RAUL CARUSO|ANDREA LOCATELLIBiblio.com
738 résultats
2014réf. Adhya-9781783508273EMERALD 2014. HB. New. EMERALD hardcover
2014réf. Adhya-9781783508273EMERALD 2014. HB. New. EMERALD hardcover
réf. Bloomsbury-9780739171363Lexington Books. Hardback. New. 312 pages Lexington Books hardcover
réf. Bloomsbury-9780739171363Lexington Books. Hardback. New. 312 pages Lexington Books hardcover
2021réf. 71409Santa Fe: The Press at the Palace of the Governors 2021. Very limited edition. Fine. Quarto 32 cm Sewn wraps and leaves of paper pulp made at the Museum of Paper and Watermark. In a salmon-colored cloth covered clamshell box in very good condition with light shelfwear. An exquisite fine press book printed in New Mexico. "La Mano dell'Uomo" celebrates the strengths of the human hand in combination with the human mind's capacity for creativity invention tradition and even harm. Number 17 in an edition limited to only 100 copies. From the Introduction- "Celebrated in Italy Bruno Caruso 1927-2018 was a Sicilian painter etcher illustrator and writer. A courageous and outspoken stance on social issues of the 20th century earned him worldwide respect. His prolific body of art and writing was arresting in its quality and extent. Caruso's art and books are represented in dozens of American museum and library collections. His 1965 'La Mano dell'Uomo' was published as his New Year greeting. Rare in American collections here it is presented in translation and in reimagined form." From the Palace Press website: "Palace Press curator Thomas Leech and Lynn Sures an internationally recognized paper artist collaborated on the making of this distinctive limited edition. Following the book to its origin the artists returned to Fabriano Italy a birthplace of European papermaking to produce the sheets required for the edition. During their 2019 residency at the Museo della Carta e della Filigrana The Museum of Paper and Watermark the artists made 900 sheets of paper by hand. Those papers bear historic watermarks from Fabriano's celebrated past. The Press at the Palace of the Governors unknown
2021réf. 71409Santa Fe: The Press at the Palace of the Governors 2021. Very limited edition. Fine. Quarto 32 cm Sewn wraps and leaves of paper pulp made at the Museum of Paper and Watermark. In a salmon-colored cloth covered clamshell box in very good condition with light shelfwear. An exquisite fine press book printed in New Mexico. "La Mano dell'Uomo" celebrates the strengths of the human hand in combination with the human mind's capacity for creativity invention tradition and even harm. Number 17 in an edition limited to only 100 copies. From the Introduction- "Celebrated in Italy Bruno Caruso 1927-2018 was a Sicilian painter etcher illustrator and writer. A courageous and outspoken stance on social issues of the 20th century earned him worldwide respect. His prolific body of art and writing was arresting in its quality and extent. Caruso's art and books are represented in dozens of American museum and library collections. His 1965 'La Mano dell'Uomo' was published as his New Year greeting. Rare in American collections here it is presented in translation and in reimagined form." From the Palace Press website: "Palace Press curator Thomas Leech and Lynn Sures an internationally recognized paper artist collaborated on the making of this distinctive limited edition. Following the book to its origin the artists returned to Fabriano Italy a birthplace of European papermaking to produce the sheets required for the edition. During their 2019 residency at the Museo della Carta e della Filigrana The Museum of Paper and Watermark the artists made 900 sheets of paper by hand. Those papers bear historic watermarks from Fabriano's celebrated past. The Press at the Palace of the Governors unknown books
1909réf. 324828New York: The Metropolitan Company 1909. Hardcover. Good. First edition. Gray printed paper over boards. Bottom inch of the fragile spine lacking offsetting from a clipping on the title page else a very good copy. Scarce. The Metropolitan Company hardcover
1909réf. 324828New York: The Metropolitan Company 1909. Hardcover. Good. First edition. Gray printed paper over boards. Bottom inch of the fragile spine lacking offsetting from a clipping on the title page else a very good copy. Scarce. The Metropolitan Company hardcover books
