500 résultats
1983réf. 576060New York: Alfred A. Knopf 1983. Softcover. Very Good. Uncorrected proof. Volume III only. 521pp. Printed wrappers. Toned spine with a bit of uneven toning on front cover very good. Publisher's material stapled to interior cover. Alfred A. Knopf unknown books
1970réf. 583623Boston: The New England Conservatory for Music 1970. Softcover. Near Fine. Opera program. Cover by Otto Piene. Essay on the preparation of the two operas by Gunther Schuller. Slim octavo. Stapled wrappers. Near fine with a bit of tanning and soil mostly confined to the unprinted rear wrap. The New England Conservatory for Music unknown books
réf. 1246927896.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1949réf. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown
1991réf. 68252Westport CT:: Greenwood Press 1991. Hardcover first edition -. Fine in brown boards with a black panel and copper stamping. . First printing. "The most thorough discography of the works and recordings of Igor Stravinsky to date as well as a chronicle of the composer's recording career. As the first discography to list all of Stravinskys recorded compositions including concert and broadcast performances both pre- and post-World War II as well as all LP issues this volume displays the wide range of Stravinsky's talent. The significance of Robert Craft's contribution to the continued exposure of Stravinsky's works after 1948 is well documented as are the piano performances recorded by Stravinsky's son. A lengthy introductory essay traces Stravinskys recording history from his early use of the pianola through the advent of more sophisticated musical technology which enabled the composer to become the composer-performer. . . It lists 191 studio performances catalogs recorded issues and details unpublished recordings." Discographies Number 45 Michael Gray series editor. Chronological index index. vii 96 pp. Greenwood Press, hardcover
réf. 107899London John Lehmann 1947. . First edition first impression dedication copy from the author to his wife; 8vo; publisher's tan cloth titles to spine gilt on a black ground black topstain with the dust jacket in the particularly good dust-jacket. The non plus ultra example being the copy inscribed by the author to his wife to whom the book is formally dedicated 'TO MY WIFE'. With White signed presentation inscription to the front free endpaper ' To Dodo without whose sympathy encouragement and judgement this book cd never have been written Eric 1947'. Eric Walter White's first foray into the critical study of Stravinsky about whom he would go on to write a compendious history. Through these two works White became the great composer's most important biographer. Eric and Dodo white married in 1939. London, John Lehmann, 1947. hardcover
1955réf. 71417AB1955. First Edition. New York Merlin Press 1955. 12 cm x 16.5 cm. 184 pages. Original Hardcover. Excellent condition with minor signs of external wear. hardcover
1984réf. 33014Basel: Kunstmuseum Basel 1984. Hardcover. Fine. Small folio. 386 pp. Illustrated. Kunstmuseum Basel hardcover
réf. L13437Leningrad. Éditions Triton, 1927. Plaquette in-12 agrafée. Coll. " Compositeurs contemporains ". Texte en russe. Portrait de Stravinsky en frontispice. Étonnante publication consacrée à ce musicien d'avant garde qui n'a probablement jamais déclaré sa flamme pour la révolution d'Octobre. Rappelons que Stravinsky à quitté la Russie en 1914, il ne reviendra qu'une seule fois en 1962. E.O.
1949réf. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown books
1972réf. 35877NY: Knopf 1972. First edition. xvi 424 pp w/index. Fine in near fine dust jacket with an old price-sticker to front flap and light toning to extrems. NY: Knopf, unknown books
1972réf. 54581London: Gollancz 1972. First UK edition. xvi 424 pp w/indexes. Fine in very near fine dust jacket with a wrinkle to the crown. London: Gollancz, unknown books
1974réf. 35878Kent: Kent State University Press 1974. First edition. x 158 pp w/indexes. Fine in near fine price-clipped dust jacket. Kent: Kent State University Press unknown books
1975réf. 35883London: J.M. Dent 1975. First edition. 202 pp w/index. Fine in near fine price-clipped dust jacket. A volume in "The Master Musicians" series. London: J.M. Dent unknown books
2005réf. 35986London: Sotheby's 2005. Paperback. Very Good. Quarto. Original publisher's illustrated wrappers. 16 pp. With illustrations in color. Sotheby's paperback books
1984réf. 33014Basel: Kunstmuseum Basel 1984. Hardcover. Fine. Small folio. 386 pp. Illustrated. Kunstmuseum Basel hardcover books
réf. 11122Paris, Seghers (Musiciens de tous les temps), 1965. In-16 carré, broché.
1958réf. 157881958 Monaco, Éd. du Rocher, 1958, in-4, br.oché sous, jaquette illustrée de l'éd., 215 pp., 14 photos et un dessin d'Alberto Giacometti Textes d'Igor Stravinsky, Robert Craft, Pierre Boulez et Karlheinz Stockhausen. Lettes inédites de Claude Debussy, Maurice Ravel, Erik Satie et Dylan Thomas.
1983réf. 37610Cambridge: Cambridge University Press 1983. Hardcover. Very Good. Octavo. Full black cloth with titling gilt to spine. 194 pp. With 5 illustrations. In dustjacket. Cambridge University Press hardcover books
1931réf. 35944Berlin: Russischer Musik Verlag 1931. Quarto. Stiff light tan wrappers. 286 pp. 3ff. "Chronologisches Verzeichnis der Werke Igor Strawinskys" 1f. recto "Schallplatten-Verzeichnis" verso blank. With numerous musical examples some in facsimile and several illustrative plates. Russischer Musik Verlag unknown books
1986réf. 37588Berkeley Los Angeles London: University of California Press 1986. Hardcover. Very Good. Octavo. Boards. xix 380 pp. With numerous musical examples throughout and several illustrative plates some in color. In dustjacket. University of California Press hardcover books
1975réf. 37599London: J.M. Dent 1975. Hardcover. Very Good. Octavo. Full green cloth with titling silver to spine. 202 pp. In dustjacket. J.M. Dent hardcover books
1977réf. 37587London: Robert Hale 1977. Hardcover. Very Good. Octavo. Full orange cloth with titling silver to spine. 272 pp. With several illustrative plates. Upper portion of front free endpaper and dustjacket very slightly foxed. Robert Hale hardcover books
1940réf. 170239New York: Perls Galleries 1940. Vintage bi-fold catalog brochure for the January 8 to February 2 1940 exhibition at Perls Galleries New York. 6 x 9.25 inches Bi-fold. Very Good plus with light silverfish damage to the surface of the upper left and bottom right of the front panel. Perls Galleries unknown books
1960réf. 168684New York: Time Magazine 1960. First Edition. Softcover. First Edition. Reproduces the script of a 1960 documentary film about contemporary art focusing on de Kooning Stravinsky and Fuller along with "Time" articles relating to same. Robert Snyder and Michael Sonnabend previously collaborated on the 1950 documentary "The Titan." Near Fine in perfect-bound wrappers with French flaps. Time Magazine unknown
