(Stravinsky, Igor) Armitage, MerleBiblio.com
504 résultats
1949réf. 205697New York: Duell Sloan and Pearce 1949. First Edition. Fine in bright crisp dust jacket with just a bit of shallow chipping to the top of the spine; spine toned a shade. 8vo 245pp; black cloth stamped in yellow. Designed and conceived by Armitage this was one of several collections on which he collaborated with Corle. For this symposium they assembled essays about Stravinsky from contributors including Erik Satie Eugene Goossens Jean Cocteau Aaron Copland Robert Craft Osbert Sitwell and others. The artists whose work illustrates the book include Pablo Picasso Paul Klee Marc Chagall Antonio Frasconi and Edward Weston. Armitage's lively designs mark this and his other books with a distinctive mid-century appeal. Duell, Sloan and Pearce unknown
1949réf. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown
1991réf. 68252Westport CT:: Greenwood Press 1991. Hardcover first edition -. Fine in brown boards with a black panel and copper stamping. . First printing. "The most thorough discography of the works and recordings of Igor Stravinsky to date as well as a chronicle of the composer's recording career. As the first discography to list all of Stravinskys recorded compositions including concert and broadcast performances both pre- and post-World War II as well as all LP issues this volume displays the wide range of Stravinsky's talent. The significance of Robert Craft's contribution to the continued exposure of Stravinsky's works after 1948 is well documented as are the piano performances recorded by Stravinsky's son. A lengthy introductory essay traces Stravinskys recording history from his early use of the pianola through the advent of more sophisticated musical technology which enabled the composer to become the composer-performer. . . It lists 191 studio performances catalogs recorded issues and details unpublished recordings." Discographies Number 45 Michael Gray series editor. Chronological index index. vii 96 pp. Greenwood Press, hardcover
2013réf. a6774Sony Classical 2013-05-21. audioCD. New. 5x5x1. Brand New factory sealed in original shrink wrap. Sony Classical unknown
réf. 041822no publisher no date. Photograph. Very Good. 10x8. Igor Stravinsky composer Large Photograph by Dennis Stock 8x10. Igor Fyodorovich Stravinsky 1882 - 1971 was a Russian composer and conductor. Dennis Stock 1928 - 2010 was an American journalist and professional photographer. 8x10 size Very Good condition one bumped corner not affecting image reverse is browning and has tape marks has Photograph by Dennis Stock printed in front lower right margin. no publisher unknown
réf. 75-1220Paris FR: Musee d'Art Moderne De La Ville De Paris 1980. 4to. 121pp. Very Good. Softcover. Mostly black and white plates throughout. En Francais. Paris, FR: Musee d'Art Moderne De La Ville De Paris, 1980 paperback
2006réf. Q-159615649XMusic Minus One 2006-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Music Minus One paperback
réf. 1443721905.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0711941947.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2014réf. __1783056762Chester Music 2014. Paperback. New. 92 pages. 13.50x9.50x0.37 inches. Chester Music paperback
réf. 51-3548Berkeley: UC Zellerbach Hall Mya 1968. Poster in blue and black. 22.75 x 17 inches. Very good with small closed tear at lower margin."It was May of 1968 in Berkeley and Zellerbach Hall was soon to open its spacious glass doors for the first time. The program to be played: Igor Stravinsky’s “Symphony of Psalms” and “Oedipus Rex” conducted by Robert Craft and the celebrated composer himself. Unfortunately Stravinsky had fallen ill and was unable to conduct. But he did still attend this inaugural performance at UC Berkeley’s famous music hall — legend has it that the distracted audience was more enraptured by Stravinsky’s reaction to the music than by the actual performance itself." Berkeley: UC Zellerbach Hall, Mya 1968. unknown
réf. 51-3549Berkeley: UC Zellerbach Hall May 1968. Poster in ochre and black. 22.75 x 17 inches. Very good."It was May of 1968 in Berkeley and Zellerbach Hall was soon to open its spacious glass doors for the first time. The program to be played: Igor Stravinsky’s “Symphony of Psalms” and “Oedipus Rex” conducted by Robert Craft and the celebrated composer himself. Unfortunately Stravinsky had fallen ill and was unable to conduct. But he did still attend this inaugural performance at UC Berkeley’s famous music hall — legend has it that the distracted audience was more enraptured by Stravinsky’s reaction to the music than by the actual performance itself." Berkeley: UC Zellerbach Hall, May 1968. unknown
