409 risultati
1995rif. G0486285251I5N00Dover Publications Incorporated 1995. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Dover Publications, Incorporated paperback
1995rif. 30323NY: Dover Pubns. As New with No dust jacket as issued. 1995. First Edition. First Printing. Soft Cover. 0486285251 . The volume is in perfect pristine condition unmarked unread tight square and clean. AS NEW. Trade PB. Musical Score. 4to 11" - 13" tall. 224 pp . Dover Pubns paperback
rif. 0486285251.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 16-4196London: J. & W. Chester Ltd. 1924. 30.7x 24.4 cm. 862 2pp. Light foxing on a few pages and tfhe cover. . From the collection of the poet and playwright René Morax . He founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …”The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.”. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva London: J. & W. Chester, Ltd., [1924] hardcover
1992rif. DADAX0711938415Chester Music 1992-01-01. Bilingual. paperback. New. 7.00x0.28x10.00. Buy with confidence. Excellent Customer Service & Return policy. Chester Music paperback
1963rif. 5238312" Record 33 1/3 rpm Ref L 02.306 L stars Jean Cocteau and Peter Ustinov front cover with illustraion by Jean Cocteau Published by Philips unknown
2013rif. 39450Naive Classique, 2013. V 5371 1 CD CD
rif. L13437Leningrad. Éditions Triton, 1927. Plaquette in-12 agrafée. Coll. " Compositeurs contemporains ". Texte en russe. Portrait de Stravinsky en frontispice. Étonnante publication consacrée à ce musicien d'avant garde qui n'a probablement jamais déclaré sa flamme pour la révolution d'Octobre. Rappelons que Stravinsky à quitté la Russie en 1914, il ne reviendra qu'une seule fois en 1962. E.O.
rif. 11122Paris, Seghers (Musiciens de tous les temps), 1965. In-16 carré, broché.
rif. 75755Coll. "Les indispensable de la musique", Paris, éd. Fayard, 1989, EDITION ORIGINALE, in-8, cartonnage souple, couv. ill. coul. sur fond noir éd., 430 pp., catalogue des œuvres, bibliographie, index, L'histoire et l'étude le l'œuvre misicale d'Igar Stravinsky par un des grans spécialistes de celui-ci. Une Référence. Très bon état
1968rif. AUB-4705Paris, éd. Hachette 1968 (coll. Génies et Réalités). Bel exemplaire relié, reliure ornée d'éd., gd in-8, 280 pages sur vergé.
1929rif. 111988Paris Éditions Claude Aveline, coll. "La Musique moderne" 1929 1 vol. Broché in-8, broché, couverture rempliée, 175 pp. Édition originale tirée à 1625 exemplaires, celui-ci numéroté sur vélin d'Alfa teinté. On joint deux cartes postales de l'époque, portraits de Stravinsky et du violoniste Heifetz (photos Manuel frères et Lipnitzki). En bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1929rif. 111988Paris Éditions Claude Aveline, coll. "La Musique moderne" 1929 1 vol. Broché in-8, broché, couverture rempliée, 175 pp. Édition originale tirée à 1625 exemplaires, celui-ci numéroté sur vélin d'Alfa teinté. On joint deux cartes postales de l'époque, portraits de Stravinsky et du violoniste Heifetz (photos Manuel frères et Lipnitzki). En bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1982rif. Q-0500012830Thames & Hudson 1982-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thames & Hudson hardcover
1974rif. 35878Kent: Kent State University Press 1974. First edition. x 158 pp w/indexes. Fine in near fine price-clipped dust jacket. Kent: Kent State University Press unknown books
1949rif. 205697New York: Duell Sloan and Pearce 1949. First Edition. Fine in bright crisp dust jacket with just a bit of shallow chipping to the top of the spine; spine toned a shade. 8vo 245pp; black cloth stamped in yellow. Designed and conceived by Armitage this was one of several collections on which he collaborated with Corle. For this symposium they assembled essays about Stravinsky from contributors including Erik Satie Eugene Goossens Jean Cocteau Aaron Copland Robert Craft Osbert Sitwell and others. The artists whose work illustrates the book include Pablo Picasso Paul Klee Marc Chagall Antonio Frasconi and Edward Weston. Armitage's lively designs mark this and his other books with a distinctive mid-century appeal. Duell, Sloan and Pearce unknown
