504 Ergebnisse
1925Best.-Nr. 39219London Genève Paris Bruxelles: J. & W. Chester Ltd.; Rouart Lerolle & Cie.; Maison Chester PN J.W.C. 15521 1925. Quarto. Ivory wrappers with upper printed in black. 3 i blank pp. Wrappers worn and slightly soiled with minor tears and creasing to edges and corners. Browned. A re-issue of the first edition. Kirchmeyer 33-2. J. & W. Chester, Ltd.; Rouart, Lerolle & Cie.; Maison Chester [PN J.W.C. 15521] unknown
Best.-Nr. 16-4192Genève: Edition Ad. Henn 1917. . Oblong 4to. 19.5 x 27.3 cm. 2 8pp. Original wraps. . Signed at Morges Switzerland and dated 5 Juillet 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …”The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.”. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
1962Best.-Nr. 293971Hollywood 1962. framed. very good. Fine content T.L.S. 4to 1 page Hollywood California December 12th 1962 to singer Jerry McLain attempting to give him musical advice without hurting his feelings in full: "I would be certainly glad yo give you advice but never hearing you singing and not knowing how far you are in the knowledge of works in general their spirit and technique I am in difficulty if not in impossibility to help you. The transposition of the Shakespearean songs in a higher or lower key is a ruin of my instrumentation and the piano reduction of them is not for a concert performance only for the study of the music." Placed into a white matte with a black background with two openings - whereby the letter is actually floated while the second opening accommodates a photograph by Weegie of the composer leaning against a mirror that gives the illusion of a double exposure and set into a black acrylic frame to 21.5" x 18.5". Excellent condition. Russian composer pianist and conductor widely considered one of the most important composers of the twentieth century. unknown
1940Best.-Nr. 244796Cambridge 1940. One page typewritten signed in black ink. 1 vols. 4to. Old folds. Fine with original typed mailing envelope typed name "Igor Strawinsky" above printed return address. One page typewritten signed in black ink. 1 vols. 4to. "Stravinsky began his stay in the United States at Harvard University delivering six Charles Eliot Norton lectures on musical poetics during the 1939-1940 academic year" ADNB. In this brief formal letter Stravinsky acknowledges receipt of an edition of the Russian legend retold and illustrated by Donald E. Cooke. It was Stravinsky's 1910 score of The Firebird for the Ballets Russes that first brought him international notice. The New York Times obituary of Stravinsky published on 6 April 1971 noted "He also was not pleased that 'The Firebird' remained his most popular composition." Uncommon document from early in Stravinsky's residence in the U.S. when he still spelt his surname with "w" in his signature and return address. unknown
1953Best.-Nr. 564101New York: Columbia 1953. Hardcover. Very Good. Original 33 1/3 rpm vinyl album. Three records in paper sleeves along with four pages of text bound into a box with a hinged lid. Some scratches and light wear that may partially affect playback but overall still very good or better in a very good box with rubbing and edgewear including a small bit of the top of the lid missing. Laid in are two programs from performances of The Rake's Progress: "Metropolitan Opera Thursday Evening February 19 1953" and "Carnegie Hall American Opera Society Opening Evening November 20 1962. Columbia hardcover
1965Best.-Nr. 2111902154608465David company 1965. Soft Cover. Fine. The book is in fine condition. David company paperback
2007Best.-Nr. 29874AB2007. Holland Sony Classical Music 2007. CD Size. Booklet and 22 CD's. Original Hardcover Cardboard-Box. Besides some minor bumping to the box this rare set of 22 CD's is in excellent condition. Sony Classical. Stravinsky dirigiert Stravinsky - auf 22 CDs dokumentiert diese Edition zum Sonderpreis ein in der Musikgeschichte einmaliges Ereignis: eine umfassende authentische Interpretation der eigenen Werke durch einen Komponisten selbst. So kann diese Edition ein Schlüssel zum Verstehen von Igor Strawinskys musikalischem Schaffen werden. Die frühesten Aufnahmen stammen aus den dreißiger Jahren die letzten Einspielungen wurden da Stravinsky selbst nicht mehr dazu in der Lage war unter seiner Aufsicht von Robert Craft dirigiert der Jahrzehnte mit ihm musikalisch zusammengearbeitet hatte. Um das Komponisten-Porträt auch im Bereich Klaviermusik und Kammermusik abzurunden wurde die Edition zusätzlich mit Einspielungen anderer renommierter Künstler ergänzt. Die 22CD-Box enthält ein Booklet mit einem dreisprachigen Einführungstext und sämtlichen Produktionsangaben. Igor Fyodorovich Stravinsky 17 June O.S. 5 June 1882 6 April 1971 was a Russian composer pianist and conductor later of French from 1934 and American from 1945 citizenship. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard L'Histoire du soldat and Les noces was followed in the 1920s by a period in which he turned to neoclassicism. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony and drew from earlier styles especially those of the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and instrumentation. Wikipedia hardcover
1968Best.-Nr. AUB-4705Paris, éd. Hachette 1968 (coll. Génies et Réalités). Bel exemplaire relié, reliure ornée d'éd., gd in-8, 280 pages sur vergé.
