1974ref. 35878Kent: Kent State University Press 1974. First edition. x 158 pp w/indexes. Fine in near fine price-clipped dust jacket. Kent: Kent State University Press unknown books
1972ref. 35877NY: Knopf 1972. First edition. xvi 424 pp w/index. Fine in near fine dust jacket with an old price-sticker to front flap and light toning to extrems. NY: Knopf, unknown books
1972ref. 54581London: Gollancz 1972. First UK edition. xvi 424 pp w/indexes. Fine in very near fine dust jacket with a wrinkle to the crown. London: Gollancz, unknown books
1949ref. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown books
1949ref. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown
1991ref. 68252Westport CT:: Greenwood Press 1991. Hardcover first edition -. Fine in brown boards with a black panel and copper stamping. . First printing. "The most thorough discography of the works and recordings of Igor Stravinsky to date as well as a chronicle of the composer's recording career. As the first discography to list all of Stravinskys recorded compositions including concert and broadcast performances both pre- and post-World War II as well as all LP issues this volume displays the wide range of Stravinsky's talent. The significance of Robert Craft's contribution to the continued exposure of Stravinsky's works after 1948 is well documented as are the piano performances recorded by Stravinsky's son. A lengthy introductory essay traces Stravinskys recording history from his early use of the pianola through the advent of more sophisticated musical technology which enabled the composer to become the composer-performer. . . It lists 191 studio performances catalogs recorded issues and details unpublished recordings." Discographies Number 45 Michael Gray series editor. Chronological index index. vii 96 pp. Greenwood Press, hardcover
ref. 107899London John Lehmann 1947. . First edition first impression dedication copy from the author to his wife; 8vo; publisher's tan cloth titles to spine gilt on a black ground black topstain with the dust jacket in the particularly good dust-jacket. The non plus ultra example being the copy inscribed by the author to his wife to whom the book is formally dedicated 'TO MY WIFE'. With White signed presentation inscription to the front free endpaper ' To Dodo without whose sympathy encouragement and judgement this book cd never have been written Eric 1947'. Eric Walter White's first foray into the critical study of Stravinsky about whom he would go on to write a compendious history. Through these two works White became the great composer's most important biographer. Eric and Dodo white married in 1939. London, John Lehmann, 1947. hardcover
1955ref. 71417AB1955. First Edition. New York Merlin Press 1955. 12 cm x 16.5 cm. 184 pages. Original Hardcover. Excellent condition with minor signs of external wear. hardcover
1984ref. 33014Basel: Kunstmuseum Basel 1984. Hardcover. Fine. Small folio. 386 pp. Illustrated. Kunstmuseum Basel hardcover
1958ref. 157881958 Monaco, Éd. du Rocher, 1958, in-4, br.oché sous, jaquette illustrée de l'éd., 215 pp., 14 photos et un dessin d'Alberto Giacometti Textes d'Igor Stravinsky, Robert Craft, Pierre Boulez et Karlheinz Stockhausen. Lettes inédites de Claude Debussy, Maurice Ravel, Erik Satie et Dylan Thomas.
ref. L13437Leningrad. Éditions Triton, 1927. Plaquette in-12 agrafée. Coll. " Compositeurs contemporains ". Texte en russe. Portrait de Stravinsky en frontispice. Étonnante publication consacrée à ce musicien d'avant garde qui n'a probablement jamais déclaré sa flamme pour la révolution d'Octobre. Rappelons que Stravinsky à quitté la Russie en 1914, il ne reviendra qu'une seule fois en 1962. E.O.
ref. 11122Paris, Seghers (Musiciens de tous les temps), 1965. In-16 carré, broché.
1970ref. 583623Boston: The New England Conservatory for Music 1970. Softcover. Near Fine. Opera program. Cover by Otto Piene. Essay on the preparation of the two operas by Gunther Schuller. Slim octavo. Stapled wrappers. Near fine with a bit of tanning and soil mostly confined to the unprinted rear wrap. The New England Conservatory for Music unknown books
1983ref. 275363New York: Alfred A. Knopf 1983. Softcover. Very Good. Uncorrected proof. A tanned spine and heavy soiling thus very good in wrappers. Publisher's prospectus stapled to the front wrapper verso. Alfred A. Knopf unknown books
1983ref. 576060New York: Alfred A. Knopf 1983. Softcover. Very Good. Uncorrected proof. Volume III only. 521pp. Printed wrappers. Toned spine with a bit of uneven toning on front cover very good. Publisher's material stapled to interior cover. Alfred A. Knopf unknown books
1921ref. 548890London: J & W Chester Ltd 1921. Softcover. Near Fine. First edition. 12mo. Stapled printed beige wrappers. Attractive bookplate of Cecil Hopkinson a touch of rust on the stapled else near fine. J & W Chester Ltd unknown books
1966ref. 392489New York: The Philharmonic Hall Program by Saturday Review 1966. Softcover. Fine. Single issue. Quarto. 24pp. Stapled wrappers. Fine. One hundred twenty-fourth season 1965-1966 at the Lincoln Center for the Performing Arts. The Philharmonic Hall Program by Saturday Review unknown books
1921ref. 548890London: J & W Chester Ltd 1921. Softcover. Near Fine. First edition. 12mo. Stapled printed beige wrappers. Attractive bookplate of Cecil Hopkinson a touch of rust on the stapled else near fine. J & W Chester Ltd unknown
1970ref. 583623Boston: The New England Conservatory for Music 1970. Softcover. Near Fine. Opera program. Cover by Otto Piene. Essay on the preparation of the two operas by Gunther Schuller. Slim octavo. Stapled wrappers. Near fine with a bit of tanning and soil mostly confined to the unprinted rear wrap. The New England Conservatory for Music unknown
1966ref. 392489New York: The Philharmonic Hall Program by Saturday Review 1966. Softcover. Fine. Single issue. Quarto. 24pp. Stapled wrappers. Fine. One hundred twenty-fourth season 1965-1966 at the Lincoln Center for the Performing Arts. The Philharmonic Hall Program by Saturday Review unknown
1935ref. b22117New York 1935. First Edition . Soft cover. Near Fine. Near fine in original wrappers. Partial sticker adhering to cover. paperback
ref. 11697Monaco, Editions du Rocher 1958, 260x220mm, 215pages, broché, sous jaquette. Bel exemplaire.
