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1928Very Good Russian Original dark green cloth bdg. Oblong folio. (28 x 36 cm). Eight languages of the title on the colophon, the text is completely Russian. [6], [ii], 108 p., [36] maps in various sizes, some of folded: (62x47 cm, 52,5x45,5 cm, 49,5x27 cm [x3], 61x47 cm; other maps are 36x28 cm). Four unnumbered leaves with half-title and contents for each section. Two small millimetric cuttings on two text pages. Ex-owner's name is on the title page. Markings on the index. Otherwise a very good and clean copy. Rare complete and the first atlas including a fine collection of 36 attractive chromo-lithograph maps mostly with tissue papers of the Soviet Union, edited by the Central Executive Committee and Enukidze (1877-1937), who was a prominent Georgian "Old Bolshevik". One of 11000 copies. Being published only 10 years after the USSR was established, this is the earliest atlas of the country. It seems to have been published with a wider audience in mind, with a title page in various European languages. The borders of many areas -including not just administrative regions throughout the USSR, but also entire autonomous republics (especially in Central Asia)- were in a state of flux; as such, the borders in this Atlas (including the wax-paper overlays meant to update various maps with changes made between when they were drawn and when the Atlas was published) often don't look anything like the borders they were set at the end of the Soviet Union and have continued on to modern times. Since the boundaries were often ideologically- (sometimes ethnically-, less so economically-) motivated, this offers an interesting insight into the mindset of the administration that was making these changes. Map list: World map, General USSR, USSR in Europe, Asia and USSR, Karelian Autonomous Soviet Socialist Republic, Komi-Zyryan Autonomous Oblast, Avt, Votskaya Oblast, Maryinskaya, Cherepovetsky District, Vologda Oblast, Avt. Chuvashskaya SSR (Chuvashia), Avt. Tatarskaya SSR (Tatarstan), Avt. Bashkirskaya SSR (Bashkiria), ASSR Nemchev Povoljiya, Kalmykia (Kalmykia), Krimskaya SSR (Crimea), Adigeiskaya (Tscherkeskaya) Obl. (Cherkesia), Kabardino-Balkarskaya Avt. Obl. (Kabardino-Balkarian Rep.), Karachayskaya Avt. Obl. & Tscherkesskiy Nation. Okrug (Karachay-Cherkessia), Chechenskaya Avt. Obl. (Chechnya), Ingushetiya, Severo-Osetiya, Avt. Daghestanskaya SSR, Avt. Kazakskaya SSR, Kyrgyzkaya ASSR, Avt. Oiuratskaya Oblast, Burito - Mongolskaya SSR (Kazakhstan), Avt. Yakustkaya SSR (Yakutia), Beloruskaya SSR (Belarus), Ukrainskaya, SSR (Ukraine), Moldavskaya SSR (Moldovia), Zakavkazkaya SSR (Abkhazia), Azerbaijanskaya SSR (Azerbaijan), Arminskaya SSR (Armenia), SSR Gruzii (Georgia), Central Asian SSR (Karakalpakstan, Kyrgyzstan, Turkmenistan, Uzbekistan), Uzbekistan, Turkmenistan. OCLC shows copies in twenty-three libraries worldwide: 7852120, 968755133, and 822577467.
1930ref. 42139Kiev: Katedr far Yidisher Kultur ba der Ukr. Visnshaftl. Akademye Filologishe Sektsye 1930. Paper Wrappers. 1st edition. Original printed publisher’s color paper wrappers 4to large ca 72-116 columns ca 36-58 pages per issue. 28 cm. In Yiddish. Title translates roughly as “The Yiddish Language.” Succeeded in 1931 by “Afn shprakhfront.”Di Yidishe Shprakh was a “Yiddish linguistic journal published in Kiev from 1927 to 1930. A bimonthly journal Di yidishe shprakh The Yiddish Language was published by the cooperative publishing house Kultur-lige and was the main philological publication of the Kiev Yiddish academic center. Its editor was the veteran Yiddishist Nokhem Shtif a founder of YIVO who had returned to Kiev from Germany in 1926. The journal’s inaugural issue March–April 1927 was published under the auspices of the Central Yiddish Bureau of the Ukrainian Commissariat for Education. With the next issue Di yidishe shprakh was an organ of the Chair and from July to October 1929 it was an organ of the Institute for Jewish later Proletarian Jewish Culture at the Ukrainian Academy of Sciences. Initially defined as a 'journal for practical Yiddish linguistics' from May to June 1927 it appeared as simply a 'journal for Yiddish linguistics. 