416 risultati
2005rif. 35986London: Sotheby's 2005. Paperback. Very Good. Quarto. Original publisher's illustrated wrappers. 16 pp. With illustrations in color. Sotheby's paperback books
1931rif. 35944Berlin: Russischer Musik Verlag 1931. Quarto. Stiff light tan wrappers. 286 pp. 3ff. "Chronologisches Verzeichnis der Werke Igor Strawinskys" 1f. recto "Schallplatten-Verzeichnis" verso blank. With numerous musical examples some in facsimile and several illustrative plates. Russischer Musik Verlag unknown books
1984rif. 33014Basel: Kunstmuseum Basel 1984. Hardcover. Fine. Small folio. 386 pp. Illustrated. Kunstmuseum Basel hardcover books
1960rif. 45960London: Faber and Faber 1960. First edition. Very good in very good jacket. First printing of this collection of conversations with the iconic composer inscribed in the year of publication to his well-connected friends Miranda and Ralph Levy. Igor Stravinsky's storied career spanned from Russia to France and finally to the US where his innovative style caused ripples throughout the music world. MEMORIES AND COMMENTARIES finds the composer reflecting on his many influences friends and colleagues and was compiled with the help of his frequent collaborator and confidant Robert Craft. This copy features an inscription from Stravinsky to "Ralph and Miranda Levy" a television pioneer and well-known jewelry designer respectively. Miranda Levy was noted in her obituary as "the woman who jump-started the Santa Fe Opera" by introducing its founding director to Stravinsky Roberts. Stravinsky supervised the opera house's opening production of his "A Rake's Progress" in 1957 and subsequently returned to Santa Fe every summer after that until 1963. A warm association between arguably the 20th century's most important composer and two significant supporters. 8.5'' x 5.25''. Original blue cloth binding. Original unclipped 25s pictorial dust jacket. Black-and-white frontispiece with 21 black-and-white illustrations. 184 pages including index. Inscribed by Stravinsky "To Ralph and Miranda" Levy dated November 1960 in Rome. With the Levy's subsequent gift inscription below. Jacket with light edgewear slight chipping to corners and spine ends. Binding with mild edgewear and bumping to spine ends; faint damping close inspection only. Faber and Faber unknown books
1967rif. 606019No place: Philips 1967. Softcover. Near Fine. Original stereo 12" 33 1/3 rpm vinyl record. Conducted by Colin Davis. Performed by the London Symphony Orchestra. Violin solo by Erich Gruenberg. Liner notes by Bernard Jacobson. Some very light wear from being handled and played else near fine in a very good cardboard sleeve with some foxing rubbing and bumping. PHS 900-153. Red labels with silver print. Philips unknown books
1970rif. 583623Boston: The New England Conservatory for Music 1970. Softcover. Near Fine. Opera program. Cover by Otto Piene. Essay on the preparation of the two operas by Gunther Schuller. Slim octavo. Stapled wrappers. Near fine with a bit of tanning and soil mostly confined to the unprinted rear wrap. The New England Conservatory for Music unknown books
1921rif. 548890London: J & W Chester Ltd 1921. Softcover. Near Fine. First edition. 12mo. Stapled printed beige wrappers. Attractive bookplate of Cecil Hopkinson a touch of rust on the stapled else near fine. J & W Chester Ltd unknown books
1980rif. 439685Berkeley: University of California Press 1980. Softcover. Very Good. First paperback edition. Trade paperback. 140pp. Illustrated from black and white photographs. Page edges foxed wrappers curled very good. University of California Press unknown books
1966rif. 392489New York: The Philharmonic Hall Program by Saturday Review 1966. Softcover. Fine. Single issue. Quarto. 24pp. Stapled wrappers. Fine. One hundred twenty-fourth season 1965-1966 at the Lincoln Center for the Performing Arts. The Philharmonic Hall Program by Saturday Review unknown books
1978rif. 376454New York: Simon and Schuster 1978. Hardcover. Fine/Very Good. First edition. Quarto. 688pp. Fine in a very good dustwrapper with rear panel lightly yellowed small tear on bottom edge repaired inside with tape. Simon and Schuster hardcover books
1969rif. 256031New York: Alfred A Knopf 1969. First edition. ix i 350 xi pp. 8vo. Publisher's green cloth faded at edges in very good edge-worn dustjacket. First edition. ix i 350 xi pp. 8vo. Signed on the flyleaf "Igor Stravinksy / 1.30.70" and inscribed by co-author Robert Craft. The recipient was Miranda "Mirandi" Massoco Levy 1914-2011 the doyenne of Sante Fe cultural life instumental in the success of the Sante Fe Opera and a close friend of Stravinsky. Alfred A Knopf unknown books