1949rif. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown
1991rif. 68252Westport CT:: Greenwood Press 1991. Hardcover first edition -. Fine in brown boards with a black panel and copper stamping. . First printing. "The most thorough discography of the works and recordings of Igor Stravinsky to date as well as a chronicle of the composer's recording career. As the first discography to list all of Stravinskys recorded compositions including concert and broadcast performances both pre- and post-World War II as well as all LP issues this volume displays the wide range of Stravinsky's talent. The significance of Robert Craft's contribution to the continued exposure of Stravinsky's works after 1948 is well documented as are the piano performances recorded by Stravinsky's son. A lengthy introductory essay traces Stravinskys recording history from his early use of the pianola through the advent of more sophisticated musical technology which enabled the composer to become the composer-performer. . . It lists 191 studio performances catalogs recorded issues and details unpublished recordings." Discographies Number 45 Michael Gray series editor. Chronological index index. vii 96 pp. Greenwood Press, hardcover
2013rif. a6774Sony Classical 2013-05-21. audioCD. New. 5x5x1. Brand New factory sealed in original shrink wrap. Sony Classical unknown
rif. 75-1220Paris FR: Musee d'Art Moderne De La Ville De Paris 1980. 4to. 121pp. Very Good. Softcover. Mostly black and white plates throughout. En Francais. Paris, FR: Musee d'Art Moderne De La Ville De Paris, 1980 paperback
rif. 041822no publisher no date. Photograph. Very Good. 10x8. Igor Stravinsky composer Large Photograph by Dennis Stock 8x10. Igor Fyodorovich Stravinsky 1882 - 1971 was a Russian composer and conductor. Dennis Stock 1928 - 2010 was an American journalist and professional photographer. 8x10 size Very Good condition one bumped corner not affecting image reverse is browning and has tape marks has Photograph by Dennis Stock printed in front lower right margin. no publisher unknown
2006rif. SONG159615649XMusic Minus One 2006-11-01. Pck Pap/Co. paperback. Used: Good. 9.00x0.25x12.25. Buy with confidence. Excellent Customer Service & Return policy. Music Minus One paperback
2014rif. __1783056762Chester Music 2014. Paperback. New. 92 pages. 13.50x9.50x0.37 inches. Chester Music paperback
rif. 51-3548Berkeley: UC Zellerbach Hall Mya 1968. Poster in blue and black. 22.75 x 17 inches. Very good with small closed tear at lower margin."It was May of 1968 in Berkeley and Zellerbach Hall was soon to open its spacious glass doors for the first time. The program to be played: Igor Stravinsky’s “Symphony of Psalms” and “Oedipus Rex” conducted by Robert Craft and the celebrated composer himself. Unfortunately Stravinsky had fallen ill and was unable to conduct. But he did still attend this inaugural performance at UC Berkeley’s famous music hall — legend has it that the distracted audience was more enraptured by Stravinsky’s reaction to the music than by the actual performance itself." Berkeley: UC Zellerbach Hall, Mya 1968. unknown
rif. 51-3549Berkeley: UC Zellerbach Hall May 1968. Poster in ochre and black. 22.75 x 17 inches. Very good."It was May of 1968 in Berkeley and Zellerbach Hall was soon to open its spacious glass doors for the first time. The program to be played: Igor Stravinsky’s “Symphony of Psalms” and “Oedipus Rex” conducted by Robert Craft and the celebrated composer himself. Unfortunately Stravinsky had fallen ill and was unable to conduct. But he did still attend this inaugural performance at UC Berkeley’s famous music hall — legend has it that the distracted audience was more enraptured by Stravinsky’s reaction to the music than by the actual performance itself." Berkeley: UC Zellerbach Hall, May 1968. unknown