'Shtif distinguished three language registers: the vernacular of the old generation partly represented in the works of Sholem Aleichem and predecessors; the highbrow language of modern writers such as Dovid Bergelson; and the contemporary 'culture language' most notably of the press. Although Shtif sought to target speakers of the mass 'culture language' the journal’s circulation hovered around 500 copies read mainly by Yiddish teachers.Apart from Shtif who published articles on various language-planning problems the most active contributors to Di yidishe shprakh were Ber Slutski Ayzik Zaretski Elye Falkovitsh Lipe Reznik and Shimen Dobin. In early 1929 Moscow literary critic Aron Gurshteyn criticized the journal for its purist approach to language planning. In the July–October 1929 issue Shtif published his article 'Di sotsyale diferentsiatsye in yidish' The Social Differentiation in Yiddish heralding an intensification of Soviet linguists’ anti-Hebraist campaign. That issue of Di yidishe shprakh adopted completely reformed Soviet spelling omitting for example final consonant letters.Although the last—twenty-fifth—issue of the journal was dated November–December 1930 it included materials from the First All-Union Yiddish Language Conference convened in Kiev from 8 to 13 February 1931 that issue is present here. Published under the imprint of the Central Publishing House this issue also signaled the demise of the remaining vestiges of the Kiev Kultur-lige. Yoysef Liberberg’s article 'Far parteyishkayt in der yidisher visnshaft-arbet' For a Party Approach to Yiddish Linguistics marked a full break with YIVO scholars particularly with YIVO director Max Weinreich whom Liberberg ridiculed for presenting Yiddish as an emanation of the Ashkenazic Jews’ soul. The Yiddish Language Conference decided to change the name of the journal. Between 1931 and 1939 it appeared sporadically under the title Afn shprakhfront On the Language Front reflecting its new more aggressive and politically charged approach' Gennady Estraikh in YIVO Encyclopedia of Jews in Eastern Europe 2010. For more see David Shneer “Yiddish and the Creation of Soviet Jewish Culture 1918–1930” Cambridge and New York 2004. SUBJECTS: Yiddish language -- Periodicals. Title also listed on covers in Russian “Ievreis'ka Mova” and German “Jiddische Sprach”. OCLC: 22840298. Most holdings in OCLC appear to be fragmentary. Covers are browning and fragile as expected but are otherwise very well preserved with very little edgewear. Internal text pages are also toning but remain relatively strong as pulp paper. Very important journal scarce in this degree of completeness Note that Estraikh suggests a circulation of only 500!. B YID-43-5-E. Kiev: Katedr far Yidisher Kultur ba der Ukr. Visnshaftl. Akademye, Filologishe Sektsye unknown
1965ref. mon0000121503PROGRESS PUB. 1965-01-01. Hardcover. Good. 2.5000 in x 8.5000 in x 5.9000 in. No DJ. Mild shelf wear and fading to both volumes. Former owner's name on inside cover otherwise pages clean. Cup mark on volume one's cover. PROGRESS PUB. hardcover
1935ref. 6911935 - reliure - Sanjian Shuwu 三閒書屋 - Yinyu ji 引玉集 (« Recueil pour attirer le jade ») 木刻五十九幅 - Deuxième tirage, avril 1935 - In-8 (19,5 × 15,5 cm) reliure cartonnée de l'éditeur, dos noir, pièce de titre contrecollée sur le premier plat - 68 pages - 59 reproductions de gravures sur bois soviétiques imprimées au procédé collotype (珂羅版) d'après les tirages originaux fournis par les artistes - Comprend un texte de Chen Jie (陳節), traduction abrégée d'un essai de A. D. Chegodaev consacré à la gravure soviétique contemporaine - Tirage limité à 215 exemplaires, dont 15 exemplaires hors commerce - Diffusion assurée par la librairie Uchiyama (內山書店), Shanghai - Ouvrage en chinois - Avec des œuvres de Dmitri Isidorovich Mitrokhin, A. Kravchenko, N. Piskarev, Vladimir Andreevich Favorsky, P. Pavlinov, A. Goncharov, M. Pikov, Sergei Mikhalovich Mocharov, L. Khizhinsky, Nikolai Vasilievich Alekseev et Sergei Mikhailovich Pozharsky - A PROPOS : Rare anthologie consacrée à la