1936rif. 255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36." Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275. An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown books
1940rif. 244796Cambridge 1940. One page typewritten signed in black ink. 1 vols. 4to. Old folds. Fine with original typed mailing envelope typed name "Igor Strawinsky" above printed return address. One page typewritten signed in black ink. 1 vols. 4to. "Stravinsky began his stay in the United States at Harvard University delivering six Charles Eliot Norton lectures on musical poetics during the 1939-1940 academic year" ADNB. In this brief formal letter Stravinsky acknowledges receipt of an edition of the Russian legend retold and illustrated by Donald E. Cooke. It was Stravinsky's 1910 score of The Firebird for the Ballets Russes that first brought him international notice. The New York Times obituary of Stravinsky published on 6 April 1971 noted "He also was not pleased that 'The Firebird' remained his most popular composition." Uncommon document from early in Stravinsky's residence in the U.S. when he still spelt his surname with "w" in his signature and return address. unknown books
1956rif. 625594New York: Vintage 1956. Softcover. Very Good. First Vintage edition. Trade paperback. English translations by Arthur Knodel and Ingolf Dahl. Preface by Darius Milhaud. 146 4pp. Text in English. Illustrated wrappers by Paul Rand a bit rubbed and toned else very good or a little better. The poet Geoffrey Hill's copy with his ownership signature. Vintage unknown books
1983rif. 576060New York: Alfred A. Knopf 1983. Softcover. Very Good. Uncorrected proof. Volume III only. 521pp. Printed wrappers. Toned spine with a bit of uneven toning on front cover very good. Publisher's material stapled to interior cover. Alfred A. Knopf unknown books
1936rif. 562975New York: Simon and Schuster 1936. Hardcover. Very Good. First edition. 288pp. Illustrated with photographic plates. Red cloth stamped in gilt foil spine label. Endpapers with a bit of darkening due to printer's glue binding slightly cocked spine sunned with light spotting spine label with small chips and tears along edges about very good lacking the scarce dust jacket. An account of the first 50 years of Stravinsky's life. Simon and Schuster hardcover books
1950rif. 5766London: Boosey & Hawkes 1950. Staplebound wraps. Good. Staplebound wraps. 7 3/8" X 5 1/4". 40pp. Moderate wear to staplebound wraps. Binding is firm and sound. Annotations in ink and red pencil by previous owner a university music professor throughout with several printed pages in German and handwritten score laid in. A worn and annotated but quite nice copy of this Stravinsky score. Boosey & Hawkes unknown books
1936rif. 34880New York: Simon & Schuster. First Edition; First Printing. Hardcover. Very good with darkened prelims and spine. The title label and the spine are creased down the middle and a sligh slant.; 8vo 8" - 9" tall; 288 pages . 1936. Simon & Schuster hardcover books
2016rif. 129872Pasadena CA: The Clinker Press 2016. Clinker Press. broadside 13 by 10 1/4 inches. Designed and printed by Andre Chaves. The Clinker Press unknown books
1949rif. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown books
1972rif. 54581London: Gollancz 1972. First UK edition. xvi 424 pp w/indexes. Fine in very near fine dust jacket with a wrinkle to the crown. London: Gollancz, unknown books
1974rif. 35878Kent: Kent State University Press 1974. First edition. x 158 pp w/indexes. Fine in near fine price-clipped dust jacket. Kent: Kent State University Press unknown books
1972rif. 35877NY: Knopf 1972. First edition. xvi 424 pp w/index. Fine in near fine dust jacket with an old price-sticker to front flap and light toning to extrems. NY: Knopf, unknown books
1975rif. 35883London: J.M. Dent 1975. First edition. 202 pp w/index. Fine in near fine price-clipped dust jacket. A volume in "The Master Musicians" series. London: J.M. Dent unknown books
1984rif. 20607New York: Alfred A. Knopf. Fine in Fine dust jacket. 1984. First Edition; First Printing. Cloth. 0394528131 . First edition/first printing in about Fine condition with little shelf wear in Fine dust-jacket. From the collection of Betty Anderson legendary art director of publisher Knopf in the late 20th century as evidenced by her small and unobtrusive inventory number and signature on front paste down; This book is a collection of writings by Igor Stravinsky spanning from 1906 to 1971. The writings span a wide range of topics from music theory to autobiography. The book is edited by Robert Craft and includes a biography of Stravinsky by Robert Craft.; Selected Correspondence; Vol. 2; Photographs; 8vo . Alfred A. Knopf hardcover books