réf. 23549189 x 149 mm 7.5 x 5.75". Dated 1913. Blue pen and wash. Slightly worn and foxed especially to verso; creased at upper edge and central fold; remnants of adhesive to upper corners of verso. Together with: A handsome postcard photograph of Caruso seated stylishly dressed with cigarette and cane in hand. 136 x 84 mm. with the name of the photographer's studio Brogi printed to lower right edge of recto the name and London address of the publisher Breitkopf and Härtel and "Printed in Germany" printed to verso. Slightly browned; remnants of adhesive to verso. While Caruso's self-caricatures are possibly the most desirable to opera collectors his often insightful drawings of composers singers conductors etc. are also valuable iconographical records. See Sisca: Caruso's Caricatures NY Dover 1977 for a comprehensive overview of the caricatures. "The famous tenor Caruso was a skilled amateur caricaturist who portrayed himself in operatic roles and drew humorous portraits of friends as a release from his stressful professional life. Since 1903 Caruso had lived in New York for part of each year while performing at the Metropolitan Opera and sent opera-related caricatures to La Follia a local Italian-language newspaper." Website of The Metropolitan Opera New York "With his original treatment of traditional forms his highly inventive approach to musical drama and his importance as a teacher and writer Paul Dukas occupies a central position in French musical history. Dukas was not only an influence on many French 20th-century composers and others such as Zemlinsky and Berg but also remains important in his own right. His reputation rests on only a small number of compositions notably the Piano Sonata Ariane et Barbe-bleue the ballet La Péri and L'apprenti sorcier. Dukas's influence as a critic from 1892 to 1932 can be compared with Debussy's; his informed opinions reveal great sensitivity to the musical and aesthetic changes that took place during the period." Manuela Schwartz and G.W. Hopkins in Grove Music Online. unknown
réf. 23549189 x 149 mm 7.5 x 5.75". Dated 1913. Blue pen and wash. Slightly worn and foxed especially to verso; creased at upper edge and central fold; remnants of adhesive to upper corners of verso. Together with: A handsome postcard photograph of Caruso seated stylishly dressed with cigarette and cane in hand. 136 x 84 mm. with the name of the photographer's studio Brogi printed to lower right edge of recto the name and London address of the publisher Breitkopf and Härtel and "Printed in Germany" printed to verso. Slightly browned; remnants of adhesive to verso. While Caruso's self-caricatures are possibly the most desirable to opera collectors his often insightful drawings of composers singers conductors etc. are also valuable iconographical records. See Sisca: Caruso's Caricatures NY Dover 1977 for a comprehensive overview of the caricatures. "The famous tenor Caruso was a skilled amateur caricaturist who portrayed himself in operatic roles and drew humorous portraits of friends as a release from his stressful professional life. Since 1903 Caruso had lived in New York for part of each year while performing at the Metropolitan Opera and sent opera-related caricatures to La Follia a local Italian-language newspaper." Website of The Metropolitan Opera New York "With his original treatment of traditional forms his highly inventive approach to musical drama and his importance as a teacher and writer Paul Dukas occupies a central position in French musical history. Dukas was not only an influence on many French 20th-century composers and others such as Zemlinsky and Berg but also remains important in his own right. His reputation rests on only a small number of compositions notably the Piano Sonata Ariane et Barbe-bleue the ballet La Péri and L'apprenti sorcier. Dukas's influence as a critic from 1892 to 1932 can be compared with Debussy's; his informed opinions reveal great sensitivity to the musical and aesthetic changes that took place during the period." Manuela Schwartz and G.W. Hopkins in Grove Music Online. unknown books
réf. 9781631176319NOVA SCIENCE PUBLISHERS INC
réf. Bloomsbury-9781780932149Bloomsbury Academic. Hardback. New. 240 pages Bloomsbury Academic hardcover
réf. Bloomsbury-9781780932149Bloomsbury Academic. Hardback. New. 240 pages Bloomsbury Academic hardcover
1995réf. 149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s. Set and shot on location in Las Vegas with casino scenes shot at the Riviera. 10 x 8 inches. Fine. Spicer US Neo-Noir. Universal Pictures unknown
1995réf. 149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film each demonstrating the film's true aspect ratio. With manuscript pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s. Set and shot on location in Las Vegas with casino scenes shot at the Riviera. 10 x 8 inches. Fine. Spicer US Neo-Noir. Universal Pictures unknown books
