Stravinsky, IgorBiblio.com
496 résultats
1999réf. DADAX085162216XBoosey & Hawkes Inc 1999-08-01. paperback. New. 9.00x0.61x12.00. Buy with confidence. Excellent Customer Service & Return policy. Boosey & Hawkes Inc paperback
1999réf. SONG085162216XBoosey & Hawkes Inc 1999-08-01. paperback. Used: Good. 9.00x0.61x12.00. Buy with confidence. Excellent Customer Service & Return policy. Boosey & Hawkes Inc paperback
1984réf. 20607New York: Alfred A. Knopf. Fine in Fine dust jacket. 1984. First Edition; First Printing. Cloth. 0394528131 . First edition/first printing in about Fine condition with little shelf wear in Fine dust-jacket. From the collection of Betty Anderson legendary art director of publisher Knopf in the late 20th century as evidenced by her small and unobtrusive inventory number and signature on front paste down; This book is a collection of writings by Igor Stravinsky spanning from 1906 to 1971. The writings span a wide range of topics from music theory to autobiography. The book is edited by Robert Craft and includes a biography of Stravinsky by Robert Craft.; Selected Correspondence; Vol. 2; Photographs; 8vo . Alfred A. Knopf hardcover
1982réf. 20606New York: Alfred A. Knopf. Very Good in Near Fine dust jacket. 1982. First Edition; First Printing. Cloth. 0394518705 . First edition/first printing in Very Good condition with slightly cocked spine in Near Fine dust-jacket. From the collection of Betty Anderson legendary art director of publisher Knopf in the late 20th century as evidenced by her small and unobtrusive inventory number and signature on front paste down; This book is a compilation of the writings of Igor Stravinsky edited by Robert Craft. The writings cover a wide range of topics from music theory to autobiography. The book provides a wealth of information on the life and work of Igor Stravinsky.; Selected Correspondence; Vol. 1; Photographs; 8vo . Alfred A. Knopf hardcover
1981réf. 20889New York: Alfred A. Knopf. Fine. 1981. Advance Review Copy; First Printing. Softcover. Uncorrected Proof of the first American edition/first printing in Fine condition. From the collection of Betty Anderson legendary art director of publisher Knopf in the late 20th century as evidenced by her small and unobtrusive inventory number and signature; This book is a collection of correspondence between Igor Stravinsky and a number of people including his friends Robert Craft and Nadia Boulanger. It covers a wide range of topics including Stravinsky's work life and thoughts.; Stravinsky: Selected Correspondence; Vol. 1; 8vo . Alfred A. Knopf paperback
1978réf. 003013New York: Simon and Schuster. Hardcover. 1978. 1st Edition. 4to 688pp . Very Good in Fine DJ. B&W and Color Illustrations Small remainder mark . Simon and Schuster hardcover
réf. 1019547820.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1948réf. 66950New York: Boosey and Hawkes 1948. Vintage Copy. Softcover. Very Good in wrappers.; 4to - over 9¾" - 12" tall. Boosey and Hawkes unknown
1983réf. Q-3795762383Eulenburg 1983-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Eulenburg paperback
1988réf. Q-0486255352Dover Publications 1988-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2000réf. Q-0486414035Dover Publications 2000-09-08. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2006réf. Q-048644953XDover Publications 2006-02-09. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
réf. BN315301PREMIERES LOGES. Softcover. The Rake's Progress The Rake's Progress STRAVINSKY Igor PREMIERES LOGES paperback
1964réf. 1238731964. Very Good. First edition. Very good. Opera program. unknown books
1969réf. 207821N.P. London: Boosey & Hawkes 1969. First Edition. With the typical splitting to the joints that affects this awkwardly bound publication; few marks; a very good copy in the original cloth slipcase. 4to 139pp; cloth. A nicely printed facsimile edition with a separately printed 48 booklet of commentary inserted in a pocket at the inside rear cover. A nicer-than-usual copy. Boosey & Hawkes unknown
2024réf. __1470669145Alfred Music Co 2024. Paperback. New. 999 pages. 14.02x12.40x0.71 inches. Alfred Music Co paperback
1989réf. Q-0486258572Dover Publications 1989-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2000réf. Q-0486411745Dover Publications 2000-07-28. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2011réf. Q-0486445399Dover Publications 2011-05-19. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
réf. 0571083080.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1995réf. Q-0793544254G. Schirmer Inc 1995-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
1985réf. Q-0769258131Alfred Music 1985-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1925réf. 39219London Genève Paris Bruxelles: J. & W. Chester Ltd.; Rouart Lerolle & Cie.; Maison Chester PN J.W.C. 15521 1925. Quarto. Ivory wrappers with upper printed in black. 3 i blank pp. Wrappers worn and slightly soiled with minor tears and creasing to edges and corners. Browned. A re-issue of the first edition. Kirchmeyer 33-2. J. & W. Chester, Ltd.; Rouart, Lerolle & Cie.; Maison Chester [PN J.W.C. 15521] unknown
réf. 16-4192Genève: Edition Ad. Henn 1917. . Oblong 4to. 19.5 x 27.3 cm. 2 8pp. Original wraps. . Signed at Morges Switzerland and dated 5 Juillet 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …”The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.”. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
1962réf. 293971Hollywood 1962. framed. very good. Fine content T.L.S. 4to 1 page Hollywood California December 12th 1962 to singer Jerry McLain attempting to give him musical advice without hurting his feelings in full: "I would be certainly glad yo give you advice but never hearing you singing and not knowing how far you are in the knowledge of works in general their spirit and technique I am in difficulty if not in impossibility to help you. The transposition of the Shakespearean songs in a higher or lower key is a ruin of my instrumentation and the piano reduction of them is not for a concert performance only for the study of the music." Placed into a white matte with a black background with two openings - whereby the letter is actually floated while the second opening accommodates a photograph by Weegie of the composer leaning against a mirror that gives the illusion of a double exposure and set into a black acrylic frame to 21.5" x 18.5". Excellent condition. Russian composer pianist and conductor widely considered one of the most important composers of the twentieth century. unknown