1966réf. 951091966. Rare autograph letter signed by Russian-born composer Igor Stravinsky. One page type-written dated December 21st 1966 and addressed to John McClure at Columbia Records the letter reads "Dear John Please answer this Mercury Record letter for me telling them that they can have the permission though they can have it I think without asking me in any case. I have been ordered to rest -- no conducting at all -- after Chicago. This postpones our January plans I greatly regret to say and not only for me as I realize bu can't help. Happy New Year to you and your wife. Igor Stravinsky." The recipient John McClure was an American recording producer at Columbia Records throughout the 1950s and later operated in a freelance capacity. He worked on over 30 recordings with Stravinsky 200 with Leonard Bernstein and oversaw recordings by the Boston Pops Orchestra under John Williams. Double matted and framed with a black and white portrait of Stravinsky. The entire piece measures 19.5 inches by 14.5 inches. In fine condition. Stravinsky found recordings a practical and useful tool in preserving his thoughts on the interpretation of his music. As a conductor of his own music he recorded primarily for Columbia Records beginning in 1928 with a performance of the original suite from The Firebird and concluding in 1967 with the 1945 suite from the same ballet. Although most of his recordings were made with studio musicians he also worked with the Chicago Symphony Orchestra the Cleveland Orchestra the CBC Symphony Orchestra the New York Philharmonic Orchestra the Royal Philharmonic Orchestra and the Bavarian Broadcasting Symphony Orchestra. unknown
1949réf. 039407New York: Duell Sloan And Pearce 1949. 1st Edition 1st Printing. Hardcover. Near Fine/Near Fine. 245 Pp. A Much-Enlarged Edition Of Armitage's 1936 Book Which Was The First English Language Book About Stravinsky With Much New Material Added. Black Cloth Printed In Yellow. End Sheets By Carlos Dyer And Edward S. Stevens Jr. Designs And Drawings By Merle Armitage And Executed By Al Ewers. Portrait Photographs By Edward Weston John Vachon Fred Plaut Arnold Newman; Portraits Of Stravinsky By Klee Pablo Picasso Russell Cowles J E Blanche Marc Chagall Pasquale Giovanni Napolitano; Drawings By Carlus Dyer And E S Stevens. Inscribed From Merle Armitage His Wife And His Daughter To Dorothy Brett. "Editor And Book Designer Merle Armitage Wrote A Book About This Time In New Mexico. Taos Quartet In Three Movements Was Originally To Appear In Flair Magazine But The Magazine Folded Before Its Publication. This Short Work Describes The Tumultuous Relationship Of D. H. Lawrence His Wife Frieda Dorothy Brett And Mabel Dodge Sterne A Wealthy Patron Of The Arts. Armitage Took It Upon Himself To Print 16 Hardcover Copies Of This Work For His Friends. Richard Pousette-Dart Executed The Drawings For Taos Quartet That Was Published In 1950." Wikipedia. A Near Fine Example With Just A Trace Of Rubbing At Corners. Dj Complete Not Price Clipped No Fading Slight Browning And Faint Splash Marks On Spine Panel 1/4" Closed Tear At Center Of Top Edge Of Spine. Duell, Sloan And Pearce hardcover
réf. 14740NY DUELL 1949. FIRST EDITION VERY GOOD. F. NY, DUELL, 1949 unknown
1966Copertina con strappetti, mancanze, segni d'uso e di scaffale. Interno in molto ben conservato. Il libro è fruibile alla lettura.
réf. 14740NY DUELL 1949. FIRST EDITION VERY GOOD. F. NY, DUELL, 1949 unknown books
2005réf. 35986London: Sotheby's 2005. Paperback. Very Good. Quarto. Original publisher's illustrated wrappers. 16 pp. With illustrations in color. Sotheby's paperback books
1949réf. 73026NY: Duell Sloan and Pearce 1949. First edition. 245 pp. Near fine in near fine price-clipped dust jacket with light wear to crown. Design by Merle Armitage. Contributions by Cocteau Satie Klee Weston Osbert Sitwell Aaron Copland Picasso Chagall and concluding with a discography and works. Small “Ex Libris / Clive Elliott” stamp on the front free endpaper. NY: Duell, Sloan and Pearce unknown books
1983réf. 37610Cambridge: Cambridge University Press 1983. Hardcover. Very Good. Octavo. Full black cloth with titling gilt to spine. 194 pp. With 5 illustrations. In dustjacket. Cambridge University Press hardcover books
1936réf. 039411New York: G. Schirmer 1936. 1st Edition 1st Printing. Hardcover. Near Fine/No Jacket. 158 Pp. A Compilation Of Articles With New Articles By Goosens Komroff Danz Rodriguez And Armitage Written For This Book. The Book Is Near Fine Almost No Wear. Inscribed On A Label Attached Opposite The Colophon From Illustrator Carlos Dyer To Critic Lincoln Kirstein And With Ownership Signature Of Paul Cadmus. G. Schirmer hardcover
1936réf. 028516New York: G. Schirmer 1936. 1st Edition 1st Printing. Hardcover. Fine/Fair DJ. 158 Pp. A Compilation Of Articles With New Articles By Goosens Komroff Danz Rodriguez And Armitage Written For This Book. The Book Is Fine No Wear And Inscribed By Stravinsky To Pasquale Giovanni Napolitano Who Illustrated This Book "To Giovanni Napolitano Sincerely I Strawinsky March 37". With The Scarce Pink Dj Worn And Chipped With Very Large Piece Missing At Bottom Of Front Panel And Spine Leaving Title And Editor's Name On Spine But Removing Some Of Descriptive Text At Bottom Of Front Panel Flaps Intact Tape Reinforcement Inside Of Dj. G. Schirmer hardcover
1954réf. 52498London: Boosey & Hawkes 1954. 4to pp. 8. Paper wraps. Cover a little spotted item slightly creased o/w a VG tight copy. Dirge-canons and song based on Thomas' poem "Do not go gentle." Vocal score for tenor only. Boosey & Hawkes unknown books
réf. T227Fine. Near fine in wrappers. Also review by Virgil Thomson of "Music in a New Found Land" by Wilfrid Mellers and poem "Et In Arcadia Ego" by W.H. Auden. unknown
1994réf. 1222705Ostfildern : Cantz, 1994. 62 S. : überw. Ill. kart.