1974formato 29X21,5. Brossura editoriale in cartoncino. Con 62 opere originali di artisti quali A.LORA TOTINO - M.BENTIVOGLIO - S.VASSALLI - L. CARUSO - G. NICCOLAI - M. DIACONO - G. DORFLES e altri. Con un testo di Adriano Spatola. Importante rivista di Poesia Visiva. Tiratura numerata in 300 esemplari (076). Bella copia. RARO. FINE CONDITION
2005réf. __0470855983Halsted Pr 2005. Hardcover. New. 1st edition. 788 pages. 9.75x7.75x2.00 inches. Halsted Pr hardcover
1790réf. 40866Italy 1790. Oblong quarto 219 x 279 mm. Sewn. Notated in black ink on 10-stave rastrum-ruled paper. i title 54 i blank pp. Scored for two soprano voices Corimba and Calto and strings. The duet for the same characters is accompanied by strings oboes and horns. Minor soiling to title and final blank page; occasional browning and minor foxing; small early label with "293" in manuscript to upper inner corner of title. Drawn from the opera La disfatta di Duntalamo re di Theuta first performed in Rome at the Teatro Argentina in 1789. Caruso "studied first with his father Giuseppe and then with Nicola Sala at the Conservatorio della Pietà dei Turchini Naples. He began composing operas at an early age achieving success both in Italy and abroad where his works were performed almost every year. . Caruso wrote many operas; his comic operas were sometimes reworked under different titles to satisfy the constant demand of the theatres. Their comedy always has a touch of pathos and intimacy typical of 18th-century Neapolitan opera. Orchestral numbers and excerpts were widely distributed in contemporary manuscripts and were published in Florence London Paris and Rome. The librettos he set whether by illustrious poets Metastasio Bertati Rossi or little-known writers were always of high quality. He is notable for his extended melodies often reminiscent of Paisiello and for their formal construction. Although he continued to compose into the 19th century he was unwilling to accept the innovations of Romanticism remaining firmly linked to the older Neapolitan style. For this reason in the last years of his life he turned his attention almost exclusively to sacred music which contain some interesting stylistic features and instrumental music." Galliano Ciliberti and Marita P. McClymonds in Grove Music Online. unknown
1790réf. 40866Italy 1790. Oblong quarto 219 x 279 mm. Sewn. Notated in black ink on 10-stave rastrum-ruled paper. i title 54 i blank pp. Scored for two soprano voices Corimba and Calto and strings. The duet for the same characters is accompanied by strings oboes and horns. Minor soiling to title and final blank page; occasional browning and minor foxing; small early label with "293" in manuscript to upper inner corner of title. Drawn from the opera La disfatta di Duntalamo re di Theuta first performed in Rome at the Teatro Argentina in 1789. Caruso "studied first with his father Giuseppe and then with Nicola Sala at the Conservatorio della Pietà dei Turchini Naples. He began composing operas at an early age achieving success both in Italy and abroad where his works were performed almost every year. . Caruso wrote many operas; his comic operas were sometimes reworked under different titles to satisfy the constant demand of the theatres. Their comedy always has a touch of pathos and intimacy typical of 18th-century Neapolitan opera. Orchestral numbers and excerpts were widely distributed in contemporary manuscripts and were published in Florence London Paris and Rome. The librettos he set whether by illustrious poets Metastasio Bertati Rossi or little-known writers were always of high quality. He is notable for his extended melodies often reminiscent of Paisiello and for their formal construction. Although he continued to compose into the 19th century he was unwilling to accept the innovations of Romanticism remaining firmly linked to the older Neapolitan style. For this reason in the last years of his life he turned his attention almost exclusively to sacred music which contain some interesting stylistic features and instrumental music." Galliano Ciliberti and Marita P. McClymonds in Grove Music Online. unknown books
2003réf. __0471492140John Wiley & Sons Inc 2003. Hardcover. New. 1st edition. 670 pages. 9.75x7.50x1.50 inches. John Wiley & Sons Inc hardcover
2024réf. Adhya-9781789247336CABI 2024. HB. New. CABI hardcover
2024réf. Adhya-9781789247336CABI 2024. HB. New. CABI hardcover
réf. 45894357-nnew. unknown
réf. 6255945John Wiley & Sons . Hardback. New. pp. 1458 John Wiley & Sons hardcover
2004réf. L3 box174 aNew book. Wiley-VCH hardcover
