Stravinsky, Igor (1882-1971; Russian composer, later an exile to France and the United States)Biblio.com
476 résultats
1960réf. 58268NP 1960. 9 x 7 1/8 inches. Black and white photograph a publicity still bears no attribution on the verso. Stravinsky is generally acknowledged as one of the most important and influential composers of the 20th century. Among his works are the ballets The Firebird 1910 and The Rite of Spring 1915 and the opera The Rake's Progress 1951 with libretto by W.H. Auden and Chester Kallman. Very good. #5145. unknown
1967réf. 101601Lion and Unicorn Press 1967. First Edition. Hardcover. Collectable - Very Good Condition. VG 1st ed Lion and Unicorn hardback with original binding Errata slip loosely laid in to first page one of only 450 copies with the plastic grip style spine. Minor stain mark to top edge of fly-leaf page previous owner name label to inside lower front cover tight and unmarked with a little rubbing to boards in places only. Elegantly produced high quality volume more related books available. Quantity Available: 1. Shipped Weight: Under 3kg. Category: Art & Design; ISBN/EAN: B01DKOXM0W. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 101601. B01DKOXM0W Lion and Unicorn Press hardcover
1966réf. 331152New York: Alfred A. Knopf 1966. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket. Owner personalization inked on half title page. Shelfwear on spine crown and heel. Small closed tears on bottom front and rear panels. Small open tear on spine. Alfred A. Knopf hardcover
1979réf. 313611New York: Simon & Schuster 1979. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket.; 688 pages. Simon & Schuster hardcover
1997réf. 754181997. First Edition; First Printing. Softcover. Very Good in wrappers. Text is in Italian.; 4to - over 9¾" - 12" tall. unknown
1962réf. 70330New York: W. W. Norton & Company 1962. First Edition Thus; First Printing. Softcover. Very Good- in wrappers. Inked out price to front panel. Minor cup ring stain to front panel.; The Norton Library; 8vo 8" - 9" tall. W. W. Norton & Company unknown
1948réf. 66950New York: Boosey and Hawkes 1948. Vintage Copy. Softcover. Very Good in wrappers.; 4to - over 9¾" - 12" tall. Boosey and Hawkes unknown
1982réf. 65138New York: Alfred A. Knopf 1982. First Edition; First Printing. Hardcover. Very Good in a Very Good- dust jacket. Crease to front flap. A few tears to jacket edges. Stated First Edition.; 9.45 X 6.61 X 1.57 inches; 471 pages. Alfred A. Knopf hardcover
1972réf. 65771New York: W. W. Norton & Company 1972. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket. Stated First Edition.; 8.30 X 6 X 1.40 inches; 400 pages. W. W. Norton & Company hardcover
1959réf. 59043New York: Grossman Publishers 1959. First Edition; First Printing. Softcover. Good in wrappers. Owner ink address stamp to half title page. Creasing. Stated First Printing.; 8vo 8" - 9" tall. Grossman Publishers unknown
1972réf. 56389New York: Alfred A. Knopf 1972. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Some edge wear including a few small tears slight creasing to flaps. First Edition stated.; 8vo 8" - 9" tall. Alfred A. Knopf hardcover
1975réf. 47796New York: Da Capo Press 1975. First Edition Thus; First Printing. Softcover. Very Good in wrappers. Small tear and crease to rear panel. Minor wear including scraping to wrappers. First Paperback printing as stated.; A Da Capo Paperback; 0.5 x 7.9 x 5.2 Inches; 228 pages. Da Capo Press unknown
1962réf. 39959London: Encounter 1962. First Edition; First Printing. Softcover. Very Good in wrappers. Cover with original drawing by Jean Cocteau.; 4to - over 9¾" - 12" tall. Encounter unknown
1962réf. 31632New York: Doubleday 1962. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Owner inscritption. Soiling and some staining. First Edition stated.; 8vo 8" - 9" tall. Doubleday hardcover
réf. 53407651like new. unknown
réf. 53407548-nnew. unknown