1968Best.-Nr. AUB-7477Ed. Hachette (coll. Génies et Réalités) 1968. Bel exemplaire relié, jaquette conservée, gd in-8, 277 pages.
1971Best.-Nr. 119771London Faber and Faber 1971 1 vol. broché in-8, broché, couverture illustrée, 85 pp. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1971Best.-Nr. 119771London Faber and Faber 1971 1 vol. broché in-8, broché, couverture illustrée, 85 pp. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1975Best.-Nr. 113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1975Best.-Nr. 113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1941Best.-Nr. 113384Paris Editions des Iles de Lerins 1941 1 vol. broché plaquette in-16, brochée, 37 pp. Edition originale. Tirage limité à 200 exemplaires, celui-ci l'un des 190 numérotés à la main sur satiné. Couverture un peu insolée, sinon en très bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1941Best.-Nr. 113384Paris Editions des Iles de Lerins 1941 1 vol. broché plaquette in-16, brochée, 37 pp. Edition originale. Tirage limité à 200 exemplaires, celui-ci l'un des 190 numérotés à la main sur satiné. Couverture un peu insolée, sinon en très bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1982Best.-Nr. 113052Paris J.C. Lattès, coll. "Musiques et musiciens" 1982 1 vol. broché in-8, broché, couverture illustrée, 258 pp., quelques illustrations. Petite déchirure en marge de la couverture, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1982Best.-Nr. 113052Paris J.C. Lattès, coll. "Musiques et musiciens" 1982 1 vol. broché in-8, broché, couverture illustrée, 258 pp., quelques illustrations. Petite déchirure en marge de la couverture, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Best.-Nr. R130006479GUIDE INTERNATIONAL DU DISQUE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette illustrée en couleurs par MP. ZWOLINSKI, biographie de ANDRE BOUCOURECHLIEV dérrière la pochette. L'orchestre de chambre Ramat-Gan. Au violon solo ABRAHAM COMFORT, direction: SERGIU COMISSIONA.. . . . Classification : 410-33 Tours
1958Best.-Nr. R240101153EDITIONS DU ROCHER. 1958. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages - petit manque sur le 1er plat de la jaquette en tête - avec 14 photographies et un dessin en noir et blanc hors texte d'Alberto Giacometti.. Avec Jaquette. . . Classification Dewey : 780.92-Musiciens, concertistes
Best.-Nr. DUC57AP
1990Best.-Nr. R160197938CHESTER MUSIC. 1990. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 11 pages - Annotations au crayon à papier à la page 9. . . . Classification Dewey : 780.26-Partitions
1950Best.-Nr. 1084781950. Signed. STRAVINSKY Igor. Photograph inscribed. No place 1950. Black-and-white postcard portrait measuring 3-1/2 by 5-1/2 inches; matted and framed entire piece measures 9-1/2 by 12 inches. $2200.Postcard photograph of Igor Stravinsky inscribed ÒPour Monsieur Maurice Dubois avec mes meilleurs compliments Igor Stravinsky 1950.Ó""Few 20th-century composers enjoyed international influence and importance equal to that of Stravinsky. This influence exists in the materials of his music and in his rigorous search for an individual soundÉ For many years he was with Schoenberg one of the two unofficial poles of Western music"" ANB. The postcard portrait is dated September 1948 and is attractively matted and framed with a page of music from Stravinsky's Four Etudes. An attractive inscribed and signed framed piece in fine condition. unknown books
Best.-Nr. RO50030230Non édité. XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 8 pages environ. Partitions écrites manuscritement sur du papier à musique.. . . . Classification Dewey : 780.26-Partitions
Best.-Nr. RO50061819DOVER PUBLICATIONS. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 172 pages de partitions - clé de sol et clé de fa. Illustration sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
1985Best.-Nr. 14475New York, Thames and Hudson, 1985. In-4, pleine toile avec décor doré, jaquette couleurs. En belle condition. Illustré de 183 fac-similés et photographies en noir.