476 résultats
1986réf. 28001Bis, [1986]. BIS-CD-336 CD CD
1987réf. 37191RCA, 1987. GD86529 1 CD CD
2013réf. 54062Naive, 2013. V 5192 CD, DVD Digipak
1987réf. 27995Bis, 1987. BIS-CD-364 CD CD
2011réf. 49557LIM, 2011. LIM UHD 057 CD Digipack
2014réf. 54617Analogue Productions, 2014. CAPC 2150 SA CD CD
2008réf. 37644EMI Classics, 2008. 1 CD CD
1999réf. 21992Aura, 1999. 1 CD CD
2008réf. 47840JVC, 2008. JM-XR24051 CD Digipack
2003réf. 50063Arte Nova, 2003. 743219276520 CD CD
2002réf. 46085Deutsche Grammophon, 2002. 463789-2 CD CD
2013réf. 39450Naive Classique, 2013. V 5371 1 CD CD
1972réf. 71988N.Y., Alfred A.Knopf, 1972. Origi.Leinenband mit Schutzumschlag, kl.4°, 424 Seiten und 15 Seiten im Anhang.
réf. 1146038Frankfurt am Main : Peter Lang, 2017. 170 S., Noten. Originalbroschur.
1994réf. 1222705Ostfildern : Cantz, 1994. 62 S. : überw. Ill. kart.
1966réf. 951091966. Rare autograph letter signed by Russian-born composer Igor Stravinsky. One page type-written dated December 21st 1966 and addressed to John McClure at Columbia Records the letter reads "Dear John Please answer this Mercury Record letter for me telling them that they can have the permission though they can have it I think without asking me in any case. I have been ordered to rest -- no conducting at all -- after Chicago. This postpones our January plans I greatly regret to say and not only for me as I realize bu can't help. Happy New Year to you and your wife. Igor Stravinsky." The recipient John McClure was an American recording producer at Columbia Records throughout the 1950s and later operated in a freelance capacity. He worked on over 30 recordings with Stravinsky 200 with Leonard Bernstein and oversaw recordings by the Boston Pops Orchestra under John Williams. Double matted and framed with a black and white portrait of Stravinsky. The entire piece measures 19.5 inches by 14.5 inches. In fine condition. Stravinsky found recordings a practical and useful tool in preserving his thoughts on the interpretation of his music. As a conductor of his own music he recorded primarily for Columbia Records beginning in 1928 with a performance of the original suite from The Firebird and concluding in 1967 with the 1945 suite from the same ballet. Although most of his recordings were made with studio musicians he also worked with the Chicago Symphony Orchestra the Cleveland Orchestra the CBC Symphony Orchestra the New York Philharmonic Orchestra the Royal Philharmonic Orchestra and the Bavarian Broadcasting Symphony Orchestra. unknown books
1952réf. 33667New York: Boosey & Hawkes PN B. & H. 17247 1952. Quarto. Original publisher's dark ivory illustrated wrappers printed in dark red; publisher's advertisement to lower. 1f. title 1 printed reproduction of manuscript dedication by composer 32 pp. Ex-libris the noted musicologist Howard Mayer Brown with his signature to upper outer corner of title-page and publisher's handstamp to lower outer corner. Wrappers slightly soiled with minor wear to spine. Some leaves slightly creased; minor annotations in pencil throughout. First Edition variant issue with text in English only. Kirchmeyer 79-2 p. 461 edition with text in both English and German. Premiered in Los Angeles on 11 November 1952 conducted by Stravinsky. Boosey & Hawkes [PN B. & H. 17247] unknown books
1922réf. 35561London: J. & W. Chester J.W.C. 45 1922. Paperback. Very Good. Small octavo. Wrappers. 1f. 132 pp. Text in Russian and French. From the collection of noted musicologist Stanley Boorman with his signature to upper. Lightly worn. A few small markings throughout in red pencil. Reprint. J. & W. Chester [J.W.C. 45] paperback books
1977réf. 35582Moskva: Izdatel'stvo "Muzyka" 9141 1977. Hardcover. Good. Quarto. Publisher's cloth-backed boards with titling to upper and spine. 4ff. 182 pp. Parallel title in English. Preface by Galina Grigor'eva and sung text in Russian. Boards lightly worn discolored and soiled; corners bumped and rubbed. Scarce Soviet Edition. Izdatel'stvo "Muzyka" [9141] hardcover books
1982réf. 32465Knopf 1982. CRAFT Robert. 416 pp. v.1. Knopf unknown books
1984réf. 32466Knopf Doubleday Publishing Group 1984. CRAFT Robert. 559 pp. v.2. Knopf Doubleday Publishing Group unknown books
1934réf. 144519N.p.: N.p. 1934. Vintage borderless photograph of composer Igor Stravinsky 1934. With holograph annotations in pencil and photo agency stamps on the verso. Igor Stravinski and his family moved to Paris from the south of France in 1934 the year they became French citizens. He lived in Paris for five years before moving to the United States. During those years he lost his wife and eldest daughter to tuberculosis. 7 x 9.5 inches A few faint scratches to the surface of the verso else Near Fine. N.p. unknown books
1962réf. 847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown books
1989réf. UHANMON00EMDoubleday 1989. Fine. Hanna Jack. Monkeys On the Interstate : and Other Tales From America's Favorite Zookeeper. Stravinsky John. New York: Doubleday 1989. 292 pp. 8vo. Hardcover. Book condition: Near fine. Dust Jacket Condition: Near fine. Doubleday hardcover books
1960réf. 131748London: Faber and Faber 1960. First UK Edition. INSCRIBED by Stravinsky in the year of publication on the title page: "To Ralph and Mirandi / With love / I. Stravinsky / illegible Nov-60." Also inscribed by Craft on the title page: "Love / Miranda and Ralph / Paris / Nov. 26-60." A companion volume to "Conversations with Igor Stravinsky" published one year earlier. Craft is an award winning conductor and musicologist who has led most of the major orchestras in the United States. His relationship with Stravinsky is legendary not just in terms of documenting the composer's life but in that Craft conducted the world premieres of many of Stravinsky's later masterpieces. In 2002 he received the International Prix due Disc at the Cannes Music Festival. Very Good plus in a Very Good dust jacket. Spine and extremities slightly toned spine ends lightly bumped and faint dampstains to the boards. Brief loss to the jacket extremities light toning and faint dampstains noticeable only on the verso to the top edges and rear flap fold. Faber and Faber unknown books
