette.. . . . Classification : 410-33 Tours
1959rif. R160110925PEUPLE ET CULTURE. 1959. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 41 pages. Partition dépliante en fin d'ouvrage.. . . . Classification Dewey : 780-Musique
rif. RO50030230Non édité. XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 8 pages environ. Partitions écrites manuscritement sur du papier à musique.. . . . Classification Dewey : 780.26-Partitions
rif. RO50035735BOOSEY & HAWKES. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 36 pages de partitions, premier plat illustré d'une gravure noir et blanc.marques de stabilo. . . . Classification Dewey : 780.26-Partitions
1958rif. R240101153EDITIONS DU ROCHER. 1958. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages - petit manque sur le 1er plat de la jaquette en tête - avec 14 photographies et un dessin en noir et blanc hors texte d'Alberto Giacometti.. Avec Jaquette. . . Classification Dewey : 780.92-Musiciens, concertistes
1967rif. RO60110412Boosey & Hawkes. 1967. In-4. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur acceptable. 153 pages. Nombreuses partitions Annotations au dos du 1er plat et en page de titre. Annotations au crayon dans le texte.. . . . Classification Dewey : 780.26-Partitions
rif. RO50061819DOVER PUBLICATIONS. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 172 pages de partitions - clé de sol et clé de fa. Illustration sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
1990rif. R160197938CHESTER MUSIC. 1990. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 11 pages - Annotations au crayon à papier à la page 9. . . . Classification Dewey : 780.26-Partitions
1968rif. AUB-7477Ed. Hachette (coll. Génies et Réalités) 1968. Bel exemplaire relié, jaquette conservée, gd in-8, 277 pages.
rif. MUS013M2001 / 217 pages. Broché Carré Editions Séguier
1968rif. AUB-4705Paris, éd. Hachette 1968 (coll. Génies et Réalités). Bel exemplaire relié, reliure ornée d'éd., gd in-8, 280 pages sur vergé.
1928rif. AUB-4535Ed. Mermod 1928-1929. Six cahiers reliés en 1 vol. par l'éditeur. Bel exemplaire broché, couverture rempliée d'éd., gd in-8, 207 pages + planches et plats. 1 des 600 exemplaires numéroté sur vélin Pont-de-Claix.
1912rif. 41313Berlin Moscou St. Pétersbourg .: Édition Russe de Musique PN R.M.V. 127 1912. Folio. Newly bound in quarter dark green cloth with mid-brown paper boards dark red title label gilt to upper and spine. 1f. recto title verso blank i named cast list ii synopsis i orchestration i recto dedication "À Alexandre Benois" verso blank 7-156 pp. 1f. errata tipped in to rear pastedown. With text in Russian and French. Named cast for the first performance by Diaghilev's Ballets Russes at the Théâtre du Chatelet in Paris on 13 June 1911 includes Tamar Karsavina Le Ballerine Vaslav Nijinsky Petrushka Orlow Le Maure and Enrico Ceccheti Le vieux Charlatan; the performance was conducted by Monteux with maître du ballet Fokine and sets and costumes designed by Benois and executed by Anisfeld sets and Caffi and Worobiew costumes. Small area of faint dampstaining and minor cockling to upper inner margins. An attractive copy. First Edition first issue. Rare. Kirchmeyer 12-1. Hirsch II 905. De Lerma P15. White p. 193. Crawford p. 533. "The emergence of Stravinsky as a modernist with an individual manner unlike any other can be dated with some precision to his early work on Petrushka. In March 1910 during the later stages of composing The Firebird he had experienced the famous 'fleeting vision' out of which The Rite of Spring was to grow. But when Diaghilev and Nijinsky visited him in Lausanne in September 1910 they found him at work on something quite different a concert piece for piano and orchestra called 'Petrushka's Cry'. Together with a 'Russian Dance' composed soon afterwards this music was to form the basis of the ballet which Diaghilev instinctively urged him to write instead. . It is from the systematic attempt to render the particular flavour of traditional Russian life into music that Petrushka derives many of its freshest and most original qualities. . Looked at in general terms the opening sequence of Petrushka is a prototype of later Stravinskian form. Its underlying rhythmic design may not be complex in the same way as that of The Rite of Spring or the later Russian works but its intricacy of rhythmic detailing and its mixture of a highly fluid pattern of melodic stress with an inert background harmony laid the groundwork for a technique which through many changes of superficial style was to serve him for the rest of his life." Walsh: The Music of Stravinsky pp. 24-29. "Petroushka proved just as successful with the public and critics as The Firebird had been; but it was undoubtedly a more original work. In the first place Stravinsky had been able to play a leading part in the construction of the scenario which had not been the case with The Firebird. Secondly whereas the music of The Firebird showed that the pupil had learnt all that his master had had to teach him in Petrushka for the first time the authentic voice of the new master is heard." TNG Vol. 18 pp. 244-245. The rare first edition first issue of Stravinsky's colorful and well-loved ballet inspired by the St. Petersburg Shrove-tide Fair. Édition Russe de Musique [PN R.M.V. 127] unknown books
1960rif. 168684New York: Time Magazine 1960. First Edition. Softcover. First Edition. Reproduces the script of a 1960 documentary film about contemporary art focusing on de Kooning Stravinsky and Fuller along with "Time" articles relating to same. Robert Snyder and Michael Sonnabend previously collaborated on the 1950 documentary "The Titan." Near Fine in perfect-bound wrappers with French flaps. Time Magazine unknown books
1940rif. 170239New York: Perls Galleries 1940. Vintage bi-fold catalog brochure for the January 8 to February 2 1940 exhibition at Perls Galleries New York. 6 x 9.25 inches Bi-fold. Very Good plus with light silverfish damage to the surface of the upper left and bottom right of the front panel. Perls Galleries unknown books
1980rif. 208861London: Boosey & Hawkes Music Publishers 1980. Softcover. 60 pages. Features text by Auden and Kallman and music by Stravinsky. A very good copy in stapled wrappers that are very slightly soiled and with a former owner signature to the title page and a handwritten note to the verso of the rear cover. Boosey & Hawkes Music Publishers unknown books