gravure soviétique moderne, publiée à Shanghai par 三閒書屋 et diffusée par la librairie Uchiyama (內山書店). L'ouvrage réunit cinquante-neuf reproductions en collotype de gravures sur bois réalisées par plusieurs figures majeures de l'école russe et soviétique de la gravure des années 1920-1930, parmi lesquelles Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko et Pavel Pavlinov. Accompagné d'une traduction abrégée par Chen Jie d'un essai de l'historien de l'art soviétique A. D. Chegodaev, ainsi que d'une préface, d'un catalogue des planches et d'une postface, le volume fut conçu comme une introduction à l'estampe contemporaine soviétique pour le public chinois. Témoignage remarquable des échanges artistiques sino-soviétiques dans le Shanghai républicain des années 1930, il s'inscrit dans le contexte du mouvement de la Nouvelle Gravure (新興木刻運動), alors en plein essor sous l'influence des milieux intellectuels de gauche et des réseaux culturels gravitant autour de la librairie Uchiyama et de la figure de Lu Xun. Les reproductions furent réunies à partir de documents et publications soviétiques découverts au début des années 1930, notamment par l'intermédiaire de la revue Graphika. /// ENGLISH: Sanjian Shuwu (三閒書屋) - Yinyu ji (引玉集, “Collection to Draw Forth Jade”): Fifty-Nine Woodcuts (木刻五十九幅) - Second printing, April 1935 - Octavo (19.5 × 15.5 cm), publisher's boards with black spine and mounted title label on upper cover - 68 pages - 59 collotype (珂羅版) reproductions of Soviet woodcuts printed from original impressions supplied by the artists - Includes a text by Chen Jie (陳節), an abridged translation of an essay by A. D. Chegodaev on contemporary Soviet printmaking - Limited edition of 215 copies, including 15 non-commercial presentation copies - Distributed by Uchiyama Bookstore (內山書店), Shanghai - Text in Chinese - Featuring works by Dmitri Isidorovich Mitrokhin, Alexei Kravchenko, Nikolai Piskarev, Vladimir Andreevich Favorsky, Pavel Pavlinov, Aleksandr Goncharov, Mikhail Pikov, Sergei Mikhailovich Mocharov, Leonid Khizhinsky, Nikolai Vasilievich Alekseev and Sergei Mikhailovich Pozharsky. ABOUT: Rare anthology devoted to modern Soviet wood engraving and printmaking, published in Shanghai by Sanjian Shuwu and distributed through Uchiyama Bookstore (內山書店). The volume gathers fifty-nine collotype reproductions of woodcuts by several leading figures of the Russian and Soviet printmaking revival of the 1920s and 1930s, including Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko and Pavel Pavlinov. Accompanied by Chen Jie's abridged translation of an essay by Soviet art historian A. D. Chegodaev, as well as a preface, plate catalogue and postface, the work was conceived as an introduction to contemporary Soviet printmaking for Chinese readers. A remarkable testimony to Sino-Soviet artistic exchanges in Republican-era Shanghai, it belongs to the context of the New Woodcut Movement (新興木刻運動), then flourishing under the influence of left-wing intellectual circles and cultural networks associated with Uchiyama Bookstore and the figure of Lu Xun. The reproductions were assembled from Soviet books, periodicals and documentary sources discovered in the early 1930s, notably through the journal Graphika. /// 中文:三閒書屋出版 — 《引玉集:木刻五十九幅》 — 1935年4月再版 — 32開(19.5 × 15.5厘米)精裝本,黑色書脊,封面貼書名籤 — 68頁 — 收錄蘇聯木刻作品59幅,以珂羅版工藝依據藝術家提供之原拓本複製印製 — 附陳節摘譯 A. D. Chegodaev(契戈達耶夫)論蘇聯現代版畫藝術之文章 — 限印215部,其中15部為非賣贈送本 — 上海內山書店代售 — 中文版 — 收錄 Dmitri Isidorovich Mitrokhin、Alexei Kravchenko、Nikolai Piskarev、Vladimir Andreevich Favorsky、Pavel Pavlinov、Aleksandr Goncharov、Mikhail Pikov、Sergei Mikhailovich Mocharov、Leonid Khizhinsky、Nikolai Vasilievich Alekseev 及 Sergei Mikhailovich Pozharsky 等藝術家作品。關於本書:本書為三閒書屋於上海出版、由內山書店代售之珍稀蘇聯現代木刻版畫選集。全書收錄59幅以珂羅版精印之蘇聯木刻作品,作者均為1920至1930年代俄羅斯及蘇聯版畫復興運動的重要藝術家,其中包括弗拉基米爾·法沃爾斯基(Vladimir Favorsky)、德米特里·米特羅欣(Dmitri Mitrokhin)、阿列克謝·克拉夫琴科(Alexei Kravchenko)及帕維爾·帕夫利諾夫(Pavel Pavlinov)等人。書中除收錄陳節摘譯之蘇聯藝術史家 A. D. Chegodaev 論文外,尚附序言、圖版目錄及後記,旨在向中國讀者介紹蘇聯當代版畫藝術。本書不僅是研究俄蘇版畫的重要文獻,亦是1930年代上海中蘇藝術交流的珍貴見證。其出版背景與中國新興木刻運動(新興木刻運動)密切相關,反映了左翼知識界、內山書店文化網絡以及魯迅所倡導之版畫思想的深遠影響。書中圖版主要彙集自1930年代初傳入中國之蘇聯書籍、期刊及藝術資料,其中包括《Graphika》等重要出版物。