Stravinsky Igor & Vera, Craft Robert:Livre Rare Book
409 Ergebnisse
1985Best.-Nr. 14475New York, Thames and Hudson, 1985. In-4, pleine toile avec décor doré, jaquette couleurs. En belle condition. Illustré de 183 fac-similés et photographies en noir.
Best.-Nr. 1146038Frankfurt am Main : Peter Lang, 2017. 170 S., Noten. Originalbroschur.
2003Best.-Nr. __0757932207Warner Bros Pubns 2003. Paperback. New. 180 pages. 7.87x5.51x1.57 inches. Warner Bros Pubns paperback
195026 page magazine on aspects of ballet. Numerous photographs of dancers and those involved in the production of ballet. Cover photo features Alicia Markova. Staple bound with rusty staples. Covers loose; light edgwear and surface rubbing to covers.
1980Best.-Nr. 439685Berkeley: University of California Press 1980. Softcover. Very Good. First paperback edition. Trade paperback. 140pp. Illustrated from black and white photographs. Page edges foxed wrappers curled very good. University of California Press unknown books
Best.-Nr. 0520040406.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986Best.-Nr. 37588Berkeley Los Angeles London: University of California Press 1986. Hardcover. Very Good. Octavo. Boards. xix 380 pp. With numerous musical examples throughout and several illustrative plates some in color. In dustjacket. University of California Press hardcover books
1983Best.-Nr. DADAX3795761573Eulenburg Germany Schott 1983-10-01. paperback. New. 6.00x0.18x9.00. Buy with confidence. Excellent Customer Service & Return policy. Eulenburg Germany (Schott) paperback
1992Best.-Nr. DADAX8774552368Wilhelm Hansen 1992-02-01. paperback. New. 8.00x0.09x11.75. Buy with confidence. Excellent Customer Service & Return policy. Wilhelm Hansen paperback
Best.-Nr. 30696Paris, 2024 Allia 192 p., nombreuses photographies N/B, broché. 17 x 22
Best.-Nr. SLIVCN-9791030418361ALLIA EDITIONS
Best.-Nr. BN164279Collected Essays: Avatar of Modernity Collected Essays: Avatar of Modernity IGOR STRAVINSKY unknown
2011Best.-Nr. 67481München : btb 2011. 351 S. ; 19 cm kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand
Best.-Nr. 16-4194Genève: Edition Ad. Henn 1917. . 24 x 31.5 cm. 4 20pp. Original wraps. Front cover stained along edges. . Signed and dated 28 viii 17 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …”The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.”. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
1936Best.-Nr. 255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36." Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275. An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown books
1936Best.-Nr. 106742Victor Gollancz 1936. Hardcover. Good/No jacket. Covers shelfworn and spotted. Victor Gollancz hardcover
1936Best.-Nr. 255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36." Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275. An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown
Best.-Nr. 6258103-6Music Sales Corporation. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Music Sales Corporation unknown
Best.-Nr. 55325426-20Music Sales Corporation. Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Music Sales Corporation unknown
Best.-Nr. 0825672902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2005Best.-Nr. SONG0825672902Brand: Schirmer Trade Books 2005-02-01. hardcover. Used: Good. 6.56x0.80x9.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Schirmer Trade Books hardcover
1950Best.-Nr. 5766London: Boosey & Hawkes 1950. Staplebound wraps. Good. Staplebound wraps. 7 3/8" X 5 1/4". 40pp. Moderate wear to staplebound wraps. Binding is firm and sound. Annotations in ink and red pencil by previous owner a university music professor throughout with several printed pages in German and handwritten score laid in. A worn and annotated but quite nice copy of this Stravinsky score. Boosey & Hawkes unknown books
1952Best.-Nr. 549623London: Boosey & Hawkes 1952. Softcover. Very Good. First edition. 12mo. 38pp. Stapled printed wrappers. Pages lightly age-toned wrappers with a few small stains very good. Hawkes Pocket Scores. Boosey & Hawkes unknown books
2002Best.-Nr. 46085Deutsche Grammophon, 2002. 463789-2 CD CD
Best.-Nr. 16-4195Genève: Edition Ad. Henn 1917. . Oblong 4to. 19.8 25.7 cm. 28pp. Original wraps loose as issued. Signed at Morges Switzerland and dated Noel 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …”The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.”. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