1946ref. ABE-17503506879678 PAGES-43 CM X 60 CM-L'ART TURC, SES ORIGINES SON EVOLUTION, PAR NOUROULLAH BERK, PEINTURES D'AUJOURD'HUI, PAR MADELEINE DAVID, 4 PHOTOS-A LA GALERIE DES BEAUX ARTS BALTHUS, PAR JACQUES LASSAIGNE, PHOTO-VINCENT D'INDY ET CHABRIER, PAR MARC PINCHERLE-WALT DISNEY ET SES SOURCES D'INSPIRATION, PAR DENYS CHEVALIER-LE BONJOUR DE PARIS A VERTES, PAR JEAN COCTEAU-TOUT EST MIS EN OEUVRE EN AMERIQUE POUR FAIRE MIEUX CONNAITRE LES OEUVRES D'ART, DIT LIPSCHITZ, PHOTO-LE SOUVENIR DE BERTRAND GUEGAN-A LONDRES FEMMES PEINTRES, PAR DENYS SUTTON-A BRUXELLES, DU COTE DE LA FRANCE, PAR JACQUES PUTMAN, PHOTO (BORES)-TOUTES LES EXPOSITIONS, SUR 2 PAGES-LE THEATRE: L'INAUGURATION DE LA SALLE DU LUXEMBOURG-MORTS SANS SEPULTURE, JEAN PAUL SARTRE-A PERIGUEUX, LES TRETEAUX DE JACQUOU-LA GRANDE PITIE DU THEATRE LYRIQUE, PAR ANDRE BOLL-A L'UNESCO: FRANCAIX ET STRAVINSKY, PAR RAYMOND CHARPENTIER
1961ref. ABE-151636249522256 PAGES-IN 4-EN COUVERTURE DESSIN DE GAULLE ET BOURGUIBA-L'ATTENTISME DE FEHRAT ABBAS-M.DEBRE EST INTERDIT DE SEJOUR EN CORSE-THOREZ REDOUTE L'ECLATEMENT DU P.C., PHOTO THOREZ, PHOTO CASANOVA-POURRA-T-ON PENDRE EICHMANN?, 2 PHOTOS-IL FAUT PREPARER L'ACCUEIL AUX FRANCAIS D'ALGERIE, 2P, 2 PHOTOS-BARBE-BLEUE 61, BERNARD BUFFET, 1P, DESSIN DE SISS (LE PEINTRE DANS UN LIT AVEC TABLEAU REPRESENTANT ANNABEL BUFFET)-UN CHEVAL, UNE ALOUETTE., IGOR STRAVINSKY, 1P, DESSIN DE REGIS MANSET-AUX BOUFFES PARISIENS: LES AMBASSADES, ROGER PEYREFITTE, ANDRE-PAUL ANTOINE, JEAN-PIERRE DORIAN, 1P PAR MAX FAVALELLI, DESSIN DE SISS (ELISABETH ALAIN, PIERRE ALAIN, NOEL ROQUEVERT, JEAN OZENNE, LOUIS DUCREUX)-AUX MATHURINS: LES PAPIERS D'ASPERN: VIEUX PAPIERS ET.VIEILLES DENTELLES, DESSIN DE SISS (RAYMOND ROULEAU, CLAUDE FARELL, LUISA MARIS, LUCIENNE BOGAERT, PIERRE VERNIER, FRANCOISE LUGAGNE)-LE SALON COMPARAISONS, PHOTO "LES SABLES D'OLONNE, COTE SAUVAGE" DE DOMINIQUE LAGRU-DANS LES GALERIES: BERNARD BUFFET, ANDRE TREVES-INTERVIEW EXPRESS: RENE HUYGHE-AVANT-PREMIERES: D'APRES SAGAN: "LA RECREATION", FRANCOIS MOREUIL, PHOTO CHRISTIAN MARQUAND ET JEAN SEBERG-UN JOURNAL POSTHUME REVELE LES DESSOUS DU SAUVETAGE DU GENERAL NOBILE AU POLE NORD-CINEMA: ARRETEZ LES TAMBOURS, GEORGES LAUTNER
1962ref. ABE-1153500646220P-HENRI TISOT OUVRE LE FEU DU RIRE-VOICI LE GRAND STRAVINSKY-BENOÎTE ET FLORA (GROULT)(6P)-CINQ ANS AVANT OU D'ARTAGNAN AMOUREUX/R NIMIER-MODE/BEAU NOIR (1P)-AZNAVOUR PAR AZNAVOUR/SES MÉMOIRES(7P)-TELSTAR/BRETAGNE(4P)-COUVERTURE FROTTÉE ET TACHÉE