1912réf. 41313Berlin Moscou St. Pétersbourg .: Édition Russe de Musique PN R.M.V. 127 1912. Folio. Newly bound in quarter dark green cloth with mid-brown paper boards dark red title label gilt to upper and spine. 1f. recto title verso blank i named cast list ii synopsis i orchestration i recto dedication "À Alexandre Benois" verso blank 7-156 pp. 1f. errata tipped in to rear pastedown. With text in Russian and French. Named cast for the first performance by Diaghilev's Ballets Russes at the Théâtre du Chatelet in Paris on 13 June 1911 includes Tamar Karsavina Le Ballerine Vaslav Nijinsky Petrushka Orlow Le Maure and Enrico Ceccheti Le vieux Charlatan; the performance was conducted by Monteux with maître du ballet Fokine and sets and costumes designed by Benois and executed by Anisfeld sets and Caffi and Worobiew costumes. Small area of faint dampstaining and minor cockling to upper inner margins. An attractive copy. First Edition first issue. Rare. Kirchmeyer 12-1. Hirsch II 905. De Lerma P15. White p. 193. Crawford p. 533. "The emergence of Stravinsky as a modernist with an individual manner unlike any other can be dated with some precision to his early work on Petrushka. In March 1910 during the later stages of composing The Firebird he had experienced the famous 'fleeting vision' out of which The Rite of Spring was to grow. But when Diaghilev and Nijinsky visited him in Lausanne in September 1910 they found him at work on something quite different a concert piece for piano and orchestra called 'Petrushka's Cry'. Together with a 'Russian Dance' composed soon afterwards this music was to form the basis of the ballet which Diaghilev instinctively urged him to write instead. . It is from the systematic attempt to render the particular flavour of traditional Russian life into music that Petrushka derives many of its freshest and most original qualities. . Looked at in general terms the opening sequence of Petrushka is a prototype of later Stravinskian form. Its underlying rhythmic design may not be complex in the same way as that of The Rite of Spring or the later Russian works but its intricacy of rhythmic detailing and its mixture of a highly fluid pattern of melodic stress with an inert background harmony laid the groundwork for a technique which through many changes of superficial style was to serve him for the rest of his life." Walsh: The Music of Stravinsky pp. 24-29. "Petroushka proved just as successful with the public and critics as The Firebird had been; but it was undoubtedly a more original work. In the first place Stravinsky had been able to play a leading part in the construction of the scenario which had not been the case with The Firebird. Secondly whereas the music of The Firebird showed that the pupil had learnt all that his master had had to teach him in Petrushka for the first time the authentic voice of the new master is heard." TNG Vol. 18 pp. 244-245. The rare first edition first issue of Stravinsky's colorful and well-loved ballet inspired by the St. Petersburg Shrove-tide Fair. Édition Russe de Musique [PN R.M.V. 127] unknown
réf. 50341522-nnew. unknown
1960réf. 168684New York: Time Magazine 1960. First Edition. Softcover. First Edition. Reproduces the script of a 1960 documentary film about contemporary art focusing on de Kooning Stravinsky and Fuller along with "Time" articles relating to same. Robert Snyder and Michael Sonnabend previously collaborated on the 1950 documentary "The Titan." Near Fine in perfect-bound wrappers with French flaps. Time Magazine unknown
1967réf. 1-0393097706W W Norton & Co Inc 1967. Paperback. New. annotated edition edition. 224 pages. 8.50x6.25x0.50 inches. W W Norton & Co Inc paperback
réf. 44083172-nnew. unknown
réf. 44711068-nnew. unknown
réf. 39498Four measures containing the theme of the closing of the first scene of the composer's Danse Russe. Notated unbarred on dark ivory music paper in blue ink signed and dated Hollywood 23 January 1966. On an album leaf 141 x 199 laid down to backing board. Small hole to blank upper margin; two light vertical creases. Petrushka a ballet in 4 scenes with music by Stravinsky choreography by Michel Fokine and set and costume designs by Alexandre Benois was written for the 1911 season of Diaghilev's Ballets Russes and first performed in Paris at the Châtelet on 13 June 1911. The premiere was conducted by Pierre Monteux with Vaslav Nijinsky as Petrushka Tamar Karsavina as lead ballerina and Enrico Cecchetti as the charlatan. The work became one of the most popular productions of the revolutionary Ballets Russes and one of Stravinsky's best-loved compositions. unknown
1997réf. 1-0851621910Boosey & Hawkes Music Pub Ltd 1997. Paperback. New. new edition. 168 pages. 12.00x9.00x0.40 inches. Boosey & Hawkes Music Pub Ltd paperback
2001réf. 1-0851623182Boosey & Hawkes Music Pub Ltd 2001. Paperback. New. illustrated edition. 75 pages. 11.25x8.75x0.25 inches. Boosey & Hawkes Music Pub Ltd paperback
